Never before has learning about animal ecosystems been quite so soothing, or quite so analogous to Dark Side of the Moon.
The Fondation Cartier Pour L’Art Contemporain, a contemporary art museum in Paris, has developed an interactive experience called The Great Animal Orchestra, developed by ecologist and musician Bernie Krause.
Via the sprawling, immersive site, listeners can pick from an array of different “acoustic landscapes” like Alaska, California, Ontario, Zimbabwe, and the Pacific Rim. Each landscape, in turn, has its own set of elements available: Birds, insects and mammals like wolves and baboon. You can manipulate the selection of...
The Fondation Cartier Pour L’Art Contemporain, a contemporary art museum in Paris, has developed an interactive experience called The Great Animal Orchestra, developed by ecologist and musician Bernie Krause.
Via the sprawling, immersive site, listeners can pick from an array of different “acoustic landscapes” like Alaska, California, Ontario, Zimbabwe, and the Pacific Rim. Each landscape, in turn, has its own set of elements available: Birds, insects and mammals like wolves and baboon. You can manipulate the selection of...
- 12/7/2016
- by alexheigl
- PEOPLE.com
Other winners include Among The Believers and The Fear Of 13.Scroll Down For Full List
Cph:dox (Nov 5-15), Copenhagen’s festival of documentary cinema, has revealed its award winners for 2015, with God Bless The Child taking the top prize.
Robert Machoian & Rodrigo Ojeda-Beck’s film, which follows four young boys and their 13-year-old sister who are left to their own devices in their Californian home, was presented with the Dox:award, including a prize of $5400 (€5000).
The prize’s jury was composed of Elena Fortes, director of Ambulante, a non-profit organization working to support and promote a documentary film culture in Mexico; Miguel Valverde, festival director and programmer at IndieLisboa; Jim Kolmar, film Programmer for SXSW; Bernie Krause, professional musician turned soundscape ecologist and author; and Katja Adomeit, producer and freelancer for Corpoduction Office Denmark.
Regarding their decision, they stated: “Establishing an otherworldly tone of extraordinary realism and a near magical evocation of family dynamics, the winning...
Cph:dox (Nov 5-15), Copenhagen’s festival of documentary cinema, has revealed its award winners for 2015, with God Bless The Child taking the top prize.
Robert Machoian & Rodrigo Ojeda-Beck’s film, which follows four young boys and their 13-year-old sister who are left to their own devices in their Californian home, was presented with the Dox:award, including a prize of $5400 (€5000).
The prize’s jury was composed of Elena Fortes, director of Ambulante, a non-profit organization working to support and promote a documentary film culture in Mexico; Miguel Valverde, festival director and programmer at IndieLisboa; Jim Kolmar, film Programmer for SXSW; Bernie Krause, professional musician turned soundscape ecologist and author; and Katja Adomeit, producer and freelancer for Corpoduction Office Denmark.
Regarding their decision, they stated: “Establishing an otherworldly tone of extraordinary realism and a near magical evocation of family dynamics, the winning...
- 11/13/2015
- ScreenDaily
Over at the website of the Bob Moog Foundation, electronic music historian Thom Holmes has an interesting post about some lesser-known cinematic uses of the Moog, the pioneering analog synthesizer popularized by Wendy Carlos with 1968′s Switched-On Bach album, which introduced the public at large to the idea of electronic sounds as more than simple novelties. Carlos would go on to the soundtracks for A Clockwork Orange, The Shining and Tron, but many other movies in the ’60s and ’70s were quick to latch onto the instrument’s possibilities. Paul Beaver and Bernie Krause were among the Moog’s most productive practitioners […]...
- 7/23/2014
- by Vadim Rizov
- Filmmaker Magazine - Blog
Over at the website of the Bob Moog Foundation, electronic music historian Thom Holmes has an interesting post about some lesser-known cinematic uses of the Moog, the pioneering analog synthesizer popularized by Wendy Carlos with 1968′s Switched-On Bach album, which introduced the public at large to the idea of electronic sounds as more than simple novelties. Carlos would go on to the soundtracks for A Clockwork Orange, The Shining and Tron, but many other movies in the ’60s and ’70s were quick to latch onto the instrument’s possibilities. Paul Beaver and Bernie Krause were among the Moog’s most productive practitioners […]...
- 7/23/2014
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
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