Lee Grant, the Oscar-winning actress (“Shampoo”) says she decided after her win to try to direct since good roles for older women were limited. It turns out that was about the halfway point of her 98 year (so far) life. What followed was a narrative feature (“Tell Me a Riddle”) and several documentaries, including “Down and Out in America,” which won an Oscar.
When we last ran our list of the oldest living feature film directors in late 2022, where Grant stood was a mystery. Since her breakout in William Wyler’s “The Detective Story” (1951), her first nomination, her year of birth was unclear. But recently she has clarified that that she was born in 1925. That makes her, to the best of our knowledge, older than any of her peers.
Below are listed the 25 oldest. Since our most recent list, Norman Lear, Robert M. Young (both of who briefly were the oldest...
When we last ran our list of the oldest living feature film directors in late 2022, where Grant stood was a mystery. Since her breakout in William Wyler’s “The Detective Story” (1951), her first nomination, her year of birth was unclear. But recently she has clarified that that she was born in 1925. That makes her, to the best of our knowledge, older than any of her peers.
Below are listed the 25 oldest. Since our most recent list, Norman Lear, Robert M. Young (both of who briefly were the oldest...
- 2/16/2024
- by Tom Brueggemann
- Indiewire
The Video Essay is a joint project of Mubi and Filmadrid International Film Festival. Film analysis and criticism found a completely new and innovative path with the arrival of the video essay, a relatively recent form that has already its own masters and is becoming increasingly popular. The limits of this discipline are constantly expanding; new essayists are finding innovative ways to study the history of cinema working with images. With this non-competitive section of the festival both Mubi and Filmadrid will offer the platform and visibility the video essay deserves. The seven selected works will be premiering online from June 6 - 12, 2022 on Mubi's Notebook. The selection was made by the programmers of Mubi and Filmadrid.Everyday Portabella by Ramón BalcellsIn Pere Portabella’s avant-garde films, the everyday has nothing to do with costumbrismo, but with an aesthetic and political conception of cinema linked to the emptying of the classical plot,...
- 6/9/2022
- MUBI
This mix is a focus on moments of Johann Sebastian Bach’s neverending filmography that have stuck to memory. The opener belongs in my mind to Kinji Fukasaku’s Battle Royale (2000). “Air on D String” has over 30,000 titles featured on an IMDb search and I find myself thinking of Scorsese's After Hours (1985). Bach’s sound is sacred, a fact that two of cinema’s beloved philosophers, Ingmar Bergman and Andrei Tarkovsky responded to throughout their careers. This mix includes Bach in Persona (1966) and The Sacrifice (1986). The earliest use in horror, in Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde (1931) with the “Toccata and Fugue in D Minor, Bwv 565” is now synonymous with the macabre. A piece which fans of Fantasia (1940) and Sunset Boulevard (1950) will recognize too. And an audience may feel differently about “The Goldberg Variations” upon watching Jonathan Demme’s The Silence of The Lambs (1991). The sounds of Bach...
- 7/1/2021
- MUBI
Ben Rivers's Ghost Strata (2019) and Now, at Last! (2018) are exclusively showing October and November 2020 on Mubi in the series Ben Rivers: As Time Goes By.Above: Ghost StrataOver the course of nearly two decades, Ben Rivers has been called many things: a portraitist, a documentarian, an experimental ethnographer—even, in his own words, an “accidental anthropologist.” Early in his 2019 film Ghost Strata, a tarot reader points to a less remarked upon feature of Rivers’s work: “All your movies are about you,” she says, suggesting an autobiographical through-line in a filmography rarely acknowledged for its personal aspects.While a rereading of Rivers’s entire body of work is a fascinating proposition, one might look to Ghost Strata and another film he shot the same year, Now, at Last! (2018), for evidence of how these personal elements have manifested in the British director’s recent work. In Ghost Strata, a diary-like...
- 10/21/2020
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSMartin Scorsese and Paul Schrader in 1973.Martin Scorsese will be executive producing Paul Schrader's upcoming The Card Counter, a casino-set thriller starring Tiffany Haddish, Oscar Isaac, and Willem Dafoe, marking the pair's fifth collaboration. Though we're a little late, we're thrilled by news that the Safdie Brothers have teamed up with comedian Nathan Fielder to pen a half-hour pilot for Showtime. The story reportedly stars Fielder and Benny Safdie in the tale of a curse that threatens the marriage of a couple on a Hgtv show. Recommended VIEWINGMetrograph's official trailer for the 4K restoration of Fruit Chan's Made in Hong Kong, a portrait of nihilistic youth in the city. Abel Ferrara's surreal Siberia stars Willem Dafoe as an isolated man who ventures into "dreams, memory and imagination in an attempt to find his true nature.
- 2/26/2020
- MUBI
Pere Portabella's Warsaw Bridge (1989) is showing February 11 - March 11, 2020 on Mubi in the United States.1. Written for Sight and Sound in 2007: "The beautiful and exciting fifth feature of Catalan filmmaker Pere Portabella—the onetime coproducer of Viridiana who forged a memorable kind of clandestine experimental cinema under Franco with Vampir Cuadecuc (1970) and Umbracle (1972)—was made in 1989. But thanks to the overall scarcity of his work, I only caught up with it this year, at the first North American Portabella retrospective, held in Chicago in November. His work as a whole has been preoccupied with issues of continuity in almost every sense of that term—historical, political, thematic, narrative, poetic, musical, pictorial, sonic, stylistic, formal. And now that mainstream cinema has replaced Franco as the power to be subverted, continuities of narrative and those between sound and image are the principal orthodoxies to be played with."2. Between its opening...
- 2/24/2020
- MUBI
Close-Up is a feature that spotlights films now playing on Mubi. Pere Portabella's Nocturno 29 (1968) is showing May 9 - June 8, 2018 in the many countries around the world as part of the series The Directors' Fortnight.Pere Portabella’s Nocturno 29 arrives at the beginning of his directorial career, the film being his first feature after the short No compteu amb els dits (1967). Together, these form the start of a filmography marked with the political charge and deliberate abstraction that were hallmarks of Spain’s so-called Barcelona School. There is a tendency among film writing to see films of the Barcelona School in light of ‘authorial intention’—that is, as a deposit of a social relationship brought about by a specific time and place. Yet one can also view the film individually as a collection of unique iconography pertaining to Spanish class consciousness in its own right.The film is, ostensibly, about...
- 5/23/2018
- MUBI
Ben Rivers' The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers (2015) is showing on Mubi from September 6 - October 6 and Oliver Laxe's Mimosas (2016) from September 7 - October 7, 2017 in the United Kingdom as part of the series Close-Up on Oliver Laxe.MimosasBoth Mimosas and The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers mirror each other in many different ways: they both take place in the same geographical space, the south of Morocco, they were filmed at the same time, have some of the same people in them, and are filmed in 16mm. But these are only apparent similarities that veil deeper discussions between both films. Director Oliver Laxe stands behind the camera in Mimosas, he is observed from the distance in the first part of The Sky Trembles, and finally ends up crossing the invisible wall...
- 9/11/2017
- MUBI
Mubi will be showing the retrospective Philippe Garrel: Fight for Eternity from May 1 - July 5, 2017 in most countries around the world.Les enfants désaccordésQuestion: I must ask you here about one concept you discuss in your book, one that also might be thought of, next to the structural work, as another way to break from the story in the film. The concept is muzan, and I find it quite difficult to think of a proper translation of it into English. How do you employ this concept into your films, and does it, in fact, have anything to do with the way you wish to break away from the story?
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
- 5/30/2017
- MUBI
This was a busy year at Tiff, where I was a juror for Fipresci, helping to award a prize for best premiere in the Discovery section. Not only did this mean that some other films had to take a back burner—sadly, I did not see Eduardo Williams’ The Human Surge—but my writing time was a bit compromised as well. Better late than never? That is for you, Gentle Reader, to decide.Austerlitz (Sergei Loznitsa, Germany)So basic in the telling—a record of several days’ worth of visitors mostly to the Sachsenhausen concentration camp in Oranienberg, Germany—Austerlitz is a film that in many ways exemplifies the critical theory of Theodor Adorno and Walter Benjamin. What is the net effect for humanity when, faced with the drive to remember the unfathomable, we employ the grossly inadequate tools at our disposal?Austerlitz takes its name from W. G. Sebald’s final novel.
- 9/20/2016
- MUBI
Nigerian metropolis Lagos is the focus of the eighth City To City showcase at the Toronto International Film Festival (Tiff) as top brass anoint two international Rising Stars.
Tiff’s latest line-up announcement also featured extra selections in Galas and Special Presentations, among them Walter Hill’s (Re)Assignment, Philippe Falardeau’s The Bleeder, David Leveaux’ The Exception (pictured), Ken Loach’s Palme d’Or winner I, Daniel Blake and Terry George’s drama The Promise.
A vibrant crop of Contemporary World Cinema entries includes Kleber Mendonça Filho’s Aquarius, Danis Tanović’s Death In Sarajevo, Marie Noëlle’s Marie Curie, The Courage Of Knowledge and Akin Omotoso’s Vaya.
Hirokazu Kore-eda brings After The Storm to the Masters showcase, alongside Marco Bellocchio’s Sweet Dreams, Pedro Almodóvar’s Julieta, Cristian Mungiu’s Graduation, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea and Adoor Gopalakrishnan’s Once Again.
Rounding out the...
Tiff’s latest line-up announcement also featured extra selections in Galas and Special Presentations, among them Walter Hill’s (Re)Assignment, Philippe Falardeau’s The Bleeder, David Leveaux’ The Exception (pictured), Ken Loach’s Palme d’Or winner I, Daniel Blake and Terry George’s drama The Promise.
A vibrant crop of Contemporary World Cinema entries includes Kleber Mendonça Filho’s Aquarius, Danis Tanović’s Death In Sarajevo, Marie Noëlle’s Marie Curie, The Courage Of Knowledge and Akin Omotoso’s Vaya.
Hirokazu Kore-eda brings After The Storm to the Masters showcase, alongside Marco Bellocchio’s Sweet Dreams, Pedro Almodóvar’s Julieta, Cristian Mungiu’s Graduation, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea and Adoor Gopalakrishnan’s Once Again.
Rounding out the...
- 8/16/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Nigerian capital Lagos is the focus of the eighth City To City showcase at the Toronto International Film Festival (Tiff) as top brass anoint two international Rising Stars.
Tiff’s latest line-up announcement also featured extra selections in Galas and Special Presentations, among them Walter Hill’s (Re)Assignment, Philippe Falardeau’s The Bleeder, David Leveaux’ The Exception (pictured), Ken Loach’s Palme d’Or winner I, Daniel Blake and Terry George’s drama The Promise.
A vibrant crop of Contemporary World Cinema entries includes Kleber Mendonça Filho’s Aquarius, Danis Tanović’s Death In Sarajevo, Marie Noëlle’s Marie Curie, The Courage Of Knowledge and Akin Omotoso’s Vaya.
Hirokazu Kore-eda brings After The Storm to the Masters showcase, alongside Marco Bellocchio’s Sweet Dreams, Pedro Almodóvar’s Julieta, Cristian Mungiu’s Graduation, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea and Adoor Gopalakrishnan’s Once Again.
Rounding out the...
Tiff’s latest line-up announcement also featured extra selections in Galas and Special Presentations, among them Walter Hill’s (Re)Assignment, Philippe Falardeau’s The Bleeder, David Leveaux’ The Exception (pictured), Ken Loach’s Palme d’Or winner I, Daniel Blake and Terry George’s drama The Promise.
A vibrant crop of Contemporary World Cinema entries includes Kleber Mendonça Filho’s Aquarius, Danis Tanović’s Death In Sarajevo, Marie Noëlle’s Marie Curie, The Courage Of Knowledge and Akin Omotoso’s Vaya.
Hirokazu Kore-eda brings After The Storm to the Masters showcase, alongside Marco Bellocchio’s Sweet Dreams, Pedro Almodóvar’s Julieta, Cristian Mungiu’s Graduation, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea and Adoor Gopalakrishnan’s Once Again.
Rounding out the...
- 8/16/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
A selection of films from the 2016 edition of the Toronto International Film Festival has been unveiled, with films by Jim Jarmusch, Maren Ade, Tom Ford, Paul Verhoeven, Damien Chazelle, and many more.Opening NIGHTThe Magnificent Seven (Antoine Fuqua)GALASDeepwater HorizonArrival (Denis Villeneuve)Deepwater Horizon (Peter Berg)The Headhunter's Calling (Mark Williams)The Journey Is the Destination (Bronwen Hughes)Jt + The Tennessee Kids (Jonathan Demme)Lbj (Rob Reiner)Lion (Garth Davis)Loving (Jeff Nichols)A Monster Calls (J.A. Bayona)Planetarium (Rebecca Zlotowski)Queen of Katwe (Mira Nair)The Rolling Stones of Olé Olé Olé!: A Trip Across Latin America (Paul Dugdale)The Secret Scripture (Jim Sheridan)Snowden (Oliver Stone)Strange Weather (Katherine Dieckmann)Their Finest (Lone Scherfig)A United Kingdom (Amma Astante)Special PRESENTATIONSLa La LandThe Age of Shadows (Kim Jee-woon)All I See Is You (Marc Forster)American Honey (Andrea Arnold)American Pastoral (Ewan McGregor)Asura: The City of...
- 8/12/2016
- MUBI
Following the announcements of titles slated for the Gala and Special Presentations and a slew of Canadian features and shorts, the Toronto International Film Festival unleashes its lineups for the Tiff Docs, Midnight Madness, Vanguard, Tiff Cinematheque and Short Cuts programs. This big round includes new work by Errol Morris, Steve James, Jim Jarmusch, Raoul Peck, Werner Herzog, Paul Schrader, Ana Lily Amirpour, Fabrice Du Welz and many more. Plus revivals of films by Julie Dash, Pere Portabella, Olivier Assayas, Agnès Varda, Marlon Brando, Guillermo del Toro, Jonathan Demme, Gillo Pontecorvo and Tian Zhuangzhuang. » - David Hudson...
- 8/9/2016
- Keyframe
Following the announcements of titles slated for the Gala and Special Presentations and a slew of Canadian features and shorts, the Toronto International Film Festival unleashes its lineups for the Tiff Docs, Midnight Madness, Vanguard, Tiff Cinematheque and Short Cuts programs. This big round includes new work by Errol Morris, Steve James, Jim Jarmusch, Raoul Peck, Werner Herzog, Paul Schrader, Ana Lily Amirpour, Fabrice Du Welz and many more. Plus revivals of films by Julie Dash, Pere Portabella, Olivier Assayas, Agnès Varda, Marlon Brando, Guillermo del Toro, Jonathan Demme, Gillo Pontecorvo and Tian Zhuangzhuang. » - David Hudson...
- 8/9/2016
- Fandor: Keyframe
The Toronto International Film Festival has nearly completed its slate announcement this year — expect a few stragglers to be announced in the coming days, but this is about the size of it — rounding out its lineup with today’s announcement of its Docs, Midnight Madness, Vanguard and Tiff Cinematheque picks. And what a group this is, including plenty of returning favorites and some very exciting new names.
Tiff’s Docs section features a collection of works from award-winning directors including Steve James, Raoul Peck, Errol Morris and Werner Herzog. Leonardo DiCaprio even pops up for a “rousing call to action on climate change” in “The Turning Point,” made in collaboration with Academy Award winner Fisher Stevens and already picked up by National Geographic.
Read More: Tiff Reveals First Slate of 2016 Titles, Including ‘Magnificent Seven,’ ‘American Honey,’ ‘La La Land’ and ‘Birth of A Nation’
The beloved Midnight Madness section offers...
Tiff’s Docs section features a collection of works from award-winning directors including Steve James, Raoul Peck, Errol Morris and Werner Herzog. Leonardo DiCaprio even pops up for a “rousing call to action on climate change” in “The Turning Point,” made in collaboration with Academy Award winner Fisher Stevens and already picked up by National Geographic.
Read More: Tiff Reveals First Slate of 2016 Titles, Including ‘Magnificent Seven,’ ‘American Honey,’ ‘La La Land’ and ‘Birth of A Nation’
The beloved Midnight Madness section offers...
- 8/9/2016
- by Kate Erbland
- Indiewire
In today's roundup on special screenings, we're collecting reviews of Richard Brooks's Looking for Mr. Goodbar, Eiichi Yamamoto's Belladonna of Sadness, King Hu's Dragon Inn, Tony Conrad's The Flicker, David Cronenberg's Dead Ringers and Riley Stearns's Faults. Plus: Celebrating Orson Welles in Los Angeles, talking with Kelly Reichardt in Vienna, Whit Stillman in Liverpool, discussing The Walking Dead in London, and in Gent, Pere Portabella's Informe General and Informe General II. El nuevo rapto de Europa. » - David Hudson...
- 5/5/2016
- Keyframe
In today's roundup on special screenings, we're collecting reviews of Richard Brooks's Looking for Mr. Goodbar, Eiichi Yamamoto's Belladonna of Sadness, King Hu's Dragon Inn, Tony Conrad's The Flicker, David Cronenberg's Dead Ringers and Riley Stearns's Faults. Plus: Celebrating Orson Welles in Los Angeles, talking with Kelly Reichardt in Vienna, Whit Stillman in Liverpool, discussing The Walking Dead in London, and in Gent, Pere Portabella's Informe General and Informe General II. El nuevo rapto de Europa. » - David Hudson...
- 5/5/2016
- Fandor: Keyframe
Ears, Nose and Throat. Courtesy Kje; Trilobite-Arts Dac; Picture Palace PicturesI've arrived in the Dutch city of Rotterdam after a one year absence—flummoxed several editions in a row by the sprawling but often undistinguishable festival program of international cinema, I decided to try the Berlin film festival instead in 2015. But I've been lured back to the Iffr, as the Rotterdam film festival is abbreviated, for the favorite old reasons: the promise of a fabulously congenial and casual atmosphere of cinema discovery and discussion, extensive retrospective programs, and a promising showing of terrific avant-garde work, some of it projected on film. After attending Locarno for the first time last year in the summer, I have newly kindled hopes for this other European festival, an expansive wintertime festivity once so renowned for premiering adventurous new cinema.You may note I did not mention the festival's Tiger competition, what it is perhaps...
- 2/11/2016
- by Daniel Kasman
- MUBI
Below you will find our favorite films of the 45th International Film Festival Rotterdam, as well as an index of our coverage.Daniel Kasmantop Picksi. Lejos de los árboles, Le Moulin, Female Student Guerilla, Noche de vino tintoII. Juke: Passages from Films of Spencer Williams, Warsaw Bridge, MotherIII. Night and Fog in the ZonaIV. Where the Chocolate Mountains, ElliV. Operation Avalanche, Sixty Six, Fata Morgana, Cada vez que..., Oleg y las raras artes, ActeonCOVERAGEFirst Steps: Ear, Nose and Throat (Kevin Jerome Everson), Lejos de los árboles (Jacinto Esteva Grewe)Acting Out: General Report II: The New Abduction of Europe (Pere Portabella), Esquizo (Ricardo Bofill), Actor Martinez (Mike Ott, Nathan Silver)Japan's Cinematic Revolutionary: Sex Game (Masao Adachi), Female Student Guerilla (Masao Adachi), Artist of Fasting (Masao Adachi)The Streets, the Mountains, the Snow, and the Ocean: Noche de vino tinto (José María Nunes), Where the Chocolate Mountains (Pat O'Neill), Cinéma...
- 2/7/2016
- by Notebook
- MUBI
The French New Wave did not invent the idea of exploring a city through the wanderings of a couple—F.W. Murnau suggest as much from the Fox studio backlot in Sunrise: A Song of Two Humans, and Luchino Visconti offered his own glorious fairy tale stroll of Cinecittà’s Venice in White Nights—but that movement certainly provided an invigorating, youthful inspiration to an emerging generation of international filmmakers to orient their cinema to the relationships close to them and to streets they know so well.Thus we see Catalonian director José María Nunes’s 1966 masterpiece Noche de vinto tinto (Red Wine Night), which begins with a young woman distraught when her boyfriend breaks a promised date and, going out into the night, she attaches herself to a failed Romeo. The character of their meeting encapsulates all the oneiric, irrational, partially romantic, partially despondent tenor of the evening of bar hopping that follows,...
- 2/4/2016
- by Daniel Kasman
- MUBI
The major retrospective of the 2016 International Film Festival Rotterdam is dedicated to the Barcelona school of filmmaking in the 1960s and 1970s, with Catalonian master Pere Portabella’s body of work—and his new film—serving as a figurehead. Nearly completely unknown in the United States—where critic Jonathan Rosenbaum has been a beacon of support and revelation—insomuch as Portabella is known in the film community it is for his film Vampir-Cuadecuc, which hijacks the production of Christopher Lee and Jesús Franco’s Count Dracula (1970) for its own ends and exhilaratingly exposes this documentarian’s acute analysis of and play with the subject of his films. (I will note here that Mubi has shown a great deal of Portabella’s work in the past, including this 1970 horror film.) This is hardly a lone accomplishment; in 1961 he helped produce Luis Buñuel's masterpiece Viridiana, and the director has been a strident voice in documentary,...
- 2/1/2016
- by Daniel Kasman
- MUBI
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2015?Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2015—in theatres or at a festival—and creatively pair it with an old film they also saw in 2015 to create a unique double feature.All the contributors were given the option to write some text explaining their 2015 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/4/2016
- by Notebook
- MUBI
Shock looks at the experimental film shot on the set of Jess Franco’s Count Dracula, Cuadecuc, Vampir. In 1969, while Spanish filmmaker Jess Franco was shooting Harry Alan Towers’ production of El Conde Dracula, starring Christopher Lee in one of his few non-Hammer “Dracula” pictures, avant-garde filmmaker Pere Portabella haunted the set, ostensibly making a…
The post 3 Clips From Spanish Christopher Lee Experimental Film Cuadecuc, Vampir appeared first on Shock Till You Drop.
The post 3 Clips From Spanish Christopher Lee Experimental Film Cuadecuc, Vampir appeared first on Shock Till You Drop.
- 12/16/2015
- by Chris Alexander
- shocktillyoudrop.com
The War Game is among the films screening in Berwick Berwick-upon-Tweed celebrates the 11th edition of its Film and Media Arts Festival from September 23 to 27. Following on from last year's theme of Border Crossing, the 2015 festival expands even further into nebulous territories by taking the theme of Fact or Fiction to encourage visitors and viewers to navigate, explore and question the overlapping borders between fact and fantasy, journalism and propaganda, and preconceived conceptions of documentary and narrative film.
Alongside the Fact or Fiction titles - which include Peter Watkins's long-censored The War Game (1965) and Vampir-Cuadecuc (Pere Portabella, 1970), one of the strangest behind-the-scenes films ever made (transforming Jess Franco's Count Dracula (1970) with Christopher Lee into something genuinely otherworldly) - the 2015 festival also introduces a new strand: Berwick New Cinema. This section includes films such as Androids Dream (Ion de Sosa, 2014), Abdul & Hamza (Marko Grba Singh, 2015) and A Spell Of Fever.
Alongside the Fact or Fiction titles - which include Peter Watkins's long-censored The War Game (1965) and Vampir-Cuadecuc (Pere Portabella, 1970), one of the strangest behind-the-scenes films ever made (transforming Jess Franco's Count Dracula (1970) with Christopher Lee into something genuinely otherworldly) - the 2015 festival also introduces a new strand: Berwick New Cinema. This section includes films such as Androids Dream (Ion de Sosa, 2014), Abdul & Hamza (Marko Grba Singh, 2015) and A Spell Of Fever.
- 9/11/2015
- by Rebecca Naughten
- eyeforfilm.co.uk
British actress to receive career award; festival guest list includes Tom Hiddleston, Ellen Page, Emily Blunt and Benicio del Toro.
Emily Watson, star of Breaking The Waves, The Book Thief and Everest, is receive the Donostia Award at the 63rd San Sebastian Film Festival (Sept 18-26) in recognition of her 30 years in film.
The British actress will collect the award at a gala on Sept 25 in San Sebastian’s Kursaal Auditorium.
The festival also unveiled some high-profile names and juries for its upcoming edition.
Actors attending include stars of Ben Wheatley’s High-Rise, Sienna Miller, Tom Hiddleston and Luke Evans; Freeheld actress Ellen Page; Sicario stars Emily Blunt and Benicio del Toro; Tim Roth, at the festival with 600 Miles and Chronic; Louise Bourgoin, star of The White Knights; and Karin Viard and Isabelle Carré from 21 nuits avec Pattie.
Filmmakers in attendance include Pablo Agüero (Eva Doesn’t Sleep), Laurie Anderson (Heart of a Dog), Scott Cooper ([link...
Emily Watson, star of Breaking The Waves, The Book Thief and Everest, is receive the Donostia Award at the 63rd San Sebastian Film Festival (Sept 18-26) in recognition of her 30 years in film.
The British actress will collect the award at a gala on Sept 25 in San Sebastian’s Kursaal Auditorium.
The festival also unveiled some high-profile names and juries for its upcoming edition.
Actors attending include stars of Ben Wheatley’s High-Rise, Sienna Miller, Tom Hiddleston and Luke Evans; Freeheld actress Ellen Page; Sicario stars Emily Blunt and Benicio del Toro; Tim Roth, at the festival with 600 Miles and Chronic; Louise Bourgoin, star of The White Knights; and Karin Viard and Isabelle Carré from 21 nuits avec Pattie.
Filmmakers in attendance include Pablo Agüero (Eva Doesn’t Sleep), Laurie Anderson (Heart of a Dog), Scott Cooper ([link...
- 9/4/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
In 2013 there was an open call for artists to share their most ambitious ideas with the commissioning body Artangel. Ben River’s application was chosen from amongst 1,500 submissions. The filmmaker—best known for Two Years At Sea (2011) and A Spell to Ward of the Darkness (2013, with Ben Russell)—saw an opportunity to combine a number of ongoing projects in a mutually enlivening fashion. A feature film The Earth Trembles And The Sky Is Afraid And The Two Eyes Are Not Brothers is scheduled for release later in the year. In the meantime, however, elements of its production and of several other productions besides, have been brought together in a singular installation free to view in London until the end of August.One of the most notable features of Ben Rivers’ filmmaking practice is that he hand-processes his own exposed film stock. The resulting images are effervescent with imperfections. His frames...
- 7/20/2015
- by Tom Stevenson
- MUBI
In today's roundup of news and views: Agata Pyzik for frieze on Vera Chytilová's Daisies; a history of censorship and the movies in Iran after the Islamic Revolution; Jonathan Rosenbaum on Alain Resnais and Chris Marker's Statues Also Die and Roberto Rossellini's Rome Open City (1945) plus a speech by Pere Portabella; Matt Connolly on Andy Warhol’s Vinyl, Fernando F. Croce on Pier Paolo Pasolini's Il vangelo secondo Matteo, Francine Prose on David Cronenberg's Maps to the Stars, Peter Hogue on Raoul Walsh, Danny King on James B. Harris, Todd Field's interview with Sissy Spacek, Michael Tully's with James Gray—and more. » - David Hudson...
- 4/8/2015
- Fandor: Keyframe
In today's roundup of news and views: Agata Pyzik for frieze on Vera Chytilová's Daisies; a history of censorship and the movies in Iran after the Islamic Revolution; Jonathan Rosenbaum on Alain Resnais and Chris Marker's Statues Also Die and Roberto Rossellini's Rome Open City (1945) plus a speech by Pere Portabella; Matt Connolly on Andy Warhol’s Vinyl, Fernando F. Croce on Pier Paolo Pasolini's Il vangelo secondo Matteo, Francine Prose on David Cronenberg's Maps to the Stars, Peter Hogue on Raoul Walsh, Danny King on James B. Harris, Todd Field's interview with Sissy Spacek, Michael Tully's with James Gray—and more. » - David Hudson...
- 4/8/2015
- Keyframe
Chicago – One of the annual gems of the Chicago movie scene is the Siskel Film Center’s unmissable European Union Film Festival. It provides local movie buffs with the opportunity to sample some of the finest achievements in world cinema. For many of the festival selections, their EU appearance will function as their sole screening in the Windy City.
This year’s edition, running from March 2nd through the 29th, includes high profile films from world renowned filmmakers like Andrea Arnold (“Wuthering Heights”), Bruce Dumont (“Hors Satan”), Dominique Abel and Fiona Gordon (“The Fairy”), Abdellatif Kechiche (“Black Venus”) and John Landis (“Burke & Hare”). Moviegoers will have the opportunity to see the latest work from some of the world’s most acclaimed and beloved actors, including Léa Seydoux (“Belle Épine”), Tahir Rahim (“Free Men”), Colm Meaney (“Parked”), Noomi Rapace (“Beyond”), Andy Serkis (“Burke & Hare”), Isabella Rossellini (“Late Bloomers”) and Ewan McGregor...
This year’s edition, running from March 2nd through the 29th, includes high profile films from world renowned filmmakers like Andrea Arnold (“Wuthering Heights”), Bruce Dumont (“Hors Satan”), Dominique Abel and Fiona Gordon (“The Fairy”), Abdellatif Kechiche (“Black Venus”) and John Landis (“Burke & Hare”). Moviegoers will have the opportunity to see the latest work from some of the world’s most acclaimed and beloved actors, including Léa Seydoux (“Belle Épine”), Tahir Rahim (“Free Men”), Colm Meaney (“Parked”), Noomi Rapace (“Beyond”), Andy Serkis (“Burke & Hare”), Isabella Rossellini (“Late Bloomers”) and Ewan McGregor...
- 2/15/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – The remarkable photography in Francesco Rosi’s 1965 bullfighting drama is, alas, its sole redeeming feature. Nearly everything that unfolds in front of Rosi’s lens is flat-out appalling and borderline unwatchable. Critics have hailed the picture for its artful depiction of the action, but all I see is vicious animal cruelty cloaked in crowd-pleasing machismo.
Rosi is, of course, a celebrated Italian filmmaker who’s no stranger to controversy, and his gambles have often paid off tremendously in films such as 1962’s “Salvatore Giuliano” and 1972’s Palme d’Or-winner, “The Mattei Affair.” I don’t believe Rosi was attempting to glorify bullfighting in “Truth,” but aside from its appropriately cautionary finale, the film devolves into a repellent series of ritual slaughters that are as numbing as they are repellant.
Blu-ray Rating: 2.0/5.0
The instantly familiar story centers on a bored farm boy (played by Miguel Romero ‘Miguelín’) with aspirations to...
Rosi is, of course, a celebrated Italian filmmaker who’s no stranger to controversy, and his gambles have often paid off tremendously in films such as 1962’s “Salvatore Giuliano” and 1972’s Palme d’Or-winner, “The Mattei Affair.” I don’t believe Rosi was attempting to glorify bullfighting in “Truth,” but aside from its appropriately cautionary finale, the film devolves into a repellent series of ritual slaughters that are as numbing as they are repellant.
Blu-ray Rating: 2.0/5.0
The instantly familiar story centers on a bored farm boy (played by Miguel Romero ‘Miguelín’) with aspirations to...
- 2/8/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
From Page To Screen, Bridport
Guest curator Jonathan Coe lends the appropriate literary lustre to this festival of movies adapted from novels, and for a respected author he's not as sniffy as you'd expect. Coe's list includes some successful examples recent and ancient – from True Grit, The Social Network and How To Train Your Dragon to Jacques Demy's Donovan-scored The Pied Piper and forgotten 1945 melodrama They Were Sisters – most of which are introduced by himself and other experts. Coe also talks to some of those concerned in the process, including Kazuo Ishiguro about the recent version of his Never Let Me Go and Bill Forsyth on his version of Marilynne Robinson's Housekeeping, while Rowan Joffé discusses his recent adaptations of The American and Brighton Rock.
Bridport Arts Centre & Electric Palace, Wed to 17 Apr
From Ecstasy To Rapture: 50 Years Of The Other Spanish Cinema/Pere Portabella, London
You...
Guest curator Jonathan Coe lends the appropriate literary lustre to this festival of movies adapted from novels, and for a respected author he's not as sniffy as you'd expect. Coe's list includes some successful examples recent and ancient – from True Grit, The Social Network and How To Train Your Dragon to Jacques Demy's Donovan-scored The Pied Piper and forgotten 1945 melodrama They Were Sisters – most of which are introduced by himself and other experts. Coe also talks to some of those concerned in the process, including Kazuo Ishiguro about the recent version of his Never Let Me Go and Bill Forsyth on his version of Marilynne Robinson's Housekeeping, while Rowan Joffé discusses his recent adaptations of The American and Brighton Rock.
Bridport Arts Centre & Electric Palace, Wed to 17 Apr
From Ecstasy To Rapture: 50 Years Of The Other Spanish Cinema/Pere Portabella, London
You...
- 4/8/2011
- by Steve Rose
- The Guardian - Film News
Above: La pivellina.
The recently wrapped Los Angeles Film Festival succeeded in reinventing itself—a new location in "revitalized" downtown with a new artistic director, David Ansen (the thirty-year veteran critic of Newsweek)—but it produced mixed results. Gone were the kind of established names of world cinema favored by previous artistic director Rachel Rosen, whose final program last year boasted rare works by Wang Bing, Pere Portabella, Miguel Gomes, and many others. Claire Denis was perhaps Laff's only recognized master this year (outside of revivals), and herWhite Material is already secured for distribution.
Instead, Laff emphasized emerging filmmakers and attempted to strike a balance between "popular" and "art house" fare, offering an accessible selection of films from around the globe. Ansen's most interesting choices were the smaller films he championed, such as the Georgian character study Street Days, which he personally introduced and then sat through after some minor projection problems occurred,...
The recently wrapped Los Angeles Film Festival succeeded in reinventing itself—a new location in "revitalized" downtown with a new artistic director, David Ansen (the thirty-year veteran critic of Newsweek)—but it produced mixed results. Gone were the kind of established names of world cinema favored by previous artistic director Rachel Rosen, whose final program last year boasted rare works by Wang Bing, Pere Portabella, Miguel Gomes, and many others. Claire Denis was perhaps Laff's only recognized master this year (outside of revivals), and herWhite Material is already secured for distribution.
Instead, Laff emphasized emerging filmmakers and attempted to strike a balance between "popular" and "art house" fare, offering an accessible selection of films from around the globe. Ansen's most interesting choices were the smaller films he championed, such as the Georgian character study Street Days, which he personally introduced and then sat through after some minor projection problems occurred,...
- 7/19/2010
- MUBI
The 66th edition of the Venice Film Festival lineup includes the main festival plus the sidebar which will be playing films like Yannick Dahan's gangster zombie flick The Horde.
In competition we have the long awaited scifi awesomeness from Jaco Van Dormael, Mr. Nobody and Shinya Tsukamoto's trfiecta Tetsuo the Bulletman.
Out of competition has [Rec] 2 and the Midnight section has Nicolas Refn's long awaited Valhalla Rising which was actually made before Bronson.
Man I wish I could go! Anyone want to cover the fest for us? Use the contact link at the bottom of the page. We'd be happy to do cross-posted reviews.
Full list after the break.
66Th Annual Venice Film Festival Lineup
Competition
"36 vues du Pic Saint Loup," Jacques Rivette (France)
"Accident," Cheang Pou-Soi (China-Hong Kong)
"Baaria," Giuseppe Tornatore (Italy) – Opening Film
"Bad Lieutenant: Port of Call New Orleans," Werner Herzog (U.S.)
"Between Two Worlds,...
In competition we have the long awaited scifi awesomeness from Jaco Van Dormael, Mr. Nobody and Shinya Tsukamoto's trfiecta Tetsuo the Bulletman.
Out of competition has [Rec] 2 and the Midnight section has Nicolas Refn's long awaited Valhalla Rising which was actually made before Bronson.
Man I wish I could go! Anyone want to cover the fest for us? Use the contact link at the bottom of the page. We'd be happy to do cross-posted reviews.
Full list after the break.
66Th Annual Venice Film Festival Lineup
Competition
"36 vues du Pic Saint Loup," Jacques Rivette (France)
"Accident," Cheang Pou-Soi (China-Hong Kong)
"Baaria," Giuseppe Tornatore (Italy) – Opening Film
"Bad Lieutenant: Port of Call New Orleans," Werner Herzog (U.S.)
"Between Two Worlds,...
- 7/30/2009
- QuietEarth.us
Rome -- Michael Moore's "Capitalism: A Love Story" will headline a 24-film competition lineup at September's Venice Film Festival, which is heavy on first and second films from up-and-coming directors.
The lineup includes five U.S. films, four each from Italy and France, four from Asia, two from the Middle East -- with all 23 films named Thursday as world premieres.
A 24th surprise competition pic to be announced during the fest would also be a world premiere, officials said. The fest will feature 71 world premieres.
"We are very pleased and very honored to announce this lineup," Venice artistic director Marco Mueller said in a briefing Thursday, where Fatih Akin's comedy "Soul Kitchen"; "Accident," a thriller from China's Cheang Pou; and "A Single Man," a drama from Tom Ford starring Colin Firth and Julianne Moore, were revealed as part of the lineup.
All told, the fest will feature 16 first works and nine second works.
The lineup includes five U.S. films, four each from Italy and France, four from Asia, two from the Middle East -- with all 23 films named Thursday as world premieres.
A 24th surprise competition pic to be announced during the fest would also be a world premiere, officials said. The fest will feature 71 world premieres.
"We are very pleased and very honored to announce this lineup," Venice artistic director Marco Mueller said in a briefing Thursday, where Fatih Akin's comedy "Soul Kitchen"; "Accident," a thriller from China's Cheang Pou; and "A Single Man," a drama from Tom Ford starring Colin Firth and Julianne Moore, were revealed as part of the lineup.
All told, the fest will feature 16 first works and nine second works.
- 7/30/2009
- by By Eric J. Lyman
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.