Lucy Gaffy with her.Canon Award for Best Direction in an Australian Short Film for 'Dream Baby'.
The 26th annual Flickerfest closed last night with an awards ceremony at Bondi Pavilion, celebrating both international and Australian films..
The award for Best Australian Short Film went to Christopher Sferrazza.s Beast, which had its world premiere at the festival.
Lucy Gaffy took out the award for Best Direction in an Australian Short Film for Dream Baby, following on from the short.s recent Aacta Award.
The award for Best International Short Film went to the Icelandic film.Ungar (Cubs), from writer-director Nanna Kristín Magnúsdóttir..
Flickerfest.s Academy-accredited awards include the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Virgin Australia Award for Best Australian Short Film and the Flickerfest Award for Best Documentary Short Film..
.We are thrilled that the 2017 festival...
The 26th annual Flickerfest closed last night with an awards ceremony at Bondi Pavilion, celebrating both international and Australian films..
The award for Best Australian Short Film went to Christopher Sferrazza.s Beast, which had its world premiere at the festival.
Lucy Gaffy took out the award for Best Direction in an Australian Short Film for Dream Baby, following on from the short.s recent Aacta Award.
The award for Best International Short Film went to the Icelandic film.Ungar (Cubs), from writer-director Nanna Kristín Magnúsdóttir..
Flickerfest.s Academy-accredited awards include the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Virgin Australia Award for Best Australian Short Film and the Flickerfest Award for Best Documentary Short Film..
.We are thrilled that the 2017 festival...
- 1/15/2017
- by Staff Writer
- IF.com.au
Writer-director Robert Mond.s debut feature The Subjects will be released worldwide on multiple platforms in October.
The thriller.s novel concept revolves around eight misfits who are paid handsomely to take part in a secret trial to test a new drug. Locked in a room for eight hours, each person discovers he or she suddenly has assumed superhuman powers.
So the tension mounts as each is forced to make a choice: to become a superhero or a supervillain.
Shot in Melbourne last July/August, the film was financed by David Redman.s Instinct Entertainment, a consortium of investors, the producer offset and the UK.s Head Gear, which cash-flowed the offset.
Instinct Distribution is releasing the film worldwide in October, with launches planned at Comic-Con in Sydney and New York and other Comic-Con events around the world.
Mond, who has written and directed numerous short films, produced with Redman,...
The thriller.s novel concept revolves around eight misfits who are paid handsomely to take part in a secret trial to test a new drug. Locked in a room for eight hours, each person discovers he or she suddenly has assumed superhuman powers.
So the tension mounts as each is forced to make a choice: to become a superhero or a supervillain.
Shot in Melbourne last July/August, the film was financed by David Redman.s Instinct Entertainment, a consortium of investors, the producer offset and the UK.s Head Gear, which cash-flowed the offset.
Instinct Distribution is releasing the film worldwide in October, with launches planned at Comic-Con in Sydney and New York and other Comic-Con events around the world.
Mond, who has written and directed numerous short films, produced with Redman,...
- 6/22/2015
- by Don Groves
- IF.com.au
We had actors. So many actors. But what do we do with them? Did I mention… Argh?!
With our cast of 50 locked in we were looking straight down that ol’ filming gun-barrel. The novice wannabe director had to hitch up his pants and face the actors. And it seems that all of that panic, and waking from thespian-zombie nightmares was for naught.
Turns out that they are actually human beings. Who would’ve thought?
The rehearsal process for Bound By Blue was an eclectic one. Each of the main characters have very different perspectives of the world, and for three of our four cast this was rather distant from their own experience.; thus the acting.
Frank Magree played a being from another world; Richard Davies was a man with a phobia of being touched; and Debbie Zukerman, a woman bearing guilt over the death of her best friend. And it...
With our cast of 50 locked in we were looking straight down that ol’ filming gun-barrel. The novice wannabe director had to hitch up his pants and face the actors. And it seems that all of that panic, and waking from thespian-zombie nightmares was for naught.
Turns out that they are actually human beings. Who would’ve thought?
The rehearsal process for Bound By Blue was an eclectic one. Each of the main characters have very different perspectives of the world, and for three of our four cast this was rather distant from their own experience.; thus the acting.
Frank Magree played a being from another world; Richard Davies was a man with a phobia of being touched; and Debbie Zukerman, a woman bearing guilt over the death of her best friend. And it...
- 6/28/2012
- by David Hawkins
- Obsessed with Film
Follow us on Facebook to keep up-to-date with Bound By Blue by clicking here!
And catch up with all you missed in episode #3 of the Un-Movie Experience.
That was the un-script done (as much as it can be), volunteers found and two actors cast. Right. We were practically done… just needed another 48 actors and we’d be ready to shoot! As crazy as it may sound when I say it like that, Kate and I really did just look at the wall of work that loomed over us and rolled up our sleeves. When you are facing the impossible, little things like reality only get in the way.
First on the to-do list: find the remaining two key cast.
Where do you find these thespians? We could ask the local amateur theatrical group but these roles were critical to the film – no offense to amateur actors but we needed people...
And catch up with all you missed in episode #3 of the Un-Movie Experience.
That was the un-script done (as much as it can be), volunteers found and two actors cast. Right. We were practically done… just needed another 48 actors and we’d be ready to shoot! As crazy as it may sound when I say it like that, Kate and I really did just look at the wall of work that loomed over us and rolled up our sleeves. When you are facing the impossible, little things like reality only get in the way.
First on the to-do list: find the remaining two key cast.
Where do you find these thespians? We could ask the local amateur theatrical group but these roles were critical to the film – no offense to amateur actors but we needed people...
- 5/25/2012
- by David Hawkins
- Obsessed with Film
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