And Sometimes the Boats Are Low by Leighton Pierce (1983)
As of this writing, there does not appear to be much written about this particular film by Pierce, even though there is quite a bit written about his work in general, particularly by film historian Scott MacDonald.
Two known screenings of the film have been at the 3rd Experimental Film Festival in 1986 run by the Experimental Film Coalition; and at a “Personal Cinema Program” event at the Millennium Film Workshop in New York City on November 30, 1987. The “Personal Cinema Program” included Pierce’s And Sometimes the Boats Are Low, plus his films Not Much Time (1982) and The Miracle of Change (1984).
(Note: In the mid to late ’80s, Pierce credited his work as “J. Leighton Pierce.” Since that time, he has dropped the “J.” and is written about just as “Leighton Pierce.”)
Although there isn’t much written specifically on And Sometimes the Boats Are Low,...
As of this writing, there does not appear to be much written about this particular film by Pierce, even though there is quite a bit written about his work in general, particularly by film historian Scott MacDonald.
Two known screenings of the film have been at the 3rd Experimental Film Festival in 1986 run by the Experimental Film Coalition; and at a “Personal Cinema Program” event at the Millennium Film Workshop in New York City on November 30, 1987. The “Personal Cinema Program” included Pierce’s And Sometimes the Boats Are Low, plus his films Not Much Time (1982) and The Miracle of Change (1984).
(Note: In the mid to late ’80s, Pierce credited his work as “J. Leighton Pierce.” Since that time, he has dropped the “J.” and is written about just as “Leighton Pierce.”)
Although there isn’t much written specifically on And Sometimes the Boats Are Low,...
- 1/7/2018
- by Mike Everleth
- Underground Film Journal
It’s been an interesting run-up to the Toronto International Film Festival, and in terms of the survival of the species, the good ol’ U.S.A. has been something of a race to the bottom. What would do us in first: violent neo-Nazis whose activities are almost explicitly condoned by the Klansman In Chief? Or a 1,000-year weather event on the Gulf Coast whose magnitude surely owes something to global climate change, and whose aftermath of collapsing dams and exploding chemical factories has everything to do with systematic neglect?Given the state of things down here, who wouldn’t want to repair to Canada for some challenging cinema? As always, the Toronto International Film Festival (Tiff) is the place to be in September, and Wavelengths once again features the best of the fest. This is because the films selected for Wavelengths are the opposite of escapism. Whether they tackle...
- 9/7/2017
- MUBI
Thom Andersen and Pedro Costa on stage at the Courtisane Festival. Photo by Michiel Devijver.This year’s Courtisane Festival paired Pedro Costa and Thom Andersen as their artists in focus. Both filmmakers hung out with each other and the public for the full five days of this under-recognized gem of a festival in Ghent. What at first might seem very different directors with distinct backgrounds actually proved to be kindred spirits. In the end credits of his new cine-history, The Thoughts That Once We Had, Andersen thanks Costa, because “without [him] this motion picture would have been poorer.” Andersen has admired Costa’s work ever since he discovered In Vanda’s Room (2000) at the Montreal Festival du Nouveau Cinéma in 2001. He wrote about this experience and about Colossal Youth (2006) in Film Comment in 2007. Andersen has invited Costa to CalArts, where he teaches, more than once, and Cinema Scope published a...
- 7/17/2015
- by Ruben Demasure
- MUBI
Considering I’m completely sick of the Internet tradition of doing fake posts on April Fools Day, don’t fear: All the links below are very real.
This Week’s Must Read is a group of links as it was a major weekend in the underground film scene with both the Boston Underground and Ann Arbor film festivals running concurrently, so lots of news about them. First, Under the Gun conducted an in-depth interview with two great Buff workers — and good Bad Lit friends — Nicole McConvery and Bryan McKay.Then, local paper the Boston Globe had a really nice Buff preview article, discussing many of the films screening.All Things Horror reviewed Buff’s opening night film, Don Coscarelli’s John Dies at the End, calling it “the perfect project falling in the right creator’s hands.”The official Buff blog had regular dispatches of its goings-on.Over at the Ann Arbor Film Festival,...
This Week’s Must Read is a group of links as it was a major weekend in the underground film scene with both the Boston Underground and Ann Arbor film festivals running concurrently, so lots of news about them. First, Under the Gun conducted an in-depth interview with two great Buff workers — and good Bad Lit friends — Nicole McConvery and Bryan McKay.Then, local paper the Boston Globe had a really nice Buff preview article, discussing many of the films screening.All Things Horror reviewed Buff’s opening night film, Don Coscarelli’s John Dies at the End, calling it “the perfect project falling in the right creator’s hands.”The official Buff blog had regular dispatches of its goings-on.Over at the Ann Arbor Film Festival,...
- 4/1/2012
- by Mike Everleth
- Underground Film Journal
It’s the 50th anniversary of the Ann Arbor Film Festival and they’re preparing an all-out blowout on March 27 to April 1 to celebrate! The fest is crammed to the gills with the latest and greatest in experimental and avant-garde film, in addition to a celebration of classic work from Ann Arbors past.
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
- 3/7/2012
- by Mike Everleth
- Underground Film Journal
With the Ann Arbor Film Festival holding its 50th anniversary in 2012 on March 24 to April 1, the fest has already lined up a fantastic set of special programs to celebrate.
Previously, it has already been announced that underground film icon Bruce Baillie will be in attendance to screen three separate programs of his work that spans his fifty-plus year career. Baillie has had a long relationship with Aaff, initially screening his films at the fest’s inaugural edition in 1963.
Joining Baillie this year will be feminist filmmaking trailblazer, Barbara Hammer, who will host a retrospective of her own films on Wednesday, March 28 as part of Aaff’s Out Night. Aaff will also be honoring the late Robert Nelson, who just passed away in January, with a selection of his films curated by Mark Toscano, a close friend of Nelson’s and an archivist at the Academy of Motion Picture Arts and Sciences.
Previously, it has already been announced that underground film icon Bruce Baillie will be in attendance to screen three separate programs of his work that spans his fifty-plus year career. Baillie has had a long relationship with Aaff, initially screening his films at the fest’s inaugural edition in 1963.
Joining Baillie this year will be feminist filmmaking trailblazer, Barbara Hammer, who will host a retrospective of her own films on Wednesday, March 28 as part of Aaff’s Out Night. Aaff will also be honoring the late Robert Nelson, who just passed away in January, with a selection of his films curated by Mark Toscano, a close friend of Nelson’s and an archivist at the Academy of Motion Picture Arts and Sciences.
- 2/15/2012
- by Mike Everleth
- Underground Film Journal
The 18th annual Chicago Underground Film Festival is ready to have another monumental year at the Gene Siskel Film Center on June 2-9, featuring a killer lineup with new films from some true underground legends.
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
- 5/13/2011
- by Mike Everleth
- Underground Film Journal
The 49th annual Ann Arbor Film Festival is an epic celebration of experimental media that runs for six days on March 22-27. There’s so much great stuff screening this year, it makes one wonder what they’ll have left for their 50th anniversary next year!
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
- 3/7/2011
- by Mike Everleth
- Underground Film Journal
It’s four days of experimental media madness in the Sunshine State when the 7th annual Florida Experimental Film/Video Festival — also known as Flex Fest — runs in Gainesville on Feb. 17-20. The majority of the festival will take place at the Top Secret Space, with the exception of a Saturday afternoon screening of all 35mm films at the Hippodrome State Theater.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
- 2/11/2011
- by Mike Everleth
- Underground Film Journal
Happy Fourth of July to all of Bad Lit’s U.S. readers! Celebrate Independence Day by reading all about great independent cinema. Loads of reviews and other surprises in the underground film link list this week:
It seems film festival notices have been going out: Kill Your Television, Hooka Face and the Virgin Boy and Wheels of Death all have been accepted into the Atlanta Underground Film Festival. And Hanging at Picnic Rock has been appropriately selected for the Melbourne Underground Film Festival. If you want a print of the 2010 Chicago Underground Film Festival poster, then indiePulse has the details. Art:21 has an absolutely fascinating history of an early “forgotten” film pioneer, Alice Guy-Blaché, the Head of Production of Gaumont from 1896 to 1906. Rhizome has video and images from Harun Farocki’s Deep Play installation, which is an artistic interpretation of the 2006 FIFA World Cup. j. j. murphy reviews the...
It seems film festival notices have been going out: Kill Your Television, Hooka Face and the Virgin Boy and Wheels of Death all have been accepted into the Atlanta Underground Film Festival. And Hanging at Picnic Rock has been appropriately selected for the Melbourne Underground Film Festival. If you want a print of the 2010 Chicago Underground Film Festival poster, then indiePulse has the details. Art:21 has an absolutely fascinating history of an early “forgotten” film pioneer, Alice Guy-Blaché, the Head of Production of Gaumont from 1896 to 1906. Rhizome has video and images from Harun Farocki’s Deep Play installation, which is an artistic interpretation of the 2006 FIFA World Cup. j. j. murphy reviews the...
- 7/4/2010
- by Mike Everleth
- Underground Film Journal
- Prior to announcing the make-up of their film schedule (stay tuned for mid-week announcements), the Sundance folks announced the selection of artists and scientists whose work will be presented in the New Frontier section. Basically it’s a don’t blink or you might miss it spot in Park City’s Main Street near the Egyptian theater where the below mentioned names get to showcase their work. I've always wondered why they couldn't open the installations one day prior to the festival, give a chance to us visiting media people to take the time to take in what Sundance refers to "cinematic storytelling beyond the theaters". I always sensed that if I wasn’t worrying about line-ups, getting prime seating and a generally chaotic schedule of movie watching that I could swing by on my long travel day to the fest. Anyhow, I’ll hope to take in some
- 12/2/2008
- IONCINEMA.com
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