Speer Goes to Hollywood director Vanessa Lapa on Albert Speer: “The dissonance, the clash that occurs between what we know and the book and what we hear on the tapes, it’s mind-blowing and very disturbing.” Photo: Walter Frentz Collection, Berlin
In 2014, I met Vanessa Lapa at Film Forum in New York with her co-producer Felix Breisach for a conversation on The Decent One (Der Anständige), based on previously unseen family diaries, photographs and private letters found in Heinrich Himmler's home. We spoke about Marlene Dietrich singing as a marker of time in her documentary, if Hannah Arendt's Banality Of Evil works here and how the writings were obtained, transcribed and put on film. Now in the fall of 2021, Vanessa joined me on Zoom to discuss Speer Goes To Hollywood, co-written with Joëlle Alexis, and her take on the interviews done by Andrew Birkin with Albert Speer...
In 2014, I met Vanessa Lapa at Film Forum in New York with her co-producer Felix Breisach for a conversation on The Decent One (Der Anständige), based on previously unseen family diaries, photographs and private letters found in Heinrich Himmler's home. We spoke about Marlene Dietrich singing as a marker of time in her documentary, if Hannah Arendt's Banality Of Evil works here and how the writings were obtained, transcribed and put on film. Now in the fall of 2021, Vanessa joined me on Zoom to discuss Speer Goes To Hollywood, co-written with Joëlle Alexis, and her take on the interviews done by Andrew Birkin with Albert Speer...
- 10/27/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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