Stars: Alain Moussi, Stephen Dorff, Zoe Worn, Frank Grillo, Gianni Capaldi, Georges St-Pierre, Marie Avgeropoulos, Kevin Grevioux | Written and Directed by Kevin Grevioux
With the possible exception of rock stars and professional athletes, hitmen have the worst record for staying retired. And the central character of King of Killers is certainly no exception.
Marcus Goran was one of the best killers in the business until his boss Robert Xane calls needing him to do a job on his anniversary. We see him trying to pull the job off intercut with his wife getting ready to go out later thinking he’s working late at the office. Then she gets a text, allegedly from him telling her to meet her at the club where he’s stalking his target.
By the end of the night his target is dead, and so is his wife. Now he’s retired and a single...
With the possible exception of rock stars and professional athletes, hitmen have the worst record for staying retired. And the central character of King of Killers is certainly no exception.
Marcus Goran was one of the best killers in the business until his boss Robert Xane calls needing him to do a job on his anniversary. We see him trying to pull the job off intercut with his wife getting ready to go out later thinking he’s working late at the office. Then she gets a text, allegedly from him telling her to meet her at the club where he’s stalking his target.
By the end of the night his target is dead, and so is his wife. Now he’s retired and a single...
- 9/8/2023
- by Jim Morazzini
- Nerdly
Before the 1950s, film wasn't always black and white. The early Thomas Edison shorts of the late 1890s were occasionally in color, produced by having artists hand-paint individual film frames (and you thought your job was dull). In the early teens, monochromatic film tinting became used to differentiate day scenes from night (often tinted blue). The problem that early filmmakers had with color film was the technology; color film had to be produced bypassing multiple, color filtered, negatives through a camera and then compositing them. It was an expensive process, driving shooting costs up nearly three times of black and white photography. With the exception of a handful of films throughout the 1930s-1940s (The Adventures of Robin Hood, Becky Sharp, some Walt Disney shorts), actual color film was a rare treat for filmgoers.
This began to change in the 1950s when television, film's adversary for the domination of the...
This began to change in the 1950s when television, film's adversary for the domination of the...
- 3/31/2011
- by Drew Morton
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