Kate Middleton‘s fashion is almost always on point. Her looks are perfect form head to toe. However, there was one time when her followers weren’t too keen on a particular look. They claim it reminded them of a dress worn by Mia Farrow in the horror classic Rosemary’s Baby.
Kate Middleton’s 2018’s hospital debut resembled Mia Farrow’s ‘Rosemary’s Baby’ outfit
Within hours of delivering her third child, Prince Louis, in 2018, Kate Middleton made her debut as a mother of three on the steps of the Lindo Wing of St. Mary’s Hospital in London. She posed for photographs wearing a bright red Jenny Packham dress with a white lace collar alongside Prince William.
However, it didn’t take long for royal followers to make the connection between Kate’s outfit and that of a famous big-screen mother, Mia Farrow. The actor played the role of Rosemary Woodhouse in the 1968 Roman Polanski film.
Kate Middleton’s 2018’s hospital debut resembled Mia Farrow’s ‘Rosemary’s Baby’ outfit
Within hours of delivering her third child, Prince Louis, in 2018, Kate Middleton made her debut as a mother of three on the steps of the Lindo Wing of St. Mary’s Hospital in London. She posed for photographs wearing a bright red Jenny Packham dress with a white lace collar alongside Prince William.
However, it didn’t take long for royal followers to make the connection between Kate’s outfit and that of a famous big-screen mother, Mia Farrow. The actor played the role of Rosemary Woodhouse in the 1968 Roman Polanski film.
- 4/22/2024
- by Lucille Barilla
- Showbiz Cheat Sheet
Richard Romanus, who built his character acting career with a tough guy persona in film and television, has died at 80 at a hospital in Volos, Greece. No cause was given by his son, Robert.
Romanus had a string of memorable roles during his long career. He was Harry Canyon, the cab driver from Heavy Metal, and Richard Lapenna, the husband of Dr. Melfi, in “The Sopranos.” He was loanshark Michael Longo in Mean Streets.
His TV résumé includes Mission: Impossible, Starsky and Hutch, Hawaii Five-0, The Rockford Files, Kojak, Strike Force, and more across the ’70s.
In films, Romanus appeared in Sitting Ducks (1980), Protocol (1984), The Couch Trip (1988), Oscar (1991), Point of No Return (1993), Cops and Robbersons (1994), Nailed (2001) and The Young Black Stallion (2003).
In his later years, Romanus and his wife moved to the Greek town of Skiathos, and he wrote about the experience in Act III: A Small Island in the Aegean,...
Romanus had a string of memorable roles during his long career. He was Harry Canyon, the cab driver from Heavy Metal, and Richard Lapenna, the husband of Dr. Melfi, in “The Sopranos.” He was loanshark Michael Longo in Mean Streets.
His TV résumé includes Mission: Impossible, Starsky and Hutch, Hawaii Five-0, The Rockford Files, Kojak, Strike Force, and more across the ’70s.
In films, Romanus appeared in Sitting Ducks (1980), Protocol (1984), The Couch Trip (1988), Oscar (1991), Point of No Return (1993), Cops and Robbersons (1994), Nailed (2001) and The Young Black Stallion (2003).
In his later years, Romanus and his wife moved to the Greek town of Skiathos, and he wrote about the experience in Act III: A Small Island in the Aegean,...
- 12/30/2023
- by Bruce Haring
- Deadline Film + TV
Richard Romanus, the tough-guy character actor best known for his turn as Michael Longo, the Little Italy loan shark who gets into it with Robert De Niro’s Johnny Civello in Martin Scorsese’s Mean Streets, has died. He was 80.
Romanus died Dec. 23 in a private hospital in Volos, Greece, his son, Robert Romanus, told The Hollywood Reporter.
Romanus handled prominent voice roles for Ralph Bakshi in 1977’s Wizards (as the elf warrior Weehawk) and 1982’s Hey Good Lookin’ (as the leader of a 1950s greaser gang), and in between, he played the cab driver Harry Canyon in another animated film, Heavy Metal (1981).
He also appeared on four episodes of The Sopranos as Richard Lapenna, the on-again, off-again husband of Lorraine Bracco’s Jennifer Melfi, from 1999-2002.
In Mean Streets (1973), Romanus’ character is famously disrespected by Johnny when he leans on him for his money.
“You know, Michael, you make me laugh,...
Romanus died Dec. 23 in a private hospital in Volos, Greece, his son, Robert Romanus, told The Hollywood Reporter.
Romanus handled prominent voice roles for Ralph Bakshi in 1977’s Wizards (as the elf warrior Weehawk) and 1982’s Hey Good Lookin’ (as the leader of a 1950s greaser gang), and in between, he played the cab driver Harry Canyon in another animated film, Heavy Metal (1981).
He also appeared on four episodes of The Sopranos as Richard Lapenna, the on-again, off-again husband of Lorraine Bracco’s Jennifer Melfi, from 1999-2002.
In Mean Streets (1973), Romanus’ character is famously disrespected by Johnny when he leans on him for his money.
“You know, Michael, you make me laugh,...
- 12/30/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
One of the best-remembered dramas of the '70s gives us controversial actresses, a lavish production and a story by the even more controversial Lillian Hellman. Director Fred Zinnemann makes it into a suspenseful, deeply affecting experience. Julia Blu-ray Twilight Time Limited Edition 1977 / Color / 1:85 widescreen / 118 min. / Ship Date April 12, 2016 / available through Twilight Time Movies / 29.95 Starring Jane Fonda, Vanessa Redgrave, Jason Robards, Maximilian Schell, Hal Holbrook, Meryl Streep, Rosemary Murphy, Dora Doll, Elisabeth Mortensen, John Glover, Lisa Pelikan, Susan Jones, Cathleen Nesbitt, Maurice Denham. Cinematography Douglas Slocombe Film Editor Walter Murch Original Music Georges Delerue Written by Alvin Sargent based on the story by Lillian Hellman Produced by Richard Roth Directed by Fred Zinnemann
Reviewed by Glenn Erickson
Fred Zinnemann was a cinema activist from way back, a filmmaker of uncompromising convictions. His most frequent theme is anti-fascism, although he began with a very Soviet-styled pro-union film in Mexico, Redes.
Reviewed by Glenn Erickson
Fred Zinnemann was a cinema activist from way back, a filmmaker of uncompromising convictions. His most frequent theme is anti-fascism, although he began with a very Soviet-styled pro-union film in Mexico, Redes.
- 4/30/2016
- by Glenn Erickson
- Trailers from Hell
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The final outfit for analysis from To Catch a Thief (1954, directed by Alfred Hitchcock) encompasses and challenges the absolute femininity of Grace Kelly, here playing wilful blueblood Frances Stevens. After suffering an embarrassing verbal defeat by mademoiselle Danielle Foussard (Brigitte Auber), in simply donning a coral pink top and pleated skirt with driving gloves, Frances is back in control.
This particular ensemble, or rather the skirt, was a request by Grace to the film’s costume designer Edith Head. Keen at this point in the story to restore what she saw as a more ‘womanly’ inference to Frances, trousers, or even Capri pants, were not considered enough. Yet this is not a moment of vanity, or indeed self awareness for Grace, but an important clue as to how Frances overcomes...
The final outfit for analysis from To Catch a Thief (1954, directed by Alfred Hitchcock) encompasses and challenges the absolute femininity of Grace Kelly, here playing wilful blueblood Frances Stevens. After suffering an embarrassing verbal defeat by mademoiselle Danielle Foussard (Brigitte Auber), in simply donning a coral pink top and pleated skirt with driving gloves, Frances is back in control.
This particular ensemble, or rather the skirt, was a request by Grace to the film’s costume designer Edith Head. Keen at this point in the story to restore what she saw as a more ‘womanly’ inference to Frances, trousers, or even Capri pants, were not considered enough. Yet this is not a moment of vanity, or indeed self awareness for Grace, but an important clue as to how Frances overcomes...
- 5/21/2011
- by Chris Laverty
- Clothes on Film
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Artist Cathy Lomax has recreated several images from Rosemary’s Baby (1968), analysing the movie via costumes worn by its titular central character (played by Mia Farrow). They form a detailed and elegant companion piece; something Clothes on Film thought you should know about.
Lomax actually painted all 56 changes Rosemary undertakes during the story, as designed by Anthea Sylbert, each with a mini description breaking down the outfit’s composition. She directs attention to Mia Farrow’s slight frame and how the deliberately shapeless costumes serve to heighten Rosemary’s fragility and homeliness. Check out the examples below, all oil on canvas:
Rosemary Woodhouse’s Wardrobe, Outfit 3: Yellow floral print, sleeveless swing dress. (Moving into the apartment)
Rosemary Woodhouse’s Wardrobe, Outfit 13 #1: Dark blue with red and white floral print,...
Artist Cathy Lomax has recreated several images from Rosemary’s Baby (1968), analysing the movie via costumes worn by its titular central character (played by Mia Farrow). They form a detailed and elegant companion piece; something Clothes on Film thought you should know about.
Lomax actually painted all 56 changes Rosemary undertakes during the story, as designed by Anthea Sylbert, each with a mini description breaking down the outfit’s composition. She directs attention to Mia Farrow’s slight frame and how the deliberately shapeless costumes serve to heighten Rosemary’s fragility and homeliness. Check out the examples below, all oil on canvas:
Rosemary Woodhouse’s Wardrobe, Outfit 3: Yellow floral print, sleeveless swing dress. (Moving into the apartment)
Rosemary Woodhouse’s Wardrobe, Outfit 13 #1: Dark blue with red and white floral print,...
- 3/7/2011
- by Chris Laverty
- Clothes on Film
Watch the trailer Here
Despite languishing in unreleased hell for a year in the U.S. and not even having an official distributor here in the UK, we thought we’d show you this trailer for Middle Men (made in 2009, directed by George Gallo) because it brings to light the difficult task of recent period costume design.
The period in question is 1995. The story of this ‘based on true events’ comedy concerns nothing less than the birth of chargeable internet pornography. Wayne Beering (Giovanni Ribisi) and Buck Dolby (Gabriel Macht) are two horny lady lovers with the idea of creating the first online billing service for adult entertainment. They meet straight-laced married businessman Jack Harris (Luike Wilson) who, enlightened, makes their idea a reality. The next thing the trio know they have the FBI and organised crime on their tail. Then Jack falls in love with a porn star, which...
Despite languishing in unreleased hell for a year in the U.S. and not even having an official distributor here in the UK, we thought we’d show you this trailer for Middle Men (made in 2009, directed by George Gallo) because it brings to light the difficult task of recent period costume design.
The period in question is 1995. The story of this ‘based on true events’ comedy concerns nothing less than the birth of chargeable internet pornography. Wayne Beering (Giovanni Ribisi) and Buck Dolby (Gabriel Macht) are two horny lady lovers with the idea of creating the first online billing service for adult entertainment. They meet straight-laced married businessman Jack Harris (Luike Wilson) who, enlightened, makes their idea a reality. The next thing the trio know they have the FBI and organised crime on their tail. Then Jack falls in love with a porn star, which...
- 6/17/2010
- by Chris Laverty
- Clothes on Film
Screenwriter and filmmaker Robert Towne.
Forget It Bob, It’S Chinatown
Robert Towne looks back on Chinatown’s 35th anniversary
By
Alex Simon
The haunting trumpet wailing plaintively over the closing credits. The bandage covering star Jack Nicholson’s nose. The best last line of a movie, ever: “Forget it, Jake. It’s Chinatown"; all elements of a film now regarded by scholars, critics and cinefiles alike as one of the greatest pieces of American celluloid ever made. Chinatown was a collaboration between a who’s-who of ‘70s film icons. Directed by Roman Polanski, produced by Robert Evans, written by Robert Towne, starring Nicholson and Faye Dunaway, shot by John Alonso, and scored by Jerry Goldsmith, Chinatown was nominated for 11 Academy Awards in 1974, but brought home only one: for its writer. Robert Towne was barely 40, and Chinatown his first produced original screenplay, his previous efforts having been literary adaptations, such as 1973’s The Last Detail.
Forget It Bob, It’S Chinatown
Robert Towne looks back on Chinatown’s 35th anniversary
By
Alex Simon
The haunting trumpet wailing plaintively over the closing credits. The bandage covering star Jack Nicholson’s nose. The best last line of a movie, ever: “Forget it, Jake. It’s Chinatown"; all elements of a film now regarded by scholars, critics and cinefiles alike as one of the greatest pieces of American celluloid ever made. Chinatown was a collaboration between a who’s-who of ‘70s film icons. Directed by Roman Polanski, produced by Robert Evans, written by Robert Towne, starring Nicholson and Faye Dunaway, shot by John Alonso, and scored by Jerry Goldsmith, Chinatown was nominated for 11 Academy Awards in 1974, but brought home only one: for its writer. Robert Towne was barely 40, and Chinatown his first produced original screenplay, his previous efforts having been literary adaptations, such as 1973’s The Last Detail.
- 11/4/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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