The director’s movies provided an intense emotive soundtrack to teenagers’ lives. A new box set collects tracks from his best-loved films, by artists such as Simple Minds, the Smiths and Omd
It was clear just how important music was to John Hughes’s cinematic vision of teenage life when The Breakfast Club, his high-school detention drama, was released in 1985. As the film ended with its five principals – “a brain, an athlete, a basket case, a princess and a criminal” – having reached mutual understanding, the voice of Simple Minds’ Jim Kerr crooned: “Won’t you come see about me?”
The writers of Don’t You (Forget About Me), Keith Forsey and Steve Schiff, were trying to emulate the rhythm of Our Lips Are Sealed, by the Go-Go’s, and the song was inspired by a conversation in the film between Anthony Michael Hall (“brain”) and Judd Nelson (“criminal”). “When they were away from everybody else,...
It was clear just how important music was to John Hughes’s cinematic vision of teenage life when The Breakfast Club, his high-school detention drama, was released in 1985. As the film ended with its five principals – “a brain, an athlete, a basket case, a princess and a criminal” – having reached mutual understanding, the voice of Simple Minds’ Jim Kerr crooned: “Won’t you come see about me?”
The writers of Don’t You (Forget About Me), Keith Forsey and Steve Schiff, were trying to emulate the rhythm of Our Lips Are Sealed, by the Go-Go’s, and the song was inspired by a conversation in the film between Anthony Michael Hall (“brain”) and Judd Nelson (“criminal”). “When they were away from everybody else,...
- 11/10/2022
- by Michael Hann
- The Guardian - Film News
If there are any filmmakers who’ve worked their way through record stores as much as folks like Quentin Tarantino or even Wes Anderson, it would have to be John Hughes and Allan Moyle. So perhaps it’s no real surprise that on annual Record Store Day, where you can come out and support your local independent record stores on April 21st this year, there will be soundtrack reissues from both filmmakers.
First is Hughes’ “The Breakfast Club,” which will surely find many record enthusiasts doing some Judd Hirsch-style fist pumping as they pick up their all-white 12-inch vinyl pressing of the album. It’s hard to capture an entire mood of a film with a single soundtrack, especially when that film lingers on a dreary Saturday spent in detention with a few high school students looking to find themselves like in “The Breakfast Club,” but between the seminal...
First is Hughes’ “The Breakfast Club,” which will surely find many record enthusiasts doing some Judd Hirsch-style fist pumping as they pick up their all-white 12-inch vinyl pressing of the album. It’s hard to capture an entire mood of a film with a single soundtrack, especially when that film lingers on a dreary Saturday spent in detention with a few high school students looking to find themselves like in “The Breakfast Club,” but between the seminal...
- 4/6/2012
- by Benjamin Wright
- The Playlist
The death of musician Alex Chilton in the middle of last March brought an untimely end to a very unusual career. Only 59 at the time of his death, his years as a professional musician began all the way back in 1966; he was only 16 when, as the lead singer of The Box Tops, he made it to the top of the charts with "The Letter." After the dissolution of that band, whose music was largely dictated by outside writers and producers, the Memphis-born Chilton attempted a solo career before hooking up with young Memphis musicians Chris Bell, Andy Hummel, and Jody Stephens to form Big Star. To say that this band created what came to be known as "power pop" is, in this former music writer's opinion, rather too kind to most of the groups put under the "power pop" rubric. And since this is a film website and not a music website,...
- 4/14/2010
- MUBI
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