Michael Powell (on Charles Orme): Charles Orme from the production office had been working for weeks on an elaborate cue board which was to be used to signal gun flashes, water splashes, drifting smoke, loud explosions, turning control towers and rocking bridges, as well as big bangs and flashes between the cameras and the actors. All this had to be controlled with the electrical panel behind, and above, the camera. I now broke it to him that he would have to work his panel himself because I was sending Syd to Montevideo, to mobilise the government, the police, the army, and ten thousand civilians to come down to the docks on a specified Saturday and Sunday. Charles had led a rather sheltered life up until then, but he rose to the occasion all right. Archers do, and after all he was Emeric's brother-in-law