Producers Adam Mirels and Robbie Mirels of 141 Entertainment, the team behind Ana Lily Amirpour’s hotly anticipated “Mona Lisa and the Blood Moon,” which plays Sunday in competition at the Venice Film Festival, have signed an option to remake director-writer Sameh Zoabi’s 2018 Venice Horizons Award entry “Tel Aviv on Fire.” The adaptation will be set on the border between the Sonora region of Mexico and a small Arizona town.
Zoabi’s original film nabbed the best actor award in Venice Horizons and went on to receive a host of international kudos. The film uses comedy to explore the absurdity of everyday life under a militarized border force. The remake will utilize these themes and the universal romantic-comedy at its core.
141 Entertainment will attach a Spanish-speaking writer and director to adapt the work to its new U.S. border setting. Zoabi will remain involved creatively and will also serve...
Zoabi’s original film nabbed the best actor award in Venice Horizons and went on to receive a host of international kudos. The film uses comedy to explore the absurdity of everyday life under a militarized border force. The remake will utilize these themes and the universal romantic-comedy at its core.
141 Entertainment will attach a Spanish-speaking writer and director to adapt the work to its new U.S. border setting. Zoabi will remain involved creatively and will also serve...
- 9/4/2021
- by Alissa Simon
- Variety Film + TV
The Closing Night Film at the Israel Film Festival Los Angeles, daring and funny…how can Palestinians criticize Israelis and Israelis criticize Palestinians? Make a comedy like ‘Tel Aviv on Fire’. In this interview with the director and co-writer, Sameh Zoabi, we explore the power and pitfalls of comedy in the international market place.
Commonly considered outside of the “arthouse” genre, comedy is a little looked down on by cinephiles. But this notion is belied by the social-political comedies of Ernst Lubitsch or Charlie Chaplin…and Life is Beautiful did win the Oscar in 1998.
Tel Aviv on Fire is about Salam, an inexperienced young Palestinian man who becomes a writer on a popular soap opera after a chance meeting with an Israeli soldier. His creative career is on the rise — until the soldier and the show’s financial backers disagree about how the show should end, and Salam is caught in the middle.
Commonly considered outside of the “arthouse” genre, comedy is a little looked down on by cinephiles. But this notion is belied by the social-political comedies of Ernst Lubitsch or Charlie Chaplin…and Life is Beautiful did win the Oscar in 1998.
Tel Aviv on Fire is about Salam, an inexperienced young Palestinian man who becomes a writer on a popular soap opera after a chance meeting with an Israeli soldier. His creative career is on the rise — until the soldier and the show’s financial backers disagree about how the show should end, and Salam is caught in the middle.
- 11/26/2019
- by Sydney Levine
- Sydney's Buzz
Tel Aviv On Fire Samsa Films Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Sameh Zoabi Screenwriter: Sameh Zoabi, Dan Kleinman Cast: Kais Nashef, Lubna Azabal, Maisa Abd Elhadi, Yaniv Biton Screened at: Cohen Media Group, NYC, 7/11/19 Opens: August 2, 2019 in New York and Los Angeles Think of […]
The post Tel Aviv On Fire Movie Review appeared first on Shockya.com.
The post Tel Aviv On Fire Movie Review appeared first on Shockya.com.
- 7/28/2019
- by Harvey Karten
- ShockYa
‘Gurrumul’.
Director Paul Williams and producer Shannon Swan’s portrait of the late blind Indigenous musician Geoffrey Gurrumul Yunupingu, Gurrumul, won Best Documentary Feature Film at the Asia Pacific Screen Awards (Apsa) in Brisbane last night.
It was the first time an Australian film has won in the category, with Gurrumul beating out Amal, Of Fathers and Sons (Syrian Arab Republic, Lebanon, Qatar, Germany), Of Love & Law (Japan, UK, France) and Up Down & Sideways
Accepting the award together with Williams, Swan described the moment as bittersweet knowing that Gurrumul wasn’t there to share in it.
“To G, thank you so much for inviting us into your life and trusting us with your story,” he said.
Gurrumul also won Feature Documentary of the Year at last week’s Screen Producers Australia Awards, and is also nominated for five awards at next week’s AACTAs, including for Best Feature Documentary alongside Mountain,...
Director Paul Williams and producer Shannon Swan’s portrait of the late blind Indigenous musician Geoffrey Gurrumul Yunupingu, Gurrumul, won Best Documentary Feature Film at the Asia Pacific Screen Awards (Apsa) in Brisbane last night.
It was the first time an Australian film has won in the category, with Gurrumul beating out Amal, Of Fathers and Sons (Syrian Arab Republic, Lebanon, Qatar, Germany), Of Love & Law (Japan, UK, France) and Up Down & Sideways
Accepting the award together with Williams, Swan described the moment as bittersweet knowing that Gurrumul wasn’t there to share in it.
“To G, thank you so much for inviting us into your life and trusting us with your story,” he said.
Gurrumul also won Feature Documentary of the Year at last week’s Screen Producers Australia Awards, and is also nominated for five awards at next week’s AACTAs, including for Best Feature Documentary alongside Mountain,...
- 11/30/2018
- by jkeast
- IF.com.au
Nadine Labaki takes director prize for Capharnaüm.
The jury of the 12th Asia Pacific Screen Awards has awarded the best film prize to Hirokazu Kore-eda’s Shoplifters (Manbiki Kazoku), continuing the Palme d’Or winner’s dream run.
Full list of winners below
The film, which depicts a makeshift family living on the fringes of Japanese society, won the highest honour at the region’s film awards, which took place in Brisbane, Australia, tonight.
The best director prize went to Nadine Labaki for Capharnaüm (Lebanon).
Shoplifters’ win marks the first time that a Japanese film has won the best feature...
The jury of the 12th Asia Pacific Screen Awards has awarded the best film prize to Hirokazu Kore-eda’s Shoplifters (Manbiki Kazoku), continuing the Palme d’Or winner’s dream run.
Full list of winners below
The film, which depicts a makeshift family living on the fringes of Japanese society, won the highest honour at the region’s film awards, which took place in Brisbane, Australia, tonight.
The best director prize went to Nadine Labaki for Capharnaüm (Lebanon).
Shoplifters’ win marks the first time that a Japanese film has won the best feature...
- 11/29/2018
- by Fiona Williams
- ScreenDaily
Acclaimed Japanese drama Shoplifters took home the best film prize at the Asia Pacific Screen Awards which were held in Brisbane, Australia on Thursday night.
Auteur filmmaker Hirokazu Kore-eda’s film, about a family of small-time crooks who take in a child they find outside in the cold, previously won the Palme d’Or at the Cannes Film Festival.
The Jury Grand Prize went to Lee Chang-dong’s well-received drama Burning, while best director went to Nadine Labaki for Capernaum. Acting prizes were awarded to India’s Nawazuddin Siddiqui for Manto and to China’s Zhao Tao for Ash Is Purest White.
The awards are open to 70 countries containing 4.5B people. A total of 46 films from 22 territories received Apsa nominations.
Select winners:
Best Feature Film
Shoplifters (Japan)
Kore-eda Hirokazu, Matsuzaki Kaoru, Yose Akihiko, Taguchi Hijiri
Jury Grand Prize
Burning (South Korea)
Lee Joon-dong, Lee Chang-dong
Achievement In Directing
Nadine Labaki...
Auteur filmmaker Hirokazu Kore-eda’s film, about a family of small-time crooks who take in a child they find outside in the cold, previously won the Palme d’Or at the Cannes Film Festival.
The Jury Grand Prize went to Lee Chang-dong’s well-received drama Burning, while best director went to Nadine Labaki for Capernaum. Acting prizes were awarded to India’s Nawazuddin Siddiqui for Manto and to China’s Zhao Tao for Ash Is Purest White.
The awards are open to 70 countries containing 4.5B people. A total of 46 films from 22 territories received Apsa nominations.
Select winners:
Best Feature Film
Shoplifters (Japan)
Kore-eda Hirokazu, Matsuzaki Kaoru, Yose Akihiko, Taguchi Hijiri
Jury Grand Prize
Burning (South Korea)
Lee Joon-dong, Lee Chang-dong
Achievement In Directing
Nadine Labaki...
- 11/29/2018
- by Andreas Wiseman
- Deadline Film + TV
Japanese social drama “Shoplifters” was named best film at the Asia Pacific Screen Awards on Thursday. Directed by Kore-eda Hirokazu, the film previously won the Palme d’Or at the Cannes Film Festival in May.
“’Shoplifters’ turns an intimate story about an unusual family into a metaphorical social analysis that is relevant not only for Japan, but everywhere,” said “Leviathan” producer Alexander Rodnyansky, who headed the main prize jury.
The Jury Grand Prize, or second place award, went to “Burning,” by South Korea’s Lee Chang-dong. The best director prize went to Nadine Labaki for “Capernaum” (Lebanon).
The prizes were presented at a ceremony at the Exhibition & Convention Centre in Brisbane, Australia. Winners each receive a stunning glass ornament made by Brisbane artist Joanna Bone.
Those treading the red carpet included Mpa chief Charles Rivkin, popular Australian actor Jack Thompson, British filmmaker and educationalist David Puttnam, Singaporean director Anthony Chen,...
“’Shoplifters’ turns an intimate story about an unusual family into a metaphorical social analysis that is relevant not only for Japan, but everywhere,” said “Leviathan” producer Alexander Rodnyansky, who headed the main prize jury.
The Jury Grand Prize, or second place award, went to “Burning,” by South Korea’s Lee Chang-dong. The best director prize went to Nadine Labaki for “Capernaum” (Lebanon).
The prizes were presented at a ceremony at the Exhibition & Convention Centre in Brisbane, Australia. Winners each receive a stunning glass ornament made by Brisbane artist Joanna Bone.
Those treading the red carpet included Mpa chief Charles Rivkin, popular Australian actor Jack Thompson, British filmmaker and educationalist David Puttnam, Singaporean director Anthony Chen,...
- 11/29/2018
- by Patrick Frater
- Variety Film + TV
Born near Nazareth, Israel, director-writer Sameh Zoabi now lives in Brooklyn and teaches at NYU. His second feature, “Tel Aviv on Fire,” screens in Venice’s Orrizonte competition and then at Tiff.
Your first feature, “Man Without a Cell Phone” (2010), had a comedic tone like “Tel Aviv.”
My first feature was inspired by my upbringing, I was not necessarily seeking to make a comedy, but rather to be truthful to a reality I grew up with as a Palestinian. A constant sense of despair hovers, yet there is spirit and a sense of humor around the dinner table. With “Tel Aviv on Fire,” the story deals directly with the subject of conflict perspectives. Similar to my previous film, the tone is comedic — not to make light of a situation that is more dire than ever before, but rather to use the insights that comic exaggeration can bring. As Charlie Chaplin put it,...
Your first feature, “Man Without a Cell Phone” (2010), had a comedic tone like “Tel Aviv.”
My first feature was inspired by my upbringing, I was not necessarily seeking to make a comedy, but rather to be truthful to a reality I grew up with as a Palestinian. A constant sense of despair hovers, yet there is spirit and a sense of humor around the dinner table. With “Tel Aviv on Fire,” the story deals directly with the subject of conflict perspectives. Similar to my previous film, the tone is comedic — not to make light of a situation that is more dire than ever before, but rather to use the insights that comic exaggeration can bring. As Charlie Chaplin put it,...
- 9/4/2018
- by Alissa Simon
- Variety Film + TV
NEW YORK -- The Sundance Institute will workshop 13 projects at its January Screenwriters Lab, steered by a who's who of indie writers, including artistic director Scott Frank, Paul Attanasio, Kasi Lemmons, Naomi Foner Gyllenhaal and Doug Wright.
Towelhead author Alicia Erian, whose novel was adapted for Alan Ball's upcoming Nothing Is Private, is developing a script about an American who faces repercussions after helping a Salvadoran immigrant in Hammer and Anvil.
The other projects include Liu Hao's Beijing romance Addicted to Love; John Magary's family drama "Blood Abundance, or the Half-Life of Antoinette"; Ryan Knighton's autobiographical blindness drama Cockeyed; and Hadar Friedlich's Israeli profile Hannah M.
Patrick Vala-Haynes' father-son drama The Henchman; Moon Molson's crime drama Meadowlandz; Daniel Casey's Polish-American boxing story Poletown; and Fellipe Gamarano Barbosa and Karen Sztajnberg's Brazilian coming-of-age drama Quotas also made the cut.
Rounding out the list are Liza Johnson's portrait of a military mother, Return; Hicham Ayouch's Moroccan Muslim drama Samba Do Maazouuz; Frank Budgen's adult U.K. fairy tale, Shockheaded Peter; and Darrell Dennis' study of a Native American woman in Canada, Tales of an Urban Indian.
Other Screenwriters Lab advisers include Rodrigo Garcia, Dan Kleinman, Fernando Leon de Aranoa, Malia Scotch Marmo, Christopher McQuarrie, Walter Mosley, Tom Rickman, Howard Rodman, Susan Shilliday, Zachary Sklar, Dana Stevens, Thomas Vinterberg and Tyger Williams.
Towelhead author Alicia Erian, whose novel was adapted for Alan Ball's upcoming Nothing Is Private, is developing a script about an American who faces repercussions after helping a Salvadoran immigrant in Hammer and Anvil.
The other projects include Liu Hao's Beijing romance Addicted to Love; John Magary's family drama "Blood Abundance, or the Half-Life of Antoinette"; Ryan Knighton's autobiographical blindness drama Cockeyed; and Hadar Friedlich's Israeli profile Hannah M.
Patrick Vala-Haynes' father-son drama The Henchman; Moon Molson's crime drama Meadowlandz; Daniel Casey's Polish-American boxing story Poletown; and Fellipe Gamarano Barbosa and Karen Sztajnberg's Brazilian coming-of-age drama Quotas also made the cut.
Rounding out the list are Liza Johnson's portrait of a military mother, Return; Hicham Ayouch's Moroccan Muslim drama Samba Do Maazouuz; Frank Budgen's adult U.K. fairy tale, Shockheaded Peter; and Darrell Dennis' study of a Native American woman in Canada, Tales of an Urban Indian.
Other Screenwriters Lab advisers include Rodrigo Garcia, Dan Kleinman, Fernando Leon de Aranoa, Malia Scotch Marmo, Christopher McQuarrie, Walter Mosley, Tom Rickman, Howard Rodman, Susan Shilliday, Zachary Sklar, Dana Stevens, Thomas Vinterberg and Tyger Williams.
- 12/14/2007
- The Hollywood Reporter - Movie News
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