- Born
- Died
- Birth nameMaria Theresa Sanchez Muñoz
- Nickname
- Tita
- Maria Theresa Sanchez Muñoz was born in 1928, the eldest of six siblings, to Miguel Muñoz and Feliza Sanchez. She was dark-haired, pretty, spoke only English and Spanish but not Tagalog. "Tita" studied at St James Academy and graduated from Lyceum University of Manila, with a degree in AB History. However, before she graduated, she was married for four years to an American. They lived in New York and she gave premature birth to twins, who died. She was scared and the brief marriage was a terrible chapter in her life. Tita went back to Manila, where as a 22-year-old, she looked for work. Her English speaking skills were an asset, and she went to the newly opened dzBB radio station, owned by Bob Stewart. There were a hundred people in the queue but the Spanish mestiza was hired to replace Rose Bush as the new Host of "Homemakers' Club of the Air." From thereon, with an initial talent fee of Ph. P100 a month, Tita moved into more prominent circles. One was a radio job with the legendary Vero Perfecto. Then Tita transferred to dzPI, another radio station, where she hosted a rival show (of "Homemakers'"), "Women's Club of the Air." Tita's earnings of Ph. P800 a month was a huge sum already in the 1950s. Tita has also become the newest "Camay" girl (Camay was a popular Filipino soap brand). Already a radio star, Tita went back to school to finish her history course. After graduating, Tita accepted a teaching job that paid Ph. P5.00 an hour, an pathetic sum compared to her radio fees that paid Ph. P50 a minute. Tita eventually became the highest-paid radio talent, earning Ph. P75 a minute. In 1952, convinced by a magazine editor (Ernie Evora) to give the movies a try, Tita reluctantly joined the cast of "Rosalinda," starring Rodolfo Ruiz and produced by Philippine Artists Management. The movie launched Tita as the Philippines' version of Elizabeth Taylor. Tita then moved to Sampaguita Studios to co-star with Pancho Magalona in Kasaysayan ni Rudy Concepcion (1952), where Tita portrayed Elsa Oria. Tita was on a roll, and she soon appeared opposite Cesar Ramirez in El indio (1953). Because of her Spanish señorita looks, Ms Muñoz played "Blanquita," a beautiful foil to the leading lady, Nena Cardenas. Ms Muñoz also played a Spanish señorita foil to Linda Estrella in Teksas, ang manok na nagsasalita (1952), which also starred Magalona, Myrna Delgado and comedian Tolindoy. This was followed by Tulisang pugot (1952) opposite Fred Montilla. These films were a combination of dramatic romance and sometimes suspense (as in Tulisang pugot (1952), which means "Headless Bandit.") Tita was appearing in movies one after the other but she was eyeing a new medium: Television. Ms Muñoz, according to herself, became the first (Filipina) woman to appear on (Philippine) television; she was also the first production manager, under the aegis of the legendary Koko Trinidad. The "First Lady of Philippine television" also made history with the very first kissing scene, opposite actor Ronald Remy. Tita broke new ground with dramatic television shows, including "Sorry, Wrong Number" {adapted from the 1943 American radio by Lucille Fletcher}; it was aired as a one-woman teleplay on "Caltex Caravan Presents" and was directed by National Artist for film Gerardo de Leon. Tita also appeared on the Philippine television show "Balintataw." Tita continued to appear in an eclectic array of films, including Mad Doctor of Blood Island (1968) -which was internationally released, and Lilet (1971), both directed by Gerardo de Leon; Destination Vietnam (1968), and The Evil Within (1970), both directed by yet another National Artist for Film, Lamberto V. Avellana. National Artist for Film Lino Brocka also handled Tita for Stardoom (1971), a poignant film on decadent sexual mores of the era. Still another National Artist for Film, Ishmael Bernal, directed Tita in Sugat sa ugat (1983) and On Borrowed Time (1989), both powerful dramatic films about love and despair. Tita played mother to Tirso Cruz III in two films: in "Now" directed by Lino Brocka, where Eddie Garcia was her husband, and in Elwood Perez's Till We Meet Again (1985). In 1991 Tita joined the international cast of _A Fei jing juen (1991)_, playing the mother of Hong Kong actor Leslie Cheung. In 1992 Tita joined the Nora Aunor film Inay (1993), about incest and strained family values. Tita's last film appearance was in the Sharon Cuneta film Madrasta (1996), an award-winning and financially successful film about step-families. She also joined the television soap Sana ay ikaw na nga (2002), as the haughty mother, "Doña Amparo," of the secondary lead male, Eric Quizon, opposing her son's relationship and impending marriage to the heroine, played by Tanya Garcia. Nowadays, Ms Muñoz lives alone in her own condominium unit in San Juan, sometimes visited by writer-friends Nestor Torre and Behn Cervantes. Ms Muñoz is the aunt of Filipino soap actors Leandro Muñoz and Carlo Muñoz.- IMDb Mini Biography By: Flamencoguy26
- Brought by Ernie Evora for screen test at Sampaguita Pictures [ph].
- Aunt of actors Carlo Muñoz and Leandro Muñoz.
- "I remember Mommy Vera [Azucena Vera Perez] got angry with me because somebody reported that hindi ako marunong makisama [I didn't know how to blend in] with the rest of the stars. And it's true. My only friends then were Eddie Romero, the director, and Ric Rodrigo. I was suspended for one week. But later, she fetched me from my home to talk to me. I told her I didn't mix with some of the stars because one of them kept on talking about sex all the time and I felt offended, so I chose to just read a book of Ayn Rand during shooting breaks. She understood me but she told me to try to mix well with the others." --recounting criticisms that she was a snobbish upstart who refused to socialize with other stars in the cast. Philippine Star interview, March 17, 2002.
- "It was Ernie Evora of the Graphic [magazine] who urged me to try the movies. The problem is I didn't know how to speak Tagalog. I only speak English and Spanish. An independent producer launched me in a movie, "Rosalinda," where I played the title role. It was a disaster. I remember I had to memorize all my Tagalog lines, syllable by syllable, and the first line that I was made to say was the tongue-twisting `Kinasusuklaman kita' [translated loosely as "I loathe you"). And I had a hard time saying it correctly." --recounting her early days as a fledgling movie actress in the year 1952. "Rosalinda" was her movie debut. Philippine Star interview, March 17, 2002.
- "I wore my hair short, like Liz Taylor's. But I was embarrassed by the title because I never considered myself a great beauty." --commenting on her tag as "the Elizabeth Taylor of the Philippines." (Also tagged later as "Jennifer Jones of the Philippines). Philippine Daily Inquirer interview, August 15, 2006.
- "He was such a jealous man. I wanted to jump out of a running car when he refused to grant me a divorce. He agreed only after I promised to go back to the Philippines." --recounting her husband of four years, whose name she'd rather not recall nor reveal to the press. Tita married at age 18. Philippine Daily Inquirer interview, August 15, 2006.
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