‘Soundtrack of America’: Inaugural Performance at the Shed in New York City Engages Emerging Artists
How do you open a new arts complex in New York City — one that costs nearly half a billion dollars and is on the edge of a glittery enclave that locals have swiftly rejected as a wealthy gated community — without wallowing in cultural elitism? Alex Poots, the Scottish artistic director of the Shed — which opened on Friday night without much pomp but plenty of circumstance — must have been worrying about that for years.
As the former director of the Manchester International Festival, he’s leaning into his global connections to...
As the former director of the Manchester International Festival, he’s leaning into his global connections to...
- 4/7/2019
- by Jerry Portwood
- Rollingstone.com
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