Brandon Harris—an educator, programmer, author, producer, director, executive as well as a longtime contributing editor at Filmmaker—has curated a series at Metrograph in commemoration of Black History Month. Entitled “Strange Fruit,” the series features an impressive slate of titles spanning several decades, from Pierre Chenal’s black and white Argentine drama Native Son to Billy Woodberry’s seminal L.A. Rebellion film Bless Their Little Hearts. The opening night selection, which played on Sunday, February 5, was Elvis Mitchell’s NYFF-premiering essay film Is That Black Enough for You?!? Several special screenings have also been programmed, including Del Lord’s 1927 silent film Topsy and Eva […]
The post Brandon Harris Curates “Strange Fruit” Series at Metrograph in Honor of Black History Month first appeared on Filmmaker Magazine.
The post Brandon Harris Curates “Strange Fruit” Series at Metrograph in Honor of Black History Month first appeared on Filmmaker Magazine.
- 2/9/2023
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
Brandon Harris—an educator, programmer, author, producer, director, executive as well as a longtime contributing editor at Filmmaker—has curated a series at Metrograph in commemoration of Black History Month. Entitled “Strange Fruit,” the series features an impressive slate of titles spanning several decades, from Pierre Chenal’s black and white Argentine drama Native Son to Billy Woodberry’s seminal L.A. Rebellion film Bless Their Little Hearts. The opening night selection, which played on Sunday, February 5, was Elvis Mitchell’s NYFF-premiering essay film Is That Black Enough for You?!? Several special screenings have also been programmed, including Del Lord’s 1927 silent film Topsy and Eva […]
The post Brandon Harris Curates “Strange Fruit” Series at Metrograph in Honor of Black History Month first appeared on Filmmaker Magazine.
The post Brandon Harris Curates “Strange Fruit” Series at Metrograph in Honor of Black History Month first appeared on Filmmaker Magazine.
- 2/9/2023
- by Natalia Keogan
- Filmmaker Magazine - Blog
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