Apocalypse Now editor to receive special award at cinematography festival.
Walter Murch, the editor of Apocalypse Now, Ghost and The English Patient, is to receive a Special Editing Award at Camerimage (Nov 14-21), held in the Polish city of Bydgoszcz.
The three-time Oscar winner, who most recently edited Tomorrowland: A World Beyond, will attend the 23rd International Film Festival of the Art of Cinematography to collect the honour.
He will also take part in an on stage conversation where he will discuss his film career, which spans more than 40 years.
Pixar
Camerimage will also host the key crew members of Pixar’s critically acclaimed animation, Inside Out.
They include Patrick Lin, Director of Photography—Camera and Staging; Kim White, Director of Photography—Lighting; and Adam Habib, Camera and Staging Lead.
The team will discuss how cinematography is practiced in animated filmmaking and share some of the challenges they faced on the production, with work-in-progress...
Walter Murch, the editor of Apocalypse Now, Ghost and The English Patient, is to receive a Special Editing Award at Camerimage (Nov 14-21), held in the Polish city of Bydgoszcz.
The three-time Oscar winner, who most recently edited Tomorrowland: A World Beyond, will attend the 23rd International Film Festival of the Art of Cinematography to collect the honour.
He will also take part in an on stage conversation where he will discuss his film career, which spans more than 40 years.
Pixar
Camerimage will also host the key crew members of Pixar’s critically acclaimed animation, Inside Out.
They include Patrick Lin, Director of Photography—Camera and Staging; Kim White, Director of Photography—Lighting; and Adam Habib, Camera and Staging Lead.
The team will discuss how cinematography is practiced in animated filmmaking and share some of the challenges they faced on the production, with work-in-progress...
- 10/1/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
My first trip to Pixar’s Emeryville campus was 13 years ago. That alone was enough to give me pause when I was invited to the “Inside Out” press day. I’ve done it. I’ve taken the tour. I’ve seen the campus. I’ve met the artists and I’ve seen their amazing work spaces and I’ve had a chance to walk through pretty much every department. I remember standing outside the server room my first time up, looking in at the brain of this remarkable company, amazed at how those racks of black technology represented this collision of all this amazing human artistry. My other hesitation, honestly, was because we were told that we’d be seeing “part” of the movie. I’ve grown wary over the years of seeing movies in chunks because you can’t really react in any meaningful way since you’re not seeing something that’s complete.
- 5/27/2015
- by Drew McWeeny
- Hitfix
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