Oscar Micheaux is a trailblazing American filmmaker whose name and fandom — including Spike Lee and the late John Singleton — are better known than his groundbreaking films. A festival opening in New York on Friday, May 3, at Film Forum aims to fix that.
Though competition is steep in the New York film space, with 17 films and several curated special events, “Oscar Micheaux and the Birth of Black Independent Cinema” is designed to make history. Seven films on the schedule are new restorations of the original prints. Some screenings will be accompanied by live musical performances, much like when silent films were originally exhibited in the 1910s and 1920s. On May 5, there’s also a tribute for the recently deceased author and filmmaker Pearl Bowser, a pivotal architect of the renaissance Micheaux’s work now enjoys. The lineup also boasts conversations with DJ Spooky (aka Paul Miller), who composed new scores for...
Though competition is steep in the New York film space, with 17 films and several curated special events, “Oscar Micheaux and the Birth of Black Independent Cinema” is designed to make history. Seven films on the schedule are new restorations of the original prints. Some screenings will be accompanied by live musical performances, much like when silent films were originally exhibited in the 1910s and 1920s. On May 5, there’s also a tribute for the recently deceased author and filmmaker Pearl Bowser, a pivotal architect of the renaissance Micheaux’s work now enjoys. The lineup also boasts conversations with DJ Spooky (aka Paul Miller), who composed new scores for...
- 5/2/2024
- by Carole V. Bell
- Indiewire
Coming to Film Forum in New York City is “Black Women,” a 70-film screening series that spotlights 81 years – 1920 to 2001 – of trailblazing African American actresses in American movies.
Scheduled to run from January 17 to February 13, the series is curated by film historian and professor Donald Bogle, author of six books concerning blacks in film and television, including the groundbreaking “Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films” (1973).
“Last year, Bruce Goldstein, the repertory programmer at Film Forum, asked me if there was something I was interested in doing, and this was a topic that I had been thinking about, because I recently updated my book on the subject, ‘Brown Sugar,’ which dealt with African American women in entertainment from the early years of the late 19th century to the present,” said Bogle. “That’s really the way it came about, and it just developed from there.
Scheduled to run from January 17 to February 13, the series is curated by film historian and professor Donald Bogle, author of six books concerning blacks in film and television, including the groundbreaking “Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films” (1973).
“Last year, Bruce Goldstein, the repertory programmer at Film Forum, asked me if there was something I was interested in doing, and this was a topic that I had been thinking about, because I recently updated my book on the subject, ‘Brown Sugar,’ which dealt with African American women in entertainment from the early years of the late 19th century to the present,” said Bogle. “That’s really the way it came about, and it just developed from there.
- 1/17/2020
- by Tambay Obenson
- Indiewire
BorderlineThe Locarno Film Festival in Switzerland finds itself refreshed in its 72nd edition, with a new artistic director, Lili Hinstin, in place with a new film programming team. Why does this matter? If you’ve ever been excited to hear the announcement of the lineup at Sundance, or Cannes, or your local festival; if you’ve seen something marvelous or horrid at this festival or that, it’s because the programmers chose it. Large events like these have millions of moving pieces and sometimes no personal presence, and it’s sometimes easy to forget—or even not realize—that behind the scenes choices are being made that shape your experience. And it’s good to refresh those choices, for institutional inertia can easily settle on such organizations. Locarno’s previous director, Carlo Chatrian, ran it for six years and was hardly curating a calcified event—he has left, along with many of his programmers,...
- 8/10/2019
- MUBI
Heath Ledger, The Dark Knight Written by Online Film Critics Society members Phil Hall and Rory Leighton Aronsky, What If They Lived? (BearManor Media, 2011) takes a look at the lives and oeuvre of celebrities whose film careers were prematurely curtailed by death. As befitting their book's title, Hall and Aronsky then wonder, "What if they lived?" Encompassing the early days of cinema all the way to the early 21st century, What If They Lived? features an eclectic mix of film talent gone much too soon. Those include Rudolph Valentino, Jean Harlow, James Dean, Marilyn Monroe, Dorothy Dandridge, Lon Chaney, Bruce Lee, John Belushi, River Phoenix, Mabel Normand, Carole Lombard, John Gilbert, Will Rogers, Robert Walker, Chris Farley, Natasha Richardson, and Heath Ledger, in addition to mostly forgotten luminaries such as early D. W. Griffith leading man Robert Harron, silent-era superstar Wallace Reid, Evelyn Preer, Carole Landis, Laird Cregar, Robert Francis,...
- 3/31/2011
- by Andre Soares
- Alt Film Guide
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