“High and Low” received nominations for the Golden Lion at the 24th Venice Film Festival, and the Best Foreign Film at the 21st Golden Globe Awards. It was also awarded at the Mainichi Film Awards for the Best Film, and for the Best Screenplay. Upon its release in Japan, it earned approximately $1.3 million and became the top-grossing film of 1963.
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The script, written by Akira Kurosawa, Hideo Oguni, Eijiro Hisaita, and Ryuzo Kikushima, is loosely based on Evan Hunter's novel from 1959, “King's Ransom”. Toho, the film company that Kurosawa was working with at the time, acquired the film rights for $5,000. The first half of the story revolves around Kingo Gondo (Toshiro Mifune), a board member of a Japanese shoe company, facing a critical dilemma. He must decide whether to use his considerable wealth to secure executive control in the company or help his chauffeur,...
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The script, written by Akira Kurosawa, Hideo Oguni, Eijiro Hisaita, and Ryuzo Kikushima, is loosely based on Evan Hunter's novel from 1959, “King's Ransom”. Toho, the film company that Kurosawa was working with at the time, acquired the film rights for $5,000. The first half of the story revolves around Kingo Gondo (Toshiro Mifune), a board member of a Japanese shoe company, facing a critical dilemma. He must decide whether to use his considerable wealth to secure executive control in the company or help his chauffeur,...
- 2/6/2024
- by Tobiasz Dunin
- AsianMoviePulse
In Stuart Galbraith IV's invaluable and exhaustive 2001 book "The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune," the famed Japanese director talks briefly about Sergio Leone's classic 1964 Western "A Fistful of Dollars." Kurosawa admired the film saying that it was "a fine movie," and hastened to add, "but it was my movie."
"A Fistful of Dollars" was, of course, a remake of Kurosawa's own 1961 film "Yojimbo." Both films are about stalwart and detached loners who find themselves wandering through a remote frontier villages that have been overtaken by two warring gangs. In both films, the stranger -- Mifune in the original, Clint Eastwood in the remake -- use their wits to pit the two gangs against one another. Notably, Leone's film didn't bother to credit Kurosawa or his "Yojimbo" co-screenwriter Ryuzo Kikushima, nor did he approach Toho about the possibility of licensing the rights.
"A Fistful of Dollars" was, of course, a remake of Kurosawa's own 1961 film "Yojimbo." Both films are about stalwart and detached loners who find themselves wandering through a remote frontier villages that have been overtaken by two warring gangs. In both films, the stranger -- Mifune in the original, Clint Eastwood in the remake -- use their wits to pit the two gangs against one another. Notably, Leone's film didn't bother to credit Kurosawa or his "Yojimbo" co-screenwriter Ryuzo Kikushima, nor did he approach Toho about the possibility of licensing the rights.
- 12/8/2022
- by Witney Seibold
- Slash Film
A lone stranger wanders through the countryside. He walks into a small town that, at first, looks deserted. When the stranger finally meets a few locals and begins talking to them, he finds that the entire town, though remote, is under the uneasy control of two warring criminal gangs. The stranger, identified as a dangerous handler of weapons, is enlisted by each side of the gang conflict to help eradicate the other. The stranger, cynical and perhaps a bit playful, manipulates both sides into killing each other. After a violent conflagration, the stranger wanders away from the town, happily leaving the madness behind.
This is the story of Akira Kurosawa's 1961 film "Yojimo," written by Kurosawa and Ryūzō Kikushima. "Yojimbo" is easily the most cynical film in Kurosawa's filmography, bitterly taking glee in the copious amount of stupidity-inspired death depicted. Kurosawa, with a scoff, might have been making a dismissive...
This is the story of Akira Kurosawa's 1961 film "Yojimo," written by Kurosawa and Ryūzō Kikushima. "Yojimbo" is easily the most cynical film in Kurosawa's filmography, bitterly taking glee in the copious amount of stupidity-inspired death depicted. Kurosawa, with a scoff, might have been making a dismissive...
- 9/3/2022
- by Witney Seibold
- Slash Film
In 1961, Akira Kurosawa released his fantastic samurai film “Yojimbo.” A movie that would be both a critical and box office success and go on to inspire countless filmmakers, such as Sergio Leone. The entertaining jidaigeki picture had many qualities to admire from its witty screenplay, stunning camerawork by legendary cinematographer Kazuo Miyagawa, fast-paced action scenes, and an outstanding performance from the great actor Toshiro Mifune in one of his most iconic roles. However, to make a sequel to such a groundbreaking piece of cinema would be a challenge. So how does the legendary director Kurosawa follow up on one of the most beloved works of his career? He follows up with “Sanjuro,” a sequel that is not only an excellent continuation but an amazing film on its own.
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The movie is a loose adaptation of novelist Shugoro Yamamoto’s short story “Peaceful Days,” which dealt...
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The movie is a loose adaptation of novelist Shugoro Yamamoto’s short story “Peaceful Days,” which dealt...
- 6/22/2022
- by Sean Barry
- AsianMoviePulse
The Hidden Fortress
Written by Ryûzô Kikushima, Hideo Oguni, Shinobu Hashimoto, and Akira Kurosawa
Directed by Akira Kurosawa
Japan, 1958
By the time Akira Kurosawa’s The Hidden Fortress was released in 1958, it was more or less settled that the Japanese filmmaker — the only Japanese filmmaker most average moviegoers had heard of at that point — was among the world’s best. This was after Rashomon, after Ikiru, and after The Seven Samurai. Kurosawa’s talent was beyond question, and his global cinematic prominence was growing. However, his last three films, while positively received by critics, did not do so well with audiences. He needed something that would combine quality with commercial success. “A truly good movie is really enjoyable, too,” he once said. “There’s nothing complicated about it.” He would meet this condition with The Hidden Fortress, out now on a new Criterion Collection Blu-ray/DVD combo. While not containing the narrative innovation,...
Written by Ryûzô Kikushima, Hideo Oguni, Shinobu Hashimoto, and Akira Kurosawa
Directed by Akira Kurosawa
Japan, 1958
By the time Akira Kurosawa’s The Hidden Fortress was released in 1958, it was more or less settled that the Japanese filmmaker — the only Japanese filmmaker most average moviegoers had heard of at that point — was among the world’s best. This was after Rashomon, after Ikiru, and after The Seven Samurai. Kurosawa’s talent was beyond question, and his global cinematic prominence was growing. However, his last three films, while positively received by critics, did not do so well with audiences. He needed something that would combine quality with commercial success. “A truly good movie is really enjoyable, too,” he once said. “There’s nothing complicated about it.” He would meet this condition with The Hidden Fortress, out now on a new Criterion Collection Blu-ray/DVD combo. While not containing the narrative innovation,...
- 3/28/2014
- by Jeremy Carr
- SoundOnSight
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