"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail. Here's Daniel Walber...
My Gal Sal is a pack of lies. The 1942 musical, ostensibly a biopic of songwriter Paul Dresser, is almost entirely fabricated. Of course, that hardly matters. Accuracy is no prerequisite for the Best Production Design Oscar, which Richard Day, Joseph C. Wright and Thomas Little won for the picture. No one will be mad if some details are fudged in musical numbers like “Me and My Fella and a Big Umbrella.”
That said, My Gal Sal is interesting because it’s all nonsense. It’s a window into the way Hollywood projects itself onto the past, a compendium of historical kitsch.
Dresser (Victor Mature) begins the film in a strict, Indiana home. His minister father objects to his music, so he runs away and gets a job with a medicine show.
My Gal Sal is a pack of lies. The 1942 musical, ostensibly a biopic of songwriter Paul Dresser, is almost entirely fabricated. Of course, that hardly matters. Accuracy is no prerequisite for the Best Production Design Oscar, which Richard Day, Joseph C. Wright and Thomas Little won for the picture. No one will be mad if some details are fudged in musical numbers like “Me and My Fella and a Big Umbrella.”
That said, My Gal Sal is interesting because it’s all nonsense. It’s a window into the way Hollywood projects itself onto the past, a compendium of historical kitsch.
Dresser (Victor Mature) begins the film in a strict, Indiana home. His minister father objects to his music, so he runs away and gets a job with a medicine show.
- 5/1/2017
- by Daniel Walber
- FilmExperience
"The Furniture" our weekly series on Production Design. Here's Daniel Walber
Filmmaking is often an art borne of flexibility. Tim Burton built Sleepy Hollow from scratch when he couldn’t find just the right town in the real world. Vincente Minnelli was forced to make Brigadoon indoors in Hollywood, because the studio wouldn’t pay for an expensive production in Scotland. Both films are likely better for it, too.
The same is perhaps true for How Green Was My Valley, which premiered 75 years ago this week. John Ford wanted to make shoot it on location in Wales, but World War II intervened. Instead, the production team built an entire mining town in the Santa Monica Mountains. This condensed and idealized version of the setting of Richard Llewellyn’s 1939 novel is among the most emotionally resonant sets of its era.
The film won five Academy Awards, including Best Picture and Best Art Direction.
Filmmaking is often an art borne of flexibility. Tim Burton built Sleepy Hollow from scratch when he couldn’t find just the right town in the real world. Vincente Minnelli was forced to make Brigadoon indoors in Hollywood, because the studio wouldn’t pay for an expensive production in Scotland. Both films are likely better for it, too.
The same is perhaps true for How Green Was My Valley, which premiered 75 years ago this week. John Ford wanted to make shoot it on location in Wales, but World War II intervened. Instead, the production team built an entire mining town in the Santa Monica Mountains. This condensed and idealized version of the setting of Richard Llewellyn’s 1939 novel is among the most emotionally resonant sets of its era.
The film won five Academy Awards, including Best Picture and Best Art Direction.
- 10/24/2016
- by Daniel Walber
- FilmExperience
We're less than a week from Hollywood's High Holy Night. Are you excited yet?
For today's trivia party we'll look at the only people to win exactly six Oscars. Four men. It's always men (sigh). Only 11 people have won more Oscars than these four men. I did not include confusing cases like Visual FX guru Dennis Murren -- IMDb argues exactly 6 but that depends on how you count them since his prizes are many and a confusing jumble of technical achievements, special Oscars, and regular competitive statues. (Unfortunately I couldn't find photographs of the set decorators)
Gordon HollingsheadGORDON Hollingshead (1892-1952)
This producer won more Oscars in the short film categories than anyone other than the legendary Walt Disney and Frederick Quimby (of Tom & Jerry fame) but he won them for live action films. His first Oscar, though, was in the inaguaral year (1933) of a category called "Best Assistant Director" which...
For today's trivia party we'll look at the only people to win exactly six Oscars. Four men. It's always men (sigh). Only 11 people have won more Oscars than these four men. I did not include confusing cases like Visual FX guru Dennis Murren -- IMDb argues exactly 6 but that depends on how you count them since his prizes are many and a confusing jumble of technical achievements, special Oscars, and regular competitive statues. (Unfortunately I couldn't find photographs of the set decorators)
Gordon HollingsheadGORDON Hollingshead (1892-1952)
This producer won more Oscars in the short film categories than anyone other than the legendary Walt Disney and Frederick Quimby (of Tom & Jerry fame) but he won them for live action films. His first Oscar, though, was in the inaguaral year (1933) of a category called "Best Assistant Director" which...
- 2/22/2016
- by NATHANIEL R
- FilmExperience
'Hold Back the Dawn': Olivia de Havilland behind Charles Boyer and Paulette Goddard 'Hold Back the Dawn' 1941 movie: Olivia de Havilland steals show as small-town teacher in love Olivia de Havilland shines in Mitchell Leisen's melodrama Hold Back the Dawn, a sort of opening bracket for the director's World War II-era films. Adapted by Billy Wilder and Charles Brackett from Ketti Frings' semi-autobiographical story, Hold Back the Dawn stars Charles Boyer as George Iscovescu, a Romanian dancer unable to enter the U.S. from Mexico due to immigration quotas imposed at the onset of the European conflict. Paulette Goddard is his scheming former partner, Anita, who marries an American to gain entry into the country only to immediately leave the duped husband. George adopts the idea – a naïve small-town schoolteacher visiting a Mexican border town is his prey. As the unsuspecting teacher, Olivia de Havilland radiates understanding and sympathy.
- 5/7/2015
- by Doug Johnson
- Alt Film Guide
One of the earliest motion pictures to consciously depict the fear and suspicion that permeated the early Cold War, “The Day the Earth Stood Still” precipitated the 1950s science fiction boom. After landing his sleek, futuristic-seeming flying saucer, designed by Thomas Little and Claude Carpenter with consultation from Frank Lloyd Wright, on a baseball field in Washington, D.C., Klaatu, accompanied by the eight-foot robot Gort, warns the leaders of Earth to dismantle their burgeoning atomic programs or face utter destruction. His people will not tolerate of the spread of human violence throughout the galaxy. Unlike movie aliens before or many since, the human-appearing Klaatu spends time among ordinary people, not to conquer or hurt but to observe and learn. Working loosely from the 1940 short story “Farewell to the Master” by Harry Bates, director Robert Wise and screenwriter Edmund H. North created the unique production with an economy of action and an exhilarating pace.
- 3/9/2011
- by admin
- Moving Pictures Magazine
One of the earliest motion pictures to consciously depict the fear and suspicion that permeated the early Cold War, “The Day the Earth Stood Still” precipitated the 1950s science fiction boom. After landing his sleek, futuristic-seeming flying saucer, designed by Thomas Little and Claude Carpenter with consultation from Frank Lloyd Wright, on a baseball field in Washington, D.C., Klaatu, accompanied by the eight-foot robot Gort, warns the leaders of Earth to dismantle their burgeoning atomic programs or face utter destruction. His people will not tolerate of the spread of human violence throughout the galaxy. Unlike movie aliens before or many since, the human-appearing Klaatu spends time among ordinary people, not to conquer or hurt but to observe and learn. Working loosely from the 1940 short story “Farewell to the Master” by Harry Bates, director Robert Wise and screenwriter Edmund H. North created the unique production with an economy of action and an exhilarating pace.
- 3/9/2011
- by admin
- Moving Pictures Network
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