Scorsese Joins Mundruczó’s ‘Evolution’; Crytpt TV’s First Indian Horror; Buff Lineup — Global Briefs
Martin Scorsese Joins ‘Evolution’ As Exec Producer
Martin Scorsese is joining Kornél Mundruczó’s Cannes title Evolution as an executive producer. This marks his second collaboration with the filmmaker and screenwriter Kata Wéber after Oscar nominee Pieces Of A Woman. “Every new movie by Mundruczó and Wéber comes as a welcome shock to the senses for the viewer and for the filmmaker – they never stop advancing into uncharted territory. With Evolution, they find a way to dramatize the movement of time itself, the ways that we remember and the ways that we forget,” said Scorsese. The pic, which explores a family’s experiences from World War II to present-day Berlin, had its world premiere at on the Croisette earlier this year. It stars Lili Monori (Delta), Annamária Láng (Nothing Really Happened), Goya Rego, Padmé Hamdemir and Jule Böwe (The Silence). The movie is produced by Viola Fügen, Michael Weber and Viktória Petrányi,...
Martin Scorsese is joining Kornél Mundruczó’s Cannes title Evolution as an executive producer. This marks his second collaboration with the filmmaker and screenwriter Kata Wéber after Oscar nominee Pieces Of A Woman. “Every new movie by Mundruczó and Wéber comes as a welcome shock to the senses for the viewer and for the filmmaker – they never stop advancing into uncharted territory. With Evolution, they find a way to dramatize the movement of time itself, the ways that we remember and the ways that we forget,” said Scorsese. The pic, which explores a family’s experiences from World War II to present-day Berlin, had its world premiere at on the Croisette earlier this year. It stars Lili Monori (Delta), Annamária Láng (Nothing Really Happened), Goya Rego, Padmé Hamdemir and Jule Böwe (The Silence). The movie is produced by Viola Fügen, Michael Weber and Viktória Petrányi,...
- 11/9/2021
- by Anuj Radia
- Deadline Film + TV
A triptych of interconnected stories form Evolution, which begins at the end of the liberation of Auschwitz, in 1945, skips forward to an apartment in Budapest circa the 1990s, and ends in present-day Berlin. As blunt as its title, it proposes the back-of-a-napkin theory on how prejudice has evolved in those eight decades and, in a macro way, perhaps how Germany itself has. The director is Kornél Mundruczó, a Hungarian filmmaker who—alongside his frequent collaborator and co-screenwriter Kata Wéber—has attained a certain auteur status for blending such tidy allegories with incredibly realized cinematic bombast—White God (2014), Jupiter’s Moon (2017), and Pieces of a Woman (2020).
A true product of the pandemic, Evolution was shot in just 13 days over April and May of this year, in Budapest and Berlin, then assembled in just over a month, remarkably premiering this week in Cannes. Each segment is a single roving take, the logistics of...
A true product of the pandemic, Evolution was shot in just 13 days over April and May of this year, in Budapest and Berlin, then assembled in just over a month, remarkably premiering this week in Cannes. Each segment is a single roving take, the logistics of...
- 7/12/2021
- by Rory O'Connor
- The Film Stage
Building on what has come before, the opening act of Kornél Mundruczó and Kata Wéber’s “Evolution” recalls a monologue from the Hungarian duo’s previous film, “Pieces of a Woman,” when a Holocaust-hardened Jewish matriarch played by Ellen Burstyn repeats the mythology of her own survival — the idea that she somehow chose to live when so many around her were murdered. She tells the story of being hidden under the floorboards as an infant, and how even the doctor considered her a lost cause: “He picked me up by my feet and held me up like a chicken and said, ‘If she tries to lift her head, then there’s hope.’”
In “Evolution” — which Mundruczó adapted for the screen from his longtime collaborator’s logistically audacious Proton Theatre stage production — three generations of Jewish survivors choose to lift their heads, one after the other, across a trio of bravura single-take vignettes.
In “Evolution” — which Mundruczó adapted for the screen from his longtime collaborator’s logistically audacious Proton Theatre stage production — three generations of Jewish survivors choose to lift their heads, one after the other, across a trio of bravura single-take vignettes.
- 7/11/2021
- by Peter Debruge
- Variety Film + TV
The filmmaker's first feature, starring Ákos Orosz and Mari Nagy, will be presented at Connecting Cottbus's Work in Progress. A production by Filmfabriq and Fp Films sold by the Nfi World Sales. Shot last Summer, from 22 July to 14 August in Maglód, in the near suburb of Budapest, Eviction (Kilakoltatás), the first feature from Máté Fazekas, will participate in cocoWIP, the Work in Progress organised as part of Connecting Cottbus (which will take place online 4-6 November). Headlining the film are Ákos Orosz and Mari Nagy (recently recognised for her turns in Those Who Remained and Post Mortem). Also in the cast are Blanka Mészáros, Annamária Láng, István Znamenák, Kata Péter, András Pál, Géza Egger, Orsolya...
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