May on the Criterion Channel will be good to the auteurs. In fact they’re giving Richard Linklater better treatment than the distributor of his last film, with a 13-title retrospective mixing usual suspects—the Before trilogy, Boyhood, Slacker—with some truly off the beaten track. There’s a few shorts I haven’t seen but most intriguing is Heads I Win/Tails You Lose, the only available description of which calls it a four-hour (!) piece “edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater’s tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection.” Pair that with 2008’s Inning by Inning: A Portrait of a Coach and your completionism will be on-track.
- 4/21/2022
- by Leonard Pearce
- The Film Stage
As much as we adore and revere the theatrical experience, as theater chains prep to reopen amidst a virus that is spreading rapidly in certain areas of the country, one is far better off staying at home and enjoying films from around the world. There’s no better place to do that than The Criterion Channel, and now they’ve unveiled their July lineup.
Coming to the channel next month are retrospectives dedicated to the stellar early films of Atom Egoyan, works by Miranda July, films featuring Ryuichi Sakamoto scores, Olympic films (including their recent release Tokyo Olympiad), plus Kelly Reichardt’s masterful Certain Women, Med Hondo’s Soleil Ô (coming soon to disc with Scorsese’s next World Cinema Project release), Lizzie Borden’s Born in Flames, Asghar Farhadi’s A Separation, and much more.
See the lineup below and explore more on their platform. One can also see our weekly streaming picks here.
Coming to the channel next month are retrospectives dedicated to the stellar early films of Atom Egoyan, works by Miranda July, films featuring Ryuichi Sakamoto scores, Olympic films (including their recent release Tokyo Olympiad), plus Kelly Reichardt’s masterful Certain Women, Med Hondo’s Soleil Ô (coming soon to disc with Scorsese’s next World Cinema Project release), Lizzie Borden’s Born in Flames, Asghar Farhadi’s A Separation, and much more.
See the lineup below and explore more on their platform. One can also see our weekly streaming picks here.
- 6/26/2020
- by Jordan Raup
- The Film Stage
Red Skelton Whistling Collection
DVD
Warner Archive
1941, 42, 43 / 1:33:1 / 78, 74, 87 Min.
Starring Red Skelton, Ann Rutherford
Written by Robert MacGunigle, Nat Perrin
Cinematography by Sidney Wagner, Clyde De Vinnam, Lester White
Directed by S. Sylvan Simon
One night in 1950 during an especially frenetic episode of The Colgate Comedy Hour, Jerry Lewis stepped away from Dean Martin to address the camera point blank – “You get the idea – I’m supposed to be a 9-year-old kid.” Hardly a revelation – especially to Red Skelton, the reigning king of prepubescent horseplay.
That reign was begun in 1923 and fueled by broadly played gags that were both leering and infantile – like a burlesque version of The Bad Seed. One of Skelton’s most grating characters was a wisecracking brat called the “mean widdle kid” – wearing short pants and lace collar while delivering grown-up one-liners in baby talk he was a less feral version of Joe Besser’s...
DVD
Warner Archive
1941, 42, 43 / 1:33:1 / 78, 74, 87 Min.
Starring Red Skelton, Ann Rutherford
Written by Robert MacGunigle, Nat Perrin
Cinematography by Sidney Wagner, Clyde De Vinnam, Lester White
Directed by S. Sylvan Simon
One night in 1950 during an especially frenetic episode of The Colgate Comedy Hour, Jerry Lewis stepped away from Dean Martin to address the camera point blank – “You get the idea – I’m supposed to be a 9-year-old kid.” Hardly a revelation – especially to Red Skelton, the reigning king of prepubescent horseplay.
That reign was begun in 1923 and fueled by broadly played gags that were both leering and infantile – like a burlesque version of The Bad Seed. One of Skelton’s most grating characters was a wisecracking brat called the “mean widdle kid” – wearing short pants and lace collar while delivering grown-up one-liners in baby talk he was a less feral version of Joe Besser’s...
- 4/27/2019
- by Charlie Largent
- Trailers from Hell
The auteurists have been quiet too long about S. Sylvan Simon, the producer-director of Red Skelton and Abbout & Costello movies, and I'm not even kidding. His first claim to prominence is probably Grand Central Murder (1942), an absolute masterclass in camera blocking with large-ish groups of people, and his Skelton trilogy of Whistling in the Dark, Whistling in Dixie, and Whistling in Brooklyn would be Exhibit 2, maybe, but Lust for Gold (1949), which he was working on when he died is really strong too, and it's a noir disguised as a western with a crazy structure and you should see it.We start with a fervid voiceover read by an overheated William Prince, who's playing the author of the original book this is based on, and he's telling us about the famous Lost Dutchman Mine (so named because it was started by Spaniards then rediscovered by a German) at Superstition Mountain, and...
- 4/11/2019
- MUBI
From a pop culture perspective, private detectives stand for all that’s memorable about film noir. The indifference, the wittiness, and the moral ambiguity that define each urban knight has since become the stuff of parodied legend. We’re talking about the mediators between the crooks and the cops, the embodiment of back alley grayness that’s so tough to pin down. P.I.’s could cooperate with the law if needed, but they could just as soon do business with the bad guys for the right price. To a certain extent, that is – shamus work has always attracted the ignored and the ethical. The Wild West has mythical men with no name, The Asphalt Jungle has names with investigating licenses attached to them. Instead of a poncho and a ten gallon hat, they’re provided a fedora and trench coat.
The archetype has undergone many faces throughout Hollywood’s history,...
The archetype has undergone many faces throughout Hollywood’s history,...
- 2/16/2016
- by Danilo Castro
- CinemaNerdz
Werner Krauss, Conrad Veidt, Lil Dagover, The Cabinet of Dr. Caligari Conrad Veidt on TCM: The Hands Of Orlac, Casablanca, Nazi Agent Schedule (Et) and synopses from the TCM website: 6:00 Am Above Suspicion (1943) A honeymooning couple are asked to spy on the Nazis in pre-war Europe. Dir: Richard Thorpe. Cast: Joan Crawford, Fred MacMurray, Conrad Veidt. Bw-91 mins. 7:45 Am Contraband (1940) While held up in a British port, a Danish sea captain tussles with German spies. Dir: Michael Powell. Cast: Conrad Veidt, Valerie Hobson, Hay Petrie. Bw-87 mins. 9:30 Am All Through The Night (1942) A criminal gang turns patriotic to track down a Nazi spy ring. Dir: Vincent Sherman. Cast: Humphrey Bogart, Conrad Veidt, Kaaren Verne. Bw-107 mins. 11:30 Am Jew Suss (1934) A Jewish businessman using his wealth to benefit his people discovers he's not Jewish. Dir: Lothar Mendes. Cast: Conrad Veidt, Frank Vosper, Cedric Hardwicke. Bw-104 mins. 1:...
- 8/24/2011
- by Andre Soares
- Alt Film Guide
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