The Cannes Film Festival will crown its Competition winners tomorrow night and the consensus seems to be building around a few titles.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
- 5/24/2024
- by Andreas Wiseman
- Deadline Film + TV
The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/24/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Nostalgic docufiction that morphs into a lockdown thriller, Lou Ye’s “An Unfinished Film” is the second work at this year’s Cannes Film Festival (alongside Jia Zhangke’s “Caught by the Tides”) in which a “Sixth Generation” Chinese filmmaker has repurposed their old films to create something new. The line between reality and drama blurs as Lou genuinely re-discovers years-old footage, and proceeds to follow a fictitious film crew completing an abandoned project, only for China’s severe Covid-19 lockdowns to interrupt their work, as well as life in all its rhythms.
Few films have so skillfully captured the way Covid caused such traumatic temporal disruptions in its early days, wherein sudden changes in physical and emotional routine caused time to both stretch and collapse. The foundation for this dissonance is laid when Lou, by way of director character Xiaorui — played by Mao Xiaorui, Lou’s assistant director on...
Few films have so skillfully captured the way Covid caused such traumatic temporal disruptions in its early days, wherein sudden changes in physical and emotional routine caused time to both stretch and collapse. The foundation for this dissonance is laid when Lou, by way of director character Xiaorui — played by Mao Xiaorui, Lou’s assistant director on...
- 5/23/2024
- by Siddhant Adlakha
- Variety Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
It’s been 30 years since a film from India has been selected in the main competition at Cannes, but that finally changed this year.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
- 5/23/2024
- by Ritesh Mehta
- Indiewire
You might not get the dog you want, but you always get the dog you need. That old dog-lover’s adage applies peculiarly well to Chinese director Guan Hu’s “Black Dog.” A far smaller-scale project than his recent blockbusters “The Eight Hundred” and “The Sacrifice,” Guan’s latest — an Un Certain Regard standout at Cannes this year — nonetheless has the grandly cinematic vision to lend an intimate tale a gloriously epic, allegorical edge.
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
- 5/21/2024
- by Jessica Kiang
- Variety Film + TV
No matter how badly your week is going, it’s worth pausing to appreciate the fact that you’re not currently embroiled in a violent feud with a snake venom dealer who calls himself Butcher Hu. But we can’t all be so lucky.
Lang (Eddie Peng) is a changed man since coming out of prison. Emotionally callused and silent by choice, you’d never guess that he was once a beloved entertainer who played rock music and rode motorcycles in the local circus. But when he leaves the joint and returns to his small hometown in China’s Gobi Desert, there’s nothing waiting for him except bad vibes. His father is drinking himself to death at the local zoo, his neighbors resent him for his perceived crimes and assume he got a light sentence because of his celebrity, and his town is overrun with rabid dogs. To make matters worse,...
Lang (Eddie Peng) is a changed man since coming out of prison. Emotionally callused and silent by choice, you’d never guess that he was once a beloved entertainer who played rock music and rode motorcycles in the local circus. But when he leaves the joint and returns to his small hometown in China’s Gobi Desert, there’s nothing waiting for him except bad vibes. His father is drinking himself to death at the local zoo, his neighbors resent him for his perceived crimes and assume he got a light sentence because of his celebrity, and his town is overrun with rabid dogs. To make matters worse,...
- 5/20/2024
- by Christian Zilko
- Indiewire
Jia Zhangke’s is often a cinema of déjà vu: “We’re again in the northern Chinese city of Datong,” Giovanni Marchini Camia wrote for Sight and Sound back in 2019, “it’s again the start of the new millennium, Qiao is again dating a mobster, yet no one else makes a reappearance and there are enough differences to signal that this isn’t a sequel or remake.” Camia was writing about Ash Is Purest White yet much of the same could be said for Caught by the Tides, the director’s latest experiment in plundering his archive––indeed his memories––and spinning what he finds into something new. The protagonist of Tides is again named Qiao and is again played by Zhao Tao, appearing here in more than 20 years of the director’s footage and allowing the viewer to watch that singular creative partnership evolve in real time––one of...
- 5/20/2024
- by Rory O'Connor
- The Film Stage
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
During the 77th Festival de Cannes, the world's attention is focused on this early summer French beach. On the evening of May 17th local time, the Beijing International Film Festival Organizing Committee successfully held the “2024 Beijing Film Night—Beijing International Film Festival Cannes Promotion.”
The Beijing International Film Festival has consistently embraced an open and inclusive mindset, inviting professionals from various countries and regions for multifaceted exchanges, drawing on advanced experiences to create an international brand for Chinese cinema and Beijing culture.
Participants included heads of departments from the China Film Co-production Corporation, Bona Film Group founder and chairman Yu Dong, renowned director Jia Zhang-ke, representatives from major international film festivals such as Mar del Plata, Cairo, Tokyo, Rio de Janeiro, Tallinn, Busan, Toronto, Zurich, Geneva, and film market buyers, film representatives, and related agency heads from dozens of countries and regions including Thailand, Japan, South Korea, Spain, Greece, Germany,...
The Beijing International Film Festival has consistently embraced an open and inclusive mindset, inviting professionals from various countries and regions for multifaceted exchanges, drawing on advanced experiences to create an international brand for Chinese cinema and Beijing culture.
Participants included heads of departments from the China Film Co-production Corporation, Bona Film Group founder and chairman Yu Dong, renowned director Jia Zhang-ke, representatives from major international film festivals such as Mar del Plata, Cairo, Tokyo, Rio de Janeiro, Tallinn, Busan, Toronto, Zurich, Geneva, and film market buyers, film representatives, and related agency heads from dozens of countries and regions including Thailand, Japan, South Korea, Spain, Greece, Germany,...
- 5/20/2024
- by Panos Kotzathanasis
- AsianMoviePulse
The Tide is High: Zhangke Splices Thwarted Romance Across Changing Times
Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught by the Tides (Feng Liu Yi Dai), spanning two decades of shifting cultural climates and landscapes. Assembling footage shot across several periods beginning in 2001, Jia Zhangke transposes a quiet narrative within these archival moments for a uniquely cobbled hybrid. Jia Zhangke’s wife, Zhao Tao, who has appeared in a majority of his narratives since 2000’s Platform, remains the vibrant highlight as a mute, melancholic woman fashioned like a figure from silent cinema.…...
Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught by the Tides (Feng Liu Yi Dai), spanning two decades of shifting cultural climates and landscapes. Assembling footage shot across several periods beginning in 2001, Jia Zhangke transposes a quiet narrative within these archival moments for a uniquely cobbled hybrid. Jia Zhangke’s wife, Zhao Tao, who has appeared in a majority of his narratives since 2000’s Platform, remains the vibrant highlight as a mute, melancholic woman fashioned like a figure from silent cinema.…...
- 5/19/2024
- by Nicholas Bell
- IONCINEMA.com
Jia Zhangke’s Caught By The Tides is the new leader on Screen International’s Cannes jury grid with an average score of 2.6.
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
- 5/19/2024
- ScreenDaily
Chinese Xinjiang, Uyghur minority, Islam, forced marriage: sensitive enough keywords to ring the bell of contentious debates or trigger internet chats censorship. But I stop you right here: Nikah is not a political movie. Nikah is a contemporary coming-of-age tale set in a repressive backdrop. This is where fiction can sometimes surpass documentary, as it is not bound by considerations of witness accounts or ruled by “cinéma vérité” dogma. The camera serves a narrative here, not an agenda.
Nikah is screening at CAAMFest
Dilber is a 27-year-old Uyghur woman. It is now high time for her to get married. These two sentences are obviously charged with meaning. But Dilber is also a modern young adult whose life revolves around her mobile phone and social media, a window to the world, like most of young Chinese women of her age. So, when her friend Gulnur, living in Paris, proposes a long-distance...
Nikah is screening at CAAMFest
Dilber is a 27-year-old Uyghur woman. It is now high time for her to get married. These two sentences are obviously charged with meaning. But Dilber is also a modern young adult whose life revolves around her mobile phone and social media, a window to the world, like most of young Chinese women of her age. So, when her friend Gulnur, living in Paris, proposes a long-distance...
- 5/19/2024
- by Jean Claude
- AsianMoviePulse
Both a Venice and Cannes Film Festival veteran, Jia Zhangke is coming to Cannes packing not one but two projects – one being a bit of acting part in Black Dog, and of course, we’re more interested in the competition title Caught By The Tides — a two-decade in the making type film. Having been in competition on five different occasions, Jia Zhangke made his Cannes debut in 2002 with Unknown Pleasures, followed by 24 City in 2008. In 2010, his documentary I Wish I Knew was selected for Un Certain Regard. He captivated the festival in 2013 with A Touch of Sin, which won Best Screenplay.…...
- 5/18/2024
- by Eric Lavallée
- IONCINEMA.com
Stalwart Sixth Generation Chinese filmmaker Jia Zhangke leads his partner and muse, Zhao Tao, on a decades-long romantic odyssey in Caught By the Tides, which tries too hard to play with time and form for the connection between its leads to be its central preoccupation.
Measured in silence interspersed with moments of dance and music — both performed and for pleasure — Qiaoqiao (Zhao) starts a relationship with the mysterious young Guo Bin (Li Zhubin) when she spots him across a dance floor. But their happily ever after isn’t to be when Bin grows frustrated and seeks an escape from their home in Datong, in the north of China. Qiaoqiao, confused by his sudden disappearance, goes in search of him, but his new life doesn’t seem to have a place for her.
There’s little more to the story than this — some peripheral characters recur for a scene or three,...
Measured in silence interspersed with moments of dance and music — both performed and for pleasure — Qiaoqiao (Zhao) starts a relationship with the mysterious young Guo Bin (Li Zhubin) when she spots him across a dance floor. But their happily ever after isn’t to be when Bin grows frustrated and seeks an escape from their home in Datong, in the north of China. Qiaoqiao, confused by his sudden disappearance, goes in search of him, but his new life doesn’t seem to have a place for her.
There’s little more to the story than this — some peripheral characters recur for a scene or three,...
- 5/18/2024
- by Joe Utichi
- Deadline Film + TV
The Chinese title of Jia Zhangke’s mesmerizing “Caught by the Tides,” a masterfully poetic and pioneering fusion of the old and the new, can be translated in several ways. Jia himself suggests “The Drifting Generation,” but it can also mean “The Romantic Generation” with the etymology of “romantic” lying in the Chinese words for wind and current. The restless motion of the natural world is certainly captured in the English title’s reference to an ocean’s ebb and flow. But what that version cannot adequately convey is the airiness and the yearning that Jia whips in to “Caught by the Tides” — quite miraculously considering he is largely working with repurposed footage from across the last 23 years of his justly celebrated career.
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
- 5/18/2024
- by Jessica Kiang
- Variety Film + TV
A searching and scattershot portrait of displacement that’s as likely to resonate with Jia Zhang-ke devotees as it is to mystify those who are new to his work, “Caught by the Tides” finds the Chinese auteur returning the most pivotal characters and locations that have defined his movies over the last two decades. Then again, perhaps it would be more accurate to say that he never left them.
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
- 5/18/2024
- by David Ehrlich
- Indiewire
The entrance to the Palais in Cannes was closed briefly Saturday afternoon after a bomb scare due to a “suspicious” item.
The Cannes press office confirmed that there was a suspicious package found on the street but not inside the Palais.
Police officers shut down part of the Croisette, the street that runs in front of the Palais, and prevented pedestrians from crossing in either direction. A specialist police unit was observed inspecting a rucksack in the middle of the crosswalk. Both La Croisette and the Palais entrance were reopened at 3.10 p.m. local time.
“There was something they thought was a bomb, but there was no bomb,” a woman manning the Information Desk at the Marche told Variety. “They closed the street when I was going to lunch, but then I heard it’s open again by the time I came back.”
Another woman working for the festival’s security office said,...
The Cannes press office confirmed that there was a suspicious package found on the street but not inside the Palais.
Police officers shut down part of the Croisette, the street that runs in front of the Palais, and prevented pedestrians from crossing in either direction. A specialist police unit was observed inspecting a rucksack in the middle of the crosswalk. Both La Croisette and the Palais entrance were reopened at 3.10 p.m. local time.
“There was something they thought was a bomb, but there was no bomb,” a woman manning the Information Desk at the Marche told Variety. “They closed the street when I was going to lunch, but then I heard it’s open again by the time I came back.”
Another woman working for the festival’s security office said,...
- 5/18/2024
- by Leo Barraclough, Tatiana Siegel and Elsa Keslassy
- Variety Film + TV
Yorgos Lanthimos’ Kinds Of Kindness has landed top of Screen International’s Cannes jury grid with an average score of 2.4.
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
- 5/18/2024
- ScreenDaily
Independent distributor Kino Lorber is expanding its Kino Film Collection US streaming business as a direct-to-consumer service and standalone app on Apple TV, Fire TV, Android TV and Roku.
The service was launched last November as one of Amazon’s Prime Video Channels, where it will continue to be available. Subscription to the standalone service will cost $5.99 a month.
The Kino collection features hundreds of films from Kino Lorber’s 4,000-title library as well as new releases fresh from theatres and festivals.
To mark its expansion, the service will this month offer a curated assortment of films originally seen at the Cannes festival,...
The service was launched last November as one of Amazon’s Prime Video Channels, where it will continue to be available. Subscription to the standalone service will cost $5.99 a month.
The Kino collection features hundreds of films from Kino Lorber’s 4,000-title library as well as new releases fresh from theatres and festivals.
To mark its expansion, the service will this month offer a curated assortment of films originally seen at the Cannes festival,...
- 5/17/2024
- ScreenDaily
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
- 5/17/2024
- by Brian Welk
- Indiewire
New York arthouse distributor Kino Lorber is expanding its streaming service, Kino Film Collection, currently available on Amazon Prime, to include a stand-alone SVOD which will feature hundreds of titles from its extensive back catalog, including features from the likes of Yorgos Lanthimos, Jia Zhangke, and Ken Loach.
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Andrea Arnold‘s anticipated new film Bird touched down at the Cannes Film Festival on Thursday for an afternoon world premiere at the Grand Lumiere Theatre. And it got a warm reception, including a seven-minute standing ovation.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Image created by The Hollywood Insider
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
- 5/16/2024
- by Abigail Johnson
- Hollywood Insider - Substance & Meaningful Entertainment
One of the pleasures of the Cannes Film Festival is seeing what films and what directors break out. Sure, in the current crop of films premiering at the 77th festival this May, there are some big names everybody knows; you don’t need an explainer to know that Francis Ford Coppola and “Megalopolis” are a big deal. But Cannes is also where filmmakers such as Julia Ducournau and Justine Triet gained wide exposure and became international known quantities, thanks to the prestige granted by nabbing the festival’s top prize, the Palme d’Or.
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
- 5/15/2024
- by Wilson Chapman
- Indiewire
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
What kind of things does an obsessive documentarian like to watch in their free time? It’s a question I was curious to ask John Wilson, a filmmaker who––over three seasons of his singular HBO series, How To with John Wilson––achieved the rare feat of showing one of the most familiar places on Earth in a new and gnarlier yet somehow more endearing light. “I like watching old, recorded TV stuff,” Wilson explained to me recently on an overcast morning at Visions du Réel, “because it still has a lot of the commercials. I also got a bunch of tapes off eBay recently of extreme weather compilations. There was a trend of news channels compiling all of the disaster footage from major ecological events and news events and just pressing a tape of it and putting it out there. It’s nice to have something on all the time,...
- 5/14/2024
- by Rory O'Connor
- The Film Stage
The 77th Cannes Film Festival is poised to serve up a feast for film lovers, including new movies from celebrated directors such as Yorgos Lanthimos and Paolo Sorrentino, as well as living legends like Francis Ford Coppola, David Cronenberg and George Miller.
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
- 5/14/2024
- by David Rooney
- The Hollywood Reporter - Movie News
It’s the most exciting time of the year for a cinephile: the Cannes Film Festival is set to kick off next week, running May 14-25. Ahead of festivities we’ve rounded up what we’re most looking forward to, and while we’re sure many surprises await, per every year, one will find 20 films that should be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
All We Imagine as Light (Payal Kapadia)
After one film, Payal Kapadia is a name you should know––a fresh, intrepid voice in cinema. And in the wake of student protests turning the world upside-down, she’s an essential up-and-comer. Her lone feature to date, 2021’s A Night of Knowing Nothing, is an experimental immersion into India’s own student revolutions––a brutal awakening into the shockingly violent...
All We Imagine as Light (Payal Kapadia)
After one film, Payal Kapadia is a name you should know––a fresh, intrepid voice in cinema. And in the wake of student protests turning the world upside-down, she’s an essential up-and-comer. Her lone feature to date, 2021’s A Night of Knowing Nothing, is an experimental immersion into India’s own student revolutions––a brutal awakening into the shockingly violent...
- 5/9/2024
- by The Film Stage
- The Film Stage
On the indie side of filmmaking life, Sean Price Williams has seen it all. He’s worked with the Safdies, Alex Ross Perry, Nathan Silver, Robert Green, and Athina Rachel Tsangari, and often more than once. He’s the premier chronicler of New York City independent movies behind the camera, typically shooting on celluloid, and bringing surreal, gritty poetry to character-driven stories that feel on the ground like portraits of versions of ourselves.
One of the most unabashedly movie-loving cinematographers working today, Williams last year moved to directing for the sprawling, scratchy-edged tale of East Coast youth, “The Sweet East,” which remains in theaters and features stars like Jacob Elordi, Simon Rex, Jeremy O. Harris, and Ayo Edebiri.
But even more recently than that directorial debut, he released a “1000 Movies” book via Metrograph Editions, a simple, unadorned paperback that offers, rather than commentary, pages listing his favorite essential films and...
One of the most unabashedly movie-loving cinematographers working today, Williams last year moved to directing for the sprawling, scratchy-edged tale of East Coast youth, “The Sweet East,” which remains in theaters and features stars like Jacob Elordi, Simon Rex, Jeremy O. Harris, and Ayo Edebiri.
But even more recently than that directorial debut, he released a “1000 Movies” book via Metrograph Editions, a simple, unadorned paperback that offers, rather than commentary, pages listing his favorite essential films and...
- 5/7/2024
- by Ryan Lattanzio
- Indiewire
China- and Netherlands-based sales firm Fortissimo Films has picked up the international rights to new Chinese sports feature film “Wild Punch.” It will launch the film in territories outside mainland China next week at the Cannes Market.
Co-directed by well-established director Yu Lik-wai and Wang Jing (“The Best Is Yet to Come”), “Wild Punch is a sports and action drama about a top mixed martial arts athlete who has passed the peak of his career and faces competition from his young and gifted trainee. Both with something to prove, the two will have to face each other in the ring.
Yu has directed four feature films, including Cannes competition title “Love Will Tear Us Apart” and Venice title “Plastic City.” He is also well-established as a cinematographer who has worked on films including “Still Life,” “A Touch of Sin,” and “Mountains May Depart” by Jia Zhangke, Lou Ye’s “Love...
Co-directed by well-established director Yu Lik-wai and Wang Jing (“The Best Is Yet to Come”), “Wild Punch is a sports and action drama about a top mixed martial arts athlete who has passed the peak of his career and faces competition from his young and gifted trainee. Both with something to prove, the two will have to face each other in the ring.
Yu has directed four feature films, including Cannes competition title “Love Will Tear Us Apart” and Venice title “Plastic City.” He is also well-established as a cinematographer who has worked on films including “Still Life,” “A Touch of Sin,” and “Mountains May Depart” by Jia Zhangke, Lou Ye’s “Love...
- 5/6/2024
- by Patrick Frater
- Variety Film + TV
Sffilm has announced the winners of the juried Golden Gate Awards competition and the Audience Awards at the 67th San Francisco International Film Festival (Sffilm Festival). The awards serve as a launching pad for internationally renowned filmmakers who are early in their careers, and they qualify films under 40 minutes for the Oscars. Past Golden Gate Award winners include Panah Panahi, Reid Davenport, Nadav Lapid, Marlon Riggs, Céline Sciamma, Jia Zhang-ke, Stanley Nelson, and Tasha Van Zandt.
This year, the 2024 Sffilm Festival ran five days from April 24 – 28 rather than its usual sprawling two weeks. The Sffilm board opted to pull back conservatively where others would have gone bigger to keep a more expansive footprint. Altogether they brought in 130 filmmakers this year, an excellent global selection of films despite the calendar disadvantage of being caught between Sundance and Cannes.
The big talk at this year’s Sffilm was the news that San...
This year, the 2024 Sffilm Festival ran five days from April 24 – 28 rather than its usual sprawling two weeks. The Sffilm board opted to pull back conservatively where others would have gone bigger to keep a more expansive footprint. Altogether they brought in 130 filmmakers this year, an excellent global selection of films despite the calendar disadvantage of being caught between Sundance and Cannes.
The big talk at this year’s Sffilm was the news that San...
- 4/30/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
After five long years, “Have a Nice Day” director Liu Jian returns to New York with his newest project, “Art College 1994.” This hotly-anticipated feature checks off all the boxes. It cements Liu Jian's stamp as a rising animation auteur in China; it marks the completed its world tour at Berlinale, Annecy, New York Asian Film Festival, and more; and, what's more, the film features a star-studded voice cast that spans intellectuals, musicians, and other movie directors, including Jia Zhangke and Bi Gan.
Here, we catch a glimpse of a group of students at the Chinese Southern Academy of the Arts. Like many students, they seem to be suspended in a daze of malaise, and of them, Zhang Xiaojun (Dong Zijian) is especially lost. His best friend, Rabbit (Shaoxing), encourages Xiaojun to expand his practice to conceptual art. His crush, the soft-spoken piano student Hao Lili (Zhou Dongyu), is swayed by...
Here, we catch a glimpse of a group of students at the Chinese Southern Academy of the Arts. Like many students, they seem to be suspended in a daze of malaise, and of them, Zhang Xiaojun (Dong Zijian) is especially lost. His best friend, Rabbit (Shaoxing), encourages Xiaojun to expand his practice to conceptual art. His crush, the soft-spoken piano student Hao Lili (Zhou Dongyu), is swayed by...
- 4/24/2024
- by Grace Han
- AsianMoviePulse
Jia Zhang-ke could fairly claim to be the most important filmmaker of his generation; he’d probably be the last person to do so. Audiences tend to scan Jia’s work for political sentiment, but the director has always attested that his films are strictly about people. As a lecturer in Shanghai University and elsewhere, he’s used to speaking about them at length. During a nearly three-hour masterclass at the Visions Du Reel festival in Switzerland last week, some of his answers stretched to nearly 30 minutes without pause, yet earlier that day, when I asked him if he believed on a fundamental level that the complexities of his characters––their interpersonal relationships and inner lives––were more important than what looms in the background of his stories––the epic geographical and architectural changes and vast social, economic, and political shifts––he paused, smiled, and simply said “yes.”
Jia was born in 1970 in Fenyang,...
Jia was born in 1970 in Fenyang,...
- 4/24/2024
- by Rory O'Connor
- The Film Stage
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
Oliver Stone is unveiling his long-awaited documentary “Lula” at the 2024 Cannes Film Festival.
Stone filmed the documentary about thrice-elected Brazilian President Luiz Inácio Lula da Silva that encompasses the ruler’s incarceration between 2018 and 2019 and his return to power. Stone was in production on the feature in 2021 during which time Lula da Silva contracted Covid while filming in Cuba.
“Lula” is the latest addition to the star-studded Cannes lineup, which also includes new films from Paul Schrader, Francis Ford Coppola, Yorgos Lanthimos, Andrea Arnold, David Cronenberg, Ali Abbasi, Sean Baker, Jia Zhangke, and Paolo Sorrentino.
Stone teased “Lula” to Jacobin earlier this year, saying that the film would be released “hopefully before the end of the year.”
“As you know, I had him in the other films with Hugo Chávez. And of course, he’s gotten a very dramatic story, with his going to jail after his second term. Now...
Stone filmed the documentary about thrice-elected Brazilian President Luiz Inácio Lula da Silva that encompasses the ruler’s incarceration between 2018 and 2019 and his return to power. Stone was in production on the feature in 2021 during which time Lula da Silva contracted Covid while filming in Cuba.
“Lula” is the latest addition to the star-studded Cannes lineup, which also includes new films from Paul Schrader, Francis Ford Coppola, Yorgos Lanthimos, Andrea Arnold, David Cronenberg, Ali Abbasi, Sean Baker, Jia Zhangke, and Paolo Sorrentino.
Stone teased “Lula” to Jacobin earlier this year, saying that the film would be released “hopefully before the end of the year.”
“As you know, I had him in the other films with Hugo Chávez. And of course, he’s gotten a very dramatic story, with his going to jail after his second term. Now...
- 4/22/2024
- by Samantha Bergeson
- Indiewire
"Who gets to decide what art is?" Dekanalog has revealed a new trailer for Art College 1994, an animated drama from Chinese filmmaker Jian Liu, also known for Have a Nice Day. This initially premiered at the 2023 Berlin Film Festival more than a year ago, and it played on the festival circuit all of 2023. Beginning on April 26th, Art College 1994, Liu Jian's latest strikingly animated & affecting feature, opens for a week-long NYC exclusive theatrical run at Metrograph In Theater. Lao Wang works in a security department of a college in a big school town. Xiao Wang is a freshman. He has a conflict with his roommate and is taken to security by his counselor. In a room on this foggy winter day, Lao Wang and Xiao Li are tasting the life of their own, and something unexpected is about to happen... The town is waiting quietly for the next day as it always is.
- 4/21/2024
- by Alex Billington
- firstshowing.net
There’s a beautiful scene in Jia Zhangke’s 2004 film The World in which the protagonist, Tao, crosses paths with an industrial worker nicknamed Little Sister on the rooftop of an unfinished building. They chat aimlessly beneath towering spires of exposed rebar until a massive plane soars overhead, drowning out their voices. “Tao, who flies on those planes?” he asks, to which she responds, “Who knows…I don’t know anybody who’s ever been on a plane.”
It’s this precise contrast of stasis and flux, of the sublime and the quotidian, of simple personal dreams swallowed up by massive national ambitions, that characterizes Liu Jian’s newest feature, Art College 1994. Jia also lends his voice to one of its characters: Gu Yongqing, a “roving artist abroad” who speaks of “the mysterious power of art” during a visiting lecture at the titular art college. This is Liu’s third animated feature film,...
It’s this precise contrast of stasis and flux, of the sublime and the quotidian, of simple personal dreams swallowed up by massive national ambitions, that characterizes Liu Jian’s newest feature, Art College 1994. Jia also lends his voice to one of its characters: Gu Yongqing, a “roving artist abroad” who speaks of “the mysterious power of art” during a visiting lecture at the titular art college. This is Liu’s third animated feature film,...
- 4/21/2024
- by Ryan Coleman
- Slant Magazine
Jia Zhangke on Experimenting With AI for Cannes Entry ‘Caught by the Tides,’ Respecting the Audience
Sporting a warm smile and a pair of sunglasses – “Sorry, I’ve been busy editing and my eyes hurt,” he explained – one of China’s leading indie directors Jia Zhangke, whose upcoming film “Caught by the Tides” will be vying for the Palme d’or in Cannes next month, was guest of honor at the 55th edition of Swiss doc festival Visions du Réel this week.
Finished just in time for submission to Cannes, the film features his wife Zhao Tao, his muse over the last two decades, and tells the story of a couple spanning 20 years. (Jia previously spoke with Variety about the film in February when it still went under the working title “We Shall Be All.”)
Explaining how the pandemic gave him the opportunity to review his footage all the way back to 2001, he described his new film as “a concentration of 20 years’ experience,” which blends footage...
Finished just in time for submission to Cannes, the film features his wife Zhao Tao, his muse over the last two decades, and tells the story of a couple spanning 20 years. (Jia previously spoke with Variety about the film in February when it still went under the working title “We Shall Be All.”)
Explaining how the pandemic gave him the opportunity to review his footage all the way back to 2001, he described his new film as “a concentration of 20 years’ experience,” which blends footage...
- 4/19/2024
- by Lise Pedersen
- Variety Film + TV
If you see one animated Chinese film this year, we suggest it’s Art College 1994. Liu Jian’s feature, featuring the voices of Jia Zhangke and Bi Gan, will make its theatrical debut next week at Metrograph, which will also screen his earlier feature Have a Nice Day. Ahead of this, we’re happy to debut a trailer from Dekanalog.
Here’s the synopsis: “Based on its director’s own experiences on the campus of the Chinese Southern Academy of Arts in the mid-1990s, Art College 1994, which returns to the meticulous hand-drawn 2D animation style of predecessor Have a Nice Day, is Liu’s affectionate, bittersweet group portrait of a pack of would-be geniuses preparing to revolutionize the arts when not locked into impassioned conversations about grunge and Van Gogh, its ensemble cast of characters voiced by a line-up of talent that includes directors Bi Gan and Jia Zhangke,...
Here’s the synopsis: “Based on its director’s own experiences on the campus of the Chinese Southern Academy of Arts in the mid-1990s, Art College 1994, which returns to the meticulous hand-drawn 2D animation style of predecessor Have a Nice Day, is Liu’s affectionate, bittersweet group portrait of a pack of would-be geniuses preparing to revolutionize the arts when not locked into impassioned conversations about grunge and Van Gogh, its ensemble cast of characters voiced by a line-up of talent that includes directors Bi Gan and Jia Zhangke,...
- 4/19/2024
- by Nick Newman
- The Film Stage
The lineup for the 77th Cannes Film Festival has officially been unveiled. As of right now, 19 films will be competing for the prestigious top prize, the Palme d’Or. The festival will be running from May 14 through the closing ceremony on May 25 in the small town on the French Riviera. This year’s jury will be led by Greta Gerwig, fresh off of her success writing and directing “Barbie,” which earned her an Oscar nomination for Best Adapted Screenplay. The remaining members of the jury have yet to be announced.
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
- 4/18/2024
- by Charles Bright
- Gold Derby
Cannes announced the official selection for this year, and the Asian representation is quite strong. India finds its way back to the main competition after 30 years, with “All We Imagine as Light” while Jia Zhangke returns with “Caught By The Tides” . Also of note is the presence of the first Saudi Arabian film in the official selection with “Norah”, which premiered last year in Red Sea. Here are all the entries we know of so far. More info will be added as we get closer to the festival.
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
- 4/11/2024
- by Panos Kotzathanasis
- AsianMoviePulse
It’ll soon be time to pack your tuxes and/or high heels and wonder “why the heck does it get so hot at 6:30 pm, just when I’m lining up for the 7:15 pm screening?” The eyes of the entertainment world will once again turn toward the French Riviera for the 77th Annual Cannes Film Festival.
The main slate announcement was made early Thursday morning, confirming many suspicions, and offering much excitement for hardcore cinephiles. For those with more mainstream tastes—and an eye toward what will still be in play come next year’s Oscars—here are some highlights.
Certainly, the biggest event screening will be the public’s first look at Francis Ford Coppola’s “Megalopolis,” a self-financed behemoth that he’s been dreaming about for decades. The director/vintner is a two-time winner of Cannes’s Palme D’Or—for “The Conversation” in 1974 and “Apocalypse Now...
The main slate announcement was made early Thursday morning, confirming many suspicions, and offering much excitement for hardcore cinephiles. For those with more mainstream tastes—and an eye toward what will still be in play come next year’s Oscars—here are some highlights.
Certainly, the biggest event screening will be the public’s first look at Francis Ford Coppola’s “Megalopolis,” a self-financed behemoth that he’s been dreaming about for decades. The director/vintner is a two-time winner of Cannes’s Palme D’Or—for “The Conversation” in 1974 and “Apocalypse Now...
- 4/11/2024
- by Jordan Hoffman
- Gold Derby
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In what looks to be another robust year in the making, the 77th edition of the Cannes Film Festival will bring together several iconic filmmakers, including Francis Ford Coppola with “Megalopolis” starring Adam Driver, George Miller with “Furiosa” starring Anya Taylor-Joy, as well as George Lucas who will be feted with an honorary Palme d’Or. Kevin Costner will also be on hand with the first installment of his Western epic “Horizon, an American Saga.”
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
- 4/11/2024
- by Elsa Keslassy, Ellise Shafer, Alex Ritman and Peter Debruge
- Variety Film + TV
Swiss documentary festival Visions du Réel (VdR) has revealed the line-up for its 55th edition (April 12-21) which opens with the IDFA- and Göteborg selection As The Tide Comes In by Juan Palacios (and co-directed by Sofie Husum Johannesen).
The full selection includes 128 films, 88 of which are world premieres.
Among the 14 world premieres in international competition is Apple Cider Vinegar from Belgium’s Sofie Benoot whose 2020 documentary Victoria won the Caligari award at Berlinale Forum. Her latest feature is part nature documentary, part philosophical tale beginning with the journey of a kidney stone.
Other world premieres include Swiss titles The...
The full selection includes 128 films, 88 of which are world premieres.
Among the 14 world premieres in international competition is Apple Cider Vinegar from Belgium’s Sofie Benoot whose 2020 documentary Victoria won the Caligari award at Berlinale Forum. Her latest feature is part nature documentary, part philosophical tale beginning with the journey of a kidney stone.
Other world premieres include Swiss titles The...
- 3/19/2024
- ScreenDaily
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