Exclusive: Ronnie Scott’s Jazz Club is coming to audiences in North America.
Greenwich Entertainment has acquired distribution rights to Ronnie’s, directed by Oliver Murray and produced by Goldfinch Entertainment, and will release the feature film early next year.
It comes after the doc premiered at Doc NYC last year and follows a UK theatrical run.
Ronnie’s chronicles the life of saxophonist Ronnie Scott, a poor, Jewish kid growing up in 1940s East End, London who became owner of the Soho, London night club. Musicians who have played the club include Dizzy Gillespie, Sarah Vaughan, Ella Fitzgerald, Miles Davis, Rahsaan Roland Kirk, Nina Simone, Van Morrison, Chet Baker, and Jimi Hendrix, who played there the night of his death.
Murray previously directed Bill Wyman doc The Quiet One, directs with Goldfinch Entertainment CEO Kirsty Bell producing and COO Phil McKenzie executive producing. Greenwich’s Ed Arentz negotiated the deal with Abacus Media Rights,...
Greenwich Entertainment has acquired distribution rights to Ronnie’s, directed by Oliver Murray and produced by Goldfinch Entertainment, and will release the feature film early next year.
It comes after the doc premiered at Doc NYC last year and follows a UK theatrical run.
Ronnie’s chronicles the life of saxophonist Ronnie Scott, a poor, Jewish kid growing up in 1940s East End, London who became owner of the Soho, London night club. Musicians who have played the club include Dizzy Gillespie, Sarah Vaughan, Ella Fitzgerald, Miles Davis, Rahsaan Roland Kirk, Nina Simone, Van Morrison, Chet Baker, and Jimi Hendrix, who played there the night of his death.
Murray previously directed Bill Wyman doc The Quiet One, directs with Goldfinch Entertainment CEO Kirsty Bell producing and COO Phil McKenzie executive producing. Greenwich’s Ed Arentz negotiated the deal with Abacus Media Rights,...
- 7/20/2021
- by Peter White
- Deadline Film + TV
If you've ever wondered what it might be like to step inside Ronnie Scott's jazz club but have never had the chance, this documentary will take you there, it's steady pace allowing director Oliver Murray to drink in the atmosphere via a rich seam of archival footage, while also giving the history of the club, Ronnie and his partner Pete King a chance for solo riffs in the spotlight.
"Only an idiot would go into the jazz club business," Scott declares in one of the interviews that pepper this film. But, of course, Murray goes on to show that not only was Ronnie no idiot, he was also a fine saxophonist in his own right, a genial host and a savvy negotiator whose efforts to bring US talent to British shores paid off well beyond the walls of his club in terms of allowing a two-way street for musicians between the.
"Only an idiot would go into the jazz club business," Scott declares in one of the interviews that pepper this film. But, of course, Murray goes on to show that not only was Ronnie no idiot, he was also a fine saxophonist in his own right, a genial host and a savvy negotiator whose efforts to bring US talent to British shores paid off well beyond the walls of his club in terms of allowing a two-way street for musicians between the.
- 11/18/2020
- by Amber Wilkinson
- eyeforfilm.co.uk
Did ex-Pogues frontman Shane MacGowan and the late London jazz club impresario Ronnie Scott ever cross paths? As key figures of the last century of music, it is certainly possible. And based on the documentaries Crock of Gold: A Few Rounds With Shane MacGowan and Ronnie’s, it is enticing to ponder the conversation that might ensue between the ragged Irish eccentric (MacGowan) and the witty tenor sax man turned club owner (Scott). The gobsmackingly entertaining Crock of Gold and well-made if less enthralling Ronnie’s make a strong case that both figures have left an indelible mark on music. And while director Julien Temple’s Gold is far more memorable than Oliver Murray’s Ronnie’s, both films deserve attention. Crock of Gold is making its North American premiere at the Doc NYC festival, while Ronnie’s is making its international premiere.
It should come as no surprise that...
It should come as no surprise that...
- 11/12/2020
- by Christopher Schobert
- The Film Stage
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.