The 43rd edition of the Festival du nouveau cinéma showcases the best new films and filmmakers from around the world. The festival which has often been described as ‘ baby-tiff’ – picks up the best from Berlinale, Cannes, Venice, Telluride, Toronto and more – and demonstrates the vibrancy of filmmaking in all its forms and for all audiences. The fest has announced the first wave of films from Quebec and Canada in their lineup. Once again this year, the Festival will be putting local cinema in the limelight by screening some much-awaited works spread out over several programs, including the International Competition – Louve d’or, Focus, Fnc Lab, Panorama and Special Presentation for the features as well as a variety of short film programs.
The Fnc will present the much-awaited Félix and Meira (Félix et Meira), the new film by Maxime Giroux (whose Jo pour Jonathan was shown in 2010), the tale of an...
The Fnc will present the much-awaited Félix and Meira (Félix et Meira), the new film by Maxime Giroux (whose Jo pour Jonathan was shown in 2010), the tale of an...
- 9/12/2014
- by Ricky
- SoundOnSight
For the first time ever, Toronto International Film Festival along with Telefilm Canada had a pre-Toronto reception for the trade. Held at Soho House on a flawless L.A. day, with views of West Hollywood and Beverly Hills all the way to the Pacific Ocean, the trade had the happy hours to greet and catch up with each other and to preview trailers of the films Canada will be showing at the festival. And best of all, Tiff gave everyone a 2 lb. 4 oz. catalog (even more than one to gift to other colleagues) to take home instead of having to pack them into our suitcases to take back from Toronto.
Maybe it’s the drought here in L.A. that gives me the yearning for rain, but the films on my must-see list include a couple about rain: the Tiff Doc, “Monsoon” by Surla Gunnarsson and “October Gale” by Ruba Nadda (“Cairo Time”) starring Patricia Clarkson and Scott Speedman, a Special Presentation being sold by Myriad.
Canada has the most coproduction treaties of any other nation, and Seoul Korea is the chosen city in this year’s City to City program. The coproduction between Canada and So. Korea, “In Her Place” by writer-director Albert Shin, showing in the Discovery Section looks very compelling. Elle Driver is selling this drama about a wealthy couple secretly seeking to adopt the unborn child of an impoverished and troubled rural teenager.
Other trailers we watched included Contemporary World Cinema entries, “Felix and Meira” by Maxime Giroux, being sold by Udi – Urban Distribution International, “Love in the Time of Civil War” by Rodrigue Jean (Isa: Les Films du 3 Mars) and “Heartbeat” by Andrea Dorfman.
In Midnight Madness, “The Editor” looks pretty good. Park Entertainment is selling it. Xavier Dolan, Bruce Greenwood and Catherine Keener star in “Elephant Song” by Charles Biname which is a Special Presentation. Another Special Presentation is “Preggoland” by Jacob Tierney (“The Trotsky”).
Trailers from Discovery included “Guidance”, the debut film by Pat Mills, “Big Muddy”, “The Valley Below” by Kyle Thomas, “Wet Bum” by Lindsay Mackay, (Isa: Traction Media), “Backcountry” by Adam MacDonald, (Isa: Event Film Distribution, Us: contact Cinetic), “Bang Bang Baby” a surreal, fever-dream fusion of small-town musical and 1950s sci-fi debut feature which writer-director Jeffrey St. Jules developed from his own short at the Cannes Film Festival Residence Program.
Peter Goldwyn of The Samuel Goldwyn Company and Matt Dentler of iTunes, talked up the unprecedented (for a foreign language film) success reaching the top 20 films on iTunes of “ The German Doctor” directed by Lucia Puenzo.
Paul Federbush and I spoke of new horizons of the international labs of Sundance Institute. Sundance Industry’s Rosy Wong introduced me to Lisa Ogdie, Sundance Ff’s Shorts Programmer. Strand’s Marcus Hu, who has two films in the festival (Films Distribution’s “Girlhood” and Pyramide’s “Xenia”) was there, Frank Wuliger looking at the Gersh trailer of “October Gale”, Rebecca (Bec) Smith of UTA as were so many others.
New acquisitions gigs were discussed: Bobby Rock looking for international sales agent,Cinema Management Group ( Dene Anderberg, Cmg’s VP of Sales and Operations, was also there schmoozing) and for Random Media, the new U.S. distribution company founded by Eric Doctorow (formerly head of Paramount Home Video) in November 2013, which will release films through Cinedigm.
Telefilm and Tiff have held a similar soiree for four years in NewYork. I’m sure Andrew Karpen, former Co-ceo of Focus Features, who is launching the new distribution company Bleecker Street was there in N.Y.
Rachel Shapiro, also happily working on many projects at once and her friend, producer Melanie Backer, Laurie Woodrow of RightsTrade a global online marketplace for film, television and digital rights licensing whose “Market On Demand” streamlines film, television, and digital rights sales and acquisitions for content owners, sales agents and distributors who can reach thousands of industry buyers, and buyers can search, screen, and license rights from sellers of thousands of titles.
Bonnie Voland with her hands full for Im Global and its many lines, reminisced with Carolle Brabant, Executive Director of Telefilm Canada and Brigitte Hubmann of Telefilm about the five (!) regimes of the Toronto International Film Festival she has known…from before Helga Stephenson all the way to Cameron Bailey who was there talking up the upcoming festival and hearing peoples’ raves or rants.
Also reminiscing with Brigitte about their days at Goethe Institut was Margit Kleinman who is now director of Villa Aurora, the artist-in-residence program for artists in Germany housed in the Pacific Palisades former home of German émigré, the novelist Lion Furchtwanger. I didn’t have time to ask if they would host the German Academy Award party this year for their submission for Best Foreign Language film, Dominik Graf’s “Beloved Sister”. Since its premiere at the Berlinale this year, international sales agent Global Screen has sold the rights to Music Box for U.S. who will release it in December, and to Australia, New Zealand, Brazil, Poland and Croatia thus far.
Our dear friend, Ian Birnie, programmer for Mumbai Film Festival and the Louisiana International Film Festival was there with so many others. It was a wonderful moment to catch up and to forget the pressure we are all under preparing our screenings and meetings for Tiff.
Even though he wasn’t there, I want to mention a brief interchange I had with producer rep Cassian Elwes of Elevated Film Sales, who is repping “Black and White” with Kevin Costner and co-repping the Paul Bettany movie with Jennifer Connelly, “Shelter”, with UTA at Tiff. “In Venice I have Bogdanovich’s ‘She's Funny that Way’ which is in a three way split between me, CAA and UTA and Joe Dante's movie ‘Burying the Ex’ which I'm doing with CAA.”
Steven Raphael and Mj Pekos were fronting for the reception and also are repping “Voiceover” and “Dark Horse” at Tiff.
There was no need to show trailers to the buzz films like the Gala film “Foxcatcher”, which has Oscar expectations are already swirling around it and which premiered in Cannes and is being sold by Kimberly Fox’s Panorama Media and Annapurna (already sold to Sony Pictures Classics for U.S. as well as to Canada-Métropole Films Distribution and Mongrel Media Inc., France-Mars Films, Germany-Koch Media Gmbh, Japan-Longride Inc. So. Korea-Green Narae Media, Switzerland-Ascot Elite Entertainment Group, Taiwan-Long Shong International, United Kingdom- Entertainment One Uk. The film has already earned Bennett Miller the Best Director prize at Cannes.
Another not previewing was Benedict Cumberbatch starring in the much talked about Alan Turing biopic “ The Imitation Game”, and his portrayal of the legendary British code breaker and mathematician is generating talk of a Best Actor nod at this year's Academy Awards. FilmNation is repping this and has already sold it to The Weinstein Company for U.S., Belgium to Paradiso Filmed Entertainment, Greece to Seven Films, Hong Kong (China) to Edko Films Ltd, Israel to Lev Films (Shani Films), Italy toVidea - Cde S.P.A., Japan toGaga Corporation, So. Korea to Medialog Corp., Sweden to Svensk Filmindustri, Ab, Switzerland to Ascot Elite Entertainment Group, Taiwan to Applause Entertainment Ltd. Taiwan Branch, Thailand to M Pictures Co., Ltd.
Two other hot films are Lone Scherfig's “The Riot Club” repped by Hanway and already sold to Universal Pictures for No. America, Belgium-Lumière, France-Selective Films, Germany-Prokino Filmverleih Gmbh, Hong Kong (China)-Golden Scene Company Limited, Italy-Notorious Pictures, Benelux-Lumiere, Poland-Kino Swiat, Switzerland-Pathe Films Ag, United Arab Emirates-Front Row Filmed Entertainment and the U.K. Kingdom-Universal Pictures International and Noah Baumbach's “ While We're Young”, produced by Scott Rudin and repped by FilmNation (again!), with no sales on record yet.
See Cameron Bailey on CBC News discussing Tiff:
Video | TIFF2014: 4 buzz-worthy films at the fest If you want to know more about sales in Toronto, please check back with www.SydneysBuzz.com/Reports for the Toronto By Numbers Report and after the festival for the Toronto Rights Roundup.
Maybe it’s the drought here in L.A. that gives me the yearning for rain, but the films on my must-see list include a couple about rain: the Tiff Doc, “Monsoon” by Surla Gunnarsson and “October Gale” by Ruba Nadda (“Cairo Time”) starring Patricia Clarkson and Scott Speedman, a Special Presentation being sold by Myriad.
Canada has the most coproduction treaties of any other nation, and Seoul Korea is the chosen city in this year’s City to City program. The coproduction between Canada and So. Korea, “In Her Place” by writer-director Albert Shin, showing in the Discovery Section looks very compelling. Elle Driver is selling this drama about a wealthy couple secretly seeking to adopt the unborn child of an impoverished and troubled rural teenager.
Other trailers we watched included Contemporary World Cinema entries, “Felix and Meira” by Maxime Giroux, being sold by Udi – Urban Distribution International, “Love in the Time of Civil War” by Rodrigue Jean (Isa: Les Films du 3 Mars) and “Heartbeat” by Andrea Dorfman.
In Midnight Madness, “The Editor” looks pretty good. Park Entertainment is selling it. Xavier Dolan, Bruce Greenwood and Catherine Keener star in “Elephant Song” by Charles Biname which is a Special Presentation. Another Special Presentation is “Preggoland” by Jacob Tierney (“The Trotsky”).
Trailers from Discovery included “Guidance”, the debut film by Pat Mills, “Big Muddy”, “The Valley Below” by Kyle Thomas, “Wet Bum” by Lindsay Mackay, (Isa: Traction Media), “Backcountry” by Adam MacDonald, (Isa: Event Film Distribution, Us: contact Cinetic), “Bang Bang Baby” a surreal, fever-dream fusion of small-town musical and 1950s sci-fi debut feature which writer-director Jeffrey St. Jules developed from his own short at the Cannes Film Festival Residence Program.
Peter Goldwyn of The Samuel Goldwyn Company and Matt Dentler of iTunes, talked up the unprecedented (for a foreign language film) success reaching the top 20 films on iTunes of “ The German Doctor” directed by Lucia Puenzo.
Paul Federbush and I spoke of new horizons of the international labs of Sundance Institute. Sundance Industry’s Rosy Wong introduced me to Lisa Ogdie, Sundance Ff’s Shorts Programmer. Strand’s Marcus Hu, who has two films in the festival (Films Distribution’s “Girlhood” and Pyramide’s “Xenia”) was there, Frank Wuliger looking at the Gersh trailer of “October Gale”, Rebecca (Bec) Smith of UTA as were so many others.
New acquisitions gigs were discussed: Bobby Rock looking for international sales agent,Cinema Management Group ( Dene Anderberg, Cmg’s VP of Sales and Operations, was also there schmoozing) and for Random Media, the new U.S. distribution company founded by Eric Doctorow (formerly head of Paramount Home Video) in November 2013, which will release films through Cinedigm.
Telefilm and Tiff have held a similar soiree for four years in NewYork. I’m sure Andrew Karpen, former Co-ceo of Focus Features, who is launching the new distribution company Bleecker Street was there in N.Y.
Rachel Shapiro, also happily working on many projects at once and her friend, producer Melanie Backer, Laurie Woodrow of RightsTrade a global online marketplace for film, television and digital rights licensing whose “Market On Demand” streamlines film, television, and digital rights sales and acquisitions for content owners, sales agents and distributors who can reach thousands of industry buyers, and buyers can search, screen, and license rights from sellers of thousands of titles.
Bonnie Voland with her hands full for Im Global and its many lines, reminisced with Carolle Brabant, Executive Director of Telefilm Canada and Brigitte Hubmann of Telefilm about the five (!) regimes of the Toronto International Film Festival she has known…from before Helga Stephenson all the way to Cameron Bailey who was there talking up the upcoming festival and hearing peoples’ raves or rants.
Also reminiscing with Brigitte about their days at Goethe Institut was Margit Kleinman who is now director of Villa Aurora, the artist-in-residence program for artists in Germany housed in the Pacific Palisades former home of German émigré, the novelist Lion Furchtwanger. I didn’t have time to ask if they would host the German Academy Award party this year for their submission for Best Foreign Language film, Dominik Graf’s “Beloved Sister”. Since its premiere at the Berlinale this year, international sales agent Global Screen has sold the rights to Music Box for U.S. who will release it in December, and to Australia, New Zealand, Brazil, Poland and Croatia thus far.
Our dear friend, Ian Birnie, programmer for Mumbai Film Festival and the Louisiana International Film Festival was there with so many others. It was a wonderful moment to catch up and to forget the pressure we are all under preparing our screenings and meetings for Tiff.
Even though he wasn’t there, I want to mention a brief interchange I had with producer rep Cassian Elwes of Elevated Film Sales, who is repping “Black and White” with Kevin Costner and co-repping the Paul Bettany movie with Jennifer Connelly, “Shelter”, with UTA at Tiff. “In Venice I have Bogdanovich’s ‘She's Funny that Way’ which is in a three way split between me, CAA and UTA and Joe Dante's movie ‘Burying the Ex’ which I'm doing with CAA.”
Steven Raphael and Mj Pekos were fronting for the reception and also are repping “Voiceover” and “Dark Horse” at Tiff.
There was no need to show trailers to the buzz films like the Gala film “Foxcatcher”, which has Oscar expectations are already swirling around it and which premiered in Cannes and is being sold by Kimberly Fox’s Panorama Media and Annapurna (already sold to Sony Pictures Classics for U.S. as well as to Canada-Métropole Films Distribution and Mongrel Media Inc., France-Mars Films, Germany-Koch Media Gmbh, Japan-Longride Inc. So. Korea-Green Narae Media, Switzerland-Ascot Elite Entertainment Group, Taiwan-Long Shong International, United Kingdom- Entertainment One Uk. The film has already earned Bennett Miller the Best Director prize at Cannes.
Another not previewing was Benedict Cumberbatch starring in the much talked about Alan Turing biopic “ The Imitation Game”, and his portrayal of the legendary British code breaker and mathematician is generating talk of a Best Actor nod at this year's Academy Awards. FilmNation is repping this and has already sold it to The Weinstein Company for U.S., Belgium to Paradiso Filmed Entertainment, Greece to Seven Films, Hong Kong (China) to Edko Films Ltd, Israel to Lev Films (Shani Films), Italy toVidea - Cde S.P.A., Japan toGaga Corporation, So. Korea to Medialog Corp., Sweden to Svensk Filmindustri, Ab, Switzerland to Ascot Elite Entertainment Group, Taiwan to Applause Entertainment Ltd. Taiwan Branch, Thailand to M Pictures Co., Ltd.
Two other hot films are Lone Scherfig's “The Riot Club” repped by Hanway and already sold to Universal Pictures for No. America, Belgium-Lumière, France-Selective Films, Germany-Prokino Filmverleih Gmbh, Hong Kong (China)-Golden Scene Company Limited, Italy-Notorious Pictures, Benelux-Lumiere, Poland-Kino Swiat, Switzerland-Pathe Films Ag, United Arab Emirates-Front Row Filmed Entertainment and the U.K. Kingdom-Universal Pictures International and Noah Baumbach's “ While We're Young”, produced by Scott Rudin and repped by FilmNation (again!), with no sales on record yet.
See Cameron Bailey on CBC News discussing Tiff:
Video | TIFF2014: 4 buzz-worthy films at the fest If you want to know more about sales in Toronto, please check back with www.SydneysBuzz.com/Reports for the Toronto By Numbers Report and after the festival for the Toronto Rights Roundup.
- 9/1/2014
- by Sydney Levine
- Sydney's Buzz
Toronto film festival organisers have programmed features from 42 countries in the Contemporary World Cinema (Cwc) programme and unveiled eight South Korean selections in the City To City.
Cwc features latest work by Jessica Hausner, Rolf de Heer, Christian Zübert and Ryuichi Hiroki, among others.
For the third year, Tiff (Sept 4-14) has partnered with the University of Toronto’s Munk School Of Global Affairs on the Contemporary World Speakers series, pairing five films in selection with expert scholars.
The Contemporary World Speakers series is programmed in conjunction with the Tiff Adult Learning department.
Contemporary World Cinema
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Aire Libre (Argentina), Anahí Berneri IP
Amour Fou (Austria-Luxembourg-Germany), Jessica Hausner Nap
Behavior (Conducta) (Cuba), Ernesto Daranas Cp
Bird People (France), Pascale Ferran Nap
Black Souls (Anime Nere) (Italy), Francesco Munzi IP
Breathe (Respire) (France), Mélanie Laurent Nap
Charlie’s Country (Australia), Rolf de Heer Nap
*John Stackhouse...
Cwc features latest work by Jessica Hausner, Rolf de Heer, Christian Zübert and Ryuichi Hiroki, among others.
For the third year, Tiff (Sept 4-14) has partnered with the University of Toronto’s Munk School Of Global Affairs on the Contemporary World Speakers series, pairing five films in selection with expert scholars.
The Contemporary World Speakers series is programmed in conjunction with the Tiff Adult Learning department.
Contemporary World Cinema
Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.
Aire Libre (Argentina), Anahí Berneri IP
Amour Fou (Austria-Luxembourg-Germany), Jessica Hausner Nap
Behavior (Conducta) (Cuba), Ernesto Daranas Cp
Bird People (France), Pascale Ferran Nap
Black Souls (Anime Nere) (Italy), Francesco Munzi IP
Breathe (Respire) (France), Mélanie Laurent Nap
Charlie’s Country (Australia), Rolf de Heer Nap
*John Stackhouse...
- 8/12/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The luxurious banquet hall in Toronto’s Royal York hotel was electric with excitement as Tiff senior programmers including Steve Gravestock and Agata Smoluch Del Sorbo announced the robust lineup of Canadian films (several world preems) at this year’s Tiff plus the 40+ short titles (out of an astounding 840 short films — an increase of over 200 titles from last year) that will screen at the prestigious festival. With features populating almost every section at the fest, among the headliner items from English Canada, Cairo Time‘s Ruba Nadda returns to the fest with October Gale, while also world preeming is Bang Bang Baby — Jeffrey St. Jules marks his feature film debut with a film that is equal parts Rocky Horror Picture Show and early Cronenberg. Starring Jane Levy of the recent About Alex, it revolves around a small-town teenager in the ’60s whose dream of becoming a famous singer is dashed...
- 8/6/2014
- by Leora Heilbronn
- IONCINEMA.com
New work by Sturla Gunnarsson, Denys Arcand, Ruba Nadda and Xavier Dolan are among the selection set to premiere at the Toronto International Film Festival (Tiff) next month.
“These are filmmakers at the top of their craft, bringing fresh perspectives to traditional genres like comedies and less traditionally Canadian genres, such as musicals,” said Toronto International Film Festival (Tiff) senior programmer Steve Gravestock. “This year’s slate truly showcases the diversity of talent in our country, featuring films from coast to coast.”
“We are inspired by the number of exceptional debut features from Canadian directors, reflecting the depth of talent in this country,” said Tiff’s Canadian features programmer Agata Smoluch Del Sorbo.
“Extremely exciting is also the fact that female-driven narratives play a significant part in this year’s programming, highlighting the strong, rich tapestry of our storytelling.”
The Canada Goose Award for Best Canadian Feature Film is up for grabs, as is the...
“These are filmmakers at the top of their craft, bringing fresh perspectives to traditional genres like comedies and less traditionally Canadian genres, such as musicals,” said Toronto International Film Festival (Tiff) senior programmer Steve Gravestock. “This year’s slate truly showcases the diversity of talent in our country, featuring films from coast to coast.”
“We are inspired by the number of exceptional debut features from Canadian directors, reflecting the depth of talent in this country,” said Tiff’s Canadian features programmer Agata Smoluch Del Sorbo.
“Extremely exciting is also the fact that female-driven narratives play a significant part in this year’s programming, highlighting the strong, rich tapestry of our storytelling.”
The Canada Goose Award for Best Canadian Feature Film is up for grabs, as is the...
- 8/6/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Breaking out around the time where Nyff is on its last legs, Montreal's Festival du nouveau cinéma (October 12 to 23) kicks in with about four times the size in volume, and obviously more of an eclectic range. This year is the festival's big 40 - and for the occasion they've commissioned some of the names who've been a part of the festival to each contribute a short film in the context of what is being called the "Cartes Blanches" series. Denis Côté, Deco Dawson, Sophie Deraspe, Rodrigue Jean, Zacharias Kunuk, Marie Losier, Catherine Martin, Bruce McDonald, Théodore Ushev and Denis Villeneuve will each submit a four minute short. For their opening and closing festival items they've got the distinction of showing off Foreign Film Oscar selected items in Philippe Falardeau's Monsieur Lazhar and selected as the opener well before it was announced as France's submission for Oscar is Declaration of War by Valérie Donzelli.
- 9/27/2011
- IONCINEMA.com
I will soon post a list of films I have already seen that I highly recommend as well as a list of my most anticipated films screening at this year’s Festival du Nouveau Cinema. For now here is the press release from the festival. Make sure you read carefully because there are a ton of great films to check out.
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
- 9/27/2011
- by Ricky
- SoundOnSight
If you're in for an entertaining and fast-paced drama, don't even think about renting Lost Song. Although the story is fairly well written, Rodrigue Jean's film is frustrating to watch because of its execution. Yet, it doesn't prevent this independent film to possess some qualities.
Pierre (Patrick Goyette) and Elisabeth (Suzie LeBlanc), a couple in their thirties, move with their newborn son into a cottage on a lake for the summer. While Elisabeth stays at the cottage to rehearses for an upcoming voice recital, Pierre goes to work in the city. Obviously, Elisabeth is not alone since Pierre's mom lives in the neighbouring cottage and is willing to help Elisabeth at times. However, Elisabeth feels isolated, overwhelmed by her maternal responsibilities and distressed. Besides, Elisabeth's entourage doesn't seem to get that.
Honestly, if I knew how Lost Song is like, I wouldn't have bothered to watch it in the first place.
Pierre (Patrick Goyette) and Elisabeth (Suzie LeBlanc), a couple in their thirties, move with their newborn son into a cottage on a lake for the summer. While Elisabeth stays at the cottage to rehearses for an upcoming voice recital, Pierre goes to work in the city. Obviously, Elisabeth is not alone since Pierre's mom lives in the neighbouring cottage and is willing to help Elisabeth at times. However, Elisabeth feels isolated, overwhelmed by her maternal responsibilities and distressed. Besides, Elisabeth's entourage doesn't seem to get that.
Honestly, if I knew how Lost Song is like, I wouldn't have bothered to watch it in the first place.
- 3/13/2010
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Two days ago, Telefilm Canada had announced that 10 of 27 upcoming films will be in French. What follow is the list of these films.
L’appât – Comedy, Quebec-France co-production, directed by Yves Simoneau and written by Yves Simoneau and William Reymond. Poirier is a particularly inept detective, none of whose colleagues want to work with him. However, the French police, in concert with the Sureté du Québec, assign a very unusual officer, Marc Ventura, to work alongside Poirier... (Producers: Josée Vallée and Jean-Pierre Guérin; distributor: Alliance Vivafilm). The project is also receiving Telefilm support through the performance envelope.
Café de Flore – Drama, Quebec-France co-production, written and directed by Jean-Marc Vallée. This is first and foremost an incredibly beautiful love story between a man and a woman, as well as that between a mother and her son. (Producers: Pierre Even and Jean-Marc Vallée; distributor: Alliance Vivafilm).
En terrains connus – Drama written and directed by Stéphane Lafleur.
L’appât – Comedy, Quebec-France co-production, directed by Yves Simoneau and written by Yves Simoneau and William Reymond. Poirier is a particularly inept detective, none of whose colleagues want to work with him. However, the French police, in concert with the Sureté du Québec, assign a very unusual officer, Marc Ventura, to work alongside Poirier... (Producers: Josée Vallée and Jean-Pierre Guérin; distributor: Alliance Vivafilm). The project is also receiving Telefilm support through the performance envelope.
Café de Flore – Drama, Quebec-France co-production, written and directed by Jean-Marc Vallée. This is first and foremost an incredibly beautiful love story between a man and a woman, as well as that between a mother and her son. (Producers: Pierre Even and Jean-Marc Vallée; distributor: Alliance Vivafilm).
En terrains connus – Drama written and directed by Stéphane Lafleur.
- 12/5/2009
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Wrapping up the 33rd Annual Toronto International Film Festival on Saturday, September 13, a list of movies have been awarded with special prizes. Among the event's winners was "Slumdog Millionaire", a drama about an Indian teenager who is about to be a millionaire.
Considered to be an underdog, the Danny Boyle-directed movie brought home the Cadillac People's Choice Award as well as the $15,000 prize, beating out Kristopher Belman's "More Than a Game" and Cyrus Nowrasteh's "The Stoning of Soraya M.". Upon winning the award, one of the film's stars, Freida Pinto, expressed her excitement, "It was an exhilarating feeling. When they clapped and gasped and literally went ga-ga over the last dance sequence, it was a wonderful feeling...I was shaking."
Beside "Millionaire", other winner include Marie-Helene Cousineau and Madeline Piujuq Ivalu's drama "Before Tomorrow" and Rodrigue Jean's "Lost Song". While "Tomorrow" took the kudo for Best Canadian First Feature Film,...
Considered to be an underdog, the Danny Boyle-directed movie brought home the Cadillac People's Choice Award as well as the $15,000 prize, beating out Kristopher Belman's "More Than a Game" and Cyrus Nowrasteh's "The Stoning of Soraya M.". Upon winning the award, one of the film's stars, Freida Pinto, expressed her excitement, "It was an exhilarating feeling. When they clapped and gasped and literally went ga-ga over the last dance sequence, it was a wonderful feeling...I was shaking."
Beside "Millionaire", other winner include Marie-Helene Cousineau and Madeline Piujuq Ivalu's drama "Before Tomorrow" and Rodrigue Jean's "Lost Song". While "Tomorrow" took the kudo for Best Canadian First Feature Film,...
- 9/15/2008
- by AceShowbiz.com
- Aceshowbiz
It's not a guarantee of anything in the down the line, although other films to win the honor include Chariots of Fire, American Beauty, Life is Beautiful and Hotel Rwanda, so the future for Danny Boyle's Slumdog Millionaire might be pretty bright after winning the Toronto International Film Festival's People's Choice Award on Saturday.
The film gained notoriety earlier in the festival for a completely unrelated reason; at a screening of Slumdog, New York Post critic Lou Lumenick swatted Roger Ebert with a binder when Ebert tried to get his colleague's attention to move out of the way so Roger could read subtitiles.
The story revolves around a young man living in poverty in India who becomes a contestant on a version of Who Wants to Be a Millionaire not for his own financial gain but to prove his devotion for a friend, who is a big fan of the show.
The film gained notoriety earlier in the festival for a completely unrelated reason; at a screening of Slumdog, New York Post critic Lou Lumenick swatted Roger Ebert with a binder when Ebert tried to get his colleague's attention to move out of the way so Roger could read subtitiles.
The story revolves around a young man living in poverty in India who becomes a contestant on a version of Who Wants to Be a Millionaire not for his own financial gain but to prove his devotion for a friend, who is a big fan of the show.
- 9/14/2008
- by Colin Boyd
- GetTheBigPicture.net
Slumdog Millionaire was by a far the most talked-about movie at the Toronto Film Festival, and now it has an award to show for it. According to The Hollywood Reporter, Danny Boyle's drama about an Indian kid who goes on the British version of Who Wants to Be a Millionaire picked up the People's Choice Award at the festival, which ended today. As the article poitns out, past winners of the award include American Beauty, Life is Beautiful and Hotel Rwanda, all of which went on to get significant awards-season attention. Other winners included Steve McQueen's (no, not that Steve McQueen) Hunger, which won the Discovery trophy, and Rodrigue Jean's Lost Song won the best Canadian feature.
- 9/13/2008
- cinemablend.com
Toronto -- Piers Handling, Toronto International Film Festival co-director, says blame the lunar calendar, not Venice boss Marco Mueller for a decision by the Italian festival to shift its dates next year closer to those of Toronto.
"There is zero friction between Toronto and Venice," Handling said Saturday after Danny Boyle's high-octane Indian drama "Slumdog Millionaire" picked up the People's Choice Award in Toronto, voted on by festival audiences.
Handling insisted Toronto and Venice will continue on the same calendar cycle followed for more than 15 years, with his own event keeping to its customary kickoff on the first Thursday after Labor Day.
Toronto started this year on Sept. 4, and Labor Day will fall on Sept. 7 in 2009. "Some of Marco's comments in Venice have perhaps been misconstrued to (mean) 2011," when the rival festival will open on Sept. 2, Handling said. He insisted Fiapf, the regulating organization for international film festivals, would...
"There is zero friction between Toronto and Venice," Handling said Saturday after Danny Boyle's high-octane Indian drama "Slumdog Millionaire" picked up the People's Choice Award in Toronto, voted on by festival audiences.
Handling insisted Toronto and Venice will continue on the same calendar cycle followed for more than 15 years, with his own event keeping to its customary kickoff on the first Thursday after Labor Day.
Toronto started this year on Sept. 4, and Labor Day will fall on Sept. 7 in 2009. "Some of Marco's comments in Venice have perhaps been misconstrued to (mean) 2011," when the rival festival will open on Sept. 2, Handling said. He insisted Fiapf, the regulating organization for international film festivals, would...
- 9/13/2008
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
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