After the recently-concluded ‘Bachchanalia’ where Amitabh Bachchan memorabilia went under the hammer, the auction house DeRivaz & Ives has announced a similar tribute to ‘feminine icons’ of Indian cinema.
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
- 11/1/2023
- by Agency News Desk
- GlamSham
After the recently-concluded ‘Bachchanalia’ where Amitabh Bachchan memorabilia went under the hammer, the auction house DeRivaz & Ives has announced a similar tribute to ‘feminine icons’ of Indian cinema.
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
- 11/1/2023
- by Agency News Desk
Mumbai, May 21 (Ians) Basking in the critical acclaim for “Jubilee” (where he plays a studio boss modelled after Himanshu Rai of Bombay Talkies) and the positive buzz about the upcoming series “Scoop” (where his character is inspired by crime journalist J. Dey), Prosenjit Chatterjee has announced that he’ll be next seen in the Bengali film “Devi Chowdhurani: Bandit Queen of Bengal”.
Based on the novel by Bankim Chandra Chattopadhyay, “Devi Chaudhurani”, a role that was first essayed by Suchitra Sen, is about a young woman in 18th-century Bengal who, after being abandoned by her in-laws, is adopted by a dacoit and ends up becoming a female Robin Hood.
Sharing the motion poster and details about the film, Prosenjit took to his social media profile and shared a prayer addressed to Goddess Kali, the deity of dacoits: “Muktakeshi khargahaste, tamas binashini, namami Maate Kalike, sarvasiddhi dayini.”
After the benediction came...
Based on the novel by Bankim Chandra Chattopadhyay, “Devi Chaudhurani”, a role that was first essayed by Suchitra Sen, is about a young woman in 18th-century Bengal who, after being abandoned by her in-laws, is adopted by a dacoit and ends up becoming a female Robin Hood.
Sharing the motion poster and details about the film, Prosenjit took to his social media profile and shared a prayer addressed to Goddess Kali, the deity of dacoits: “Muktakeshi khargahaste, tamas binashini, namami Maate Kalike, sarvasiddhi dayini.”
After the benediction came...
- 5/21/2023
- by Agency News Desk
- GlamSham
“Jubilee” can be described as a tale of people who struggle, work hard, and find fruitful results in their work. A lot of them see success, but many of them also end up finding failures. Failures from which they learn to pick up their lives and rebuild them just to be able to move forwards This Vikramaditya Motwane and Soumik Sen show is set in a time when women hardly had the power vested in them to be able to make any crucial life decisions. Women were forced into prostitution or work in a field against their will and constantly kept under the influence of men who were the decision-makers of their lives.
But Vikramaditya and Soumik took a different path in this show and decided to showcase female characters who had it in them to stand up to the predominantly male industry and show their power as decision-making personnel...
But Vikramaditya and Soumik took a different path in this show and decided to showcase female characters who had it in them to stand up to the predominantly male industry and show their power as decision-making personnel...
- 4/16/2023
- by Smriti Kannan
- Film Fugitives
Jubilee
Lights, sound, camera… action! And here we go. At last, a series that encapsulates the genesis of Hindi cinema…the good, bad, and the ogling.
The fun part of Vikramaditya Motwane’s see-real is to spot who’s who and … my God, is this true??!!! Motwane’s writer Atul Sabharwal uses historical facts to create a kind of free-flowing fusion of fact and fantasy that is at once arresting and liberating.
From the silent era in the 1940s to the not-so-silent era when the Partition of 1947 tore the nation into two, Jubilee begins its comprehensive exhilarating journey by introducing us to the brooding maverick producer Srikant Roy, most meticulously modeled on the legendary Himanshu Rai. As played by Prosenjit Chatterjee, Roy is wily and mysterious, ambitious and nasty…It’s a brutal role played with tremendous understanding.
In comparison Aditya Roy Hydari as Roy’s wife Sumitra Devi (modeled...
Lights, sound, camera… action! And here we go. At last, a series that encapsulates the genesis of Hindi cinema…the good, bad, and the ogling.
The fun part of Vikramaditya Motwane’s see-real is to spot who’s who and … my God, is this true??!!! Motwane’s writer Atul Sabharwal uses historical facts to create a kind of free-flowing fusion of fact and fantasy that is at once arresting and liberating.
From the silent era in the 1940s to the not-so-silent era when the Partition of 1947 tore the nation into two, Jubilee begins its comprehensive exhilarating journey by introducing us to the brooding maverick producer Srikant Roy, most meticulously modeled on the legendary Himanshu Rai. As played by Prosenjit Chatterjee, Roy is wily and mysterious, ambitious and nasty…It’s a brutal role played with tremendous understanding.
In comparison Aditya Roy Hydari as Roy’s wife Sumitra Devi (modeled...
- 4/7/2023
- by Subhash K Jha
- Bollyspice
Netflix, in partnership with National Commission for Women (Ncw), today hosted special discussions on the role of media and entertainment in empowering women, ahead of International Women’s Day. The two panel discussions brought together some of the most distinguished personalities from the industry, academia, NGOs, women actors and directors who shared their perspective on the role of storytelling in shaping the narrative of women empowerment.
The day-long event started with a panel discussion on the role of media and entertainment in women empowerment. The panel had celebrated actor and producer Huma Qureshi, Himanshu Rai – Director Iim Indore, Veerendra Mishra – Ips Aig MP Police, Nayana Sahasrabuddhe – President, Bhartiya Stree Shakti, Priyanka Kher – Breakthrough India and Uday Singh – Head Motion Pictures Association.
The second-panel discussion titled ‘Her Story, Her Voice: A Conversation with Women in Media & Entertainment’ provided insights on championing female representation in the entertainment industry. The panel featured women...
The day-long event started with a panel discussion on the role of media and entertainment in women empowerment. The panel had celebrated actor and producer Huma Qureshi, Himanshu Rai – Director Iim Indore, Veerendra Mishra – Ips Aig MP Police, Nayana Sahasrabuddhe – President, Bhartiya Stree Shakti, Priyanka Kher – Breakthrough India and Uday Singh – Head Motion Pictures Association.
The second-panel discussion titled ‘Her Story, Her Voice: A Conversation with Women in Media & Entertainment’ provided insights on championing female representation in the entertainment industry. The panel featured women...
- 3/3/2023
- by Glamsham Editorial
- GlamSham
With Yusuf Khan back in Mumbai and his Pune sojourn over, his major goal was to get gainfully employed or target new avenues of earning to share the family burden. He was blissfully unaware that lady luck was about to smile on him. The turn of events propitiously sequenced by providence was to catapult young Yusuf Khan into Dilip Kumar, the megastar of the then Bombay film industry now dubbed as Bollywood.
There are many versions of Dilip Kumar’s entry in the film industry but we shall recount here only the version we believe is the most authentic.
Yusuf commenced his endeavours in the city by helping his Agha ji in his fruits business. His ageing father was becoming rather frail, so Yusuf started travelling to the orchards in the hilly regions of Dehradun and Nainital in north India. Little did the young man know that one of these...
There are many versions of Dilip Kumar’s entry in the film industry but we shall recount here only the version we believe is the most authentic.
Yusuf commenced his endeavours in the city by helping his Agha ji in his fruits business. His ageing father was becoming rather frail, so Yusuf started travelling to the orchards in the hilly regions of Dehradun and Nainital in north India. Little did the young man know that one of these...
- 12/11/2022
- by Glamsham Bureau
- GlamSham
From a family of prominent lawyers, he was expected to follow in their footsteps, but instead chose a career in the fledgling Hindi film industry – and uncharacteristically, not as a hero. Virtually dragooned by his legendary boss taking over a lead role, despite the director’s opposition, he, in his first-ever take, muffed up a simple scene with the heroine, and then, left the villain with a fractured leg.
That, in 1936, was the rather farcical start of the career of Ashok Kumar, who was born on this day in 1911.
Undaunted, he went on to establish himself not only as Hindi cinema’s first superstar as the 1940s began, but also one who was known for his air of naturalness and his willingness to reinvent himself and experiment with playing morally ambiguous or anti-hero roles.
At the appropriate time, he moved on to playing more mature roles in line with his age,...
That, in 1936, was the rather farcical start of the career of Ashok Kumar, who was born on this day in 1911.
Undaunted, he went on to establish himself not only as Hindi cinema’s first superstar as the 1940s began, but also one who was known for his air of naturalness and his willingness to reinvent himself and experiment with playing morally ambiguous or anti-hero roles.
At the appropriate time, he moved on to playing more mature roles in line with his age,...
- 10/13/2022
- by Glamsham Bureau
- GlamSham
By Rima Bhatia and Stacey Yount
So you think you know Bollywood? The glamour, the gossip and all the secrets? Do you consider yourself a Bollywood expert? Well, to test our research skills to find some of the most hidden and obscure facts, we have put together a list to test your Bolly-knowledge.
So settle down with a warm drink and read away… and don’t forget to comment how many facts you knew… and which fact blew your mind!
The first short film from India was 1898’s Hiralal Sen’s The Flower of Persia.
Dadasaheb Phalke’s Raja Harishchandra is known as The first full length feature film from India. The black and white film released on May 3, 1913 in Mumbai. It was only 40 minutes long.
Ram Chandra Gopal “Dadasaheb” Torne’s Shree Pundalik was the very first film; it was shown in Mumbai on 18 May 1912. However, it was processed overseas and is only 22 minutes.
So you think you know Bollywood? The glamour, the gossip and all the secrets? Do you consider yourself a Bollywood expert? Well, to test our research skills to find some of the most hidden and obscure facts, we have put together a list to test your Bolly-knowledge.
So settle down with a warm drink and read away… and don’t forget to comment how many facts you knew… and which fact blew your mind!
The first short film from India was 1898’s Hiralal Sen’s The Flower of Persia.
Dadasaheb Phalke’s Raja Harishchandra is known as The first full length feature film from India. The black and white film released on May 3, 1913 in Mumbai. It was only 40 minutes long.
Ram Chandra Gopal “Dadasaheb” Torne’s Shree Pundalik was the very first film; it was shown in Mumbai on 18 May 1912. However, it was processed overseas and is only 22 minutes.
- 3/28/2020
- by BollySpice Team
- Bollyspice
There is endless warmth, skill and ambition behind this semi-fictional silent story of the Taj Mahal’s romantic origins
This 1928 silent film, now restored by the BFI, is a startlingly ambitious epic weepie-romance, filmed entirely on location in India – and is of far more than just archival interest. Taking creative flight from the historical record, it reimagines the story of the Mumtaz Mahal, the 17th-century Mughal empress in India whose death so devastated the emperor that he commissioned the monument to her in Agra, now known as the Taj Mahal. The film invents a new backstory for the empress: as a little girl she is ambushed with her mother by bandits in the desert and rescued by a family with no clue of her noble identity (although an amulet is to be the proof). They bring her up as a little sister to their son, Shiraz. In adulthood, Shiraz (played...
This 1928 silent film, now restored by the BFI, is a startlingly ambitious epic weepie-romance, filmed entirely on location in India – and is of far more than just archival interest. Taking creative flight from the historical record, it reimagines the story of the Mumtaz Mahal, the 17th-century Mughal empress in India whose death so devastated the emperor that he commissioned the monument to her in Agra, now known as the Taj Mahal. The film invents a new backstory for the empress: as a little girl she is ambushed with her mother by bandits in the desert and rescued by a family with no clue of her noble identity (although an amulet is to be the proof). They bring her up as a little sister to their son, Shiraz. In adulthood, Shiraz (played...
- 2/1/2018
- by Peter Bradshaw
- The Guardian - Film News
The British Council and the British Film Institute (BFI) have announced that, following the 61st BFI London Film Festival world premiere of the restored Shiraz: A Romance of India, screening at the Barbican on 14 October the film will tour four Indian cities as part of the UK/India 2017 Year of Culture. Shiraz: A Romance of India will tour to four Indian cities, following the restoration world premiere as the BFI London Film Festival Archive Gala with specially-commissioned live film score performed by multi Grammy® -nominated composer & musician Anoushka Shankar.
A world leader in film restoration, the BFI holds the original negative material of Shiraz in the Archive. Franz Osten’s sumptuous Indian silent classic has been meticulously remastered by the conservation team at the BFI National Archive. Screening at the BFI Lff as the Archive Gala, the film will then visit Hyderabad, Kolkata, New Delhi and Mumbai in India from 1 November to 5 November,...
A world leader in film restoration, the BFI holds the original negative material of Shiraz in the Archive. Franz Osten’s sumptuous Indian silent classic has been meticulously remastered by the conservation team at the BFI National Archive. Screening at the BFI Lff as the Archive Gala, the film will then visit Hyderabad, Kolkata, New Delhi and Mumbai in India from 1 November to 5 November,...
- 10/24/2017
- by BollySpice Editors
- Bollyspice
The 24th edition of the biennial Europalia International Arts Festival in Europe will be dedicated to India to celebrate the centenary year of Indian cinema.
The festival will be held in several cities of Belgium and The Netherlands including Brussels, Antwerpen and Den Haag from October 4, 2013 – January 26, 2014.
Five of Kashyap’s films will be screened under the Anurag Kashyap Focus – Cinematek section: Ugly (2013), Black Friday (2004), Dev D (2009), Gulal (2009) and Gangs of Wasseypur I and II (2012). Besides, three films recommended by Kashyap will also be screened at the festival: Gurvinder Singh’s Anhey Ghorey Da Daan, Hansal Mehta’s Shahid and Satish Manwar’s Gabhricha Paus.
Pather Panchali, Aparajito, Apur Sansar and Jalsaghar will be presented as part of the Satyajit Ray Retrospective. Guru Dutt Retrospective will screen his films Baazi, Jaal, Baaz, Aar Paar, Mr. And Mrs. 55, Pyaasa, Sahib Biwi aur Ghulam and Kagaz Ke Phool.
Filmmakers Anurag Kashyap, Vikas Bahl...
The festival will be held in several cities of Belgium and The Netherlands including Brussels, Antwerpen and Den Haag from October 4, 2013 – January 26, 2014.
Five of Kashyap’s films will be screened under the Anurag Kashyap Focus – Cinematek section: Ugly (2013), Black Friday (2004), Dev D (2009), Gulal (2009) and Gangs of Wasseypur I and II (2012). Besides, three films recommended by Kashyap will also be screened at the festival: Gurvinder Singh’s Anhey Ghorey Da Daan, Hansal Mehta’s Shahid and Satish Manwar’s Gabhricha Paus.
Pather Panchali, Aparajito, Apur Sansar and Jalsaghar will be presented as part of the Satyajit Ray Retrospective. Guru Dutt Retrospective will screen his films Baazi, Jaal, Baaz, Aar Paar, Mr. And Mrs. 55, Pyaasa, Sahib Biwi aur Ghulam and Kagaz Ke Phool.
Filmmakers Anurag Kashyap, Vikas Bahl...
- 9/27/2013
- by NewsDesk
- DearCinema.com
On the heels of the Toronto International Film Festival with its focus on the films and filmmakers of Mumbai, the Tiff Cinematheque presents, as part of its fall offerings, a series on the relationship between German Expressionist films and those of Indian cinema pre-Bollywood. Renowned Indian cinema curator Meenakshi Shedde presents a programme that highlights the links between Indian and German filmmaking, and includes a slate of films that illustrate a fantasy India as seen in German films such as Franz Osten’s Light of Asia as well as films that inspired and influenced Indian cinema, such as Josef von Sternberg’s classic 1930 film The Blue Angel, which was remade by V. Shantaram as Pinjra in 1972.
Indian Expressionism runs at the Tiff Bell Lightbox from November 14 to 21. Film screenings include (all information via the Tiff Press Office):
Wednesday, November 14 at 6:15 p.m.
Light of Asia (Prem Sanyas/Die Leuchte Asiens)
Franz Osten,...
Indian Expressionism runs at the Tiff Bell Lightbox from November 14 to 21. Film screenings include (all information via the Tiff Press Office):
Wednesday, November 14 at 6:15 p.m.
Light of Asia (Prem Sanyas/Die Leuchte Asiens)
Franz Osten,...
- 11/15/2012
- by Katherine Matthews
- Bollyspice
Indian films influenced by German expressionism will be screened at a series titled ‘Indian Expressionism’ at the Toronto International Film Festival’s Bell LightBox. The film package, curated by Indian critic and consultant, Meenakshi Shedde will run from 14th to 21st November, 2012.
German Expressionism refers to a series of creative movements in Germany prior to the First World War. The movement sought for change by experimenting with bold, new ideas and artistic styles.
The films to be screened are:
Light of Asia (14th November, 6:15pm)
Hindi: Prem Sanyas / German: Die leuchte asiens
Dir.: Franz Osten / Starring: Himansu Rai and Seeta Devi
Light of Asia (1925) is an Indo-German co-production based on the life of Buddha. This is a silent film with English intertitles.
The Blue Angel (14th November, 8:30pm)
German: Der Blaue Engel
Dir.: Josef Sternberg / Starring: Marlene Dietrich and Emil Jannings
The Blue Angel (1930) is a German film with English subtitles.
German Expressionism refers to a series of creative movements in Germany prior to the First World War. The movement sought for change by experimenting with bold, new ideas and artistic styles.
The films to be screened are:
Light of Asia (14th November, 6:15pm)
Hindi: Prem Sanyas / German: Die leuchte asiens
Dir.: Franz Osten / Starring: Himansu Rai and Seeta Devi
Light of Asia (1925) is an Indo-German co-production based on the life of Buddha. This is a silent film with English intertitles.
The Blue Angel (14th November, 8:30pm)
German: Der Blaue Engel
Dir.: Josef Sternberg / Starring: Marlene Dietrich and Emil Jannings
The Blue Angel (1930) is a German film with English subtitles.
- 9/29/2012
- by NewsDesk
- DearCinema.com
Amour by Michael Haneke
The Mumbai Film Festival has announced its programming highlights for its 14the edition running from 18th to 25th October, 2012. The highlights include Palme d’Or winner of the year Amour by Michael Haneke, Cosmopolis by David Cronenberg, The Angels’ Share by Ken Loach, Beasts of the Southern Wild by Benh Zeitlin, A Throw of Dice by Franz Osten, The Leopard by Luchino Visconti, Once Upon a Time in America by Sergio Leone, On the Road by Walter Salles, Rust and Bone by Jacques Audiard and Blancanieves (Snow White) by Pablo Berger. The complete lineup will be announced on Monday, 24th September, 2012.
A Reliance Entertainment initiative, the festival is to be held from 18th – 25th October, 2012. India Gold 2012, a new competitive section, has been introduced this year to commemorate the 100 years of Indian cinema. With a total prize Rs 15 lakh plus Golden and Silver Gateway trophies, this...
The Mumbai Film Festival has announced its programming highlights for its 14the edition running from 18th to 25th October, 2012. The highlights include Palme d’Or winner of the year Amour by Michael Haneke, Cosmopolis by David Cronenberg, The Angels’ Share by Ken Loach, Beasts of the Southern Wild by Benh Zeitlin, A Throw of Dice by Franz Osten, The Leopard by Luchino Visconti, Once Upon a Time in America by Sergio Leone, On the Road by Walter Salles, Rust and Bone by Jacques Audiard and Blancanieves (Snow White) by Pablo Berger. The complete lineup will be announced on Monday, 24th September, 2012.
A Reliance Entertainment initiative, the festival is to be held from 18th – 25th October, 2012. India Gold 2012, a new competitive section, has been introduced this year to commemorate the 100 years of Indian cinema. With a total prize Rs 15 lakh plus Golden and Silver Gateway trophies, this...
- 9/21/2012
- by NewsDesk
- DearCinema.com
[Contd. from A Short History of Cinema in Pakistan]
By 1925, cinema was attracting more and more patrons and enthusiasts in Lahore. Interest in this new medium had risen and swept like a fever across societies with centuries old multiple socio- cultural patterns.
Justice Moti Sagar, an eminent personality of the city provided financial support to a young lawyer to set up a film company by the name of The Great Eastern Film Corporation. This young enterprising man, Himansu Rai, had recently returned from London by way of Berlin where he had made acquaintance with a cinematographer Franz Osten. Inspired by passion plays of Christ, Himansu Rai directed an adaptation of Light of Asia, a biography of Gautma Buddha in verse. The film was known as Prem Sanyas locally and went on to be a huge success, even finding a release as far as the United States, a rare feat in 1925. Prem Sanyas was shot in Lahore and marked the...
By 1925, cinema was attracting more and more patrons and enthusiasts in Lahore. Interest in this new medium had risen and swept like a fever across societies with centuries old multiple socio- cultural patterns.
Justice Moti Sagar, an eminent personality of the city provided financial support to a young lawyer to set up a film company by the name of The Great Eastern Film Corporation. This young enterprising man, Himansu Rai, had recently returned from London by way of Berlin where he had made acquaintance with a cinematographer Franz Osten. Inspired by passion plays of Christ, Himansu Rai directed an adaptation of Light of Asia, a biography of Gautma Buddha in verse. The film was known as Prem Sanyas locally and went on to be a huge success, even finding a release as far as the United States, a rare feat in 1925. Prem Sanyas was shot in Lahore and marked the...
- 12/8/2011
- by Zia Ahmad
- DearCinema.com
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