If it’s been a patchy few years for Errol Morris––one solid doc in-between a bad Steve Bannon portrait and iffy look at John le Carré––our interest in his thorough, startling oeuvre remains strong, and it’s naturally a thrill to hear word of two new features. On the documentary front he’s been adapting, for Netflix, Tom O’Neill’s Chaos: Charles Manson, the CIA, and the Secret History of the Sixties, which quickly engendered great attention for challenging standard Manson Family narratives; and there’s a feature screenplay about Ed Gein, who Morris interviewed in 1975 for a never-completed documentary. If it doesn’t feature that footage and opts for a biopic / procedural path, it would make Morris’ first narrative since 1991’s The Dark Wind. [Screen Daily]
Meanwhile, Michael Almereyda has found his first feature since Tesla. Per Deadline, he and Courtney Stephens are developing an untitled documentary about John C. Lilly,...
Meanwhile, Michael Almereyda has found his first feature since Tesla. Per Deadline, he and Courtney Stephens are developing an untitled documentary about John C. Lilly,...
- 12/20/2023
- by Leonard Pearce
- The Film Stage
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