The Costume Designers Guild has revealed the nominees for its 16th annual awards for film, TV, and commercial categories. We'll find out the winners on Feb. 22nd. Judd Apatow will receive the Distinguished Collaborator Award at this year's ceremony. Costume Designer April Ferry will be presented with an Honorary Career Achievement Award.
Here's your complete nominations list:
Excellence In Contemporary Film
Blue Jasmine . Suzy Benzinger
Her . Casey Storm
Nebraska . Wendy Chuck
Philomena . Consolata Boyle
The Secret Life of Walter Mitty . Sarah Edwards
Excellence In Period Film
12 Years a Slave . Patricia Norris
American Hustle . Michael Wilkinson
Dallas Buyers Club . Kurt & Bart
The Great Gatsby . Catherine Martin
Saving Mr. Banks . Daniel Orlandi
Excellence In Fantasy Film
The Hobbit: The Desolation of Smaug . Ann Maskrey, Richard Taylor, Bob Buck
The Hunger Games: Catching Fire . Trish Summerville
Oz the Great and Powerful . Gary Jones, Michael Kutsche
Outstanding Contemporary Television Series
Breaking Bad . Jennifer Bryan...
Here's your complete nominations list:
Excellence In Contemporary Film
Blue Jasmine . Suzy Benzinger
Her . Casey Storm
Nebraska . Wendy Chuck
Philomena . Consolata Boyle
The Secret Life of Walter Mitty . Sarah Edwards
Excellence In Period Film
12 Years a Slave . Patricia Norris
American Hustle . Michael Wilkinson
Dallas Buyers Club . Kurt & Bart
The Great Gatsby . Catherine Martin
Saving Mr. Banks . Daniel Orlandi
Excellence In Fantasy Film
The Hobbit: The Desolation of Smaug . Ann Maskrey, Richard Taylor, Bob Buck
The Hunger Games: Catching Fire . Trish Summerville
Oz the Great and Powerful . Gary Jones, Michael Kutsche
Outstanding Contemporary Television Series
Breaking Bad . Jennifer Bryan...
- 1/10/2014
- by Manny
- Manny the Movie Guy
The Art Directors Guild and the Costume Designers Guild have become the latest groups to announce their nominees for 2013. They may not be considered as big or as important as the Producers Guild, the Directors Guild, or the Writers Guild, but they are still a pretty good prognosticator for who will eventually take home the Oscar in their respective categories.
The Art Directors split their categories up into Period, Fantasy, and Contemporary Films (along with various TV categories), but the main one of importance here is the Period, where we find the more fanciful, eye-catching designs. Here, we find what was mostly expected: American Hustle, The Great Gatsby, Inside Llewyn Davis, Saving Mr. Banks, and 12 Years a Slave. If I had to venture a guess, I’d say that The Great Gatsby has this one in the bag. There were those who didn’t enjoy the film (I actually found...
The Art Directors split their categories up into Period, Fantasy, and Contemporary Films (along with various TV categories), but the main one of importance here is the Period, where we find the more fanciful, eye-catching designs. Here, we find what was mostly expected: American Hustle, The Great Gatsby, Inside Llewyn Davis, Saving Mr. Banks, and 12 Years a Slave. If I had to venture a guess, I’d say that The Great Gatsby has this one in the bag. There were those who didn’t enjoy the film (I actually found...
- 1/9/2014
- by Jeff Beck
- We Got This Covered
They make our favorite stars look their best when the director yells “Action!” and the men and women of the Costume Designers Guild have selected the best and brightest of the past year.
For the 16th Annual Costume Designers Guild Awards the field is filled with outstandingly talented nominees, with the winners to be announced on February 22nd at the Beverly Hilton Hotel.
The Excellence in Contemporary Film hopefuls include Suzy Benzinger (“Blue Jasmine”), Casey Storm (“Her”), Wendy Chuck (“Nebraska”), Consolata Boyle (“Philomena”) and Sarah Edwards (“The Secret Life of Walter Mitty”).
Additionally, writer/producer/director Judd Apatow will receive the Distinguished Collaborator Award for his years of contributions to the industry.
The 16th Annual Cdg Awards nominees are:
Excellence In Contemporary Film
Blue Jasmine – Suzy Benzinger
Her – Casey Storm
Nebraska – Wendy Chuck
Philomena – Consolata Boyle
The Secret Life of Walter Mitty– Sarah Edwards
Excellence In Period Film
12 Years a...
For the 16th Annual Costume Designers Guild Awards the field is filled with outstandingly talented nominees, with the winners to be announced on February 22nd at the Beverly Hilton Hotel.
The Excellence in Contemporary Film hopefuls include Suzy Benzinger (“Blue Jasmine”), Casey Storm (“Her”), Wendy Chuck (“Nebraska”), Consolata Boyle (“Philomena”) and Sarah Edwards (“The Secret Life of Walter Mitty”).
Additionally, writer/producer/director Judd Apatow will receive the Distinguished Collaborator Award for his years of contributions to the industry.
The 16th Annual Cdg Awards nominees are:
Excellence In Contemporary Film
Blue Jasmine – Suzy Benzinger
Her – Casey Storm
Nebraska – Wendy Chuck
Philomena – Consolata Boyle
The Secret Life of Walter Mitty– Sarah Edwards
Excellence In Period Film
12 Years a...
- 1/8/2014
- GossipCenter
Nominees for the 16th Costume Designers Guild Awards, which celebrate excellence in film, television and commercial costume design, were announced today.
The winners of the seven competitive awards will be revealed at the gala on Saturday, February 22 at the Beverly Hilton Hotel.
This year, Judd Apatow will receive the Distinguished Collaborator Award in recognition of his support of Costume Design and creative partnerships with Costume Designers. An Honorary Career Achievement Award will be presented to Costume Designer April Ferry for her outstanding work in film and television.
Nominees For The 16th Annual Costume Designers Guild Awards:
Excellence In Contemporary Film
“Blue Jasmine” – Suzy Benzinger “Her” – Casey Storm “Nebraska” – Wendy Chuck “Philomena” – Consolata Boyle “The Secret Life of Walter Mitty” – Sarah Edwards
Excellence In Period Film
“12 Years a Slave” – Patricia Norris “American Hustle” – Michael Wilkinson “Dallas Buyers Club” – Kurt & Bart “The Great Gatsby” – Catherine Martin “Saving Mr. Banks” – Daniel Orlandi
Excellence...
The winners of the seven competitive awards will be revealed at the gala on Saturday, February 22 at the Beverly Hilton Hotel.
This year, Judd Apatow will receive the Distinguished Collaborator Award in recognition of his support of Costume Design and creative partnerships with Costume Designers. An Honorary Career Achievement Award will be presented to Costume Designer April Ferry for her outstanding work in film and television.
Nominees For The 16th Annual Costume Designers Guild Awards:
Excellence In Contemporary Film
“Blue Jasmine” – Suzy Benzinger “Her” – Casey Storm “Nebraska” – Wendy Chuck “Philomena” – Consolata Boyle “The Secret Life of Walter Mitty” – Sarah Edwards
Excellence In Period Film
“12 Years a Slave” – Patricia Norris “American Hustle” – Michael Wilkinson “Dallas Buyers Club” – Kurt & Bart “The Great Gatsby” – Catherine Martin “Saving Mr. Banks” – Daniel Orlandi
Excellence...
- 1/8/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Winners of the 16th annual Cdg Awards will be announced February 22 in a ceremony at the Beverly Hilton, where writer/producer/director Judd Apatow will be honored with the guild’s Distinguished Collaborator Award and designer April Ferry will receive an Honorary Career Achievement Award. Here are this year’s nominees for excellence in film, television and commercial costume design: Nominees For The 16th Costume Designers Guild Awards Excellence In Contemporary Film Blue Jasmine – Suzy Benzinger Her – Casey Storm Nebraska – Wendy Chuck Philomena – Consolata Boyle The Secret Life of Walter Mitty– Sarah Edwards Excellence In Period Film 12 Years a Slave – Patricia Norris American Hustle – Michael Wilkinson Dallas Buyers Club – Kurt & Bart The Great Gatsby – Catherine Martin Saving Mr. Banks – Daniel Orlandi Excellence In Fantasy Film The Hobbit: The Desolation of Smaug – Ann Maskrey, Richard Taylor, Bob Buck The Hunger Games: Catching Fire – Trish Summerville Oz: The Great and Powerful – Gary Jones,...
- 1/8/2014
- by THE DEADLINE TEAM
- Deadline TV
Costume titbits you may have missed.
America Hustle
Tom and Lorenzo cast their expert eyes over the American Hustle character posters.
Costumer of Awesome
Who is the Costumer of Awesome? Whoever he/she is they clearly work in the business and have a unique plus hilarious way of putting said crazy biz in perspective for the rest of us.
Sleepy Hollow
Why does Ichabod never wash his clothes, you may or may not be daft enough to ask.
The Art of Costume Design
Cut! Costume and the Cinema – a period costume design exhibit at the McNay Art Museum in San Antonio, Texas.
House of Versace
Costume designer Claire Nadon got no help from Versace whatsoever for her work on the Lifetime TV movie.
Richard II by the Royal Shakespeare Company
Video: Interesting look at a busy cutting/dying world introduced by Head Costumer Alistair McArthur.
Breaking Bad
30 days of Saul Goodman outfits.
America Hustle
Tom and Lorenzo cast their expert eyes over the American Hustle character posters.
Costumer of Awesome
Who is the Costumer of Awesome? Whoever he/she is they clearly work in the business and have a unique plus hilarious way of putting said crazy biz in perspective for the rest of us.
Sleepy Hollow
Why does Ichabod never wash his clothes, you may or may not be daft enough to ask.
The Art of Costume Design
Cut! Costume and the Cinema – a period costume design exhibit at the McNay Art Museum in San Antonio, Texas.
House of Versace
Costume designer Claire Nadon got no help from Versace whatsoever for her work on the Lifetime TV movie.
Richard II by the Royal Shakespeare Company
Video: Interesting look at a busy cutting/dying world introduced by Head Costumer Alistair McArthur.
Breaking Bad
30 days of Saul Goodman outfits.
- 10/12/2013
- by Christopher Laverty
- Clothes on Film
Versace. The name instantly conjures images of animal prints, luxurious fabrics and sexy clothes.
The family behind the name is the subject of Lifetime's "House of Versace" Saturday, Oct. 5. Enrico Colantoni ("Veronica Mars") plays the mercurial designer, killed outside his Miami mansion in 1997 at the peak of his fame. Though the film revolves around the fashion house he built, the story is told from the perspective of his sister Donatella (Gina Gershon, "Rescue Me").
Her imperious attitude, cocaine addiction and high drama all take a back seat to the true star of the movie, the clothes. Even after 35 years in the business, costume designer Claire Nadon tells Zap2it, "It was one of the greatest projects I have worked on. It is so rare we do a film about clothing or designers. And it is such an opportunity working with Versace. It was wonderful, trying to reproduce some of his designs.
The family behind the name is the subject of Lifetime's "House of Versace" Saturday, Oct. 5. Enrico Colantoni ("Veronica Mars") plays the mercurial designer, killed outside his Miami mansion in 1997 at the peak of his fame. Though the film revolves around the fashion house he built, the story is told from the perspective of his sister Donatella (Gina Gershon, "Rescue Me").
Her imperious attitude, cocaine addiction and high drama all take a back seat to the true star of the movie, the clothes. Even after 35 years in the business, costume designer Claire Nadon tells Zap2it, "It was one of the greatest projects I have worked on. It is so rare we do a film about clothing or designers. And it is such an opportunity working with Versace. It was wonderful, trying to reproduce some of his designs.
- 10/5/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
In Eternal, the vampire is a vamp. And a lesbian vamp at that. Indeed, the film's debuting Canadian writer-director-producers, Wilhelm Liebenberg and Federico Sanchez, are so determined to turn their tale of Ms. Dracula into an erotic thriller, they sacrifice all story logic and character integrity at the altar of bondage, blindfolds, fetish worship, high-risk sex and several literal bloodbaths. Bram Stoker would be, well, horrified.
The filmmakers certainly pile on the atmosphere. There's a dark, forbidding stately home hidden away in woods with bonfires on the front lawn, boudoirs and bathrooms dripping with suggestive decor that mingles the sinister with the decadent, an orgiastic Venetian masked ball with painted, semi-nude women. Every female in the movie is dressed to look like a tart or a dominatrix. Occasional lapses in dialogue contain such howlers that one is tempted to treat the movie as camp, but Liebenberg and Sanchez seem to be treating all this with studied seriousness.
Not that any audience will. Eternal is selling sex and horror and young, beautiful women in jeopardy. Nothing new there. This 2003 film, according to the credit roll, will entice young people in the mood for old-fashioned voyeurism, but boxoffice will be fleeting, certainly not eternal. Real payoff will come in cable and DVD.
The hero is a Montreal vice cop, Raymond Pope (Conrad Pla) -- don't you love that name? -- whose approach to his job is to indulge in as much vice as possible. He apparently is willing to have kinky sex with just about every eligible woman in Montreal other than his wife (Sarah Manninen).
Meanwhile, his wife goes cruising for women. Being more discreet than her husband, she does so on the Internet under the handle of Wildcat. Which brings her to a gated mansion that would not be out of place in New Orleans, where she meets the alarmingly alluring Elizabeth Kane (Caroline Neron in a bravura performance). Elizabeth seduces, then slays Wildcat with a sharp metal dagger that slips over one of her fingers.
As Elizabeth drinks thirstily from an open vein in WIldcat's neck, her hapless assistant Irina (Victoria Sanchez) wanders in and says, "I'm sorry. I hope I'm not disturbing you."
Irina soon has more pressing concerns when Pope shows up a few days later -- it takes awhile for him to notice his wife is missing -- and reveals he is a cop. Irina was supposed to vet such troublesome victims before ushering them in to her mistress.
Thankfully for Elizabeth, Pope is a poor cop. For he never bothers to make his investigation official -- after all, a missing person is a missing person -- or to find and follow up on clues. Mostly, he continually confronts Elizabeth, makes empty threats and finally decides what the hell and has sex with her, too.
Meanwhile, bodies pile up and all evidence points toward Pope. Why this would be is unclear because nowhere in vampire literature do the Undead have the ability to fabricate DNA or to cause anyone's body fluids to turn up in places they should not be.
One body happens to belong to the wife (Ilona Elkins) of Pope's partner (Nick Baillie, ) with whom -- you guessed it -- Pope has been having an affair involving bondage and razor blades. Another belongs to his flirty baby-sitter (Liane Balaban). What Pope doesn't seem to realize -- but the viewer does -- is that Elizabeth is really Countess Erszebet Bathory of Hungary, a 15th century woman responsible for the torture deaths of about 650 young women.
Anyway, the movie moves on to a wild climax in Venice that is rife with illogic. That is unless someone can explain how a bunch of Italian cops can capture and imprison a vampire by simply drawing their weapons. The film ends with an enigmatic coda that might signal the desire for a sequel. More Eternity anyone?
ETERNAL
Regent Releasing
Horizon Entertainment presents a Wild Koast Entertainment
Credits:
Screenwriter-directors: Wilhelm Liebenberg, Federico Sanchez
Producers: Tommaso Calevi, Wilhelm Liebenberg, Federico Sanchez
Executive producer: Bruce Robertson
Director of photography: Jamie Thompson
Production designer: Perri Gorrara
Music: Mysterious Art
Costumes: Claire Nadon, Stefania Svizzeretto
Editor: Isabelle Levesque
Cast:
Raymond Pope: Conrad Pla
Elizabeth Kane: Caroline Neron
Irina: Victoria Sanchez
Wildcat: Sarah Manninen
Nancy Cusack: Ilona Elkins
Dean Cusack: Nick Baillie
Lisa: Liane Balaban...
The filmmakers certainly pile on the atmosphere. There's a dark, forbidding stately home hidden away in woods with bonfires on the front lawn, boudoirs and bathrooms dripping with suggestive decor that mingles the sinister with the decadent, an orgiastic Venetian masked ball with painted, semi-nude women. Every female in the movie is dressed to look like a tart or a dominatrix. Occasional lapses in dialogue contain such howlers that one is tempted to treat the movie as camp, but Liebenberg and Sanchez seem to be treating all this with studied seriousness.
Not that any audience will. Eternal is selling sex and horror and young, beautiful women in jeopardy. Nothing new there. This 2003 film, according to the credit roll, will entice young people in the mood for old-fashioned voyeurism, but boxoffice will be fleeting, certainly not eternal. Real payoff will come in cable and DVD.
The hero is a Montreal vice cop, Raymond Pope (Conrad Pla) -- don't you love that name? -- whose approach to his job is to indulge in as much vice as possible. He apparently is willing to have kinky sex with just about every eligible woman in Montreal other than his wife (Sarah Manninen).
Meanwhile, his wife goes cruising for women. Being more discreet than her husband, she does so on the Internet under the handle of Wildcat. Which brings her to a gated mansion that would not be out of place in New Orleans, where she meets the alarmingly alluring Elizabeth Kane (Caroline Neron in a bravura performance). Elizabeth seduces, then slays Wildcat with a sharp metal dagger that slips over one of her fingers.
As Elizabeth drinks thirstily from an open vein in WIldcat's neck, her hapless assistant Irina (Victoria Sanchez) wanders in and says, "I'm sorry. I hope I'm not disturbing you."
Irina soon has more pressing concerns when Pope shows up a few days later -- it takes awhile for him to notice his wife is missing -- and reveals he is a cop. Irina was supposed to vet such troublesome victims before ushering them in to her mistress.
Thankfully for Elizabeth, Pope is a poor cop. For he never bothers to make his investigation official -- after all, a missing person is a missing person -- or to find and follow up on clues. Mostly, he continually confronts Elizabeth, makes empty threats and finally decides what the hell and has sex with her, too.
Meanwhile, bodies pile up and all evidence points toward Pope. Why this would be is unclear because nowhere in vampire literature do the Undead have the ability to fabricate DNA or to cause anyone's body fluids to turn up in places they should not be.
One body happens to belong to the wife (Ilona Elkins) of Pope's partner (Nick Baillie, ) with whom -- you guessed it -- Pope has been having an affair involving bondage and razor blades. Another belongs to his flirty baby-sitter (Liane Balaban). What Pope doesn't seem to realize -- but the viewer does -- is that Elizabeth is really Countess Erszebet Bathory of Hungary, a 15th century woman responsible for the torture deaths of about 650 young women.
Anyway, the movie moves on to a wild climax in Venice that is rife with illogic. That is unless someone can explain how a bunch of Italian cops can capture and imprison a vampire by simply drawing their weapons. The film ends with an enigmatic coda that might signal the desire for a sequel. More Eternity anyone?
ETERNAL
Regent Releasing
Horizon Entertainment presents a Wild Koast Entertainment
Credits:
Screenwriter-directors: Wilhelm Liebenberg, Federico Sanchez
Producers: Tommaso Calevi, Wilhelm Liebenberg, Federico Sanchez
Executive producer: Bruce Robertson
Director of photography: Jamie Thompson
Production designer: Perri Gorrara
Music: Mysterious Art
Costumes: Claire Nadon, Stefania Svizzeretto
Editor: Isabelle Levesque
Cast:
Raymond Pope: Conrad Pla
Elizabeth Kane: Caroline Neron
Irina: Victoria Sanchez
Wildcat: Sarah Manninen
Nancy Cusack: Ilona Elkins
Dean Cusack: Nick Baillie
Lisa: Liane Balaban...
A well-received world premiere selection at last month's Palm Springs Film Festival, "The Call of the Wild" is a pleasant surprise. Much more faithful to Jack London's 1903 classic than the two Hollywood versions (1935, 1972), Peter Svatek's vigorously mounted adventure deserves to be seen on the big screen, although video and cable are its most likely venues for striking it rich.
A friendly movie for school-age children, although there is plenty of frontier violence and tragedy, the appeal of "Call" is not limited to young boys or families. Joining the likes of "The Secret Garden" and "Black Beauty", "Call of the Wild" takes a chance with old-fashioned storytelling and is heavily narrated by Richard Dreyfuss.
Like "Black Beauty", the period story is episodic and presents a credible scenario that romantically and realistically incorporates a four-legged hero who has a soul and destiny, friends and enemies, and a history that becomes a legend.
Filmed splendidly in Quebec, with many exteriors involving animals and frigid conditions, "Call" is the story of Buck, a Leonberger (a cross between a St. Bernard, Labrador and Great Pyrenees) who is shanghaied one day and put to work on a sled in the wild gold-rush era of Alaska and the Yukon.
Strong but not used to the cruelty of man and fellow animals, Buck learns rapidly that the harsh but fair laws of nature control the destinies of men and dogs. The howling of wolves in the forest and several encounters where Buck must fight and even kill his foes awaken primal instincts, but the stupidity and carelessness of greedy humans almost does Buck in.
Rutger Hauer as John Thornton, Buck's bearish friend in the wilderness, heads the fine cast, which includes Luc Morissette as the French-Canadian courier who first treats Buck with kindness.
Portrayed in the past by Clark Gable and Charlton Heston, Hauer's character is a dreamer and a survivor. When he saves Buck from a group of desperate gold-seekers and sure death, the injured dog learns of the power of love.
Proud of his new friend, loner Thornton wins a big bet in town when Buck pulls a heavily loaded sled. The pair then go in search of a lost gold mine. Buck's ultimate embracing of the wild life is beautifully evoked, but the kill-or-be-killed laws of the north are brutal.
Prague-born director Svatek ("Witchboard: The Possession"), who was raised and still lives in Montreal, and cinematographer Sylvain Brault provide many memorable scenes in the well-realized project.
THE CALL OF THE WILD
Hallmark Entertainment
Fries Schultz Film Group
Kingsborough-Greenlight Pictures
Blue Rider Pictures
A Peter Svatek film
Director Peter Svatek
Producers Pieter Kroonenburg, Julie Allan
Writer Graham Ludlow
Based on the novel by Jack London
Executive producers John Buchanan, Gary Howsam, Jeff Geoffray, Walter Josten
Director of photography Sylvain Brault
Production designer Michael Devine
Music Alan Reeves
Editor Denis Papillion
Costume designer Claire Nadon
Casting Vera Miller, Nadia Rona, Rosina Bucci
Color/stereo
Cast:
John Thornton Rutger Hauer
Narrator Richard Dreyfuss
Mercedes Bronwen Booth
Hal Charles Powell
Charles Burke Lawrence
Perrault Luc Morissette
Running time -- 91 minutes
No MPAA rating...
A friendly movie for school-age children, although there is plenty of frontier violence and tragedy, the appeal of "Call" is not limited to young boys or families. Joining the likes of "The Secret Garden" and "Black Beauty", "Call of the Wild" takes a chance with old-fashioned storytelling and is heavily narrated by Richard Dreyfuss.
Like "Black Beauty", the period story is episodic and presents a credible scenario that romantically and realistically incorporates a four-legged hero who has a soul and destiny, friends and enemies, and a history that becomes a legend.
Filmed splendidly in Quebec, with many exteriors involving animals and frigid conditions, "Call" is the story of Buck, a Leonberger (a cross between a St. Bernard, Labrador and Great Pyrenees) who is shanghaied one day and put to work on a sled in the wild gold-rush era of Alaska and the Yukon.
Strong but not used to the cruelty of man and fellow animals, Buck learns rapidly that the harsh but fair laws of nature control the destinies of men and dogs. The howling of wolves in the forest and several encounters where Buck must fight and even kill his foes awaken primal instincts, but the stupidity and carelessness of greedy humans almost does Buck in.
Rutger Hauer as John Thornton, Buck's bearish friend in the wilderness, heads the fine cast, which includes Luc Morissette as the French-Canadian courier who first treats Buck with kindness.
Portrayed in the past by Clark Gable and Charlton Heston, Hauer's character is a dreamer and a survivor. When he saves Buck from a group of desperate gold-seekers and sure death, the injured dog learns of the power of love.
Proud of his new friend, loner Thornton wins a big bet in town when Buck pulls a heavily loaded sled. The pair then go in search of a lost gold mine. Buck's ultimate embracing of the wild life is beautifully evoked, but the kill-or-be-killed laws of the north are brutal.
Prague-born director Svatek ("Witchboard: The Possession"), who was raised and still lives in Montreal, and cinematographer Sylvain Brault provide many memorable scenes in the well-realized project.
THE CALL OF THE WILD
Hallmark Entertainment
Fries Schultz Film Group
Kingsborough-Greenlight Pictures
Blue Rider Pictures
A Peter Svatek film
Director Peter Svatek
Producers Pieter Kroonenburg, Julie Allan
Writer Graham Ludlow
Based on the novel by Jack London
Executive producers John Buchanan, Gary Howsam, Jeff Geoffray, Walter Josten
Director of photography Sylvain Brault
Production designer Michael Devine
Music Alan Reeves
Editor Denis Papillion
Costume designer Claire Nadon
Casting Vera Miller, Nadia Rona, Rosina Bucci
Color/stereo
Cast:
John Thornton Rutger Hauer
Narrator Richard Dreyfuss
Mercedes Bronwen Booth
Hal Charles Powell
Charles Burke Lawrence
Perrault Luc Morissette
Running time -- 91 minutes
No MPAA rating...
- 2/10/1997
- The Hollywood Reporter - Movie News
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