In “The March on Rome,” which world premieres in the Venice Days sidebar of Venice Film Festival Wednesday, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the 1920s, and its fall-out across 1930s Europe. He also draws a dotted line from those events to the storming of the Capitol in Washington, D.C., in January 2021.
The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.
The issue of the Mussolini quote made a strong impression on Cousins at the time. “I remember seeing that thing on TV and thinking, ‘Wow, he’s actually not denouncing Mussolini,...
The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.
The issue of the Mussolini quote made a strong impression on Cousins at the time. “I remember seeing that thing on TV and thinking, ‘Wow, he’s actually not denouncing Mussolini,...
- 8/30/2022
- by Leo Barraclough
- Variety Film + TV
Fascism – its roots, legacy and contemporary manifestations – is a leitmotif running throughout the 79th Venice Film Festival as Italy marks the centenary of Italian dictator Benito Mussolini’s fateful power grab in 1922, in an era when totalitarian leaders are once again on the rise.
Northern Irish, Edinburgh-based filmmaker Mark Cousin’s essay documentary March On Rome – which opens parallel section Giornate degli Autori on Wednesday (August 31) – offers an insightful cinematic primer into the events leading up to Mussolini’s forced appointment as Italian prime minister on October 31, 1922.
Opening with an extract of an interview with Donald Trump in which he openly quotes Mussolini, the film also provocatively connects the actions of latter-day populist leaders with the legacy of Italian fascism.
The infamous 1922 March on Rome grew out of a fascist rally in Naples on October 24 at which Mussolini declared: “Either the government will be given to us, or we will...
Northern Irish, Edinburgh-based filmmaker Mark Cousin’s essay documentary March On Rome – which opens parallel section Giornate degli Autori on Wednesday (August 31) – offers an insightful cinematic primer into the events leading up to Mussolini’s forced appointment as Italian prime minister on October 31, 1922.
Opening with an extract of an interview with Donald Trump in which he openly quotes Mussolini, the film also provocatively connects the actions of latter-day populist leaders with the legacy of Italian fascism.
The infamous 1922 March on Rome grew out of a fascist rally in Naples on October 24 at which Mussolini declared: “Either the government will be given to us, or we will...
- 8/30/2022
- by Melanie Goodfellow
- Deadline Film + TV
“Join forces,’ says Susanna Nicchiarelli, Michela Occhipinti, Chiara Bellosi, and Maura Delpero.
Four Italian directors came together in London last week to call for greater support for female film directors in Italy’s male-dominated industry.
Films by female directors comprised just 13 of the total films produced in Italy in both 2019 and 2020, according to data released by Cinecittà, Italy’s largest production studio. However, this is a significant gain on the 2 figure of 2010.
“There is a cultural problem at the root of all this. I realised it when I tried to get my first film done,” said Susanna Nicchiarelli, of her debut fiction feature Cosmonaut,...
Four Italian directors came together in London last week to call for greater support for female film directors in Italy’s male-dominated industry.
Films by female directors comprised just 13 of the total films produced in Italy in both 2019 and 2020, according to data released by Cinecittà, Italy’s largest production studio. However, this is a significant gain on the 2 figure of 2010.
“There is a cultural problem at the root of all this. I realised it when I tried to get my first film done,” said Susanna Nicchiarelli, of her debut fiction feature Cosmonaut,...
- 6/22/2022
- by Alina Trabattoni
- ScreenDaily
The rising clutch of women directors breaking the glass ceiling in Italy’s male dominated film industry is being celebrated by a curated screenings’ series titled The Wave playing this week in London and set to open with Chiara Bellosi’s Berlin Panorama coming-of-age drama “Swing Ride.”
Running June 15-19 at London’s Ciné Lumière, Kensington, after a previous run in Berlin, The Wave has been assembled by Cinecittà’s promotional arm to draw international notice to what chief Carla Cattani says is “a unique time” for female filmmakers in Italy where they are “no longer isolated cases.”
Indeed, as Cattani notes in her introduction to The Wave’s program notes, prior to 2010 it was very rare to find more than two Italian films directed by females within the same year. In fact in 2010, out of 122 Italian films released theatrically only two titles were directed by women.
Cut to a decade later,...
Running June 15-19 at London’s Ciné Lumière, Kensington, after a previous run in Berlin, The Wave has been assembled by Cinecittà’s promotional arm to draw international notice to what chief Carla Cattani says is “a unique time” for female filmmakers in Italy where they are “no longer isolated cases.”
Indeed, as Cattani notes in her introduction to The Wave’s program notes, prior to 2010 it was very rare to find more than two Italian films directed by females within the same year. In fact in 2010, out of 122 Italian films released theatrically only two titles were directed by women.
Cut to a decade later,...
- 6/14/2022
- by Nick Vivarelli
- Variety Film + TV
New York’s Anthology Film Archives has announced the lineup for its ambitious Woman With a Movie Camera: Female Film Directors Before 1950,” which runs September 15 — 28. Among the spotlighted filmmakers are Gene Gauntier, Lois Weber and Alice Guy-Blaché, though many more will be featured during the two-week series as well. Full lineup below.
“The Girl Spy Before Vicksburg” (Sidney Olcott & Gene Gauntier)
“Further Adventures of the Girl Spy” (Sidney Olcott)
“The Colleen Bawn” (Sidney Olcott & Gene Gauntier)
“Broadway Love” (Ida May Park)
“The Adventures of Prince Achmed” (Lotte Reiniger)
Read More: The Rock Named World’s Highest-Paid Actor, Earning Nearly $20 Million More Than Highest-Paid Actress, Jennifer Lawrence
“The Rosary” and “Suspense” (Lois Weber & Phillips Smalley)
“Shoes” (Lois Weber)
“The Holy Night” (Elvira Notari)
“Humankind” (Elvira Giallanella)
“The Drunken Mattress” (Alice Guy-Blaché)
“The Strike” (Alice Guy-Blaché)
“The New Love and the Old” (Alice Guy-Blaché)
“The Roads That Lead Home” (Alice Guy-Blaché)
“The...
“The Girl Spy Before Vicksburg” (Sidney Olcott & Gene Gauntier)
“Further Adventures of the Girl Spy” (Sidney Olcott)
“The Colleen Bawn” (Sidney Olcott & Gene Gauntier)
“Broadway Love” (Ida May Park)
“The Adventures of Prince Achmed” (Lotte Reiniger)
Read More: The Rock Named World’s Highest-Paid Actor, Earning Nearly $20 Million More Than Highest-Paid Actress, Jennifer Lawrence
“The Rosary” and “Suspense” (Lois Weber & Phillips Smalley)
“Shoes” (Lois Weber)
“The Holy Night” (Elvira Notari)
“Humankind” (Elvira Giallanella)
“The Drunken Mattress” (Alice Guy-Blaché)
“The Strike” (Alice Guy-Blaché)
“The New Love and the Old” (Alice Guy-Blaché)
“The Roads That Lead Home” (Alice Guy-Blaché)
“The...
- 8/25/2016
- by Michael Nordine
- Indiewire
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