Unless you’re savvy with torrenting, Orson Welles’ trippy and disturbing 1962 film “The Trial” has been hard to find. Various restorations from 35mm negatives have popped up over the years, but Welles fans have long been resigned to inferior-quality rips on DVD, VHS, or the internet. That’s no longer so, as Rialto Pictures is releasing a long-overdue 4K restoration of the Franz Kafka adaptation starring Anthony Perkins as a man being persecuted for an unspecified crime. The 60th-anniversary 4K restoration opens at Film Forum December 9 before expanding nationally, and IndieWire has the exclusive trailer below.
“The Trial” also stars Jeanne Moreau, Romy Schneider, and Elsa Martinelli as the women who become entangled with Josef K. (Perkins) and his trial. The film, which has occasionally played repertory houses in low-quality formats, was restored by Studiocanal and La Cinematheque Francaise. The image and sound restorations were carried out in 4K at...
“The Trial” also stars Jeanne Moreau, Romy Schneider, and Elsa Martinelli as the women who become entangled with Josef K. (Perkins) and his trial. The film, which has occasionally played repertory houses in low-quality formats, was restored by Studiocanal and La Cinematheque Francaise. The image and sound restorations were carried out in 4K at...
- 11/17/2022
- by Ryan Lattanzio
- Indiewire
Director René Clément brings an entertainingly eccentric David Goodis crime story to the screen in high style. A big score is being prepped by an odd gang, played by a terrific lineup of talent: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari and the elusive Tisa Farrow. Only partly an action thriller, this one is weird but good — lovers of hardboiled crime stories can’t go wrong. Studiocanal has restored the original version, a full forty minutes longer than what was briefly shown here.
And Hope to Die
Blu-ray
Kl Studio Classics
1972 / Color / 1:66 widescreen / 141 min. / Street Date February 25, 2020 / La course du lièvre à travers les champs / available through Kino Lorber / 29.95
Starring: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari, Tisa Farrow, Jean Gaven, André Lawrence, Nadine Nabokov, Jean Coutu, Daniel Breton, Emmanuelle Béart.
Cinematography: Edmond Richard
Film Editor: Roger Dwyre
Original Music: Francis Lai
Written by Sébastien Japrisot from...
And Hope to Die
Blu-ray
Kl Studio Classics
1972 / Color / 1:66 widescreen / 141 min. / Street Date February 25, 2020 / La course du lièvre à travers les champs / available through Kino Lorber / 29.95
Starring: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari, Tisa Farrow, Jean Gaven, André Lawrence, Nadine Nabokov, Jean Coutu, Daniel Breton, Emmanuelle Béart.
Cinematography: Edmond Richard
Film Editor: Roger Dwyre
Original Music: Francis Lai
Written by Sébastien Japrisot from...
- 1/12/2021
- by Glenn Erickson
- Trailers from Hell
All hail the cinematic delights of Luis Buñuel, a world-class directing genius whose work ranges from insightfully impish to point-blank outrageous. Driven from Spain by Fascists and from New York by commie hunters, he found a cinematic haven in Mexico, adapting his surreal mindset to popular film forms. These final three French features embrace the surrealist ethos, where a coherent narrative is optional. We definitely recognize our ‘rational’ world; Buñuel’s high art simply tells the truth.
Three Films by Luis Buñuel
The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire
Blu-ray
The Criterion Collection 102. 290, 143
1972-1977 / Color / 1:66 widescreen / available through The Criterion Collection / Street Date January 5, 2021 / 99.95
Cinematography: Edmond Richard
Production Designer: Pierre Guffroy
Film Editor: Hélène Plemiannikov
Written by Luis Buñuel, Jean-Claude Carrière
Produced by Serge Silberman
Directed by Luis Buñuel
Tracking down the films of Luis Buñuel has been an ongoing effort.
Three Films by Luis Buñuel
The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire
Blu-ray
The Criterion Collection 102. 290, 143
1972-1977 / Color / 1:66 widescreen / available through The Criterion Collection / Street Date January 5, 2021 / 99.95
Cinematography: Edmond Richard
Production Designer: Pierre Guffroy
Film Editor: Hélène Plemiannikov
Written by Luis Buñuel, Jean-Claude Carrière
Produced by Serge Silberman
Directed by Luis Buñuel
Tracking down the films of Luis Buñuel has been an ongoing effort.
- 1/9/2021
- by Glenn Erickson
- Trailers from Hell
The Criterion Collection will be heralding in 2021 with a mix of new and old. First up, Bing Liu’s stellar documentary Minding the Gap will be joining the collection, as will another documentary, Martin Scorsese’s playful Rolling Thunder Revue. Also arriving is a three-film Luis Buñuel box set focusing on his late career, featuring The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire. Larisa Shepitko’s final, harrowing feature The Ascent will also be getting a release.
Check out the cover art and special features below, and see more on Criterion’s website.
New high-definition digital master, approved by director Bing Liu, with 5.1 surround DTS-hd Master Audio soundtrack on the Blu-rayNew audio commentary featuring Liu and documentary subjects Keire Johnson and Zack MulliganNew follow-up conversation between Liu and documentary subject Nina BowgrenNew programs featuring interviews with professional skateboarder Tony Hawk and with Liu,...
Check out the cover art and special features below, and see more on Criterion’s website.
New high-definition digital master, approved by director Bing Liu, with 5.1 surround DTS-hd Master Audio soundtrack on the Blu-rayNew audio commentary featuring Liu and documentary subjects Keire Johnson and Zack MulliganNew follow-up conversation between Liu and documentary subject Nina BowgrenNew programs featuring interviews with professional skateboarder Tony Hawk and with Liu,...
- 10/16/2020
- by Jordan Raup
- The Film Stage
By Jeremy Carr
It’s easy to see why Orson Welles’ Chimes at Midnight is generally regarded as his finest post-Touch of Evil achievement. This Shakespearean mélange is a dazzling showcase for Welles’ ingenuity, his evident appreciation for the film’s literary foundation, and his relentless aptitude for stylistic inventiveness. However, its haphazard production and its rocky release comprise a backstory as complicated as the movie’s multi-source construction (the script, based on the lengthy play “Five Kings,” written and first performed by Welles in the 1930s, samples scenes and dialogue from at least five of Shakespeare’s works, primarily “Henry IV,” parts one and two, “Richard II,” “Henry V,” and “The Merry Wives of Windsor”). Plagued by what were at this point familiar budgetary constraints, Welles shot Chimes at Midnight over the course of about seven months in Spain, with a break when the financial well went dry.
It’s easy to see why Orson Welles’ Chimes at Midnight is generally regarded as his finest post-Touch of Evil achievement. This Shakespearean mélange is a dazzling showcase for Welles’ ingenuity, his evident appreciation for the film’s literary foundation, and his relentless aptitude for stylistic inventiveness. However, its haphazard production and its rocky release comprise a backstory as complicated as the movie’s multi-source construction (the script, based on the lengthy play “Five Kings,” written and first performed by Welles in the 1930s, samples scenes and dialogue from at least five of Shakespeare’s works, primarily “Henry IV,” parts one and two, “Richard II,” “Henry V,” and “The Merry Wives of Windsor”). Plagued by what were at this point familiar budgetary constraints, Welles shot Chimes at Midnight over the course of about seven months in Spain, with a break when the financial well went dry.
- 4/8/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Fans that lament Orson Welles' many career frustrations will flip over this Spanish-filmed masterpiece. Not well distributed when new and Mia for decades, its serious audio problems have now mostly been cleared up. It's great -- right up there with Kane and Touch of Evil, and it features what is probably Welles' best acting. Chimes at Midnight Blu-ray The Criterion Collection 830 1966 / B&W / 1:66 widescreen / 116 min. / available through The Criterion Collection / Falstaff, Campanadas a medianoche / Street Date August 30, 2016 / 39.95 Starring Orson Welles, Keith Baxter, Jeanne Moreau, Margaret Rutherford, John Gielgud, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Tony Beckley, Alan Webb, José Nieto, Fernando Rey, Beatrice Welles, Ralph Richardson. Cinematography Edmond Richard Film Editor Fritz Mueller Original Music Angelo Francesco Lavagnino Produced by Alessandro Tasca Directed by Orson Welles
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
- 8/26/2016
- by Glenn Erickson
- Trailers from Hell
Sweet Creature of Bombast: Welles’ Restored Homage to Shakespeare’s Ultimate Clown
Before the world finally gets a chance to see Orson Welles’ last uncompleted film The Other Side of the Wind, which had been intended to be the troubled auteur’s return to American filmmaking following a decade in Europe, audiences can feast on a restored version of his final narrative masterpiece, Chimes at Midnight. For decades, the 1965 title has been unavailable and now arrives restored on behalf of Janus Films. Playing in competition at the 1966 Cannes Film Festival, Welles homage to one of Shakespeare’s most beloved comic characters, Sir John Falstaff, initially received a chilly reception and stilted marketing campaign upon hitting Us theaters. Despite a throng of critics attempting to recuperate its reputation since then, it has remained an obscure classic.
Taking place from the years 1400 to 1408 in England, a narrator explains King Henry IV (John Gielgud...
Before the world finally gets a chance to see Orson Welles’ last uncompleted film The Other Side of the Wind, which had been intended to be the troubled auteur’s return to American filmmaking following a decade in Europe, audiences can feast on a restored version of his final narrative masterpiece, Chimes at Midnight. For decades, the 1965 title has been unavailable and now arrives restored on behalf of Janus Films. Playing in competition at the 1966 Cannes Film Festival, Welles homage to one of Shakespeare’s most beloved comic characters, Sir John Falstaff, initially received a chilly reception and stilted marketing campaign upon hitting Us theaters. Despite a throng of critics attempting to recuperate its reputation since then, it has remained an obscure classic.
Taking place from the years 1400 to 1408 in England, a narrator explains King Henry IV (John Gielgud...
- 12/31/2015
- by Nicholas Bell
- IONCINEMA.com
La course du lièvre à travers les champs (The Race of the Hare Across the Fields a.k.a. ...and Hope to Die, 1972) is an interesting late entry in the career of French crime specialist René Clément, a kind of smorgasbord of his favorite stuff: hardboiled crime, knotty sexual triangles, a hero on the run, convoluted crime schemes, with a harkening back to childhood sins that suggests his classic Jeux interdits (Forbidden Games, 1952). This might suggest desperation to recapture past glories, but the film is also stuffed with experimentation and up-to-the-minute influences (a train station confrontation early on suggests Leone) which confirm the filmmaker as alert to new possibilities.
But the film could just as easily be approached through the sensibility of its writer, Sébastien Japrisot, a key figure in French cinema and crime cinema, or even through that of the author of the source novel, David Goodis.
But the film could just as easily be approached through the sensibility of its writer, Sébastien Japrisot, a key figure in French cinema and crime cinema, or even through that of the author of the source novel, David Goodis.
- 2/21/2013
- by David Cairns
- MUBI
Blu-ray Release Date: Jan. 25, 2013
Price: Blu-ray $29.99
Studio: Lionsgate
Gotta dance, gotta sing in Luis Buñuel's That Obscure Object of Desire.
French filmmaker’s Luis Buñuel’s (Belle de Jour) final feature, the 1977 romantic comedy-drama That Obscure Object of Desire explodes with eroticism, bringing the director’s lifelong preoccupation with the darker side of desire full circle.
Buñuel regular Fernando Rey plays Matthieu, an urbane widower, tortured by his lust for the elusive Conchita. With subversive flare, Buñuel uses two different actresses in the lead role – Carole Bouquet, a sophisticated French beauty and Angela Molina, a Spanish coquette. Drawn from Pierre Louys‘ 1898 novel La Femme et le Pantin, the movie offers a dizzying game of sexual politics punctuated by a terror that harkens back to Buñuel’s surrealistic beginnings.
Issued on DVD by Criterion back in 2001 but out-of-print for years (though it’s still available through used disc brokers), That Obscure Object of Desire...
Price: Blu-ray $29.99
Studio: Lionsgate
Gotta dance, gotta sing in Luis Buñuel's That Obscure Object of Desire.
French filmmaker’s Luis Buñuel’s (Belle de Jour) final feature, the 1977 romantic comedy-drama That Obscure Object of Desire explodes with eroticism, bringing the director’s lifelong preoccupation with the darker side of desire full circle.
Buñuel regular Fernando Rey plays Matthieu, an urbane widower, tortured by his lust for the elusive Conchita. With subversive flare, Buñuel uses two different actresses in the lead role – Carole Bouquet, a sophisticated French beauty and Angela Molina, a Spanish coquette. Drawn from Pierre Louys‘ 1898 novel La Femme et le Pantin, the movie offers a dizzying game of sexual politics punctuated by a terror that harkens back to Buñuel’s surrealistic beginnings.
Issued on DVD by Criterion back in 2001 but out-of-print for years (though it’s still available through used disc brokers), That Obscure Object of Desire...
- 11/6/2012
- by Laurence
- Disc Dish
StudioCanal embarks on the second round of its self-styled StudioCanal Collection which, it says here, brings together “the very best of cinema”. Of course, since this is the second round, one might be forgiven for being a tad cynical about the ‘very best’ claim. It’s like the old ads for “The Best Album in the World Ever … Volume 2”, a triumph of marketing over logic. What we have, instead, are films that are not the obvious usual suspects, but rarer and, in some cases, more interesting films.
Take, for example, Orson Welles’ 1962 film, The Trial. His first film, Citizen Kane, was recently deposed after its fifty year reign as (pause for fanfare) The Greatest Film Ever Made. The sad truth is that Kane isn’t even Welles’ best film, let alone everybody else’s. At the time he made it (and the time Kane was first feted), Welles considered The Trial...
Take, for example, Orson Welles’ 1962 film, The Trial. His first film, Citizen Kane, was recently deposed after its fifty year reign as (pause for fanfare) The Greatest Film Ever Made. The sad truth is that Kane isn’t even Welles’ best film, let alone everybody else’s. At the time he made it (and the time Kane was first feted), Welles considered The Trial...
- 9/10/2012
- by John Ashbrook
- Obsessed with Film
French filmmaker Jean-Jacques Beineix.
Jean-jacques Beineix:
Divas and Lions and Moons, Oh My!
By Alex Simon
The Noveulle Vague, or “French New Wave” was launched by a group of film critics and cinefiles who began France’s legendary Cahiers du Cinéma magazine in the 1950s. With Jean-Luc Godard’s Breathless in 1959, the movement was launched, emphasizing behavior over aesthetics, content over form, and pastiche of other film genres (particularly those born in the U.S., with a healthy dollop of Italian neorealism) over the more traditional narratives of French films from years past. Francois Truffaut, Jacques Demy, Agnes Varda (see our interview with her below) Eric Rohmer, Claude Chabrol, and Jacques Rivette all fell under the spell of magazine co-founder and theorist Andre Bazin, laying the groundwork for a series of articles, monographs and critiques that formed the so-called “auteur theory,” (or more specifically “"La politique des auteurs" ("The policy of authors,...
Jean-jacques Beineix:
Divas and Lions and Moons, Oh My!
By Alex Simon
The Noveulle Vague, or “French New Wave” was launched by a group of film critics and cinefiles who began France’s legendary Cahiers du Cinéma magazine in the 1950s. With Jean-Luc Godard’s Breathless in 1959, the movement was launched, emphasizing behavior over aesthetics, content over form, and pastiche of other film genres (particularly those born in the U.S., with a healthy dollop of Italian neorealism) over the more traditional narratives of French films from years past. Francois Truffaut, Jacques Demy, Agnes Varda (see our interview with her below) Eric Rohmer, Claude Chabrol, and Jacques Rivette all fell under the spell of magazine co-founder and theorist Andre Bazin, laying the groundwork for a series of articles, monographs and critiques that formed the so-called “auteur theory,” (or more specifically “"La politique des auteurs" ("The policy of authors,...
- 7/14/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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