There aren’t enough Native women on TV. But when they do get hired, they’re often playing cops.
“Not to take away from the performances of all these actresses, who I admire so much and are doing a beautiful job,” says Lily Gladstone, “but it’s almost the only role that we get to see.”
So it’s understandable that Gladstone had something of a checklist in hand when she first met with the producers of “Under the Bridge.” They were offering her the role of Cam Bentland, a police officer investigating the 1997 murder of Reena Virk (played by Vritika Gupta), a 14-year-old child of Indian immigrants in Saanich Core, British Columbia.
Cam, a Native woman adopted by a family of white cops, was the invention of series creator Quinn Shephard. Though realistic, the character is fictional; but the homicide at the center of the project is not. Often in the true crime genre,...
“Not to take away from the performances of all these actresses, who I admire so much and are doing a beautiful job,” says Lily Gladstone, “but it’s almost the only role that we get to see.”
So it’s understandable that Gladstone had something of a checklist in hand when she first met with the producers of “Under the Bridge.” They were offering her the role of Cam Bentland, a police officer investigating the 1997 murder of Reena Virk (played by Vritika Gupta), a 14-year-old child of Indian immigrants in Saanich Core, British Columbia.
Cam, a Native woman adopted by a family of white cops, was the invention of series creator Quinn Shephard. Though realistic, the character is fictional; but the homicide at the center of the project is not. Often in the true crime genre,...
- 6/7/2024
- by Selome Hailu
- Variety Film + TV
We’re thrilled to launch a new feature on The Film Stage highlighting our top recommendations for films currently in theaters, from new releases to restorations receiving a proper theatrical run. While we already provide extensive monthly new-release recommendations and weekly streaming recommendations, as distributors’ roll-outs can vary, we thought it would be helpful to provide a one-stop list to share the essential films that may be on a screen near you. We’ll be updating this page weekly, so be sure to bookmark.
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two best friends at opposite points of their lives. – Christian G. (full review)
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying...
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two best friends at opposite points of their lives. – Christian G. (full review)
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying...
- 6/6/2024
- by The Film Stage
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
- 5/24/2024
- by Nick Newman
- The Film Stage
Her performance in Martin Scorsese's Killers Of The Flower Moon saw Lily Gladstone become part of a global conversation – and got her a groundbreaking Oscar nomination. As she tells us, though, she's only just getting started...
Lily Gladstone has been putting her feet up.
You’d be forgiven for assuming that Gladstone — the first Native American actress to have been nominated for an Academy Award — has a lot on her plate. And she has, but at home in Seattle, post-Oscars, she’s spent some well-earned time on the sofa, specifically watching The Bear Season 2. She’s not likely to be hanging around watching Carmy in his Chicago kitchen for too long, though.
After her staggering, soulful performance as Mollie Burkhart, the beleaguered woman at the centre of a vast murder plot in Martin Scorsese’s epic drama Killers Of The Flower Moon — and the Oscar nomination to go with...
Lily Gladstone has been putting her feet up.
You’d be forgiven for assuming that Gladstone — the first Native American actress to have been nominated for an Academy Award — has a lot on her plate. And she has, but at home in Seattle, post-Oscars, she’s spent some well-earned time on the sofa, specifically watching The Bear Season 2. She’s not likely to be hanging around watching Carmy in his Chicago kitchen for too long, though.
After her staggering, soulful performance as Mollie Burkhart, the beleaguered woman at the centre of a vast murder plot in Martin Scorsese’s epic drama Killers Of The Flower Moon — and the Oscar nomination to go with...
- 5/22/2024
- by Christina Newland
- Empire - Movies
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Stanley Donen’s Funny Face plays on Friday and Sunday, the latter day bringing a program of work by Nicola Tyson and Son of Kong on 35mm.
Paris Theater
Prints of Prizzi’s Honor, The Mechanic, Grosse Pointe Blank, and Killer Joe play in a hitman retrospective; Yi Yi shows on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Fassbinder, Rivette, and more.
IFC Center
Man Ray: Return to Reason begins; After Hours and the Bob Fosse retrospective begin; Labyrinth, Flashdance, and Tank Girl play late.
Japan Society
America’s largest-ever Hiroshi Shimizu retrospective migrates to Japan Society (watch our exclusive trailer debut).
Museum of the Moving Image
Two more Shimizu films play; House on Haunted Hill screens Friday and Sunday, while The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Stanley Donen’s Funny Face plays on Friday and Sunday, the latter day bringing a program of work by Nicola Tyson and Son of Kong on 35mm.
Paris Theater
Prints of Prizzi’s Honor, The Mechanic, Grosse Pointe Blank, and Killer Joe play in a hitman retrospective; Yi Yi shows on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Fassbinder, Rivette, and more.
IFC Center
Man Ray: Return to Reason begins; After Hours and the Bob Fosse retrospective begin; Labyrinth, Flashdance, and Tank Girl play late.
Japan Society
America’s largest-ever Hiroshi Shimizu retrospective migrates to Japan Society (watch our exclusive trailer debut).
Museum of the Moving Image
Two more Shimizu films play; House on Haunted Hill screens Friday and Sunday, while The Right Stuff shows on 35mm this Saturday.
- 5/17/2024
- by Nick Newman
- The Film Stage
“I probably won’t be doing the yacht parties that I’ve heard about,” jokes Hong Chau of attending her first Cannes Film Festival several months after having her second child. “I’m like, ‘Well, I’m going to be pumping.'”
Chau will be touching down in France for the premiere of Yorgos Lanthimos’ Kinds of Kindness, the director’s follow-up to the Oscar-winning Poor Things that will premiere in competition at the fest. In Kindness, out June 21 via Searchlight, Chau stars alongside Emma Stone, Willem Dafoe and Jesse Plemons, each playing several roles across the anthology film, which unfolds in three parts.
The official synopsis for the film says it follows a man who seeks to break free from his predetermined path, a cop who questions his wife’s demeanor after her return from a supposed drowning and a woman’s quest to locate a renowned spiritual guide.
Chau will be touching down in France for the premiere of Yorgos Lanthimos’ Kinds of Kindness, the director’s follow-up to the Oscar-winning Poor Things that will premiere in competition at the fest. In Kindness, out June 21 via Searchlight, Chau stars alongside Emma Stone, Willem Dafoe and Jesse Plemons, each playing several roles across the anthology film, which unfolds in three parts.
The official synopsis for the film says it follows a man who seeks to break free from his predetermined path, a cop who questions his wife’s demeanor after her return from a supposed drowning and a woman’s quest to locate a renowned spiritual guide.
- 5/17/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Andrea Arnold‘s anticipated new film Bird touched down at the Cannes Film Festival on Thursday for an afternoon world premiere at the Grand Lumiere Theatre. And it got a warm reception, including a seven-minute standing ovation.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
Blackout.I had saved my question about Killers of the Flower Moon (2023) until the last possible minute. Larry Fessenden, a disarmingly amiable man with an edge to his self-deprecating humor I recognized only too well, has a new werewolf movie out. If you know Larry’s movies—No Telling (1991), Habit (1995), Wendigo (2001), The Last Winter (2006), Beneath (2013), Depraved (2019), and now Blackout (2023)—you know it’s never just a matter of a monster. As we dug into its story of a lycanthropic curse doubling as a metaphor for an artist’s alcoholism and a town’s despair at a recent solar eclipse, I could see Larry the filmmaker turn into Larry the eager, devoted student and fan under the half-light of the black sun.Fessenden appears in the final minutes of Scorsese’s Killers of the Flower Moon (2023), like a harbinger of the future’s unforgiving gaze, as an actor on the mid-century...
- 5/13/2024
- MUBI
What new perspective can one bring to the horror genre? With his directorial debut, Chris Nash answers this question with a resoundingly brutal and formally fascinating answer. Primarily following a murderer’s steps and slashes through his travels terrorizing those near a remote cabin, the wonderfully Béla Tarr-esque In a Violent Nature sticks to its meticulous conceit and delivers one of the most chilling horror movies I’ve seen in years. Ahead of a May 31 theatrical release from IFC Films, which will be unrated, the new trailer has arrived.
Here’s the synopsis: “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year-old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and...
Here’s the synopsis: “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year-old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and...
- 5/10/2024
- by Jordan Raup
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut) while ’90s Noir, Euro-Heists, Dream with Your Eyes Open, Ethics of Care, and Animal Farm continue.
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum...
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut) while ’90s Noir, Euro-Heists, Dream with Your Eyes Open, Ethics of Care, and Animal Farm continue.
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum...
- 5/10/2024
- by Nick Newman
- The Film Stage
For their latest retrospective, Metrograph have turned their sights towards Kelly Reichardt. Ahead of “American Landscapes: The Cinema of Kelly Reichardt” running from Saturday, May 11 to May 27, with Reichardt present for screenings the first weekend, we’re pleased to exclusively debut the series’ trailer.
Here’s the official rundown: “Since her second feature, 2006’s Old Joy, Miami-born Reichardt has staked a claim to the Pacific Northwest—Oregon in six films, with the Montana of Certain Women an outlier—that has made her name as synonymous with the region as, say, Faulkner’s is with Mississippi. The attention she pays to the specific cadences and rituals of life in the Northwest, from the Portland of Showing Up to the thinly populated southern Oregon in Night Moves, is matched by her exhaustive engagement in every aspect of her films, from screenwriting—frequently in collaboration with Jonathan Raymond—to editing, which she will...
Here’s the official rundown: “Since her second feature, 2006’s Old Joy, Miami-born Reichardt has staked a claim to the Pacific Northwest—Oregon in six films, with the Montana of Certain Women an outlier—that has made her name as synonymous with the region as, say, Faulkner’s is with Mississippi. The attention she pays to the specific cadences and rituals of life in the Northwest, from the Portland of Showing Up to the thinly populated southern Oregon in Night Moves, is matched by her exhaustive engagement in every aspect of her films, from screenwriting—frequently in collaboration with Jonathan Raymond—to editing, which she will...
- 5/9/2024
- by Nick Newman
- The Film Stage
Even starring amid the heavyweight likes of Robert De Niro and Leonardo DiCaprio, it’s undeniable: Killers Of The Flower Moon was Lily Gladstone’s film. Following her roles in Reservation Dogs and Kelly Reichardt’s First Cow, she went on to steal the show in Martin Scorsese’s take on the Osage murders, earning widespread plaudits (and an Oscar nomination) for her astonishing performance as Mollie Burkhart. And this is just the beginning for Gladstone. After her breakout role, she’s going big – and she’s ready to step into all kinds of different worlds and genres.
As she tells Empire in a major new interview, Gladstone has a wide spread of projects in the works. There’s an upcoming romcom, as well as dystopian sci-fi adaptation The Memory Police, scripted by Charlie Kaufman and to be directed by Reed Morano. Plus, she’s imminently to be seen in Fancy Dance,...
As she tells Empire in a major new interview, Gladstone has a wide spread of projects in the works. There’s an upcoming romcom, as well as dystopian sci-fi adaptation The Memory Police, scripted by Charlie Kaufman and to be directed by Reed Morano. Plus, she’s imminently to be seen in Fancy Dance,...
- 5/9/2024
- by Ben Travis
- Empire - Movies
One of the greatest discoveries at this year’s Sundance Film Festival, India Donaldson’s directorial debut Good One is also the only film this year to go on to play New Directors/New Films and the Cannes Film Festival. Picked up by Metrograph Pictures as their first major release, ahead of an August 9 debut, the first trailer has now arrived.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/8/2024
- by Jordan Raup
- The Film Stage
While Greta Gerwig’s Academy Award-nominated “Barbie” was the highest-grossing film of 2023, as we’ve seen over the course of the last year, it angered and irritated many. From Oliver Stone to Kelly Reichardt to Ruben Östlund, seemingly everyone had a take on “Barbie” they were willing to share. The latest person to weigh in on the film, or at least give their candid thoughts, was TV super producer/writer Shonda Rhimes, known for “Grey’s Anatomy,” “Scandal,” “Bridgerton,” and her Shondaland TV producing empire.
Continue reading Shonda Rhimes Says The ‘Barbie’ Movie Didn’t Need To Be A “Feminist Manifesto” at The Playlist.
Continue reading Shonda Rhimes Says The ‘Barbie’ Movie Didn’t Need To Be A “Feminist Manifesto” at The Playlist.
- 4/30/2024
- by Caillou Pettis
- The Playlist
The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
- 4/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival winners of the past year to selections coming straight from Cannes to genre delights to, yes, a few blockbuster spectacles, there’s more than enough to anticipate.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
- 4/24/2024
- by The Film Stage
- The Film Stage
Jane Campion, director of “The Power of the Dog,” is the recipient of this year’s Pardo d’Onore Manor at the Locarno Film Festival — its award for outstanding achievement in cinema. So yes, the “Dog” director is getting a cat trophy: Pardo d’Onore translates to “Leopard of Honor” in English.
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
- 4/24/2024
- by Tony Maglio
- Indiewire
Jane Campion will be honored this year by the Locarno Film Festival, which will present the New Zealand director its Pardo d’Onore Manor Award for lifetime achievement.
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
- 4/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
Jane Campion will be heading to Switzerland this summer to receive an honorary award at the 77th edition of the Locarno Film Festival, running from August 7 to 17.
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
The Locarno Film Festival will honor Jane Campion with its Pardo d’onore Manor award.
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
- 4/24/2024
- by Nick Vivarelli
- Variety Film + TV
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
When audiences seek movies based on brands, that usually means the likes of Marvel, DC Comics, and Pixar — not studios or distributors.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
- 4/12/2024
- by Tom Brueggemann
- Indiewire
Larry Fessenden is back with new werewolf horror movie Blackout, which is Now Available on Digital/VOD at home courtesy of Dark Sky Films.
Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). Watch a clip below for a sneak peek at his latest monster!
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.
Fessenden tells us, “I am interested in finding new truths in the classic monster tropes of my youth. The essence of each creature dictates the milieu of the film, and of course, the werewolf is both out of control and regretful so that duality shaped my story.
Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). Watch a clip below for a sneak peek at his latest monster!
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.
Fessenden tells us, “I am interested in finding new truths in the classic monster tropes of my youth. The essence of each creature dictates the milieu of the film, and of course, the werewolf is both out of control and regretful so that duality shaped my story.
- 4/12/2024
- by John Squires
- bloody-disgusting.com
British filmmaker Andrea Arnold is packing her bags for the Cannes Film Festival. She’ll need to make some space in her luggage for Directors’ Fortnight Golden Coach Award but the will she replicate the double showcase that Kelly Reichardt had in 2022 when she was honored in the Quinzaine and shored up (Showing Up) in Palme d’Or competition as well? The competition line-up for the 77th edition of the Cannes Film Festival will be unveiled on Thursday and the perennial favorite Arnold is among the best bets for a Palme d’Or competition berth.
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
- 4/9/2024
- by Eric Lavallée
- IONCINEMA.com
British director Andrea Arnold (American Honey, Cow) will receive the 2024 Carrosse d’Or, or Golden Coach Award, at the Directors’ Fortnight in Cannes, which runs alongside the Cannes Film Festival.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
- 4/9/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
British filmmaker Andrea Arnold is set to receive the Golden Coach Award at this year’s Directors Fortnight, which runs alongside the Cannes Film Festival.
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
- 4/9/2024
- by Elsa Keslassy
- Variety Film + TV
The French Directors’ Guild (Srf) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
- 4/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.
Today we talk to an independent film legend. Some have called him the “East Coast Roger Corman,” though that’s short-changing Larry Fessenden a bit. Though his production company Glass Eye Pix has been around since the mid-80s, Fessenden made a name for himself with the mid-90s indie horror classic Habit, in which he wrote, directed, and starred as an alcoholic New Yorker who starts dating a vampire. Or so he thinks.
Fessenden has a new movie available on VOD on April 12––Blackout––as we speak, one that connects to both Habit and his 2019 film Depraved. We talk about this with Fessenden, as well as his love for the classic Universal Monster Films, the evolving...
Today we talk to an independent film legend. Some have called him the “East Coast Roger Corman,” though that’s short-changing Larry Fessenden a bit. Though his production company Glass Eye Pix has been around since the mid-80s, Fessenden made a name for himself with the mid-90s indie horror classic Habit, in which he wrote, directed, and starred as an alcoholic New Yorker who starts dating a vampire. Or so he thinks.
Fessenden has a new movie available on VOD on April 12––Blackout––as we speak, one that connects to both Habit and his 2019 film Depraved. We talk about this with Fessenden, as well as his love for the classic Universal Monster Films, the evolving...
- 4/5/2024
- by Dan Mecca
- The Film Stage
Ryûsuke Hamaguchi, Christopher Nolan, Spike Lee, Chantal Akerman, Theo Angelopoulos, Lynne Ramsay, Tsai Ming-liang, Michael Haneke, Lee Chang-dong, Terence Davies, Shōhei Imamura, Bi Gan, Hou Hsiao-hsien, Jia Zhangke, Wong Kar-wai, Yorgos Lanthimos, Denis Villleneuve, Céline Sciamma, Guillermo del Toro, Kelly Reichardt. Those are just a few of the filmmakers introduced to New York audiences at New Directors/New Films over the last half-century across over 1,100 premieres.
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
- 4/1/2024
- by The Film Stage
- The Film Stage
Ryûsuke Hamaguchi retreated into a rural village outside of Tokyo to make “Evil Does Not Exist,” his first film following the global success of “Drive My Car,” which won the 2022 Best International Feature Oscar. The Japanese director found himself perhaps uncomfortably in the worldwide spotlight after being known for indies like “Asako I & II” and “Happy Hour,” and so “Evil Does Not Exist,” winner of the 2023 Venice Silver Lion and Fipresci prizes, is a return to minimalist basics — an ecological parable wrapped up with unexpected thriller elements, and a movie he shot in secret.
IndieWire shares the exclusive trailer for the film, out in U.S. theaters May 3 from Sideshow and Janus Films, below. While “Evil Does Not Exist” wasn’t eligible for the International Feature Oscar due to its release date in Japan, Hamaguchi had a great run at the 2022 Academy Awards — along with the “Drive My Car” International Feature win,...
IndieWire shares the exclusive trailer for the film, out in U.S. theaters May 3 from Sideshow and Janus Films, below. While “Evil Does Not Exist” wasn’t eligible for the International Feature Oscar due to its release date in Japan, Hamaguchi had a great run at the 2022 Academy Awards — along with the “Drive My Car” International Feature win,...
- 3/26/2024
- by Ryan Lattanzio
- Indiewire
What new perspective can one bring to the horror genre? With his directorial debut, Chris Nash answers this question with a resoundingly brutal and formally fascinating answer. Primarily following a murderer’s steps and slashes through his travels terrorizing those near a remote cabin, the wonderfully Béla Tarr-esque In a Violent Nature sticks to its meticulous conceit and delivers one of the most chilling horror movies I’ve seen in years. Ahead of a May 31 theatrical release from IFC Films, the first trailer has now landed.
John Fink said in his Sundance review, “A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash...
John Fink said in his Sundance review, “A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash...
- 3/20/2024
- by Jordan Raup
- The Film Stage
A new film festival is on the scene. Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured artist talk, documentary series, and curated shorts program––screenings will take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
- 3/7/2024
- by Jordan Raup
- The Film Stage
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Lily Gladstone, the guest on this episode of The Hollywood Reporter’s Awards Chatter podcast, is a trailblazing Native American actress whose breakout performance in Martin Scorsese’s film Killers of the Flower Moon, as an Osage woman named Mollie Burkhart whose oil wealth made her a target of white men during what is known as the “Reign of Terror,” has made her a bona-fide star. Indeed, she has already won the best actress in a motion picture drama Golden Globe Award and the best actress National Board of Review, New York Film Critics Circle and SAG awards; she was nominated for the best actress Critics Choice Award; and she is nominated, in a first for an Indigenous American, for the best actress Academy Award.
Over the course of a conversation at the L’Ermitage Beverly Hills hotel, which you can hear below, the 37-year-old reflected on her path to a screen acting career,...
Over the course of a conversation at the L’Ermitage Beverly Hills hotel, which you can hear below, the 37-year-old reflected on her path to a screen acting career,...
- 2/26/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
The rain stayed away from Santa Monica Beach on Sunday (February 25) as Past Lives was named best film and Celine Song best director at the 39th annual Spirit Awards.
While the legacy studio and streamer contenders have dominated much of the big-ticket awards shows this season like Saturday night’s SAG Awards, last weekend’s Baftas, the Golden Globes and Critics Choice Awards, this was a good opportunity for the Oscar-nominated A24 romance and Song to earn gongs for a film which has done well among critics groups since its world premiere at Sundance just over one year ago.
Jeffrey Wright...
While the legacy studio and streamer contenders have dominated much of the big-ticket awards shows this season like Saturday night’s SAG Awards, last weekend’s Baftas, the Golden Globes and Critics Choice Awards, this was a good opportunity for the Oscar-nominated A24 romance and Song to earn gongs for a film which has done well among critics groups since its world premiere at Sundance just over one year ago.
Jeffrey Wright...
- 2/26/2024
- ScreenDaily
Another big award show took place this weekend (in addition to the SAG Awards), the Film Independent Spirit Awards, which celebrates indie film and TV. One thing about this awards show is that their idea of independent sometimes makes me scratch my head a bit, with HBO’s big-budget The Last of Us nominated a whole bunch in the TV category, along with Netflix’s Beef and several other streaming shows, which I’m not sure one could call independent. For films, there’s a $30 million budget cap. For TV, I’m honestly not sure what the benchmark is because Last of Us was notoriously an expensive show to shoot, costing at least $100 million.
Indeed, The Last of Us won some key awards on the TV side, winning Best Supporting Performance (for Nick Offerman) and Best Breakthrough Performance (for Keivonn Montreal Woodard). Over on the film side, American Fiction and...
Indeed, The Last of Us won some key awards on the TV side, winning Best Supporting Performance (for Nick Offerman) and Best Breakthrough Performance (for Keivonn Montreal Woodard). Over on the film side, American Fiction and...
- 2/26/2024
- by Chris Bumbray
- JoBlo.com
A24’s Past Lives won the top prize for best feature at the 39th annual Film Independent Spirit Awards, with writer-director Celine Song also winning best director for her feature film debut.
American Fiction’s Jeffrey Wright won best lead performance for his role in the Amazon MGM Studios comedy, presented to him by his fellow Oscar nominee Colman Domingo. “It’s funny, you go to these award shows, and you kind of grow tired of them,” laughed Wright. “And then you get one. It changes the vibe a little bit.”
American Fiction writer-director Cord Jefferson also won best screenplay for his directorial debut. “Our film is so independent that one morning I woke up at our hotel to find out that there had been a triple stabbing the night before in the lobby,” said Jefferson. “They were cleaning up the blood. And I would not have it any other way.
American Fiction’s Jeffrey Wright won best lead performance for his role in the Amazon MGM Studios comedy, presented to him by his fellow Oscar nominee Colman Domingo. “It’s funny, you go to these award shows, and you kind of grow tired of them,” laughed Wright. “And then you get one. It changes the vibe a little bit.”
American Fiction writer-director Cord Jefferson also won best screenplay for his directorial debut. “Our film is so independent that one morning I woke up at our hotel to find out that there had been a triple stabbing the night before in the lobby,” said Jefferson. “They were cleaning up the blood. And I would not have it any other way.
- 2/26/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Past Lives was named best feature at the 2024 Film Independent Spirit Awards, which were handed out Sunday afternoon in Santa Monica.
In addition, Celine Song was named best director for her work on the film.
Elsewhere, Da’Vine Joy Randolph won the Spirit Award for best supporting performance, for her role in The Holdovers, repeating her win from Saturday night’s SAG Awards and other shows this awards season. Her co-star, Dominic Sessa, won the Spirit Award for best breakthrough performance.
American Fiction also collected two trophies: Cord Jefferson won the award for best screenplay, while Jeffrey Wright won for best lead performance.
May December won the award for best first screenplay for Samy Burch (story by Burch and Alex Mechanik). Four Daughters was named best documentary.
On the TV side, Beef was named best new scripted series, while Ali Wong won best lead performance for her role in the show,...
In addition, Celine Song was named best director for her work on the film.
Elsewhere, Da’Vine Joy Randolph won the Spirit Award for best supporting performance, for her role in The Holdovers, repeating her win from Saturday night’s SAG Awards and other shows this awards season. Her co-star, Dominic Sessa, won the Spirit Award for best breakthrough performance.
American Fiction also collected two trophies: Cord Jefferson won the award for best screenplay, while Jeffrey Wright won for best lead performance.
May December won the award for best first screenplay for Samy Burch (story by Burch and Alex Mechanik). Four Daughters was named best documentary.
On the TV side, Beef was named best new scripted series, while Ali Wong won best lead performance for her role in the show,...
- 2/26/2024
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
People protesting the Israel-Hamas war outside the 2024 Film Independent Spirit Awards could be heard inside throughout the ceremony on Sunday afternoon.
A handful of protesters were outside the tent located on the beach in Santa Monica playing previously recorded chants on a megaphone such as “free Palestine,” “long live Palestine” and “ceasefire now.” The chants continued as awards were presented inside and were also heard during the red carpet arrivals earlier in the day.
Protesters chant “Free, Free Palestine” and “Ceasefire Now” outside the 2024 #SpiritAwards pic.twitter.com/HajqDt1D76
— The Hollywood Reporter (@THR) February 25, 2024
Sources told The Hollywood Reporter that the chants were “very audible” inside the tent where the ceremony was taking place. They could also be heard on the livestream of the event on Film Independent and IMDb’s YouTube channels. At one point, while actor and comedian Jim Gaffigan was presenting, he appeared to be...
A handful of protesters were outside the tent located on the beach in Santa Monica playing previously recorded chants on a megaphone such as “free Palestine,” “long live Palestine” and “ceasefire now.” The chants continued as awards were presented inside and were also heard during the red carpet arrivals earlier in the day.
Protesters chant “Free, Free Palestine” and “Ceasefire Now” outside the 2024 #SpiritAwards pic.twitter.com/HajqDt1D76
— The Hollywood Reporter (@THR) February 25, 2024
Sources told The Hollywood Reporter that the chants were “very audible” inside the tent where the ceremony was taking place. They could also be heard on the livestream of the event on Film Independent and IMDb’s YouTube channels. At one point, while actor and comedian Jim Gaffigan was presenting, he appeared to be...
- 2/25/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
The 2024 Independent Spirit Awards took place on Sunday at the traditional Santa Monica beach tent location, with Aidy Bryant hosting. “Past Lives” took home the coveted Best Feature award, with “Beef” being honored as Best New Scripted Series. Check out the full list of winners and nominees below.
Best Feature
“Past Lives”
Producers: David Hinojosa, Pamela Koffler, Christine Vachon
“All of Us Strangers”
Producers: Graham Broadbent, Pete Czernin, Sarah Harvey
“American Fiction”
Producers: Cord Jefferson, Jermaine Johnson, Nikos Karamigios, Ben LeClair
“May December”
Producers: Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon
“Passages”
Producers: Michel Merkt, Saïd Ben Saïd
“We Grown Now”
Producers: Minhal Baig, Joe Pirro
Best Lead Performance
Jeffrey Wright, “American Fiction”
Jessica Chastain, “Memory”
Greta Lee, “Past Lives”
Trace Lysette, “Monica”
Natalie Portman, “May December”
Judy Reyes, “Birth/Rebirth”
Franz Rogowski, “Passages”
Andrew Scott, “All of Us Strangers”
Teyana Taylor,...
Best Feature
“Past Lives”
Producers: David Hinojosa, Pamela Koffler, Christine Vachon
“All of Us Strangers”
Producers: Graham Broadbent, Pete Czernin, Sarah Harvey
“American Fiction”
Producers: Cord Jefferson, Jermaine Johnson, Nikos Karamigios, Ben LeClair
“May December”
Producers: Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon
“Passages”
Producers: Michel Merkt, Saïd Ben Saïd
“We Grown Now”
Producers: Minhal Baig, Joe Pirro
Best Lead Performance
Jeffrey Wright, “American Fiction”
Jessica Chastain, “Memory”
Greta Lee, “Past Lives”
Trace Lysette, “Monica”
Natalie Portman, “May December”
Judy Reyes, “Birth/Rebirth”
Franz Rogowski, “Passages”
Andrew Scott, “All of Us Strangers”
Teyana Taylor,...
- 2/25/2024
- by William Earl
- Variety Film + TV
The stars are hitting the carpet at the 2024 Film Independent Spirit Awards, which is taking place Sunday afternoon in Santa Monica.
The 39th Spirit Awards, which will be hosted by Saturday Night Live alum Aidy Bryant, will hand out prizes in categories across film and television, honoring the best in indie production from the past year.
Heading into the ceremony, American Fiction, May December and Past Lives lead the nominees with five nods each, including best feature. On the TV side, Jury Duty was tapped for the award of best ensemble in a new scripted series, an honor bestowed on one show (there are no nominees). Also during the show, Robert Altman Award, which is given to one film’s director, casting director and ensemble cast, will be presented to Showing Up, directed by Kelly Reichardt.
See what the nominees, presenters and other A-list attendees are wearing in the photos below.
The 39th Spirit Awards, which will be hosted by Saturday Night Live alum Aidy Bryant, will hand out prizes in categories across film and television, honoring the best in indie production from the past year.
Heading into the ceremony, American Fiction, May December and Past Lives lead the nominees with five nods each, including best feature. On the TV side, Jury Duty was tapped for the award of best ensemble in a new scripted series, an honor bestowed on one show (there are no nominees). Also during the show, Robert Altman Award, which is given to one film’s director, casting director and ensemble cast, will be presented to Showing Up, directed by Kelly Reichardt.
See what the nominees, presenters and other A-list attendees are wearing in the photos below.
- 2/25/2024
- by Peter Tomka, Kimberly Nordyke and Carly Thomas
- The Hollywood Reporter - Movie News
The Film Independent Spirit Awards have been dutifully assigned to their worthy recipients, thus putting a button on yet another great year of indie film and innovative visual storytelling. And as awards prognosticators now ponder their Oscar futures with this new data set and the tent falls around our knees, we want to shout out one more time all of the producers, writers, directors, performers and more who made this such a special experience.
This year’s ceremony streamed live on IMDb’s YouTube and across other social platforms, including Film Independent’s own YouTube channel and Twitter (or “X” if you’re being pedantic). The full livestream (see below) will remain available to watch On Demand for the next eight weeks, which highlights, behind-the-scenes moments, arrival carpet interviews and more will are available at filmindependent.org and wherever fine entertainment journalism prevails.
Best Supporting Performance
Da’Vine Joy Randolph
The Holdovers...
This year’s ceremony streamed live on IMDb’s YouTube and across other social platforms, including Film Independent’s own YouTube channel and Twitter (or “X” if you’re being pedantic). The full livestream (see below) will remain available to watch On Demand for the next eight weeks, which highlights, behind-the-scenes moments, arrival carpet interviews and more will are available at filmindependent.org and wherever fine entertainment journalism prevails.
Best Supporting Performance
Da’Vine Joy Randolph
The Holdovers...
- 2/23/2024
- by Film Independent
- Film Independent News & More
Larry Fessenden (Habit, Depraved) is back with new werewolf horror movie Blackout, and the official trailer has been unleashed today along with release information.
Dark Sky Films will first bring the modern day werewolf movie to theaters in NYC on March 13, followed by a wider release on Digital/VOD at home on April 12, 2024.
The film’s one week exclusive NYC theatrical engagement will take place at the IFC Center beginning March 13th, and it will feature special cast appearances and a Q&a.
Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.
Dark Sky Films will first bring the modern day werewolf movie to theaters in NYC on March 13, followed by a wider release on Digital/VOD at home on April 12, 2024.
The film’s one week exclusive NYC theatrical engagement will take place at the IFC Center beginning March 13th, and it will feature special cast appearances and a Q&a.
Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.
- 2/16/2024
- by John Squires
- bloody-disgusting.com
A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and critic-turned-screenwriter Nick Pinkerton. It’s a delightful exchange I can’t recommend enough, both for all it has to uncover about Sean Price Williams’ film––which Pinkerton wrote and which, in my book, was one of last year’s finest––but also for what it sponges of our depressingly shortsighted, quid-pro-quo relationship with the films we watch, what we expect to receive in return for the time we invest in them. “If I wanted to say something,” Pinkerton reflects on the okay-but-what’s-the-message response Sweet East routinely encountered in the months since its Cannes premiere, “I would open my mouth and the words would come out. That’s not what one makes a movie for. You make a movie to go beyond the expression of simple concepts.
- 2/8/2024
- by Leonardo Goi
- The Film Stage
Exclusive:f David Laub, a longtime distribution executive at A24, is joining Metrograph to build a new slate of theatrical releases as head of Metrograph Pictures, a label that’s been focused mainly on restorations of classic films.
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
- 2/6/2024
- by Jill Goldsmith
- Deadline Film + TV
Last year may have been the official return of the Sundance Film Festival to an in-person experience, but the just-concluded 2024 edition felt even more lively: This wasn’t just back to business, this was a full-on coming-out party, with A-list talent on-hand even beyond what you could have expected from the festival in its last couple pre-covid years.
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
- 1/31/2024
- by Christian Blauvelt
- Indiewire
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