The blacklist strikes back as both writer Ben Maddow and director Martin Ritt examine the booming ’50s phenomenon of The Suburbs. No money up front will get you into an ‘estate’ of your dreams, provided you’re white. Possibly a little too direct in its messaging of sickness in the American dream, much of what we see in the ticky-tacky subdivision of Sunrise Hills will ring true to those of us who lived it.
No Down Payment
Blu-ray
Twilight Time
1957 / B&W / 2:35 widescreen / 101 min. / Street Date April 17, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Joanne Woodward, Sheree North, Tony Randall, Jeffrey Hunter, Cameron Mitchell, Patricia Owens, Barbara Rush, Pat Hingle, Robert H. Harris, Aki Aleong, Charles Herbert, Mimi Gibson.
Cinematography: Joseph Lashelle
Film Editor: Lois R. Loeffler
Original Music: Leigh Harline
Written by Philip Yordan, front for Ben Maddow; from the book by John McPartland
Produced by Jerry Wald...
No Down Payment
Blu-ray
Twilight Time
1957 / B&W / 2:35 widescreen / 101 min. / Street Date April 17, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Joanne Woodward, Sheree North, Tony Randall, Jeffrey Hunter, Cameron Mitchell, Patricia Owens, Barbara Rush, Pat Hingle, Robert H. Harris, Aki Aleong, Charles Herbert, Mimi Gibson.
Cinematography: Joseph Lashelle
Film Editor: Lois R. Loeffler
Original Music: Leigh Harline
Written by Philip Yordan, front for Ben Maddow; from the book by John McPartland
Produced by Jerry Wald...
- 4/28/2018
- by Glenn Erickson
- Trailers from Hell
We know the greats; movies like Metropolis (1927), Invasion of the Body Snatchers (1956), 2001: A Space Odyssey (1968), Star Wars (1977).
And there are those films which maybe didn’t achieve cinematic greatness, but through their inexhaustible watchability became genre touchstones, lesser classics but classics nonetheless, like The War of the Worlds (1953), Godzilla (1954), Them! (1954), The Time Machine (1960).
In the realm of science fiction cinema, those are the cream (and below that, maybe the half and half). But sci fi is one of those genres which has often too readily leant itself to – not to torture an analogy — producing nonfat dairy substitute.
During the first, great wave of sci fi movies in the 1950s, the target audience was kids and teens. There wasn’t a lot in the way of “serious” sci fi. Most of it was churned out quick and cheap; drive-in fodder, grist for the Saturday matinee mill.
By the early 1960s,...
And there are those films which maybe didn’t achieve cinematic greatness, but through their inexhaustible watchability became genre touchstones, lesser classics but classics nonetheless, like The War of the Worlds (1953), Godzilla (1954), Them! (1954), The Time Machine (1960).
In the realm of science fiction cinema, those are the cream (and below that, maybe the half and half). But sci fi is one of those genres which has often too readily leant itself to – not to torture an analogy — producing nonfat dairy substitute.
During the first, great wave of sci fi movies in the 1950s, the target audience was kids and teens. There wasn’t a lot in the way of “serious” sci fi. Most of it was churned out quick and cheap; drive-in fodder, grist for the Saturday matinee mill.
By the early 1960s,...
- 3/17/2012
- by Bill Mesce
- SoundOnSight
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