Apart from the royal family and our obsession with competitive cake making, us Brits are known around the world for our sense of humour. All over London, people are attempting to put our national talent to good use, so why not join them because you’ve got to laugh, right? Events Now is the time that the UK’s top comedians get out on the road—often with a TV crew in tow—to film an obligatory holiday standup DVD. Jimmy Carr is no exception and is offering a “selection of his very best jokes along with brand new material for the ultimate comedy show,” so book now. You can also see Carr in a more intimate setting as he chats to philosopher and novelist Alain De Botton on Nov. 6. Jokes aside, they’ll be delving into what comedy is for and the emotional benefits of laughing. (Tickets: £30) Also on the road is cheeky,...
- 11/1/2017
- backstage.com
Former presidents George H.W. and George W. Bush jointly condemned the bigotry of white nationalists one day after President Trump seemed to defend at least some in the crowd of white supremacists who led a violent weekend march through the college town of Charlottesville, Virginia.
The father-son duo called on the nation to “reject racial bigotry, anti-Semitism, and hatred in all forms” in the statement released through Jim McGrath, spokesman for the elder Bush.
“As we pray for Charlottesville, we are reminded of the fundamental truths recorded by the city’s most prominent citizen in the Declaration of Independence:...
The father-son duo called on the nation to “reject racial bigotry, anti-Semitism, and hatred in all forms” in the statement released through Jim McGrath, spokesman for the elder Bush.
“As we pray for Charlottesville, we are reminded of the fundamental truths recorded by the city’s most prominent citizen in the Declaration of Independence:...
- 8/16/2017
- by Char Adams
- PEOPLE.com
Robin Murray | The Graduate and Souvenir reviews | Oil price | Miliband brothers | Welsh crosswords
Many people owe much to the vision and prodigious industry of Robin Murray (Obituaries, 19 June). Unmentioned was his excellent contribution to the co-operative movement, especially his report for Co-ops UK, Co-operation in the Age of Google, and his superb contribution as a member of the Welsh government’s co-operative and mutuals commission.
David Smith
Secretary, Co-ops & Mutuals Wales
• In reviewing The Graduate (Film and Music, 23 June), a film about the relationship between an older woman and a 21-year-old man, Peter Bradshaw says “the element of predatory abuse is inescapable”. On the same page, Benjamin Lee, reviewing Souvenir, a film about a relationship between an older woman and a 21-year-old man, says “it is refreshing to see her (Isabelle Huppert) in a romance with a 21-year-old without anyone making a point of their age difference.” Well, that’s clear then.
Many people owe much to the vision and prodigious industry of Robin Murray (Obituaries, 19 June). Unmentioned was his excellent contribution to the co-operative movement, especially his report for Co-ops UK, Co-operation in the Age of Google, and his superb contribution as a member of the Welsh government’s co-operative and mutuals commission.
David Smith
Secretary, Co-ops & Mutuals Wales
• In reviewing The Graduate (Film and Music, 23 June), a film about the relationship between an older woman and a 21-year-old man, Peter Bradshaw says “the element of predatory abuse is inescapable”. On the same page, Benjamin Lee, reviewing Souvenir, a film about a relationship between an older woman and a 21-year-old man, says “it is refreshing to see her (Isabelle Huppert) in a romance with a 21-year-old without anyone making a point of their age difference.” Well, that’s clear then.
- 6/25/2017
- by Brief letters
- The Guardian - Film News
Mark Harrison Oct 14, 2016
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
- 10/12/2016
- Den of Geek
Totally and tragically unconventional, Peggy Guggenheim moved through the cultural upheaval of the 20th century collecting not only not only art, but artists. Her sexual life was -- and still today is -- more discussed than the art itself which she collected, not for her own consumption but for the world to enjoy.
Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp and countless others. Guggenheim helped introduce the world to Pollock, Motherwell, Rothko and scores of others now recognized as key masters of modernism.
In 1921 she moved to Paris and mingled with Picasso, Dali, Joyce, Pound, Stein, Leger, Kandinsky. In 1938 she opened a gallery in London and began showing Cocteau, Tanguy, Magritte, Miro, Brancusi, etc., and then back to Paris and New York after the Nazi invasion, followed by the opening of her NYC gallery Art of This Century, which became one of the premiere avant-garde spaces in the U.S. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo where she moved in 1947. Since 1951, her collection has become one of the world’s most visited art spaces.
Featuring: Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Arshile Gorky, Vasil Kandinsky, Paul Klee, Willem de Kooning, Fernand Leger, Rene Magritte, Man Ray, Jean Miro, Piet Mondrian, Henry Moore, Robert Motherwell, Pablo Picasso, Jackson Pollock, Mark Rothko, Kurt Schwitters, Gino Severini, Clyfford Still and Yves Tanguy.
Lisa Immordino Vreeland (Director and Producer)
Lisa Immordino Vreeland has been immersed in the world of fashion and art for the past 25 years. She started her career in fashion as the Director of Public Relations for Polo Ralph Lauren in Italy and quickly moved on to launch two fashion companies, Pratico, a sportswear line for women, and Mago, a cashmere knitwear collection of her own design. Her first book was accompanied by her directorial debut of the documentary of the same name, "Diana Vreeland: The Eye Has To Travel" (2012). The film about the editor of Harper's Bazaar had its European premiere at the Venice Film Festival and its North American premiere at the Telluride Film Festival, going on to win the Silver Hugo at the Chicago Film Festival and the fashion category for the Design of the Year awards, otherwise known as “The Oscars” of design—at the Design Museum in London.
"Peggy Guggenheim: Art Addict" is Lisa Immordino Vreeland's followup to her acclaimed debut, "Diana Vreeland: The Eye Has to Travel". She is now working on her third doc on Cecil Beaton who Lisa says, "has been circling around all these stories. What's great about him is the creativity: fashion photography, war photography, "My Fair Lady" winning an Oscar."
Sydney Levine: I have read numerous accounts and interviews with you about this film and rather than repeat all that has been said, I refer my readers to Indiewire's Women and Hollywood interview at Tribeca this year, and your Indiewire interview with Aubrey Page, November 6, 2015 .
Let's try to cover new territory here.
First of all, what about you? What is your relationship to Diana Vreeland?
Liv: I am married to her grandson, Alexander Vreeland. (I'm also proud of my name Immordino) I never met Diana but hearing so many family stories about her made me start to wonder about all the talk about her. I worked in fashion and lived in New York like she did.
Sl: In one of your interviews you said that Peggy was not only ahead of her time but she helped to define it. Can you tell me how?
Liv: Peggy grew up in a very traditional family of German Bavarian Jews who had moved to New York City in the 19th century. Already at a young age Peggy felt like there were too many rules around her and she wanted to break out. That alone was something attractive to me — the notion that she knew that she didn't fit in to her family or her times. She lived on her own terms, a very modern approach to life. She decided to abandon her family in New York. Though she always stayed connected to them, she rarely visited New York. Instead she lived in a world without borders. She did not live by "the rules". She believed in creating art and created herself, living on her own terms and not on those of her family.
Sl: Is there a link between her and your previous doc on Diana Vreeland?
Liv: The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .
Can you talk about the process of putting this one together and how it differed from its predecessor?
Liv: The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through — instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage. I'm still new to this, but it's the storytelling aspect that I loved in both projects. One thing about Peggy that Mrs. Vreeland didn't have was a very tragic personal life. There was so much that happened in Peggy's life before you even got to what she actually accomplished. And so we had to tell a very dense story about her childhood, her father dying on the Titanic, her beloved sister dying — the tragic events that fundamentally shaped her in a way. It was about making sure we had enough of the personal story to go along with her later accomplishments.
World War II alone was such a huge part of her story, opening an important art gallery in London, where she showed Kandinsky and other important artists for the first time. The amount of material to distill was a tremendous challenge and I hope we made the right choices.
Sl: How did you learn make a documentary?
Liv: I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
Research is fundamental; finding as much as you can and never giving up. I love the research. It is my "precise time". Not just for interviews but of footage, photographs never seen before. It is a painstaking process that satisfies me. The research never ends. I was still researching while I was promoting the Diana Vreeland book. I love reading books and going to original sources.
The archives in film museums in the last ten years has changed and given museums a new role. I found unique footage at Moma with the Elizabeth Chapman Films. Chapman went to Paris in the 30s and 40s with a handheld camera and took moving pictures of Brancusi and Duchamps joking around in a studio, Gertrude Stein, Leger walking down the street. This footage is owned by Robert Storr, Dean of Yale School of Art. In fact he is taking a sabbatical this year to go through the boxes and boxes of Chapman's films. We also used " Entre'acte" by René Clair cowritten with Dadaist Francis Picabia, "Le Sang du poet" of Cocteau, Hans Richter "8x8","Gagascope" and " Dreams That Money Can Buy" produced by Peggy Guggenheim, written by Man Ray in 1947.
Sl: How long did it take to research and make the film?
Liv: It took three years for both the Vreeland and the Guggenheim documentary.
It was more difficult with the Guggenheim story because there was so much material and so much to tell of her life. And she was not so giving of her own self. Diana could inspire you about a bandaid; she was so giving. But Peggy didn't talk much about why she loved an artist or a painting. She acted more. And using historical material could become "over-teaching" though it was fascinating.
So much had to be eliminated. It was hard to eliminate the Degenerate Art Show, a subject which is newly discussed. Stephanie Barron of Lacma is an expert on Degenerate Art and was so generous.
Once we decided upon which aspects to focus on, then we could give focus to the interviews.
There were so many of her important shows we could not include. For instance there was a show on collages featuring William Baziotes , Jackson Pollack and Robert Motherwell which started a more modern collage trend in art. The 31 Women Art Show which we did include pushed forward another message which I think is important.
And so many different things have been written about Peggy — there were hundreds of articles written about her during her lifetime. She also kept beautiful scrapbooks of articles written about her, which are now in the archives of the Guggenheim Museum.
The Guggenheim foundation did not commission this documentary but they were very supportive and the film premiered there in New York in a wonderful celebration. They wanted to represent Peggy and her paintings properly. The paintings were secondary characters and all were carefully placed historically in a correct fashion.
Sl: You said in one interview Guggenheim became a central figure in the modern art movement?
Liv: Yes and she did it without ego. Sharing was always her purpose in collecting art. She was not out for herself. Before Peggy, the art world was very different. And today it is part of wealth management.
Other collectors had a different way with art. Isabelle Stewart Gardner bought art for her own personal consumption. The Gardner Museum came later. Gertrude Stein was sharing the vision of her brother when she began collecting art. The Coen sisters were not sharing.
Her benevolence ranged from giving Berenice Abbott the money to buy her first camera to keeping Pollock afloat during lean times.
Djuana Barnes, who had a 'Love Love Love Hate Hate Hate' relationship with Peggy wrote Nightwood in Peggy's country house in England.
She was in Paris to the last minute. She planned how to safeguard artwork from the Nazis during World War II. She was storing gasoline so she could escape. She lived on the Ile St. Louis with her art and moved the paintings out first to a children's boarding school and then to Marseilles where it was shipped out to New York City.
Her role in art was not taken seriously because of her very public love life which was described in very derogatory terms. There was more talk about her love life than about her collection of art.
Her autobiography, Out of This Century: Confessions of an Art Addict (1960) , was scandalous when it came out — and she didn't even use real names, she used pseudonyms for her numerous partners. Only after publication did she reveal the names of the men she slept with.
The fact that she spoke about her sexual life at all was the most outrageous aspect. She was opening herself up to ridicule, but she didn't care. Peggy was her own person and she felt good in her own skin. But it was definitely unconventional behavior. I think her sexual appetites revealed a lot about finding her own identity.
A lot of it was tied to the loss of her father, I think, in addition to her wanting to feel accepted. She was also very adventurous — look at the men she slept with. I mean, come on, they are amazing! Samuel Beckett, Yves Tanguy, Marcel Duchamp, and she married Max Ernst. I think it was really ballsy of her to have been so open about her sexuality; this was not something people did back then. So many people are bound by conventional rules but Peggy said no. She grabbed hold of life and she lived it on her own terms.
Sl: You also give Peggy credit for changing the way art was exhibited. Can you explain that?
Liv: One of her greatest achievements was her gallery space in New York City, Art of This Century, which was unlike anything the art world has seen before or since in the way that it shattered the boundaries of the gallery space that we've come to know today — the sterile white cube. She came to be a genius at displaying her collections...
She was smart with Art of the Century because she hired Frederick Kiesler as a designer of the gallery and once again surrounded herself with the right people, including Howard Putzler, who was already involved with her at Guggenheim Jeune in London. And she was hanging out with all the exiled Surrealists who were living in New York at the time, including her future husband, Max Ernst, who was the real star of that group of artists. With the help of these people, she started showing art in a completely different way that was both informal and approachable. In conventional museums and galleries, art was untouchable on the wall and inside frames. In Peggy's gallery, art stuck out from the walls; works weren't confined to frames. Kiesler designed special chairs you could sit in and browse canvases as you would texts in a library. Nothing like this had ever existed in New York before — even today there is nothing like it.
She made the gallery into an exciting place where the whole concept of space was transformed. In Venice, the gallery space was also her home. Today, for a variety of reasons, the home aspect of the collection is less emphasized, though you still get a strong sense of Peggy's home life there. She was bringing art to the public in a bold new way, which I think is a great idea. It's art for everybody, which is very much a part of today's dialogue except that fewer people can afford the outlandish museum entry fees.
Sl: What do you think made her so prescient and attuned ?
Liv: She was smart enough to ask Marcel Duchamp to be her advisor — so she was in tune, and very well connected. She was on the cutting edge of what was going on and I think a lot of this had to do with Peggy being open to the idea of what was new and outrageous. You have to have a certain personality for this; what her childhood had dictated was totally opposite from what she became in life, and being in the right place at the right time helped her maintain a cutting edge throughout her life.
Sl: The movie is framed around a lost interview with Peggy conducted late in her life. How did you acquire these tapes?
Liv: We optioned Jacqueline Bogard Weld’s book, Peggy : The Wayward Guggenheim, the only authorized biography of Peggy, which was published after she died. Jackie had spent two summers interviewing Peggy but at a certain point lost the tapes somewhere in her Park Avenue apartment. Jackie had so much access to Peggy, which was incredible, but it was also the access that she had to other people who had known Peggy — she interviewed over 200 people for her book. Jackie was incredibly generous, letting me go through all her original research except for the lost tapes.
We'd walk into different rooms in her apartment and I'd suggestively open a closet door and ask “Where do you think those tapes might be?" Then one day I asked if she had a basement, and she did. So I went through all these boxes down there, organizing her affairs. Then bingo, the tapes showed up in this shoebox.
It was the longest interview Peggy had ever done and it became the framework for our movie. There's nothing more powerful than when you have someone's real voice telling the story, and Jackie was especially good at asking provoking questions. You can tell it was hard for Peggy to answer a lot of them, because she wasn't someone who was especially expressive; she didn't have a lot of emotion. And this comes across in the movie, in the tone of her voice.
Sl: Larry Gagosian has one of the best descriptions of Peggy in the movie — "she was her own creation." Would you agree, and if so why?
Liv: She was very much her own creation. When he said that in the interview I had a huge smile on my face. In Peggy's case it stemmed from a real need to identify and understand herself. I'm not sure she achieved it but she completely recreated herself — she knew that she did not want to be what she was brought up to be. She tried being a mother, but that was not one of her strengths, so art became that place where she could find herself, and then transform herself.
Nobody believed in the artists she cultivated and supported — they were outsiders and she was an outsider in the world she was brought up in. So it's in this way that she became her own great invention. I hope that her humor comes across in the film because she was extremely amusing — this aspect really comes across in her autobiography.
Sl: Finally, what do you think is Peggy Guggenheim's most lasting legacy, beyond her incredible art collection?
Liv: Her courage, and the way she used it to find herself. She had this ballsiness that not many people had, especially women. In her own way she was a feminist and it's good for women and young girls today to see women who stepped outside the confines of a very traditional family and made something of her life. Peggy's life did not seem that dreamy until she attached herself to these artists. It was her ability to redefine herself in the end that truly summed her up.
About the Filmmakers
Stanley Buchtal is a producer and entrepreneur. His movies credits include "Hairspray", "Spanking the Monkey", "Up at the Villa", "Lou Reed Berlin", "Love Marilyn", "LennoNYC", "Bobby Fischer Against the World", "Herb & Dorothy", "Marina Abramovic: The Artist is Present"," Jean-Michel Basquiat: The Radiant Child", "Sketches of Frank Gehry", "Black White + Gray: a Portrait of Sam Wagstaff and Robert Mapplethorpe", among numerous others.
David Koh is an independent producer, distributor, sales agent, programmer and curator. He has been involved in the distribution, sale, production, and financing of over 200 films. He is currently a partner in the boutique label Submarine Entertainment with Josh and Dan Braun and is also partners with Stanley Buchthal and his Dakota Group Ltd where he co-manages a portfolio of over 50 projects a year (75% docs and 25% fiction). Previously he was a partner and founder of Arthouse Films a boutique distribution imprint and ran Chris Blackwell's (founder of Island Records & Island Pictures) film label, Palm Pictures. He has worked as a Producer for artist Nam June Paik and worked in the curatorial departments of Anthology Film Archives, MoMA, Mfa Boston, and the Guggenheim Museum. David has recently served as a Curator for Microsoft and has curated an ongoing film series and salon with Andre Balazs Properties and serves as a Curator for the exclusive Core Club in NYC.
David recently launched with his partners Submarine Deluxe, a distribution imprint; Torpedo Pictures, a low budget high concept label; and Nfp Submarine Doks, a German distribution imprint with Nfp Films. Recently and upcoming projects include "Yayoi Kusama: a Life in Polka Dots", "Burden: a Portrait of Artist Chris Burden", "Dior and I", "20 Feet From Stardom", "Muscle Shoals", "Marina Abramovic the Artist is Present", "Rats NYC", "Nas: Time Is Illmatic", "Blackfish", "Love Marilyn", "Chasing Ice", "Searching for Sugar Man", "Cutie and the Boxer"," Jean-Michel Basquiat: the Radiant Child", "Finding Vivian Maier", "The Wolfpack, "Meru", and "Station to Station".
Dan Braun is a producer, writer, art director and musician/composer based in NYC. He is the Co-President of and Co-Founder of Submarine, a NYC film sales and production company specializing in independent feature and documentary films. Titles include "Blackfish", "Finding Vivian Maier", "Muscle Shoals", "The Case Against 8", "Keep On Keepin’ On", "Winter’s Bone", "Nas: Time is Illmatic", "Dior and I" and Oscar winning docs "Man on Wire", "Searching for Sugarman", "20 Ft From Stardom" and "Citizenfour". He was Executive Producer on documentaries "Kill Your Idols", (which won Best NY Documentary at the Tribeca Film Festival 2004), "Blank City", "Sunshine Superman", the upcoming feature adaptations of "Batkid Begins" and "The Battered Bastards of Baseball" and the upcoming horror TV anthology "Creepy" to be directed by Chris Columbus.
He is a producer of the free jazz documentary "Fire Music", and the upcoming documentaries, "Burden" on artist Chris Burden and "Kusama: a Life in Polka Dots" on artist Yayoi Kusama. He is also a writer and consulting editor on Dark Horse Comic’s "Creepy" and "Eerie 9" comic book and archival series for which he won an Eisner Award for best archival comic book series in 2009.
He is a musician/composer whose compositions were featured in the films "I Melt With You" and "Jean-Michel Basquiat, The Radiant Child and is an award winning art director/creative director when he worked at Tbwa/Chiat/Day on the famous Absolut Vodka campaign.
John Northrup (Co-Producer) began his career in documentaries as a French translator for National Geographic: Explorer. He quickly moved into editing and producing, serving as the Associate Producer on "Diana Vreeland: The Eye Has To Travel" (2012), and editing and co-producing "Wilson In Situ" (2014), which tells the story of theatre legend Robert Wilson and his Watermill Center. Most recently, he oversaw the post-production of Jim Chambers’ "Onward Christian Soldier", a documentary about Olympic Bomber Eric Rudolph, and is shooting on Susanne Rostock’s "Another Night in the Free World", the follow-up to her award-winning "Sing Your Song" (2011).
Submarine Entertainment (Production Company) Submarine Entertainment is a hybrid sales, production, and distribution company based in N.Y. Recent and upcoming titles include "Citizenfour", "Finding Vivian Maier", "The Dog", "Visitors", "20 Feet from Stardom", "Searching for Sugar Man", "Muscle Shoals", "Blackfish", "Cutie and the Boxer", "The Summit", "The Unknown Known", "Love Marilyn", "Marina Abramovic the Artist is Present", "Chasing Ice", "Downtown 81 30th Anniversary Remastered", "Wild Style 30th Anniversary Remastered", "Good Ol Freda", "Some Velvet Morning", among numerous others. Submarine principals also represent Creepy and Eerie comic book library and are developing properties across film & TV platforms.
Submarine has also recently launched a domestic distribution imprint and label called Submarine Deluxe; a genre label called Torpedo Pictures; and a German imprint and label called Nfp Submarine Doks.
Bernadine Colish has edited a number of award-winning documentaries. "Herb and Dorothy" (2008), won Audience Awards at Silverdocs, Philadelphia and Hamptons Film Festivals, and "Body of War" (2007), was named Best Documentary by the National Board of Review. "A Touch of Greatness" (2004) aired on PBS Independent Lens and was nominated for an Emmy Award. Her career began at Maysles Films, where she worked with Charlotte Zwerin on such projects as "Thelonious Monk: Straight No Chaser", "Toru Takemitsu: Music for the Movies" and the PBS American Masters documentary, "Ella Fitzgerald: Something To Live For". Additional credits include "Bringing Tibet Home", "Band of Sisters", "Rise and Dream", "The Tiger Next Door", "The Buffalo War" and "Absolute Wilson".
Jed Parker (Editor) Jed Parker began his career in feature films before moving into documentaries through his work with the award-winning American Masters series. Credits include "Lou Reed: Rock and Roll Heart", "Annie Liebovitz: Life Through a Lens", and most recently "Jeff Bridges: The Dude Abides".
Other work includes two episodes of the PBS series "Make ‘Em Laugh", hosted by Billy Crystal, as well as a documentary on Met Curator Henry Geldzahler entitled "Who Gets to Call it Art"?
Credits
Director, Writer, Producer: Lisa Immordino Vreeland
Produced by Stanley Buchthal, David Koh and Dan Braun Stanley Buchthal (producer)
Maja Hoffmann (executive producer)
Josh Braun (executive producer)
Bob Benton (executive producer)
John Northrup (co-producer)
Bernadine Colish (editor)
Jed Parker (editor)
Peter Trilling (director of photography)
Bonnie Greenberg (executive music producer)
Music by J. Ralph
Original Song "Once Again" Written and Performed By J. Ralph
Interviews Featuring Artist Marina Abramović Jean Arp Dore Ashton Samuel Beckett Stephanie Barron Constantin Brâncuși Diego Cortez Alexander Calder Susan Davidson Joseph Cornell Robert De Niro Salvador Dalí Simon de Pury Willem de Kooning Jeffrey Deitch Marcel Duchamp Polly Devlin Max Ernst Larry Gagosian Alberto Giacometti Arne Glimcher Vasily Kandinsky Michael Govan Fernand Léger Nicky Haslam Joan Miró Pepe Karmel Piet Mondrian Donald Kuspit Robert Motherwell Dominique Lévy Jackson Pollock Carlo McCormick Mark Rothko Hans Ulrich Obrist Yves Tanguy Lisa Phillips Lindsay Pollock Francine Prose John Richardson Sandy Rower Mercedes Ruehl Jane Rylands Philip Rylands Calvin Tomkins Karole Vail Jacqueline Bograd Weld Edmund White
Running time: 97 minutes
U.S. distribution by Submarine Deluxe
International sales by Hanway...
Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp and countless others. Guggenheim helped introduce the world to Pollock, Motherwell, Rothko and scores of others now recognized as key masters of modernism.
In 1921 she moved to Paris and mingled with Picasso, Dali, Joyce, Pound, Stein, Leger, Kandinsky. In 1938 she opened a gallery in London and began showing Cocteau, Tanguy, Magritte, Miro, Brancusi, etc., and then back to Paris and New York after the Nazi invasion, followed by the opening of her NYC gallery Art of This Century, which became one of the premiere avant-garde spaces in the U.S. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo where she moved in 1947. Since 1951, her collection has become one of the world’s most visited art spaces.
Featuring: Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Arshile Gorky, Vasil Kandinsky, Paul Klee, Willem de Kooning, Fernand Leger, Rene Magritte, Man Ray, Jean Miro, Piet Mondrian, Henry Moore, Robert Motherwell, Pablo Picasso, Jackson Pollock, Mark Rothko, Kurt Schwitters, Gino Severini, Clyfford Still and Yves Tanguy.
Lisa Immordino Vreeland (Director and Producer)
Lisa Immordino Vreeland has been immersed in the world of fashion and art for the past 25 years. She started her career in fashion as the Director of Public Relations for Polo Ralph Lauren in Italy and quickly moved on to launch two fashion companies, Pratico, a sportswear line for women, and Mago, a cashmere knitwear collection of her own design. Her first book was accompanied by her directorial debut of the documentary of the same name, "Diana Vreeland: The Eye Has To Travel" (2012). The film about the editor of Harper's Bazaar had its European premiere at the Venice Film Festival and its North American premiere at the Telluride Film Festival, going on to win the Silver Hugo at the Chicago Film Festival and the fashion category for the Design of the Year awards, otherwise known as “The Oscars” of design—at the Design Museum in London.
"Peggy Guggenheim: Art Addict" is Lisa Immordino Vreeland's followup to her acclaimed debut, "Diana Vreeland: The Eye Has to Travel". She is now working on her third doc on Cecil Beaton who Lisa says, "has been circling around all these stories. What's great about him is the creativity: fashion photography, war photography, "My Fair Lady" winning an Oscar."
Sydney Levine: I have read numerous accounts and interviews with you about this film and rather than repeat all that has been said, I refer my readers to Indiewire's Women and Hollywood interview at Tribeca this year, and your Indiewire interview with Aubrey Page, November 6, 2015 .
Let's try to cover new territory here.
First of all, what about you? What is your relationship to Diana Vreeland?
Liv: I am married to her grandson, Alexander Vreeland. (I'm also proud of my name Immordino) I never met Diana but hearing so many family stories about her made me start to wonder about all the talk about her. I worked in fashion and lived in New York like she did.
Sl: In one of your interviews you said that Peggy was not only ahead of her time but she helped to define it. Can you tell me how?
Liv: Peggy grew up in a very traditional family of German Bavarian Jews who had moved to New York City in the 19th century. Already at a young age Peggy felt like there were too many rules around her and she wanted to break out. That alone was something attractive to me — the notion that she knew that she didn't fit in to her family or her times. She lived on her own terms, a very modern approach to life. She decided to abandon her family in New York. Though she always stayed connected to them, she rarely visited New York. Instead she lived in a world without borders. She did not live by "the rules". She believed in creating art and created herself, living on her own terms and not on those of her family.
Sl: Is there a link between her and your previous doc on Diana Vreeland?
Liv: The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .
Can you talk about the process of putting this one together and how it differed from its predecessor?
Liv: The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through — instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage. I'm still new to this, but it's the storytelling aspect that I loved in both projects. One thing about Peggy that Mrs. Vreeland didn't have was a very tragic personal life. There was so much that happened in Peggy's life before you even got to what she actually accomplished. And so we had to tell a very dense story about her childhood, her father dying on the Titanic, her beloved sister dying — the tragic events that fundamentally shaped her in a way. It was about making sure we had enough of the personal story to go along with her later accomplishments.
World War II alone was such a huge part of her story, opening an important art gallery in London, where she showed Kandinsky and other important artists for the first time. The amount of material to distill was a tremendous challenge and I hope we made the right choices.
Sl: How did you learn make a documentary?
Liv: I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
Research is fundamental; finding as much as you can and never giving up. I love the research. It is my "precise time". Not just for interviews but of footage, photographs never seen before. It is a painstaking process that satisfies me. The research never ends. I was still researching while I was promoting the Diana Vreeland book. I love reading books and going to original sources.
The archives in film museums in the last ten years has changed and given museums a new role. I found unique footage at Moma with the Elizabeth Chapman Films. Chapman went to Paris in the 30s and 40s with a handheld camera and took moving pictures of Brancusi and Duchamps joking around in a studio, Gertrude Stein, Leger walking down the street. This footage is owned by Robert Storr, Dean of Yale School of Art. In fact he is taking a sabbatical this year to go through the boxes and boxes of Chapman's films. We also used " Entre'acte" by René Clair cowritten with Dadaist Francis Picabia, "Le Sang du poet" of Cocteau, Hans Richter "8x8","Gagascope" and " Dreams That Money Can Buy" produced by Peggy Guggenheim, written by Man Ray in 1947.
Sl: How long did it take to research and make the film?
Liv: It took three years for both the Vreeland and the Guggenheim documentary.
It was more difficult with the Guggenheim story because there was so much material and so much to tell of her life. And she was not so giving of her own self. Diana could inspire you about a bandaid; she was so giving. But Peggy didn't talk much about why she loved an artist or a painting. She acted more. And using historical material could become "over-teaching" though it was fascinating.
So much had to be eliminated. It was hard to eliminate the Degenerate Art Show, a subject which is newly discussed. Stephanie Barron of Lacma is an expert on Degenerate Art and was so generous.
Once we decided upon which aspects to focus on, then we could give focus to the interviews.
There were so many of her important shows we could not include. For instance there was a show on collages featuring William Baziotes , Jackson Pollack and Robert Motherwell which started a more modern collage trend in art. The 31 Women Art Show which we did include pushed forward another message which I think is important.
And so many different things have been written about Peggy — there were hundreds of articles written about her during her lifetime. She also kept beautiful scrapbooks of articles written about her, which are now in the archives of the Guggenheim Museum.
The Guggenheim foundation did not commission this documentary but they were very supportive and the film premiered there in New York in a wonderful celebration. They wanted to represent Peggy and her paintings properly. The paintings were secondary characters and all were carefully placed historically in a correct fashion.
Sl: You said in one interview Guggenheim became a central figure in the modern art movement?
Liv: Yes and she did it without ego. Sharing was always her purpose in collecting art. She was not out for herself. Before Peggy, the art world was very different. And today it is part of wealth management.
Other collectors had a different way with art. Isabelle Stewart Gardner bought art for her own personal consumption. The Gardner Museum came later. Gertrude Stein was sharing the vision of her brother when she began collecting art. The Coen sisters were not sharing.
Her benevolence ranged from giving Berenice Abbott the money to buy her first camera to keeping Pollock afloat during lean times.
Djuana Barnes, who had a 'Love Love Love Hate Hate Hate' relationship with Peggy wrote Nightwood in Peggy's country house in England.
She was in Paris to the last minute. She planned how to safeguard artwork from the Nazis during World War II. She was storing gasoline so she could escape. She lived on the Ile St. Louis with her art and moved the paintings out first to a children's boarding school and then to Marseilles where it was shipped out to New York City.
Her role in art was not taken seriously because of her very public love life which was described in very derogatory terms. There was more talk about her love life than about her collection of art.
Her autobiography, Out of This Century: Confessions of an Art Addict (1960) , was scandalous when it came out — and she didn't even use real names, she used pseudonyms for her numerous partners. Only after publication did she reveal the names of the men she slept with.
The fact that she spoke about her sexual life at all was the most outrageous aspect. She was opening herself up to ridicule, but she didn't care. Peggy was her own person and she felt good in her own skin. But it was definitely unconventional behavior. I think her sexual appetites revealed a lot about finding her own identity.
A lot of it was tied to the loss of her father, I think, in addition to her wanting to feel accepted. She was also very adventurous — look at the men she slept with. I mean, come on, they are amazing! Samuel Beckett, Yves Tanguy, Marcel Duchamp, and she married Max Ernst. I think it was really ballsy of her to have been so open about her sexuality; this was not something people did back then. So many people are bound by conventional rules but Peggy said no. She grabbed hold of life and she lived it on her own terms.
Sl: You also give Peggy credit for changing the way art was exhibited. Can you explain that?
Liv: One of her greatest achievements was her gallery space in New York City, Art of This Century, which was unlike anything the art world has seen before or since in the way that it shattered the boundaries of the gallery space that we've come to know today — the sterile white cube. She came to be a genius at displaying her collections...
She was smart with Art of the Century because she hired Frederick Kiesler as a designer of the gallery and once again surrounded herself with the right people, including Howard Putzler, who was already involved with her at Guggenheim Jeune in London. And she was hanging out with all the exiled Surrealists who were living in New York at the time, including her future husband, Max Ernst, who was the real star of that group of artists. With the help of these people, she started showing art in a completely different way that was both informal and approachable. In conventional museums and galleries, art was untouchable on the wall and inside frames. In Peggy's gallery, art stuck out from the walls; works weren't confined to frames. Kiesler designed special chairs you could sit in and browse canvases as you would texts in a library. Nothing like this had ever existed in New York before — even today there is nothing like it.
She made the gallery into an exciting place where the whole concept of space was transformed. In Venice, the gallery space was also her home. Today, for a variety of reasons, the home aspect of the collection is less emphasized, though you still get a strong sense of Peggy's home life there. She was bringing art to the public in a bold new way, which I think is a great idea. It's art for everybody, which is very much a part of today's dialogue except that fewer people can afford the outlandish museum entry fees.
Sl: What do you think made her so prescient and attuned ?
Liv: She was smart enough to ask Marcel Duchamp to be her advisor — so she was in tune, and very well connected. She was on the cutting edge of what was going on and I think a lot of this had to do with Peggy being open to the idea of what was new and outrageous. You have to have a certain personality for this; what her childhood had dictated was totally opposite from what she became in life, and being in the right place at the right time helped her maintain a cutting edge throughout her life.
Sl: The movie is framed around a lost interview with Peggy conducted late in her life. How did you acquire these tapes?
Liv: We optioned Jacqueline Bogard Weld’s book, Peggy : The Wayward Guggenheim, the only authorized biography of Peggy, which was published after she died. Jackie had spent two summers interviewing Peggy but at a certain point lost the tapes somewhere in her Park Avenue apartment. Jackie had so much access to Peggy, which was incredible, but it was also the access that she had to other people who had known Peggy — she interviewed over 200 people for her book. Jackie was incredibly generous, letting me go through all her original research except for the lost tapes.
We'd walk into different rooms in her apartment and I'd suggestively open a closet door and ask “Where do you think those tapes might be?" Then one day I asked if she had a basement, and she did. So I went through all these boxes down there, organizing her affairs. Then bingo, the tapes showed up in this shoebox.
It was the longest interview Peggy had ever done and it became the framework for our movie. There's nothing more powerful than when you have someone's real voice telling the story, and Jackie was especially good at asking provoking questions. You can tell it was hard for Peggy to answer a lot of them, because she wasn't someone who was especially expressive; she didn't have a lot of emotion. And this comes across in the movie, in the tone of her voice.
Sl: Larry Gagosian has one of the best descriptions of Peggy in the movie — "she was her own creation." Would you agree, and if so why?
Liv: She was very much her own creation. When he said that in the interview I had a huge smile on my face. In Peggy's case it stemmed from a real need to identify and understand herself. I'm not sure she achieved it but she completely recreated herself — she knew that she did not want to be what she was brought up to be. She tried being a mother, but that was not one of her strengths, so art became that place where she could find herself, and then transform herself.
Nobody believed in the artists she cultivated and supported — they were outsiders and she was an outsider in the world she was brought up in. So it's in this way that she became her own great invention. I hope that her humor comes across in the film because she was extremely amusing — this aspect really comes across in her autobiography.
Sl: Finally, what do you think is Peggy Guggenheim's most lasting legacy, beyond her incredible art collection?
Liv: Her courage, and the way she used it to find herself. She had this ballsiness that not many people had, especially women. In her own way she was a feminist and it's good for women and young girls today to see women who stepped outside the confines of a very traditional family and made something of her life. Peggy's life did not seem that dreamy until she attached herself to these artists. It was her ability to redefine herself in the end that truly summed her up.
About the Filmmakers
Stanley Buchtal is a producer and entrepreneur. His movies credits include "Hairspray", "Spanking the Monkey", "Up at the Villa", "Lou Reed Berlin", "Love Marilyn", "LennoNYC", "Bobby Fischer Against the World", "Herb & Dorothy", "Marina Abramovic: The Artist is Present"," Jean-Michel Basquiat: The Radiant Child", "Sketches of Frank Gehry", "Black White + Gray: a Portrait of Sam Wagstaff and Robert Mapplethorpe", among numerous others.
David Koh is an independent producer, distributor, sales agent, programmer and curator. He has been involved in the distribution, sale, production, and financing of over 200 films. He is currently a partner in the boutique label Submarine Entertainment with Josh and Dan Braun and is also partners with Stanley Buchthal and his Dakota Group Ltd where he co-manages a portfolio of over 50 projects a year (75% docs and 25% fiction). Previously he was a partner and founder of Arthouse Films a boutique distribution imprint and ran Chris Blackwell's (founder of Island Records & Island Pictures) film label, Palm Pictures. He has worked as a Producer for artist Nam June Paik and worked in the curatorial departments of Anthology Film Archives, MoMA, Mfa Boston, and the Guggenheim Museum. David has recently served as a Curator for Microsoft and has curated an ongoing film series and salon with Andre Balazs Properties and serves as a Curator for the exclusive Core Club in NYC.
David recently launched with his partners Submarine Deluxe, a distribution imprint; Torpedo Pictures, a low budget high concept label; and Nfp Submarine Doks, a German distribution imprint with Nfp Films. Recently and upcoming projects include "Yayoi Kusama: a Life in Polka Dots", "Burden: a Portrait of Artist Chris Burden", "Dior and I", "20 Feet From Stardom", "Muscle Shoals", "Marina Abramovic the Artist is Present", "Rats NYC", "Nas: Time Is Illmatic", "Blackfish", "Love Marilyn", "Chasing Ice", "Searching for Sugar Man", "Cutie and the Boxer"," Jean-Michel Basquiat: the Radiant Child", "Finding Vivian Maier", "The Wolfpack, "Meru", and "Station to Station".
Dan Braun is a producer, writer, art director and musician/composer based in NYC. He is the Co-President of and Co-Founder of Submarine, a NYC film sales and production company specializing in independent feature and documentary films. Titles include "Blackfish", "Finding Vivian Maier", "Muscle Shoals", "The Case Against 8", "Keep On Keepin’ On", "Winter’s Bone", "Nas: Time is Illmatic", "Dior and I" and Oscar winning docs "Man on Wire", "Searching for Sugarman", "20 Ft From Stardom" and "Citizenfour". He was Executive Producer on documentaries "Kill Your Idols", (which won Best NY Documentary at the Tribeca Film Festival 2004), "Blank City", "Sunshine Superman", the upcoming feature adaptations of "Batkid Begins" and "The Battered Bastards of Baseball" and the upcoming horror TV anthology "Creepy" to be directed by Chris Columbus.
He is a producer of the free jazz documentary "Fire Music", and the upcoming documentaries, "Burden" on artist Chris Burden and "Kusama: a Life in Polka Dots" on artist Yayoi Kusama. He is also a writer and consulting editor on Dark Horse Comic’s "Creepy" and "Eerie 9" comic book and archival series for which he won an Eisner Award for best archival comic book series in 2009.
He is a musician/composer whose compositions were featured in the films "I Melt With You" and "Jean-Michel Basquiat, The Radiant Child and is an award winning art director/creative director when he worked at Tbwa/Chiat/Day on the famous Absolut Vodka campaign.
John Northrup (Co-Producer) began his career in documentaries as a French translator for National Geographic: Explorer. He quickly moved into editing and producing, serving as the Associate Producer on "Diana Vreeland: The Eye Has To Travel" (2012), and editing and co-producing "Wilson In Situ" (2014), which tells the story of theatre legend Robert Wilson and his Watermill Center. Most recently, he oversaw the post-production of Jim Chambers’ "Onward Christian Soldier", a documentary about Olympic Bomber Eric Rudolph, and is shooting on Susanne Rostock’s "Another Night in the Free World", the follow-up to her award-winning "Sing Your Song" (2011).
Submarine Entertainment (Production Company) Submarine Entertainment is a hybrid sales, production, and distribution company based in N.Y. Recent and upcoming titles include "Citizenfour", "Finding Vivian Maier", "The Dog", "Visitors", "20 Feet from Stardom", "Searching for Sugar Man", "Muscle Shoals", "Blackfish", "Cutie and the Boxer", "The Summit", "The Unknown Known", "Love Marilyn", "Marina Abramovic the Artist is Present", "Chasing Ice", "Downtown 81 30th Anniversary Remastered", "Wild Style 30th Anniversary Remastered", "Good Ol Freda", "Some Velvet Morning", among numerous others. Submarine principals also represent Creepy and Eerie comic book library and are developing properties across film & TV platforms.
Submarine has also recently launched a domestic distribution imprint and label called Submarine Deluxe; a genre label called Torpedo Pictures; and a German imprint and label called Nfp Submarine Doks.
Bernadine Colish has edited a number of award-winning documentaries. "Herb and Dorothy" (2008), won Audience Awards at Silverdocs, Philadelphia and Hamptons Film Festivals, and "Body of War" (2007), was named Best Documentary by the National Board of Review. "A Touch of Greatness" (2004) aired on PBS Independent Lens and was nominated for an Emmy Award. Her career began at Maysles Films, where she worked with Charlotte Zwerin on such projects as "Thelonious Monk: Straight No Chaser", "Toru Takemitsu: Music for the Movies" and the PBS American Masters documentary, "Ella Fitzgerald: Something To Live For". Additional credits include "Bringing Tibet Home", "Band of Sisters", "Rise and Dream", "The Tiger Next Door", "The Buffalo War" and "Absolute Wilson".
Jed Parker (Editor) Jed Parker began his career in feature films before moving into documentaries through his work with the award-winning American Masters series. Credits include "Lou Reed: Rock and Roll Heart", "Annie Liebovitz: Life Through a Lens", and most recently "Jeff Bridges: The Dude Abides".
Other work includes two episodes of the PBS series "Make ‘Em Laugh", hosted by Billy Crystal, as well as a documentary on Met Curator Henry Geldzahler entitled "Who Gets to Call it Art"?
Credits
Director, Writer, Producer: Lisa Immordino Vreeland
Produced by Stanley Buchthal, David Koh and Dan Braun Stanley Buchthal (producer)
Maja Hoffmann (executive producer)
Josh Braun (executive producer)
Bob Benton (executive producer)
John Northrup (co-producer)
Bernadine Colish (editor)
Jed Parker (editor)
Peter Trilling (director of photography)
Bonnie Greenberg (executive music producer)
Music by J. Ralph
Original Song "Once Again" Written and Performed By J. Ralph
Interviews Featuring Artist Marina Abramović Jean Arp Dore Ashton Samuel Beckett Stephanie Barron Constantin Brâncuși Diego Cortez Alexander Calder Susan Davidson Joseph Cornell Robert De Niro Salvador Dalí Simon de Pury Willem de Kooning Jeffrey Deitch Marcel Duchamp Polly Devlin Max Ernst Larry Gagosian Alberto Giacometti Arne Glimcher Vasily Kandinsky Michael Govan Fernand Léger Nicky Haslam Joan Miró Pepe Karmel Piet Mondrian Donald Kuspit Robert Motherwell Dominique Lévy Jackson Pollock Carlo McCormick Mark Rothko Hans Ulrich Obrist Yves Tanguy Lisa Phillips Lindsay Pollock Francine Prose John Richardson Sandy Rower Mercedes Ruehl Jane Rylands Philip Rylands Calvin Tomkins Karole Vail Jacqueline Bograd Weld Edmund White
Running time: 97 minutes
U.S. distribution by Submarine Deluxe
International sales by Hanway...
- 11/18/2015
- by Sydney Levine
- Sydney's Buzz
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The thriller Raise The Titanic was a $40m flop in 1980, its model Titanic alone costing millions. Ryan charts the replica's sad history...
By autumn 1977, author Clive Cussler was the toast of the publishing world. Following a decade of writing and two moderately successful novels, his third book, Raise The Titanic! was a runaway bestseller. Its popularity was a contrast to Cussler's earlier books, which had earned him a relatively meagre $5,000. But those earlier adventures - The Mediterranean Caper and Iceberg - helped establish the daring hero Dirk Pitt, a practical, earthy hero designed as a counterpoint to the suave, refined James Bond.
For Raise The Titanic!, Cussler dreamed up a scenario in which Pitt headed up a multi-billion-dollar operation to find and recover the doomed luxury liner, which sank in 1912. Their goal: to recover a mysterious, incredibly rare substance called byzantium from the ship's belly - a...
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The thriller Raise The Titanic was a $40m flop in 1980, its model Titanic alone costing millions. Ryan charts the replica's sad history...
By autumn 1977, author Clive Cussler was the toast of the publishing world. Following a decade of writing and two moderately successful novels, his third book, Raise The Titanic! was a runaway bestseller. Its popularity was a contrast to Cussler's earlier books, which had earned him a relatively meagre $5,000. But those earlier adventures - The Mediterranean Caper and Iceberg - helped establish the daring hero Dirk Pitt, a practical, earthy hero designed as a counterpoint to the suave, refined James Bond.
For Raise The Titanic!, Cussler dreamed up a scenario in which Pitt headed up a multi-billion-dollar operation to find and recover the doomed luxury liner, which sank in 1912. Their goal: to recover a mysterious, incredibly rare substance called byzantium from the ship's belly - a...
- 10/21/2015
- by ryanlambie
- Den of Geek
'Harry Potter and the Prisoner of Azkaban' poster. With Daniel Radcliffe. Rupert Grint. Emma Watson. 'Harry Potter and the Prisoner of Azkaban' quiz question: Does state-of-the-art CGI equal movie magic? (Oscar Movie Series) Alfonso Cuarón seems like an odd choice for director of Harry Potter and the Prisoner of Azkaban, the third installment in the Harry Potter movie series. That is, if one thinks only of Cuarón's pre-Harry Potter sleeper hit, the François Truffaut-esque Y tu mamá también, while ignoring two of his earlier efforts, the critically acclaimed A Little Princess and the moderately respected Great Expectations. This time around, working with a reported $130 million budget (approx. $163 million in 2015), state-of-the-art special effects, and the Harry Potter franchise, Cuarón surely could do no wrong. At the box office, that is. For although Harry Potter and the Prisoner of Azkaban is stylistically superior to Chris Columbus' previous work in the series,...
- 6/7/2015
- by Andre Soares
- Alt Film Guide
Warner Bros Studio Tour London - The Making of Harry Potter has announced that the attraction will soon be expanding to include the Hogwarts Express and a recreation of Platform 9 ¾.
The new, permanent section of the exhibition will open on March 19, as the attraction celebrates its third anniversary, and will offer visitors a look at how some of the films' most iconic scenes were created.
The real Hogwarts Express used in filming, a British steam train named 'Olton Hall', will be returned to the production's home and put on display on a realistic set of tracks and with steam billowing.
Visitors to the attraction can walk along the train's carriage and sit in the interior set which was used during filming on the Hogwarts Express. There will also be a selection of prop luggage on display, with visitors able to guess which characters the cases belong to.
Guests can also...
The new, permanent section of the exhibition will open on March 19, as the attraction celebrates its third anniversary, and will offer visitors a look at how some of the films' most iconic scenes were created.
The real Hogwarts Express used in filming, a British steam train named 'Olton Hall', will be returned to the production's home and put on display on a realistic set of tracks and with steam billowing.
Visitors to the attraction can walk along the train's carriage and sit in the interior set which was used during filming on the Hogwarts Express. There will also be a selection of prop luggage on display, with visitors able to guess which characters the cases belong to.
Guests can also...
- 1/26/2015
- Digital Spy
The Visual Effects Society has announced the nominations for the 13th Annual Ves awards "the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on-the-keys artists who bring this work to life."
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
- 1/14/2015
- by Manny
- Manny the Movie Guy
The Visual Effects Society has announced the nominees for its 13th Annual Ves Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games. Among the nominees — Dawn Of The Planet Of The Apes, Guardians of the Galaxy, Interstellar, Maleficent, The Hobbit: The Battle Of The Five Armies and X-Men: Days Of Future Past – for Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture. The awards will be held February 4 at the Beverly Hilton Hotel. See the complete list below.
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
- 1/13/2015
- by The Deadline Team
- Deadline
"Picasso & Jacqueline: The Evolution of Style" Pace Gallery, 534 W. 25th St. Through January 10, 2015 With more than 140 works on exhibit, all created in the last 20 years of his life, this is an immersion into Picasso's obsession with the last woman (presumably) in his life, Jacqueline, a noble presence whom he cast in his famous Delacroix-inspired Women of Algiers series and more than a few odalisques. I love Picasso's last works; I think there's an argument to be made that Picasso is one of the best painters of the 1960s. Too bad this show is so overhung and chaotic that it's almost impossible to focus on anything at all. "Picasso & the Camera" Gagosian Gallery, 522 W. 21st St. Through January 2, 2015 In four visits to this wonderful retrospective — another major Picasso show at Gagosian and curated by his biographer John Richardson — I only looked at the painting, relishing the chance to...
- 11/19/2014
- by Jerry Saltz
- Vulture
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,...
- 10/31/2014
- by Andre Soares
- Alt Film Guide
Richard Armitage's The Crucible will be shown in cinemas this December, it has been announced.
More than 350 cinemas in the UK and Ireland will screen the Old Vic production of Arthur Miller's critically-acclaimed play.
Richard Armitage is stunning in terrifying adaptation of The Crucible: Review
Captured by DigitalTheatre.com using multiple HD cameras, the CinemaLive co-production will be screened in cinemas on December 4 and December 7.
CinemaLive will announce additional territories in the near future.
Directed by Yaël Farber and starring Richard Armitage, Harry Attwell and Samantha Colley, The Crucible is currently embarking on a sold out run at The Old Vic.
The Old Vic producer John Richardson described The Crucible as a "chilling, powerful and legendary work [that] is truly a play for our times".
Written by Arthur Miller in 1953, the play revolves around the Salem Witch Trials in Massachusetts.
More than 350 cinemas in the UK and Ireland will screen the Old Vic production of Arthur Miller's critically-acclaimed play.
Richard Armitage is stunning in terrifying adaptation of The Crucible: Review
Captured by DigitalTheatre.com using multiple HD cameras, the CinemaLive co-production will be screened in cinemas on December 4 and December 7.
CinemaLive will announce additional territories in the near future.
Directed by Yaël Farber and starring Richard Armitage, Harry Attwell and Samantha Colley, The Crucible is currently embarking on a sold out run at The Old Vic.
The Old Vic producer John Richardson described The Crucible as a "chilling, powerful and legendary work [that] is truly a play for our times".
Written by Arthur Miller in 1953, the play revolves around the Salem Witch Trials in Massachusetts.
- 10/13/2014
- Digital Spy
Visage...
Voice...
Vitaphone...
In Dimitri Kirsanoff's Menilmontant a destitute waif, betrayed and abandoned by the man who seduced her, sits on a park bench with her newborn infant. Beside her is an old man eating a sandwich. This wordless exchange is one of the greatest moments ever committed to film. Nadia Sibirskaia’s face reveals all of life’s cruel mysteries as she gazes upon a crust of bread.
The persistence of hope is the dark angel that underlies despair, and here it taunts her mercilessly. A whole series of fluctuations of expression and movement in reaction to anguish, physical pain involving hesitation, dignity, ravenous hunger, survival, self-contempt, modesty, boundless gratitude. All articulated with absolute clarity without hitting notes (without touching the keys). Chaplin could have played either the old man on the bench (his mustache is a sensory device!) or Nadia. And it would have been masterful and deeply affecting,...
Voice...
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In Dimitri Kirsanoff's Menilmontant a destitute waif, betrayed and abandoned by the man who seduced her, sits on a park bench with her newborn infant. Beside her is an old man eating a sandwich. This wordless exchange is one of the greatest moments ever committed to film. Nadia Sibirskaia’s face reveals all of life’s cruel mysteries as she gazes upon a crust of bread.
The persistence of hope is the dark angel that underlies despair, and here it taunts her mercilessly. A whole series of fluctuations of expression and movement in reaction to anguish, physical pain involving hesitation, dignity, ravenous hunger, survival, self-contempt, modesty, boundless gratitude. All articulated with absolute clarity without hitting notes (without touching the keys). Chaplin could have played either the old man on the bench (his mustache is a sensory device!) or Nadia. And it would have been masterful and deeply affecting,...
- 6/30/2014
- by Daniel Riccuito
- MUBI
Raquel Welch wigs vs. Ray Harryhausen monsters: One Million Years B.C. [See previous post: "Ray Harryhausen: Special Effects Titan Dies."] Without Charles H. Schneer as producer, Ray Harryhausen created the visual effects for the 1966 camp classic One Million Years B.C. — though, admittedly, his work in that movie played second fiddle to Raquel Welch’s physical effects as a blonde-bewigged (?) cavewoman parading around Earth’s pre-history in a cleavage-enhancing fur bikini. Whereas in producer Hal Roach’s 1940 effort One Million B.C., lizards made up as dinosaurs made life difficult for Victor Mature and Carole Landis, in the creationist-style pre-history of the 1966 (sort-of) remake, Raquel Welch and fellow caveman John Richardson had to square off against Harryhausen’s stop-motion models of giant reptiles. (Photo: Raquel Welch One Million Years B.C.) [Please scroll down to check out TCM's beautiful Ray Harryhausen tribute.] Starring James Franciscus and featuring Earth vs. the Flying Saucers‘ Richard Carlson, The Valley of Gwangi (1969) was Harryhausen’s next-to-last mid-level effort. Both The Golden Voyage of Sinbad (1974), with John Phillip Law,...
- 5/8/2013
- by Andre Soares
- Alt Film Guide
‘Cursed productions’ are not exclusive to horror pictures. But, it’s typically horror films that garner the most attention for tumultuous circumstances surrounding their filming. At one point, people seemed to like the idea of those involved with horror movies being condemned for their participation in the devil’s work. But, these days, many people would, attribute a cursed production to nothing more than bad luck, negligence, unfortunate circumstances, or a combination of the above factors. Films from The Wizard of Oz to Superman have spawned rumors of a curse associated with their production. But, a lot of people argue that there is a slightly less fantastical explanation for films that endured a particularly turbulent shoot.
Despite the fact that people try to tell us that there is no such thing as a ‘cursed production’, we thought it would be interesting to reminisce on some of the most notorious ‘cursed productions’. As a disclaimer,...
Despite the fact that people try to tell us that there is no such thing as a ‘cursed production’, we thought it would be interesting to reminisce on some of the most notorious ‘cursed productions’. As a disclaimer,...
- 4/22/2013
- by Tyler Doupe
- FEARnet
Warner Archive Collection 4th anniversary DVD / Blu-ray releases The Warner Archive Collection (aka Wac), which currently has a DVD / Blu-ray library consisting of approximately 1,500 titles, has just turned four. In celebration of its fourth anniversary, Wac is releasing with movies featuring the likes of Jane Powell, Eleanor Parker, and many more stars and filmmakers of yesteryear. (Pictured above: Greer Garson, Debbie Reynolds, Ricardo Montalban in the sentimental 1966 comedy / drama with music The Singing Nun.) For starters, Jane Powell and Debbie Reynolds play siblings in Richard Thorpe's Athena (1954), whose supporting cast includes Edmund Purdom, Vic Damone, frequent Jerry Lewis foil Kathleen Freeman, Citizen Kane's Ray Collins, Tyrone Power's then-wife Linda Christian, former Mr. Universe and future Hercules Steve Reeves, veteran Louis Calhern, not to mention numerology, astrology, and vegetarianism. As per Wac's newsletter, the score by Hugh Martin and Martin Blane "gets a first ever Stereophonic Sound remix for this disc,...
- 3/27/2013
- by Andre Soares
- Alt Film Guide
Picture records of the Us civil war show an extraordinary countenance: lean, gnarled and tough, with a touch of whimsy
A man who knew Picasso claimed the ever-curious artist kept a box in his house full of clippings and pictures of the Us president Abraham Lincoln. Picasso biographer John Richardson dismisses the story – it doesn't sound like Picasso at all – but it does evoke the visual fascination of the man now reborn on screen through Daniel Day-Lewis's award-winning performance.
Lincoln had one of those faces. Craggy, gnarled, lean and tough, with a touch of whimsy, it is one of the most remembered physiognomies in history. One reason for this vivid endurance is the fact that America's 16th president lived in the age of photography. The civil war in which he played such a central part was photographed in epic, terrible detail by Matthew Brady, Alexander Gardner and other pioneers,...
A man who knew Picasso claimed the ever-curious artist kept a box in his house full of clippings and pictures of the Us president Abraham Lincoln. Picasso biographer John Richardson dismisses the story – it doesn't sound like Picasso at all – but it does evoke the visual fascination of the man now reborn on screen through Daniel Day-Lewis's award-winning performance.
Lincoln had one of those faces. Craggy, gnarled, lean and tough, with a touch of whimsy, it is one of the most remembered physiognomies in history. One reason for this vivid endurance is the fact that America's 16th president lived in the age of photography. The civil war in which he played such a central part was photographed in epic, terrible detail by Matthew Brady, Alexander Gardner and other pioneers,...
- 2/11/2013
- by Jonathan Jones
- The Guardian - Film News
Julianne Moore, Michelle Dockery ("Downton Abbey") and Scoot McNairy ("Argo") have all joined the cast of Jaume Collet-Serra's $50 million airplane-set action-thriller "Non Stop" at Studiocanal says Variety.
Liam Neeson plays a federal air marshal who starts receiving text messages from someone claiming to be on the same flight, and who is threatening to kill its passengers. He must race to find and stop the killer.
Collet-Serra directs from a screenplay by John Richardson and Chris Roach, while Joel Silver is producing. Shooting kicks off November 1st in New York City.
Liam Neeson plays a federal air marshal who starts receiving text messages from someone claiming to be on the same flight, and who is threatening to kill its passengers. He must race to find and stop the killer.
Collet-Serra directs from a screenplay by John Richardson and Chris Roach, while Joel Silver is producing. Shooting kicks off November 1st in New York City.
- 10/11/2012
- by Garth Franklin
- Dark Horizons
Jake Wagner has moved to Benderspink, where he will head up the company’s management division. He brings with him lit clients such as Evan Daugherty (Snow White And The Huntsman), John Swetnam (Category 6), Andrew Knauer (Last Stand), Chris Denham (Home Movie), Micah Barnett (The Rabbit), John Sullivan (Science Fair), Tripper Clancy (Henry The Second), Lucas Sussman (The Hunt), Chris Roach/John Richardson (Non Stop), and Ethan Maniquis (Machete). He also brings actor Greg Finley (Secret Life Of The American Teenager). Partners Jc Spink, Chris Bender and Jake Weiner called Wagner “one of the brightest young managers out there.” He’d been at FilmEngine. Wagner will also help with Benderspink’s movie and TV production and its comic and transmedia initiatives. Benderspink’s producing credits include the upcoming The Incredible Burt Wonderstone and We’re The Millers for New Line Cinema, The Hangover 3 for Warners, and Ride Along for Universal.
- 10/10/2012
- by MIKE FLEMING
- Deadline TV
Jake Wagner has moved to Benderspink, where he will head up the company’s management division. He brings with him lit clients such as Evan Daugherty (Snow White And The Huntsman), John Swetnam (Category 6), Andrew Knauer (Last Stand), Chris Denham (Home Movie), Micah Barnett (The Rabbit), John Sullivan (Science Fair), Tripper Clancy (Henry The Second), Lucas Sussman (The Hunt), Chris Roach/John Richardson (Non Stop), and Ethan Maniquis (Machete). He also brings actor Greg Finley (Secret Life Of The American Teenager). Partners Jc Spink, Chris Bender and Jake Weiner called Wagner “one of the brightest young managers out there.” He’d been at FilmEngine. Wagner will also help with Benderspink’s movie and TV production and its comic and transmedia initiatives. Benderspink’s producing credits include the upcoming The Incredible Burt Wonderstone and We’re The Millers for New Line Cinema, The Hangover 3 for Warners, and Ride Along for Universal.
- 10/10/2012
- by MIKE FLEMING
- Deadline
By Dave Worrall
Last night saw Cinema Retro attend the exclusive private viewing of Designing OO7 - Fifty Years of Bond Style at The Barbican in London. This unique exhibition showcasing the design, craft and style of a screen icon - James Bond - is superbly designed (by Ab Rogers, and guest-curated by fashion historian Bronwyn Cosgrave and Oscar-winning costume designer Lindy Hemming) . The exhibition is a must-see event for anyone with an interest in film, let alone James Bond. Produced in partnership with Eon Productions, ably assisted by the head of their archives, Meg Simmonds, the exhibition has amassed over 400 items that reflect the history of Bond over the last 50 years.
Following the press call in the day, the organizers invited people who have worked on the films over the years and also friends of Eon to a champagne reception and private view of the exhibition. And what a show it is!
Last night saw Cinema Retro attend the exclusive private viewing of Designing OO7 - Fifty Years of Bond Style at The Barbican in London. This unique exhibition showcasing the design, craft and style of a screen icon - James Bond - is superbly designed (by Ab Rogers, and guest-curated by fashion historian Bronwyn Cosgrave and Oscar-winning costume designer Lindy Hemming) . The exhibition is a must-see event for anyone with an interest in film, let alone James Bond. Produced in partnership with Eon Productions, ably assisted by the head of their archives, Meg Simmonds, the exhibition has amassed over 400 items that reflect the history of Bond over the last 50 years.
Following the press call in the day, the organizers invited people who have worked on the films over the years and also friends of Eon to a champagne reception and private view of the exhibition. And what a show it is!
- 7/6/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Last week, I had the honour and the privilege to go along to the Warner Bros. Studio Tour – The Making of Harry Potter to have a good old natter with some of the cast of the eight movies and with a few of the Production team that make these amazing films possible. If you’ve not heard of the Studio Tour, then you’ve obviously not been on HeyUGuys for a little while as I’ve been banging on about how amazing it is for months now.
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
So far, we’ve had...
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
So far, we’ve had...
- 4/10/2012
- by David Sztypuljak
- HeyUGuys.co.uk
Last week, I got to attend the press junket for the new Harry Potter Studio Tour at Leavesden Studios in Hertfordshire. As well as talking with many of the cast of the movies (see previous interviews here), we got to chat with the man behind many of the special effects that we see in the ten movies, John Richardson (Special Effects Supervisor).
During the interview, I find out how the technology has changed over the course of the ten years of movie making and also show my ignorance when it comes to the fact that Mad Eye Moody has a seat on his broomstick. He also tells me about how the broomsticks are made safe and how special effects works so closely with the visual effects teams and just like his colleagues, I asked John if he’s rather drive the flying Ford Anglia or the Knight Bus.
If you...
During the interview, I find out how the technology has changed over the course of the ten years of movie making and also show my ignorance when it comes to the fact that Mad Eye Moody has a seat on his broomstick. He also tells me about how the broomsticks are made safe and how special effects works so closely with the visual effects teams and just like his colleagues, I asked John if he’s rather drive the flying Ford Anglia or the Knight Bus.
If you...
- 4/6/2012
- by David Sztypuljak
- HeyUGuys.co.uk
If you’ve missed the last two, have a little look here a my interview with Tom Felton in the potions classroom and Evanna Lynch in The Great Hall…. Last week, I had the honour and the privilege to go along to the Warner Bros. Studio Tour – The Making of Harry Potter to have a good old natter with some of the cast of the eight movies and with a few of the Production team that make these amazing films possible. If you’ve not heard of the Studio Tour, then you’ve obviously not been on HeyUGuys for a little while as I’ve been banging on about how amazing it is for months now.
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton,...
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton,...
- 4/5/2012
- by David Sztypuljak
- HeyUGuys.co.uk
Last week, I had the honour and the privilege to go along to the Warner Bros. Studio Tour – The Making of Harry Potter to have a good old natter with some of the cast of the eight movies and with a few of the Production team that make these amazing films possible. If you’ve not heard of the Studio Tour, then you’ve obviously not been on HeyUGuys for a little while as I’ve been banging on about how amazing it is for months now.
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
Yesterday I had a good...
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
Yesterday I had a good...
- 4/4/2012
- by David Sztypuljak
- HeyUGuys.co.uk
Late last week, I had the honour and the privilege to go along to the Warner Bros. Studio Tour – The making of Harry Potter to have a good old natter with some of the cast of the eight movies and with a few of the Production team that make these amazing films possible. If you’ve not heard of the Studio Tour, then you’ve obviously not been on HeyUGuys for a little while as I’ve been banging on about how amazing it is for months now.
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
Today we have my...
London’s newest attraction opened its doors on Saturday 31st March (see our red carpet interviews here) but the day before, I went along to the Studio once again to interview cast members Tom Felton, Rupert Grint, Evanna Lynch, Natalia Tena, Warwick Davis and Production Team members Nick Dudman (Creature and Makeup Effects) and John Richardson (Special effects).
Today we have my...
- 4/3/2012
- by David Sztypuljak
- HeyUGuys.co.uk
The 38th Annual Saturn Award Nominations were announced earlier this week and we now have the full list of nominees. The Saturn Awards recognizing outstanding Science Fiction, Fantasy, and Horror releases in the last 12 months. Included in the list of nominees is multiple nominations for American Horror Story and The Walking Dead.
“Hugo and Harry Potter and the Deathly Hallows: Part 2 each received 10 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 38th Annual Saturn Awards, which will be presented on Wednesday, June 20.
Other leading titles in the Academy’s film categories were Super 8 (eight nominations); Marvel’s Captain America: The First Avenger (seven); and The Adventures of Tintin and Mission: Impossible – Ghost Protocol (six each). Rise of the Planet of the Apes breathed new life into a classic sci-fi franchise with five nominations, including a Best Supporting Actor nomination for Andy Serkis.
“Hugo and Harry Potter and the Deathly Hallows: Part 2 each received 10 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 38th Annual Saturn Awards, which will be presented on Wednesday, June 20.
Other leading titles in the Academy’s film categories were Super 8 (eight nominations); Marvel’s Captain America: The First Avenger (seven); and The Adventures of Tintin and Mission: Impossible – Ghost Protocol (six each). Rise of the Planet of the Apes breathed new life into a classic sci-fi franchise with five nominations, including a Best Supporting Actor nomination for Andy Serkis.
- 3/2/2012
- by Jonathan James
- DailyDead
The Academy of Science Fiction Fantasy and Horror Films has announced the list of nominations for the 38th Saturn Awards, which will be presented on June 20th. These are presented without comment, other than to say to certain TV series, “Surprise! Welcome to Sci-Fi!”
Hugo and Harry Potter Cast Their Spells and Lead Film Nominations for 38th Saturn Awards
Breaking Bad and American Horror Story Scare Up Most TV Nominations in Banner Year for Science Fiction, Fantasy and Horror; Winners to be Announced June 20
Los Angeles – February 29, 2012 – Hugo and Harry Potter and the Deathly Hallows: Part 2 each received 10 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 38th Annual Saturn Awards, which will be presented on Wednesday, June 20.
Other leading titles in the Academy’s film categories were Super 8 (eight nominations); Marvel’s Captain America: The First Avenger (seven); and The Adventures of Tintin...
Hugo and Harry Potter Cast Their Spells and Lead Film Nominations for 38th Saturn Awards
Breaking Bad and American Horror Story Scare Up Most TV Nominations in Banner Year for Science Fiction, Fantasy and Horror; Winners to be Announced June 20
Los Angeles – February 29, 2012 – Hugo and Harry Potter and the Deathly Hallows: Part 2 each received 10 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 38th Annual Saturn Awards, which will be presented on Wednesday, June 20.
Other leading titles in the Academy’s film categories were Super 8 (eight nominations); Marvel’s Captain America: The First Avenger (seven); and The Adventures of Tintin...
- 3/1/2012
- by Erin Willard
- ScifiMafia
The Academy of Science Fiction, Fantasy and Horror Films have announced the nominations for its 38th Annual Saturn Awards. In the film categories Martin Scorsese’s Hugo and David Yates’ Harry Potter and the Deathly Hallows Part 2 each scored 10 nominations; whilst in the TV categories AMC’s Breaking Bad scored 6 nominations, followed by American Horror Story with five. The awards ceremony will take place in June in Burbank, Calif.
The complete list of nominees is below:
Film
Best Science Fiction Film
The Adjustment Bureau (Universal)
Captain America: The First Avenger (Paramount/Marvel)
Limitless (Relativity Media)
Rise of the Planet of the Apes (20th Century Fox)
Super 8 (Paramount)
X-Men: First Class (20th Century Fox)
Best Fantasy Film
Harry Potter and the Deathly Hallows: Part 2 (Warner Bros.)
Hugo (Paramount)
Immortals (Relativity Media)
Midnight in Paris (Sony Pictures Classics)
The Muppets (Walt Disney Studios)
Thor (Paramount/Marvel)
Best Horror/Thriller Film
Contagion (Warner Bros.
The complete list of nominees is below:
Film
Best Science Fiction Film
The Adjustment Bureau (Universal)
Captain America: The First Avenger (Paramount/Marvel)
Limitless (Relativity Media)
Rise of the Planet of the Apes (20th Century Fox)
Super 8 (Paramount)
X-Men: First Class (20th Century Fox)
Best Fantasy Film
Harry Potter and the Deathly Hallows: Part 2 (Warner Bros.)
Hugo (Paramount)
Immortals (Relativity Media)
Midnight in Paris (Sony Pictures Classics)
The Muppets (Walt Disney Studios)
Thor (Paramount/Marvel)
Best Horror/Thriller Film
Contagion (Warner Bros.
- 3/1/2012
- by Phil
- Nerdly
Awards season may have come and gone, but sci-fi fans still have something to look forward to with today's announcement of the Saturn Award nominees.
The awards, presented by the Academy of Science Fiction, Fantasy & Horror Films, recognize excellence in these genres, which are often underrepresented at other awards shows.
According to The Hollywood Reporter, this year's big movie contenders are "Harry Potter and the Deathly Hallows - Part 2," "Hugo," tied with 10 nominations each.
A number of the movies scoring big have been commercial successes but have not received awards show love, including J.J. Abrams' $260-million grossing monster hit "Super 8," which nabbed eight nominations, and "Captain America: The First Avenger," which earned nearly $400 million worldwide, coming in with six.
One of the most surprising cross-genre hits is Woody Allen's romantic comedy "Midnight in Paris," which took home the award for Best Original Screenplay at Sunday's Oscars, in...
The awards, presented by the Academy of Science Fiction, Fantasy & Horror Films, recognize excellence in these genres, which are often underrepresented at other awards shows.
According to The Hollywood Reporter, this year's big movie contenders are "Harry Potter and the Deathly Hallows - Part 2," "Hugo," tied with 10 nominations each.
A number of the movies scoring big have been commercial successes but have not received awards show love, including J.J. Abrams' $260-million grossing monster hit "Super 8," which nabbed eight nominations, and "Captain America: The First Avenger," which earned nearly $400 million worldwide, coming in with six.
One of the most surprising cross-genre hits is Woody Allen's romantic comedy "Midnight in Paris," which took home the award for Best Original Screenplay at Sunday's Oscars, in...
- 2/29/2012
- by Sarah Crow
- NextMovie
The Artist tops off its triumphant run throughout this awards season with a big night at the Oscars. And the winners are... in bold:
Best Picture
The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse
Directing
The Artist, Michel Hazanavicius
The Descendants, Alexander Payne
Hugo, Martin Scorsese
Midnight in Paris, Woody Allen
The Tree of Life, Terrence Malick
Actor In A Leading Role
Demián Bichir in A Better Life
George Clooney in The Descendants
Jean Dujardin in The Artist
Gary Oldman in Tinker Tailor Soldier Spy
Brad Pitt in Moneyball
Actor In A Supporting Role
Kenneth Branagh in My Week with Marilyn
Jonah Hill in Moneyball
Nick Nolte in Warrior
Christopher Plummer in Beginners
Max von Sydow in Extremely Loud and Incredibly Close
Actress In A Leading Role
Glenn Close in Albert Nobbs
Viola Davis in The Help...
Best Picture
The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse
Directing
The Artist, Michel Hazanavicius
The Descendants, Alexander Payne
Hugo, Martin Scorsese
Midnight in Paris, Woody Allen
The Tree of Life, Terrence Malick
Actor In A Leading Role
Demián Bichir in A Better Life
George Clooney in The Descendants
Jean Dujardin in The Artist
Gary Oldman in Tinker Tailor Soldier Spy
Brad Pitt in Moneyball
Actor In A Supporting Role
Kenneth Branagh in My Week with Marilyn
Jonah Hill in Moneyball
Nick Nolte in Warrior
Christopher Plummer in Beginners
Max von Sydow in Extremely Loud and Incredibly Close
Actress In A Leading Role
Glenn Close in Albert Nobbs
Viola Davis in The Help...
- 2/27/2012
- MUBI
The 84th Annual Academy Awards ended up being one of the most entertaining Academy Award shows that I've seen in years, even though films I wanted to win didn't. I was rooting for Martin Scorsese and Hugo this year, but I knew that The Artist would end up taking home a majority of the big awards. In the end, each one of these films took home 5 Awards, Hugo took home the more technical ones though. I think it was a pretty easy year to predict the winners.
It was great to see Billy Crystal back up on stage; he really did a great job bringing light, fun entertainment that everyone could enjoy. Crystal was awesome and one of the best parts of the show. The guy is classic comedy. He helped bring back everything that the Oscars should be.
Here's the full list of nominees with the winners in bold.
It was great to see Billy Crystal back up on stage; he really did a great job bringing light, fun entertainment that everyone could enjoy. Crystal was awesome and one of the best parts of the show. The guy is classic comedy. He helped bring back everything that the Oscars should be.
Here's the full list of nominees with the winners in bold.
- 2/27/2012
- by Venkman
- GeekTyrant
Owen Wilson in Woody Allen's Midngiht in Paris Best adapted screenplay * The Descendants (Fox Searchlight) Screenplay by Alexander Payne and Nat Faxon & Jim Rash Hugo (Paramount) Screenplay by John Logan The Ides of March (Sony Pictures Releasing) Screenplay by George Clooney & Grant Heslov and Beau Willimon Moneyball (Sony Pictures Releasing) Screenplay by Steven Zaillian and Aaron Sorkin Story by Stan Chervin Tinker Tailor Soldier Spy (Focus Features) Screenplay by Bridget O'Connor & Peter Straughan Best original screenplay The Artist (The Weinstein Company) Written by Michel Hazanavicius Bridesmaids (Universal) Written by Annie Mumolo & Kristen Wiig Margin Call (Roadside Attractions) Written by J.C. Chandor * Midnight in Paris (Sony Pictures Classics) Written by Woody Allen A Separation (Sony Pictures Classics) Written by Asghar Farhadi Best art direction The Artist (The Weinstein Company) Production Design: Laurence Bennett, Set Decoration: Robert Gould Harry Potter and the Deathly Hallows: Part 2 (Warner Bros.) Production Design: Stuart Craig,...
- 2/27/2012
- by Steve Montgomery
- Alt Film Guide
"Hugo" took home the most awards with five, but it didn't earn any of the big awards. "The Artist" took home Best Picture, Best Director and Best Actor, while Best Actress (in a bit of a surprise, considering Viola Davis' previous wins) went to Meryl Streep, and the Supporting awards went to Octavia Spencer and Christopher Plummer, both of which have won all awards season.
The full list of movies:
Best Picture
"War Horse"
"The Artist"
"Moneyball"
"The Descendants"
"The Tree of Life"
"Midnight in Paris"
"The Help"
"Hugo"
"Extremely Loud & Incredibly Close"
Best Actress in a Leading Role
Glenn Close, "Albert Nobbs"
Viola Davis, "The Help"
Rooney Mara, "The Girl with the Dragon Tattoo"
Meryl Streep, "The Iron Lady"
Michelle Williams, "My Week with Marilyn"
Best Actor in a Leading Role
Demian Bichir, "A Better Life"
George Clooney, "The Descendants"
Jean Dujardin, "The Artist"
Gary Oldman, "Tinker Tailor Soldier Spy"
Brad Pitt,...
The full list of movies:
Best Picture
"War Horse"
"The Artist"
"Moneyball"
"The Descendants"
"The Tree of Life"
"Midnight in Paris"
"The Help"
"Hugo"
"Extremely Loud & Incredibly Close"
Best Actress in a Leading Role
Glenn Close, "Albert Nobbs"
Viola Davis, "The Help"
Rooney Mara, "The Girl with the Dragon Tattoo"
Meryl Streep, "The Iron Lady"
Michelle Williams, "My Week with Marilyn"
Best Actor in a Leading Role
Demian Bichir, "A Better Life"
George Clooney, "The Descendants"
Jean Dujardin, "The Artist"
Gary Oldman, "Tinker Tailor Soldier Spy"
Brad Pitt,...
- 2/27/2012
- by editorial@zap2it.com
- Pop2it
The 84th Annual Academy Awards became a rightful homage to French cinema! "The Artist," distributed by The Weinstein company but the creative team is composed mostly of French folks, took home the big prize, the Best Picture award! "The Artist" won a total of 5 Oscars including Jean Dujardin for Best Actor, Michel Hazanavicius for Best Director, Best Costume Design, and Best Original Score.
But "Hugo" also won 5 Oscars, mostly technical and artistic merits, such as Best Art Direction, Cinematography, Sound Editing, Sound Mixing, and Visual Effects.
"Hugo," of course, was itself an homage to George Melies, the French illusionist who gave us the trippy "A Trip to the Moon."
Both "The Artist" and "Hugo" led the Oscar nominations with 10 and 11 nods respectively.
There was really no "oh gosh what a surprise" moment of the evening except for Meryl Streep taking home the Best Actress Oscar from the perceived surefire winner Viola Davis of "The Help.
But "Hugo" also won 5 Oscars, mostly technical and artistic merits, such as Best Art Direction, Cinematography, Sound Editing, Sound Mixing, and Visual Effects.
"Hugo," of course, was itself an homage to George Melies, the French illusionist who gave us the trippy "A Trip to the Moon."
Both "The Artist" and "Hugo" led the Oscar nominations with 10 and 11 nods respectively.
There was really no "oh gosh what a surprise" moment of the evening except for Meryl Streep taking home the Best Actress Oscar from the perceived surefire winner Viola Davis of "The Help.
- 2/27/2012
- by Manny
- Manny the Movie Guy
Jean Dujardin, The Artist Oscar 2012 Predictions: Best Picture, Director, Acting Categories Best Picture: The Artist. Best Foreign Language Film: Monsieur Lazhar (Canada), directed by Philippe Falardeau. Best Director: Michel Hazanavicius for The Artist. Best Actor: Jean Dujardin for The Artist. Best Actress: Meryl Streep for The Iron Lady. Best Supporting Actor: Christopher Plummer for Beginners. Best Supporting Actress: Octavia Spencer for The Help. Best Original Screenplay: Woody Allen, Midnight in Paris. Best Adapted Screenplay: Alexander Payne, Jim Rash, and Nat Faxon for The Descendants. Best Animated Feature: Rango directed by Gore Verbinski. Best Cinematography: Guillaume Schiffman for The Artist. Best Film Editing: Michel Hazanavicius, Anne-Sophie Bion for The Artist. Best Original Score: Ludovic Bource for The Artist. Best Original Song: "Real in Rio" by Sergio Mendes, Carlinhos Brown, and Siedah Garrett, from Rio. Best Art Direction: Dante Ferretti and Francesca Lo Schiavo for Hugo. Best Costume Design: Sandy Powell for Hugo.
- 2/26/2012
- by Steve Montgomery
- Alt Film Guide
Daniel Radcliffe, Ralph Fiennes in David Yates' Harry Potter and the Deathly Hallows: Part 2 Oscar 2012 Predictions: Best Picture, Director, Acting Categories The Best Foreign Film Language winner is always a puzzle, as only a small percentage of Academy voters cast ballots in that category. That leaves room for some surprising — sometimes downright bizarre — choices. Asghar Farhadi's A Separation has been winning awards just about everywhere (though it lost the BAFTA to Pedro Almodóvar's The Skin I Live In). We're tempted to have it as our pick as well, but we're going out on a limb by selecting Philippe Falardeau's more sentimental Monsieur Lazhar from Canada. We'll see. Best Adapted Screenplay will definitely go to Alexander Payne, Jim Rash, and Nat Faxon for The Descendants. We believe the Best Original Screenplay will go to Woody Allen for Midnight in Paris, though a Michel Hazanavicius win for...
- 2/26/2012
- by Steve Montgomery
- Alt Film Guide
Click to enter!
I am live-blogging the 84th Annual Academy Awards, I will begin when Billy Crystal walks out on stage. Why am I doing this? I watch the Oscars, therefore I know how boring it can be. I will have my laptop on hand so I figure I will bring some praise and cynicism to the party.
Winners will be in Red.
Click ‘Continue Reading’ to enter the Live Blog.
09:39pm
Goodnight everyone, see you at the movies.
09:38pm
It was a good show, celebrating movies never gets old for me. Congrats to The Artist, well deserved.
09:36pm
Damn right you bring that dog on stage.
09:35pm
Best Picture
“The Artist” Thomas Langmann, Producer
“The Descendants” Jim Burke, Alexander Payne and Jim Taylor, Producers
“Extremely Loud & Incredibly Close” Scott Rudin, Producer
“The Help” Brunson Green, Chris Columbus and Michael Barnathan, Producers
“Hugo” Graham King and Martin Scorsese,...
I am live-blogging the 84th Annual Academy Awards, I will begin when Billy Crystal walks out on stage. Why am I doing this? I watch the Oscars, therefore I know how boring it can be. I will have my laptop on hand so I figure I will bring some praise and cynicism to the party.
Winners will be in Red.
Click ‘Continue Reading’ to enter the Live Blog.
09:39pm
Goodnight everyone, see you at the movies.
09:38pm
It was a good show, celebrating movies never gets old for me. Congrats to The Artist, well deserved.
09:36pm
Damn right you bring that dog on stage.
09:35pm
Best Picture
“The Artist” Thomas Langmann, Producer
“The Descendants” Jim Burke, Alexander Payne and Jim Taylor, Producers
“Extremely Loud & Incredibly Close” Scott Rudin, Producer
“The Help” Brunson Green, Chris Columbus and Michael Barnathan, Producers
“Hugo” Graham King and Martin Scorsese,...
- 2/26/2012
- by Graham McMorrow
- City of Films
Tomorrow is the day where the Academy of Motion Pictures Arts and Sciences celebrates the movies. We’ve waited all year and its finally here. By the time host Billy Crystal delivers his last punchline and concludes the 84th Academy Awards, the evening will have seen many celebrity-presenters appear on the Oscar stage at the Kodak Theatre.
Here’s my predictions for Hollywood’s big night.
Actor in a Leading Role
Demián Bichir in .A Better Life.
George Clooney in .The Descendants.
Jean Dujardin in .The Artist.
Gary Oldman in .Tinker Tailor Soldier Spy.
Brad Pitt in .Moneyball.
Clooney’s performance was like none other he’s given before and with Slumdog Millionaire, Natalie Portman (Black Swan) and Jeff Bridges (Crazy Heart), Fox Searchlight is on a roll. However, The Artist’s Dujardin will take home his first Academy Award.
Possible upset – Brad Pitt is an all around good guy...
Here’s my predictions for Hollywood’s big night.
Actor in a Leading Role
Demián Bichir in .A Better Life.
George Clooney in .The Descendants.
Jean Dujardin in .The Artist.
Gary Oldman in .Tinker Tailor Soldier Spy.
Brad Pitt in .Moneyball.
Clooney’s performance was like none other he’s given before and with Slumdog Millionaire, Natalie Portman (Black Swan) and Jeff Bridges (Crazy Heart), Fox Searchlight is on a roll. However, The Artist’s Dujardin will take home his first Academy Award.
Possible upset – Brad Pitt is an all around good guy...
- 2/26/2012
- by Michelle McCue
- WeAreMovieGeeks.com
The 84th Academy Awards will pay homage to the Golden Age of Hollywood. The perceived Oscar frontrunner, .The Artist,. is a black-and-white silent movie, while one of the Oscar Best Picture contenders, .Hugo,. touches upon the life of Georges Méliès and his magical .Trip to the Moon. (1902). Even Marilyn Monroe is being honored via a Best Actress nomination for Michelle Williams who played the icon in .My Week with Marilyn..
Amidst the glamour and the spectacle, this is one of the most unpredictable Oscars in recent memory. There is no clear-cut favorite. Even the awards darling .The Artist. may lose its voice on Oscar night. But I am marching forward to reveal my fearless 2012 Oscar predictions. (Read after the jump for my complete predictions on 24 categories, watch the video for the majors!)
Best Picture
*** "The Artist"
"The Descendants"
"Extremely Loud & Incredibly Close"
"The Help"
"Hugo"
"Midnight in Paris"
"Moneyball"
"The Tree of Life...
Amidst the glamour and the spectacle, this is one of the most unpredictable Oscars in recent memory. There is no clear-cut favorite. Even the awards darling .The Artist. may lose its voice on Oscar night. But I am marching forward to reveal my fearless 2012 Oscar predictions. (Read after the jump for my complete predictions on 24 categories, watch the video for the majors!)
Best Picture
*** "The Artist"
"The Descendants"
"Extremely Loud & Incredibly Close"
"The Help"
"Hugo"
"Midnight in Paris"
"Moneyball"
"The Tree of Life...
- 2/17/2012
- by Manny
- Manny the Movie Guy
Michel Hazanavicius' "The Artist" dominated the Orange British Academy Film Awards (BAFTA) taking home 7 trophies including Best Film, Best Director (Hazanavicius), Best Actor (Jean Dujardin), Best Original Screenplay, Best Costume Design, Best Cinematography, and Best Original Music. "The Artist" won 7 out of its 12 nominations.
Tomas Alfredson's "Tinker Tailor Soldier Spy" was also a big BAFTA winner taking home the Best British Film and Best Adapted Screenplay awards.
In the acting categories, Meryl Streep won the Best Actress award for her Margaret Thatcher performance in "The Iron Lady," Christopher Plummer was given the Best Supporting Actor award for "Beginners," and Octavia Spencer won the Best Supporting Actress award for "The Help."
Here's the full list of winners (highlighted) and nominees of the 2012 Orange British Academy Film Awards (to check out winners/nominees of other award-giving bodies, visit our Awards Avenue coverage right here):
Best Film
*** The Artist Thomas Langmann
The Descendants Jim Burke,...
Tomas Alfredson's "Tinker Tailor Soldier Spy" was also a big BAFTA winner taking home the Best British Film and Best Adapted Screenplay awards.
In the acting categories, Meryl Streep won the Best Actress award for her Margaret Thatcher performance in "The Iron Lady," Christopher Plummer was given the Best Supporting Actor award for "Beginners," and Octavia Spencer won the Best Supporting Actress award for "The Help."
Here's the full list of winners (highlighted) and nominees of the 2012 Orange British Academy Film Awards (to check out winners/nominees of other award-giving bodies, visit our Awards Avenue coverage right here):
Best Film
*** The Artist Thomas Langmann
The Descendants Jim Burke,...
- 2/13/2012
- by Manny
- Manny the Movie Guy
"The Artist" continued its award season dominance this evening as the Oscar favorite followed up its Golden Globe, Critics' Choice and Directors Guild victories with seven more wins at this year's BAFTAs, including Best Film, Best Actor for star Jean Dujardin and Best Director and Best Original Screenplay for Michel Hazanvicius.
"The Artist" also took home the trophies for Best Cinematography, Best Original Music and Best Costume Design.
For a silent film, "The Artist" sure is making a lot of noise these days.
Presented annually by the British Academy of Film and Television Arts, the BAFTAs recognize excellence in cinema both internationally and in British film. That often gives British productions a leg up in the voting, but this year not even homegrown favorite "Tinker Tailor Soldier Spy" could halt "The Artist's" unstoppable momentum; despite being nominated in 11 categories, "Tinker Tailor Solider Spy" ended up winning just two BAFTAs.
"The Artist" also took home the trophies for Best Cinematography, Best Original Music and Best Costume Design.
For a silent film, "The Artist" sure is making a lot of noise these days.
Presented annually by the British Academy of Film and Television Arts, the BAFTAs recognize excellence in cinema both internationally and in British film. That often gives British productions a leg up in the voting, but this year not even homegrown favorite "Tinker Tailor Soldier Spy" could halt "The Artist's" unstoppable momentum; despite being nominated in 11 categories, "Tinker Tailor Solider Spy" ended up winning just two BAFTAs.
- 2/13/2012
- by Scott Harris
- NextMovie
The 2012 Orange British Academy Film Awards (BAFTAs) were held tonight at which The Artist was named Best Film along with six other awards including Best Director (Michel Hazanavicius), Original Screenplay and Actor (Jean Dujardin). The film also took home awards for cinematography, costume design and original music. None of this comes as much of a surprise as The Artist is now, and has been for some time, considered the front-runner for Best Picture at the Oscars and has slowly been gaining steam in other categories including director and actor, especially as Dujardin has been charming American and international audiences with his latest Funny or Die skit and an appearance on "Saturday Night Live". In other awards, Meryl Streep won for Best Actress, adding more fuel to the competition between her and The Help's Viola Davis, a film that found itself in the winner's circle with Octavia Spencer winning Best Supporting Actress.
- 2/12/2012
- by Brad Brevet
- Rope of Silicon
Well the 2012 BAFTA Awards are over (unless of course you’re watching them on a catch-up service) and the event was filled with very little surprises – The Artist repeated its success from both the Richard Attenborough Film Awards and the London Critics’ Circle Film Awards and my bet (despite my love for his competition) for the Outstanding Debut Award, Paddy Considine, did walk away with that award. Of the awards Real surprises, I’m so happy for Christopher Plumer, who walked away with the Best Supporting Actor award for Beginners, and Octavia Spencer who won the Best Supporting Female award for The Help (although like many I thought that would go to Carey Mulligan for Drive).
Here are the nominees and winners in full:
Special Visual Effects
The Adventures Of Tintin: The Secret Of The Unicorn Joe Letteri Harry Potter And The Deathly Hallows – Part 2 Tim Burke, John Richardson,...
Here are the nominees and winners in full:
Special Visual Effects
The Adventures Of Tintin: The Secret Of The Unicorn Joe Letteri Harry Potter And The Deathly Hallows – Part 2 Tim Burke, John Richardson,...
- 2/12/2012
- by Phil
- Nerdly
Chicago – Just as it is predicted to do two Sundays from today, “The Artist” dominated the British Academy Film Awards (BAFTAs) today, winning seven different awards. The silent, black-and-white film won Best Film, Best Director (Michel Hazanavicius), and Best Lead Actor (Jean Dujardin), and four other wins.
The wins for “The Artist” just helped give more momentum to a film that is already predicted to take the top prize at the Academy Awards on February 26. While the BAFTAs and Academy Awards don’t always see eye-to-eye on the Best Film award, they have selected the same winner the past three years.
In the other major categories, Meryl Streep won Best Lead Actress for “The Iron Lady,” Christopher Plummer won Best Supporting Actor for “Beginners,” and Octavia Spencer won Best Supporting Actress for “The Help.” “The Artist” also won for Best Original Screenplay, while “Tinker Tailor Soldier Spy” won Best Adapted Screenplay.
The wins for “The Artist” just helped give more momentum to a film that is already predicted to take the top prize at the Academy Awards on February 26. While the BAFTAs and Academy Awards don’t always see eye-to-eye on the Best Film award, they have selected the same winner the past three years.
In the other major categories, Meryl Streep won Best Lead Actress for “The Iron Lady,” Christopher Plummer won Best Supporting Actor for “Beginners,” and Octavia Spencer won Best Supporting Actress for “The Help.” “The Artist” also won for Best Original Screenplay, while “Tinker Tailor Soldier Spy” won Best Adapted Screenplay.
- 2/12/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The 2012 Orange BAFTA ceremony tonight was, as expected, dominated by Michael Hazanavicius’ silent black-and-white love story The Artist.
Taking home seven awards in total, including ‘Best Film’, ‘Best Director’, ‘Best Actor for Jean Dujardin’, ‘Best Original Screenplay’, ‘Original Music’, ‘Cinematography’ and ‘Best Costume Design’, The Artist won almost every category it competed in.
Although Dujardin was a surprise over George Clooney for Best Actor, there was no shock for Best Actress with the BAFTA going to Meryl Streep for The Iron Lady, which was also honoured for the extraordinary Make-up & Hair category.
In the supporting category The Help’s Octavia Spencer won Supporting Actress and Christopher Plummer won Best Supporting Actor for Beginners, as expected.
Outstanding British Film and Adapted Screenplay went to Tinker Tailor Soldier Spy with Senna (Documentary, Editing) and Hugo (Production Design, Sound) also winning two Baftas.
In a huge surprise Pedro Almodovar’s The Skin I...
Taking home seven awards in total, including ‘Best Film’, ‘Best Director’, ‘Best Actor for Jean Dujardin’, ‘Best Original Screenplay’, ‘Original Music’, ‘Cinematography’ and ‘Best Costume Design’, The Artist won almost every category it competed in.
Although Dujardin was a surprise over George Clooney for Best Actor, there was no shock for Best Actress with the BAFTA going to Meryl Streep for The Iron Lady, which was also honoured for the extraordinary Make-up & Hair category.
In the supporting category The Help’s Octavia Spencer won Supporting Actress and Christopher Plummer won Best Supporting Actor for Beginners, as expected.
Outstanding British Film and Adapted Screenplay went to Tinker Tailor Soldier Spy with Senna (Documentary, Editing) and Hugo (Production Design, Sound) also winning two Baftas.
In a huge surprise Pedro Almodovar’s The Skin I...
- 2/12/2012
- by Matt Holmes
- Obsessed with Film
The Artist wins seven BAFTAs including Best Film, Leading Actor for Jean Dujardin and Director and Original Screenplay for Michel Hazanavicius
Meryl Streep wins Leading Actress
Tinker Tailor Soldier Spy, Hugo, The Iron Lady and Senna win two BAFTAs each
The Artist was named Best Film at tonight.s Orange British Academy Film Awards hosted by Stephen Fry, held at London.s Royal Opera House. The film also won six other awards: Director, Original Screenplay, Original Music, Cinematography, Costume Design as well as a performance award for Jean Dujardin who won the Leading Actor BAFTA.
Meryl Streep was awarded the BAFTA for Leading Actress for her performance as Margaret Thatcher in The Iron Lady; the film was also honoured in the Make-Up & Hair category.
The Help.s Octavia Spencer won the Supporting Actress category and Christopher Plummer won Supporting Actor for his performance in Beginners.
Outstanding British Film and...
Meryl Streep wins Leading Actress
Tinker Tailor Soldier Spy, Hugo, The Iron Lady and Senna win two BAFTAs each
The Artist was named Best Film at tonight.s Orange British Academy Film Awards hosted by Stephen Fry, held at London.s Royal Opera House. The film also won six other awards: Director, Original Screenplay, Original Music, Cinematography, Costume Design as well as a performance award for Jean Dujardin who won the Leading Actor BAFTA.
Meryl Streep was awarded the BAFTA for Leading Actress for her performance as Margaret Thatcher in The Iron Lady; the film was also honoured in the Make-Up & Hair category.
The Help.s Octavia Spencer won the Supporting Actress category and Christopher Plummer won Supporting Actor for his performance in Beginners.
Outstanding British Film and...
- 2/12/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Producer Emile Sherman and actor Chris Hemsworth have gone home from the British Academy of Film and Television Arts awards empty handed. At the ceremony, which took place in London this morning, Sherman’s production company See Saw Films was beaten by Tinker Taylor Soldier Spy in the Outstanding British Film category. Sherman was nominated with producing partner Iain Canning for the Steve McQueen directed Shame.
Hemsworth was nominated for the audience voted Rising Star award. The trophy went to English rapper and actor Adam Deacon best known for his roles in Kidulthood and Adulthood.
The big winner was The Artist which won seven out of the twelve awards it was nominated for including Best Film, Director, Leading Actor and Original Screenplay.
A full list of the winners:
Winners
• Academy Fellowship
Martin Scorsese
• Outstanding British Contribution to Cinema
John Hunt
• Best Film
The Artist – Thomas Langmann
• Outstanding British Film
Tinker Tailor Soldier Spy – Tim Bevan,...
Hemsworth was nominated for the audience voted Rising Star award. The trophy went to English rapper and actor Adam Deacon best known for his roles in Kidulthood and Adulthood.
The big winner was The Artist which won seven out of the twelve awards it was nominated for including Best Film, Director, Leading Actor and Original Screenplay.
A full list of the winners:
Winners
• Academy Fellowship
Martin Scorsese
• Outstanding British Contribution to Cinema
John Hunt
• Best Film
The Artist – Thomas Langmann
• Outstanding British Film
Tinker Tailor Soldier Spy – Tim Bevan,...
- 2/12/2012
- by Brooke Hemphill
- Encore Magazine
Meryl Streep as Margaret Thatcher in Phyllida Lloyd's The Iron Lady BAFTA 2012 Winners: The Artist, Tinker Tailor Soldier Spy, The Skin I Live In, Michel Hazanavicius Best Actor Brad Pitt Moneyball Gary Oldman Tinker Tailor Soldier Spy George Clooney The Descendants * Jean Dujardin The Artist Michael Fassbender Shame Best Actress BÉRÉNICE Bejo The Artist * Meryl Streep The Iron Lady Michelle Williams My Week with Marilyn Tilda Swinton We Need to Talk About Kevin Viola Davis The Help Best Supporting Actor * Christopher Plummer Beginners Jim Broadbent The Iron Lady Jonah Hill Moneyball Kenneth Branagh My Week with Marilyn Philip Seymour Hoffman The Ides of March Best Supporting Actress Carey Mulligan Drive Jessica Chastain The Help Judi Dench My Week with Marilyn Melissa McCarthy Bridesmaids * Octavia Spencer The Help Best Original Music * The Artist Ludovic Bource The Girl With The Dragon Tattoo Trent Reznor, Atticus Ross Hugo Howard Shore Tinker Tailor Soldier Spy...
- 2/12/2012
- by Steve Montgomery
- Alt Film Guide
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