“Dick Johnson is Dead” won both Best Documentary Feature and Best Director (Kirsten Johnson) at the fifth annual Critics’ Choice Documentary Awards. This Netflix film came into the competition with four bids; it lost the cinematography race to another Netflix title, “My Octopus Teacher,” and thee narration award to “David Attenborough: A Life on Our Planet.” “The Way I See It” won for score while “Totally Under Control” took editing. See the full list of Ccda winners announced on November 16 below.
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
- 11/16/2020
- by Paul Sheehan
- Gold Derby
Three films lead the fifth annual Critics’ Choice Documentary Awards with five nominations apiece. “Crip Camp: A Disability Revolution” and “Gunda,” both nabbed nominations for Best Documentary Feature and Best Director as well as three others apiece while “Mr. Soul!” was nominated for Best Documentary Feature and Best First Documentary Feature as well as three more.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
- 10/26/2020
- by John Benutty
- Gold Derby
“Crip Camp: A Disability Revolution,” “Gunda” and “Mr. Soul” lead the fifth annual Critics Choice Association’s documentary nominations, with five apiece. Among the eclectic list of nominees are Taylor Swift, Greta Thunberg, veteran filmmaker Werner Herzog and longtime disability advocate Judith Heumann, as well as docs about such notables as John Lewis, Muhammad Ali, Bruce Lee and Frank Zappa.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
- 10/26/2020
- by Tim Gray
- Variety Film + TV
As film and TV try their best to get back into production amidst the constraints of a global pandemic, Oscar-winning filmmaker Alex Gibney has been quietly filming a documentary for the past four months with Ophelia Harutyunyan and Suzanne Hillinger. The project, titled Totally Under Control puts a spotlight on the White House’s failed response to the global pandemic and how it could have been prevented. Neon announced today that they will be releasing the docu in October.
Gibney, Harutyunyan and Hillinger dive deep into how this happened and the pandemic’s devastating impact. The film gives damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.
“With an extraordinary team of collaborators, I was compelled to mount this production when I saw the scale of incompetence and political corruption by the Trump Administration in the face of a global pandemic,...
Gibney, Harutyunyan and Hillinger dive deep into how this happened and the pandemic’s devastating impact. The film gives damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.
“With an extraordinary team of collaborators, I was compelled to mount this production when I saw the scale of incompetence and political corruption by the Trump Administration in the face of a global pandemic,...
- 9/10/2020
- by Dino-Ray Ramos
- Deadline Film + TV
In a surprise announcement, boutique distributor Neon revealed Thursday that Oscar winner Alex Gibney and his collaborators have been hard at work over the last four months filming a documentary about the White House’s failed response to the pandemic. “Totally Under Control” will be released be Neon in October, with the final date yet to be announced.
The distributor says the doc has a bombshell premise: The film will show that most of the United States’ coronavirus-associated deaths — totaling 190,000 this week — the lockdowns, and most of the economic damage could have been prevented if the federal government had done its job properly.
“The carelessly designed lockdowns and their long-lasting economic effects have led to massive job losses (23 million/14.7 percent in April), widespread hunger, dislocation and a runaway federal deficit. Had the federal government done its job properly — by following clear guidelines in place based on past pandemics — most of...
The distributor says the doc has a bombshell premise: The film will show that most of the United States’ coronavirus-associated deaths — totaling 190,000 this week — the lockdowns, and most of the economic damage could have been prevented if the federal government had done its job properly.
“The carelessly designed lockdowns and their long-lasting economic effects have led to massive job losses (23 million/14.7 percent in April), widespread hunger, dislocation and a runaway federal deficit. Had the federal government done its job properly — by following clear guidelines in place based on past pandemics — most of...
- 9/10/2020
- by Chris Lindahl
- Indiewire
Alex Gibney has a new documentary film called “Totally Under Control” aimed at President Trump’s response to the coronavirus pandemic. Neon will release the movie this October ahead of the general election, the distributor announced Thursday.
Gibney, an Oscar winner for “Taxi to the Dark Side,” has been quietly filming the documentary alongside co-directors Ophelia Harutyunyan and Suzanne Hillinger for the past four months. In “Totally Under Control” they ask the simple question as deaths — which currently number 190,000 in the U.S. — have continued to rise, “How did this happen?”
Gibney criticizes carelessly designed lockdowns and how the economic effects of those lockdowns have led to 23 million job losses, not to mention widespread hunger, dislocation and a runaway federal deficit. The documentary asserts that much of this destruction could have been avoided if the federal government had followed guidelines and acted properly, even as the Trump administration makes a...
Gibney, an Oscar winner for “Taxi to the Dark Side,” has been quietly filming the documentary alongside co-directors Ophelia Harutyunyan and Suzanne Hillinger for the past four months. In “Totally Under Control” they ask the simple question as deaths — which currently number 190,000 in the U.S. — have continued to rise, “How did this happen?”
Gibney criticizes carelessly designed lockdowns and how the economic effects of those lockdowns have led to 23 million job losses, not to mention widespread hunger, dislocation and a runaway federal deficit. The documentary asserts that much of this destruction could have been avoided if the federal government had followed guidelines and acted properly, even as the Trump administration makes a...
- 9/10/2020
- by Brian Welk
- The Wrap
Aside from its being a shameless plug for the “50 Shades” books, there’s nary a surprise in store with “Book Club,” the kind of comfort-food movie that’s been pre-masticated by committee to the consistency of pudding (with even less flavor). Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen are the clan of readers whose latest selection stirs dormant libidos, albeit so vaguely that viewers needn’t fear that any actual sex surfaces in this prudishly snickering sex comedy.
Though the four leading ladies have compiled a large body of memorable screen moments between them, the appeal of familiar favorites in an even milder retread through “The First Wives Club” terrain will inevitably appeal to underserved older demographics. But really, it’s sad that the best Hollywood can come up with for so much seasoned talent is this stale shake-and-bake combining upscale-lifestyle porn with some tepid smirky humor.
It...
Though the four leading ladies have compiled a large body of memorable screen moments between them, the appeal of familiar favorites in an even milder retread through “The First Wives Club” terrain will inevitably appeal to underserved older demographics. But really, it’s sad that the best Hollywood can come up with for so much seasoned talent is this stale shake-and-bake combining upscale-lifestyle porn with some tepid smirky humor.
It...
- 5/16/2018
- by Dennis Harvey
- Variety Film + TV
Of all the movies to debut at the 2017 Toronto International Film Festival, none helped raise their stock more than I, Tonya. Initially thought of as little more than a question mark in the awards race, enthusiastic reviews have shot it into the stratosphere. Now, it’s a true contender, along with being one of the year’s best films. This week, I, Tonya opens and hopes to establish distributor Neon as the next A24, striking gold almost immediately. Not only could this prove to be a crossover hit, it seems very likely to be a legitimate Oscar player. Especially in Best Actress and Best Supporting Actress, the picture is looking for a gold medal. The film is a biopic of controversial figure skater Tonya Harding (Margot Robbie), who briefly capturing America’s attention in the 1990’s. Shot using occasional talking head interviews by the chief characters, we see Tonya rise...
- 12/5/2017
- by Joey Magidson
- Hollywoodnews.com
'The Peanuts Movie': 2016 Best Original Score Oscar contender along with 111 other titles. Oscar 2016: Best Original Score contenders range from 'Mad Max: Fury Road' to 'The Peanuts Movie' Earlier this month (Dec. '15), the Academy of Motion Picture Arts and Sciences made public the list of 112 film scores eligible for the 2016 Oscar in the Best Original Score category. As found in the Academy's press release, “a Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements. The five achievements receiving the highest number of votes will become the nominations for final voting for the award.” The release adds that “to be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must...
- 12/24/2015
- by Mont. Steve
- Alt Film Guide
The Academy of Motion Picture Arts and Sciences today announced that 112 scores from eligible feature-length motion pictures released in 2015 are in contention for nominations in the Original Score category for the 88th Academy Awards.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,...
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,...
- 12/17/2015
- by Michelle McCue
- WeAreMovieGeeks.com
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