![Bob Fosse](https://m.media-amazon.com/images/M/MV5BMjIwODI5MTg0N15BMl5BanBnXkFtZTcwMjY2MDMyOA@@._V1_QL75_UY207_CR9,0,140,207_.jpg)
![Bob Fosse](https://m.media-amazon.com/images/M/MV5BMjIwODI5MTg0N15BMl5BanBnXkFtZTcwMjY2MDMyOA@@._V1_QL75_UY207_CR9,0,140,207_.jpg)
“Fosse/Verdon” magnificently kicks off in Episode 1 (“Life is a Cabaret”) with Bob Fosse (Sam Rockwell) struggling to shoot his Oscar-winning “Cabaret” in Germany, with his wife and muse, Gwen Verdon (Michelle Williams), coming to the rescue to release his creative spirit. It reveals that tricky yet synergistic partnership that defined the uncompromising Fosse vision, with Liza Minnelli’s Sally Bowles (Kelli Barrett) and the dancers perfecting the iconic “Mein Herr” number in the dark and smoky Kit Kat Klub.
“The way the [‘Cabaret’] musical is constructed it’s unusual because the numbers are performed at the club,” said Alex Digerlando, the production designer who also worked on the visually inventive “Maniac.” “We looked at behind the scenes featurettes, and from what we could tell, even though it was shot on a soundstage, it didn’t seem that walls were pulled. From what we understood, Bob wanted it to be...
“The way the [‘Cabaret’] musical is constructed it’s unusual because the numbers are performed at the club,” said Alex Digerlando, the production designer who also worked on the visually inventive “Maniac.” “We looked at behind the scenes featurettes, and from what we could tell, even though it was shot on a soundstage, it didn’t seem that walls were pulled. From what we understood, Bob wanted it to be...
- 5/10/2019
- by Bill Desowitz
- Indiewire
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