- Born
- Height6′ 1″ (1.85 m)
- Neil Marshall was born on May 25, 1970 in Newcastle upon Tyne, England, UK. He is a producer and director, known for Dog Soldiers (2002), The Descent (2005) and Doomsday (2008). He was previously married to Axelle Carolyn.
- SpouseAxelle Carolyn(October 31, 2007 - 2016) (divorced)
- ChildrenNo Children
- Often featuring tough female as an antagonist
- The film line often told about one team sent for a mission. Then, they found a new horror
- Often using dark tone
- Not the unseen ghost type of horror, but a bloody gore horror
- Was set to direct Drive (2011), but was replaced by Nicolas Winding Refn.
- Member of the unofficial "Splat Pack," a term coined by film historian Alan Jones in Total Film magazine for the modern wave of directors making brutally violent horror films. The other "Splat Pack" members are Alexandre Aja, Darren Lynn Bousman, Greg McLean, Eli Roth, James Wan, Leigh Whannell & Rob Zombie.
- Was rumored to helm Predators (2010).
- Marshall discussed Pendragon, his fantasy heist sequel to Excalibur (1981) on the Best Movies Never Made podcast.
- Wrote the screenplay for 'Killing Time' which was filmed in Newcastle but was never released.
- ...the reason horror films are being made is that distributors and financiers see a way of making easy money. The genre is riding a wave of popularity that it hasn't enjoyed in a long time. It has broken out of the hardcore audience section and is reaching a much more broad-based audience.
- My belief is that if you start a film all the way up at level 10 you've got nowhere to go.
- Raiders of the Lost Ark (1981) is what made me want to make movies.
- It's about a superpower invading this country and being defeated by guerrilla warfare. In 2,000 years we haven't learned a thing. I kind of saw Ancient Britain as the equivalent of Rome's Wild West. I used to watch Westerns on TV with my dad and to me Centurion (2010) is very similar to an old John Ford cavalry movie, with the Romans as the cavalry and the Picts as the Apaches. Those movies would now be seen as incredibly un-PC: we're all rooting for the cavalry who are committing genocide on the Native Americans. I'm doing the same kind of thing in that I'm telling the story from the invader's point of view but I want you to root for the individuals not their politics.
- I see myself more as an action director. All right, I do enjoy intense, bloodthirsty action but I like to blend and cross genres. I don't want to be too predictable. I always say Dog Soldiers (2002) is a siege or a soldier movie with werewolves, not a werewolf movie with soldiers. The primary element is making the soldiers authentic - then we can add fantasy on top of that reality.
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