With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
Filmmaker, libertine, and decadent visionary Rainer Werner Fassbinder went through more doomed romances in the 1970s, the peak of his epic career, than even the most tragic poet could fit into a lifetime. For one, there was his affair with Moroccan actor El Hedi ben Salem, the star of “Ali: Fear Eats the Soul,” a time marked by alcohol and drug abuse, psychological torment by all parties involved, and which ended with Salem going on a stabbing spree and later killing himself. But then there was Armin Meier, an orphaned butcher whom Fassbinder cast in “Chinese Roulette,” “Satan’s Brew,” and “I Only Want You to Love Me.” After their eventual split, Meier downed four bottles of sleeping pills during the week of Fassbinder’s birthday,...
Filmmaker, libertine, and decadent visionary Rainer Werner Fassbinder went through more doomed romances in the 1970s, the peak of his epic career, than even the most tragic poet could fit into a lifetime. For one, there was his affair with Moroccan actor El Hedi ben Salem, the star of “Ali: Fear Eats the Soul,” a time marked by alcohol and drug abuse, psychological torment by all parties involved, and which ended with Salem going on a stabbing spree and later killing himself. But then there was Armin Meier, an orphaned butcher whom Fassbinder cast in “Chinese Roulette,” “Satan’s Brew,” and “I Only Want You to Love Me.” After their eventual split, Meier downed four bottles of sleeping pills during the week of Fassbinder’s birthday,...
- 6/16/2020
- by Ryan Lattanzio
- Indiewire
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
Filmmaker, libertine, and decadent visionary Rainer Werner Fassbinder went through more doomed romances in the 1970s, the peak of his epic career, than even the most tragic poet could fit into a lifetime. For one, there was his affair with Moroccan actor El Hedi ben Salem, the star of “Ali: Fear Eats the Soul,” a time marked by alcohol and drug abuse, psychological torment by all parties involved, and which ended with Salem going on a stabbing spree and later killing himself. But then there was Armin Meier, an orphaned butcher whom Fassbinder cast in “Chinese Roulette,” “Satan’s Brew,” and “I Only Want You to Love Me.” After their eventual split, Meier downed four bottles of sleeping pills during the week of Fassbinder’s birthday,...
Filmmaker, libertine, and decadent visionary Rainer Werner Fassbinder went through more doomed romances in the 1970s, the peak of his epic career, than even the most tragic poet could fit into a lifetime. For one, there was his affair with Moroccan actor El Hedi ben Salem, the star of “Ali: Fear Eats the Soul,” a time marked by alcohol and drug abuse, psychological torment by all parties involved, and which ended with Salem going on a stabbing spree and later killing himself. But then there was Armin Meier, an orphaned butcher whom Fassbinder cast in “Chinese Roulette,” “Satan’s Brew,” and “I Only Want You to Love Me.” After their eventual split, Meier downed four bottles of sleeping pills during the week of Fassbinder’s birthday,...
- 6/16/2020
- by Ryan Lattanzio
- Thompson on Hollywood
DVD Release Date: Aug. 27, 2013
Price: DVD $69.95
Studio: Criterion
R. W. Fassbinder's Beware of a Holy Whore (1971)
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder (World on a Wire) refused to play by the rules. His politically charged, experimental first films, made at an astonishingly rapid rate between 1969 and 1971, were influenced by the work of the antiteater, an avant-garde stage troupe that he had helped found in Munich.
Collected in Eclipse Series 39: Early Fassbinder are five of those fascinating and confrontational works; whether a self-conscious meditation on American crime movies, a scathing indictment of xenophobia in contemporary Germany, or an off-the-wall look at the dysfunctional relationships on film sets, each is a startling glimpse into the mind of a twenty-something man who would become one of the cinema’s most prolific artists.
Love Is Colder Than Death (1969)
For his debut, Fassbinder fashioned an acerbic,...
Price: DVD $69.95
Studio: Criterion
R. W. Fassbinder's Beware of a Holy Whore (1971)
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder (World on a Wire) refused to play by the rules. His politically charged, experimental first films, made at an astonishingly rapid rate between 1969 and 1971, were influenced by the work of the antiteater, an avant-garde stage troupe that he had helped found in Munich.
Collected in Eclipse Series 39: Early Fassbinder are five of those fascinating and confrontational works; whether a self-conscious meditation on American crime movies, a scathing indictment of xenophobia in contemporary Germany, or an off-the-wall look at the dysfunctional relationships on film sets, each is a startling glimpse into the mind of a twenty-something man who would become one of the cinema’s most prolific artists.
Love Is Colder Than Death (1969)
For his debut, Fassbinder fashioned an acerbic,...
- 6/6/2013
- by Laurence
- Disc Dish
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