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A decade ago, while on location in Africa with natural history documentary icon David Attenborough, Michael Gunton, who serves as creative director of factual at BBC Studios, had the idea to do another series that goes back in time — effectively BBC’s Planet Earth but with dinosaurs. What then seemed impossible proved to be a real option in more recent years with the evolution of technology and by teaming with innovative filmmaker Jon Favreau.
The result is Prehistoric Planet, an ambitious five-part Apple TV+ docuseries produced by the BBC Studios Natural History Unit and narrated by Attenborough that takes viewers back 66 million years to the late Cretaceous period and features nearly 100 CG dinosaurs and other animals.
Series producer/showrunner Tim Walker credits Favreau (who executive produced the series with Gunton) as the one who handed the team the “keys to the time machine.
A decade ago, while on location in Africa with natural history documentary icon David Attenborough, Michael Gunton, who serves as creative director of factual at BBC Studios, had the idea to do another series that goes back in time — effectively BBC’s Planet Earth but with dinosaurs. What then seemed impossible proved to be a real option in more recent years with the evolution of technology and by teaming with innovative filmmaker Jon Favreau.
The result is Prehistoric Planet, an ambitious five-part Apple TV+ docuseries produced by the BBC Studios Natural History Unit and narrated by Attenborough that takes viewers back 66 million years to the late Cretaceous period and features nearly 100 CG dinosaurs and other animals.
Series producer/showrunner Tim Walker credits Favreau (who executive produced the series with Gunton) as the one who handed the team the “keys to the time machine.
- 6/22/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
‘1917’ leads the way; Joaquin Phoenix, Renée Zellweger, ‘Parasite’, ‘Bait’ among the winners.
The 2020 Bafta Film Awards are taking place tonight (2 Feb) at the Royal Albert Hall in London.
Screen will be posting all the winners on this page and on Twitter as they are announced.
The ceremony started at 18:45 UK time and finishes at approximately 21:30, with Graham Norton on hosting duties for the first time.
Joker leads the way with 11 nominations. The Irishman and Once Upon A Time… In Hollywood follow on 10, with 1917 earning nine nods.
Winners as they happen in bold (latest first), below.
Leading Actress Jessie Buckley...
The 2020 Bafta Film Awards are taking place tonight (2 Feb) at the Royal Albert Hall in London.
Screen will be posting all the winners on this page and on Twitter as they are announced.
The ceremony started at 18:45 UK time and finishes at approximately 21:30, with Graham Norton on hosting duties for the first time.
Joker leads the way with 11 nominations. The Irishman and Once Upon A Time… In Hollywood follow on 10, with 1917 earning nine nods.
Winners as they happen in bold (latest first), below.
Leading Actress Jessie Buckley...
- 2/2/2020
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
With 10 Oscar overall nominations, Sam Mendes’ World War I epic “1917” is tied with “Once Upon a Time in Hollywood” and “The Irishman” as the second-most nominated film at the 92nd Academy Awards (“Joker” leads with 11 bids). One of those bids is in Best Visual Effects for VFX supervisors Greg Butler, Guillaume Rocheran and Dominic Tuohy, where the movie competes alongside “Avengers: Endgame,” “Star Wars: The Rise of Skywalker,” “The Irishman” and “The Lion King.” It currently tops the predictions in Gold Derby’s combined Oscar odds, and here are four reasons why it should be topping yours as well.
SEENo female writer has won an Oscar in 12 years — and only 2 have a chance to do so this year
1. It’s a Best Picture nominee.
Since all branches of the academy vote for the winners in all categories at the Oscars, we typically see most races, above and below the line,...
SEENo female writer has won an Oscar in 12 years — and only 2 have a chance to do so this year
1. It’s a Best Picture nominee.
Since all branches of the academy vote for the winners in all categories at the Oscars, we typically see most races, above and below the line,...
- 1/30/2020
- by Luca Giliberti
- Gold Derby
Disney’s “The Lion King” was the big VFX winner Wednesday at the 18th annual Ves Awards at the Beverly Hilton, grabbing three prizes. Meanwhile. Martin Scorsese’s “The Irishman” won for supporting VFX and feature compositing.
This now gives the edge to “The Lion King” (supervised by three-time Oscar winner Rob Legato) in the VFX Oscar race. Jon Favreau’s breakthrough virtual production and faux live-action aesthetic was due to Mpc Film’s accomplished photoreal animation. Of course, “The Irishman” has been given a boost, too. And we shouldn’t count out “Avengers: Endgame,” seeking to become the first Marvel movie to win the VFX Oscar, even though it came away empty-handed for its extraordinary end battle and outstanding character work on Thanos and Smart Hulk.
Laika’s stop-motion “Missing Link,” the Golden Globe animation winner, took two awards (VFX for animated feature and the Susan Sasquatch animated character...
This now gives the edge to “The Lion King” (supervised by three-time Oscar winner Rob Legato) in the VFX Oscar race. Jon Favreau’s breakthrough virtual production and faux live-action aesthetic was due to Mpc Film’s accomplished photoreal animation. Of course, “The Irishman” has been given a boost, too. And we shouldn’t count out “Avengers: Endgame,” seeking to become the first Marvel movie to win the VFX Oscar, even though it came away empty-handed for its extraordinary end battle and outstanding character work on Thanos and Smart Hulk.
Laika’s stop-motion “Missing Link,” the Golden Globe animation winner, took two awards (VFX for animated feature and the Susan Sasquatch animated character...
- 1/30/2020
- by Bill Desowitz
- Indiewire
“The Lion King,” the Disney “live-action” remake that is made up almost entirely of computer-generated characters and backgrounds, has won three awards at the Visual Effects Society’s 18th annual Ves Awards, which were handed out Wednesday night in Los Angeles.
The film won for its virtual cinematography and created environment, and also took the award for Outstanding Visual Effects in a Photoreal Feature, the Ves category that corresponds most closely to the Academy Awards’ Best Visual Effects category.
“The Irishman,” with its extensive use of de-aging technology, won two awards, including Outstanding Supporting Effects in a Photoreal Feature. “Missing Link” was the top animated feature with two awards.
Also Read: 'The Lion King' Crosses $500 Million Domestic, Will Soon Pass 'Beauty and the Beast'
In the television categories, “Stranger Things” and “Game of Thrones” each received a pair of awards. So did “The Mandalorian” — including one for “The Child,...
The film won for its virtual cinematography and created environment, and also took the award for Outstanding Visual Effects in a Photoreal Feature, the Ves category that corresponds most closely to the Academy Awards’ Best Visual Effects category.
“The Irishman,” with its extensive use of de-aging technology, won two awards, including Outstanding Supporting Effects in a Photoreal Feature. “Missing Link” was the top animated feature with two awards.
Also Read: 'The Lion King' Crosses $500 Million Domestic, Will Soon Pass 'Beauty and the Beast'
In the television categories, “Stranger Things” and “Game of Thrones” each received a pair of awards. So did “The Mandalorian” — including one for “The Child,...
- 1/30/2020
- by Steve Pond
- The Wrap
Jon Favreau's The Lion King won the Visual Effects Society Awards' top category for outstanding VFX in a photoreal feature. The photoreal retelling of the Disney animated classic — made using newly-developed virtual production techniques — bested a field of nominees that also included Alita: Battle Angel, Avengers: Endgame, Gemini Man and Star Wars: The Rise of Skywalker..
The award went to Robert Legato, Tom Peitzman, Adam Valdez and Andrew R. Jones, and the work was created at VFX house Mpc. The Lion King won two additional trophies, for outstanding creating environment and virtual production. The team ...
The award went to Robert Legato, Tom Peitzman, Adam Valdez and Andrew R. Jones, and the work was created at VFX house Mpc. The Lion King won two additional trophies, for outstanding creating environment and virtual production. The team ...
- 1/30/2020
- The Hollywood Reporter - Movie News
Jon Favreau's The Lion King won the Visual Effects Society Awards' top category for outstanding VFX in a photoreal feature. The photoreal retelling of the Disney animated classic — made using newly-developed virtual production techniques — bested a field of nominees that also included Alita: Battle Angel, Avengers: Endgame, Gemini Man and Star Wars: The Rise of Skywalker..
The award went to Robert Legato, Tom Peitzman, Adam Valdez and Andrew R. Jones, and the work was created at VFX house Mpc. The Lion King won two additional trophies, for outstanding creating environment and virtual production. The team ...
The award went to Robert Legato, Tom Peitzman, Adam Valdez and Andrew R. Jones, and the work was created at VFX house Mpc. The Lion King won two additional trophies, for outstanding creating environment and virtual production. The team ...
- 1/30/2020
- The Hollywood Reporter - Film + TV
Above all the titles screening at the 35th Santa Barbara Intl. Film Festival, a 13-minute world premiere short stands as perhaps the ultimate example of the event’s goal of presenting films that balance local interests and global perspectives. Titled “Santa Barbara,” the short is about director Diana Markosian’s mother, who came to the coastal California town as a Russian mail-order bride after seeing the NBC soap opera of the same name.
“It was the first thing to be broadcast on Russian television following the fall of the Soviet Union,” says programming director Michael Albright.
The short — one of a record 4,000 feature and short films submitted this year — came in as a Russian sidebar was being planned. “There was this weird phenomenon where we were thinking about doing this section and this submission came in, sort of bringing it all together.”
Synchronicities aside, that balancing act is a hallmark of the festival,...
“It was the first thing to be broadcast on Russian television following the fall of the Soviet Union,” says programming director Michael Albright.
The short — one of a record 4,000 feature and short films submitted this year — came in as a Russian sidebar was being planned. “There was this weird phenomenon where we were thinking about doing this section and this submission came in, sort of bringing it all together.”
Synchronicities aside, that balancing act is a hallmark of the festival,...
- 1/15/2020
- by Thomas J. McLean
- Variety Film + TV
Disney dominated the 18th annual Ves Awards with five nominations apiece for Jon Favreau’s frontrunner “The Lion King” and Robert Rodriguez’s surprising “Alita: Battle Angel” (acquired from Fox). Joining them for the top photo-real prize were the Disney-led “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” along with Ang Lee’s “Gemini Man”. The Ves Awards will be held January 29th at the Beverly Hilton Hotel.
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
- 1/7/2020
- by Bill Desowitz
- Indiewire
The Visual Effects Society has unveiled nominations for its 18th annual Ves Awards, which honor VFX work in film, animation, TV, commercials and video games. Winners will be revealed at a ceremony January 29 at the Beverly Hilton.
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
- 1/7/2020
- by Patrick Hipes
- Deadline Film + TV
The Santa Barbara International Film Festival has announced the lineup for its 35th edition, which will take place from January 15 to 25. There will be 47 world premieres and 71 U.S. premieres, with 50 countries represented overall, in addition to starry tributes that serve as an awards season stop for top Oscar contenders. Among those feted in their respective categories will be Renée Zellweger (American Riviera Award), Scarlett Johansson and Adam Driver (Outstanding Performers of the Year Award), Laura Dern (Cinema Vanguard Award), Brad Pitt (Maltin Modern Master Award), along with the winners of the Virtuosos Award: Awkwafina, Taron Egerton, Cynthia Erivo, Beanie Feldstein, Aldis Hodge, George MacKay, Florence Pugh, and Taylor Russell.
The Sbiff is also unique in its yearly celebration of below the line talent. The crafts artists who’ve won the Variety Artisans Award this year are Kristen Anderson-Lopez and Robert Lopez (“Frozen II”), Michael Giacchino (“Jojo Rabbit”), Kazu Hiro...
The Sbiff is also unique in its yearly celebration of below the line talent. The crafts artists who’ve won the Variety Artisans Award this year are Kristen Anderson-Lopez and Robert Lopez (“Frozen II”), Michael Giacchino (“Jojo Rabbit”), Kazu Hiro...
- 12/31/2019
- by Christian Blauvelt
- Indiewire
Oscar hopefuls The Lion King and Once Upon a Time in Hollywood won Hollywood Professional Association (Hpa) Awards, Thursday night at the Skirball Cultural Center in Los Angeles.
The VFX team behind Jon Favreau's virtual production of The Lion King collected the trophy for best feature VFX. Lion King's VFX supervisor, three-time Oscar winner Robert Legato, was additionally recognized with the Hpa Lifetime Achievement Award.
The honored Lion King VFX team also included Andrew R. Jones, Tom Peitzman and VFX house Mpc's Adam Valdez, Elliot Newman and Audrey Ferrara.
Editor Fred Raskin won the award for ...
The VFX team behind Jon Favreau's virtual production of The Lion King collected the trophy for best feature VFX. Lion King's VFX supervisor, three-time Oscar winner Robert Legato, was additionally recognized with the Hpa Lifetime Achievement Award.
The honored Lion King VFX team also included Andrew R. Jones, Tom Peitzman and VFX house Mpc's Adam Valdez, Elliot Newman and Audrey Ferrara.
Editor Fred Raskin won the award for ...
- 11/22/2019
- The Hollywood Reporter - Film + TV
Oscar hopefuls The Lion King and Once Upon a Time in Hollywood won Hollywood Professional Association (Hpa) Awards, Thursday night at the Skirball Cultural Center in Los Angeles.
The VFX team behind Jon Favreau's virtual production of The Lion King collected the trophy for best feature VFX. Lion King's VFX supervisor, three-time Oscar winner Robert Legato, was additionally recognized with the Hpa Lifetime Achievement Award.
The honored Lion King VFX team also included Andrew R. Jones, Tom Peitzman and VFX house Mpc's Adam Valdez, Elliot Newman and Audrey Ferrara.
Editor Fred Raskin won the award for ...
The VFX team behind Jon Favreau's virtual production of The Lion King collected the trophy for best feature VFX. Lion King's VFX supervisor, three-time Oscar winner Robert Legato, was additionally recognized with the Hpa Lifetime Achievement Award.
The honored Lion King VFX team also included Andrew R. Jones, Tom Peitzman and VFX house Mpc's Adam Valdez, Elliot Newman and Audrey Ferrara.
Editor Fred Raskin won the award for ...
- 11/22/2019
- The Hollywood Reporter - Movie News
A new episode of The Hollywood Reporter's Behind the Screen does a deep dive into the making of Jon Favreau's The Lion King and tackles the question as to whether it should be considered an animated movie.
The Disney production involved an innovative virtual production process with elements including virtual reality, a real-time game engine and live-action production techniques to craft a photo-real CG retelling of Disney's 1994 animated classic. Explaining the process, its potential impact on movie-making and how development is continuing are VFX supervisor Rob Legato; VFX supervisor Adam Valdez of VFX house Mpc, a Technicolor ...
The Disney production involved an innovative virtual production process with elements including virtual reality, a real-time game engine and live-action production techniques to craft a photo-real CG retelling of Disney's 1994 animated classic. Explaining the process, its potential impact on movie-making and how development is continuing are VFX supervisor Rob Legato; VFX supervisor Adam Valdez of VFX house Mpc, a Technicolor ...
- 8/30/2019
- The Hollywood Reporter - Film + TV
A new episode of The Hollywood Reporter's Behind the Screen does a deep dive into the making of Jon Favreau's The Lion King and tackles the question as to whether it should be considered an animated movie.
The Disney production involved an innovative virtual production process with elements including virtual reality, a real-time game engine and live-action production techniques to craft a photo-real CG retelling of Disney's 1994 animated classic. Explaining the process, its potential impact on movie-making and how development is continuing are VFX supervisor Rob Legato; VFX supervisor Adam Valdez of VFX house Mpc, a Technicolor ...
The Disney production involved an innovative virtual production process with elements including virtual reality, a real-time game engine and live-action production techniques to craft a photo-real CG retelling of Disney's 1994 animated classic. Explaining the process, its potential impact on movie-making and how development is continuing are VFX supervisor Rob Legato; VFX supervisor Adam Valdez of VFX house Mpc, a Technicolor ...
- 8/30/2019
- The Hollywood Reporter - Movie News
As a result of “The Lion King’s” innovative photo-realism, Jon Favreau intentionally put his Disney remake squarely in the crosshairs of live action and animation. Thus, while the Technicolor-owned Mpc Film team stunningly upped its keyframe character work to meet the requirements of the director’s narrative nature-doc aesthetic, it had to basically rewrite the playbook for performance by dialing down facial expressions and lip syncing. To many, this seemed counter-intuitive to what we normally expect from CG-animated character performance, which relies on exaggeration or more caricatured anthropomorphic behavior to express thought and emotion.
Yet Favreau was determined to avoid conventional character performance to stay within the life-like parameters of his aesthetic. He introduced distinct yet nuanced physicality along with an ensemble of new vocal performers, and relied on us to fill in the blanks with the familiar story, songs, and score. Still, the instant the animals began talking and singing,...
Yet Favreau was determined to avoid conventional character performance to stay within the life-like parameters of his aesthetic. He introduced distinct yet nuanced physicality along with an ensemble of new vocal performers, and relied on us to fill in the blanks with the familiar story, songs, and score. Still, the instant the animals began talking and singing,...
- 8/7/2019
- by Bill Desowitz
- Indiewire
Of all the seemingly live-action shots in “The Lion King,” only one is real, and it’s the first shot of the movie. Director Jon Favreau tweeted this weekend, “There are 1490 rendered shots created by animators and CG artists. I slipped in one single shot that we actually photographed in Africa to see if anyone would notice. It is the first shot of the movie that begins ‘The Circle of Life.'”
The otherwise completely CG movie — which IndieWire called “a disastrous plunge into the uncanny valley” — boasts extremely photorealistic animals, and yet this opening shot of the setting sun, as “The Circle of Life” vaults from the screen and right into your nostalgia center, is the only moment that Favreau and cinematographer Caleb Deschanel actually shot. IndieWire recently interviewed Deschanel about achieving the film’s naturalistic look.
“The most important thing was to create a reality to the filmmaking...
The otherwise completely CG movie — which IndieWire called “a disastrous plunge into the uncanny valley” — boasts extremely photorealistic animals, and yet this opening shot of the setting sun, as “The Circle of Life” vaults from the screen and right into your nostalgia center, is the only moment that Favreau and cinematographer Caleb Deschanel actually shot. IndieWire recently interviewed Deschanel about achieving the film’s naturalistic look.
“The most important thing was to create a reality to the filmmaking...
- 7/28/2019
- by Ryan Lattanzio
- Indiewire
Monday Midday Update: Final domestic opening weekend for The Lion King per Disney is $191.77M, which is very close to where the industry was seeing it yesterday morning and well above the $185M that the studio reported. This is after a Sunday that was $52.8M, -13%. Lion King‘s opening completely stopped Beauty and the Beast‘s opening B.O. ball of $174.7M and was even higher than such Disney theme park IP pics like Pirates of the Caribbean: Dead Man’s Chest ($135.6M opening, the highest in that pic series).
When it came to rebooting The Lion King, it wasn’t just because it was the 25th anniversary of the original 1994 animated feature for the studio. Rather it was about the talent of filmmaker Jon Favreau. This weekend, he also notched the best domestic opening of his career as director, besting the $128.1M debut of Iron Man 2.
“One...
When it came to rebooting The Lion King, it wasn’t just because it was the 25th anniversary of the original 1994 animated feature for the studio. Rather it was about the talent of filmmaker Jon Favreau. This weekend, he also notched the best domestic opening of his career as director, besting the $128.1M debut of Iron Man 2.
“One...
- 7/22/2019
- by Anthony D'Alessandro
- Deadline Film + TV
When Jon Favreau decided to make “The Lion King” as realistic-looking as possible, he realized an innovative tech achievement and an aesthetic one as well, crossing the line between live action and animation with a more tactile photo-realism. Favreau and his team created a virtual production game changer with a new way of shooting in Virtual Reality with a live-action crew (including six-time Oscar-nominated cinematographer Caleb Deschanel), and making use of life-like animation from Technicolor-owned Mpc Film (“The Jungle Book”). The result is a breakthrough all-cg feature with a live-action sensibility, advancing the way virtual productions can be made, with implications for future application.
At the same time, “The Lion King” serves as an important lesson in how we experience live action and animation by revealing their individual strengths when combined together. Favreau’s edict was to adapt the beloved Disney hand-drawn blockbuster with the illusion of reality, transporting us to Kenya,...
At the same time, “The Lion King” serves as an important lesson in how we experience live action and animation by revealing their individual strengths when combined together. Favreau’s edict was to adapt the beloved Disney hand-drawn blockbuster with the illusion of reality, transporting us to Kenya,...
- 7/19/2019
- by Bill Desowitz
- Indiewire
Director Jon Favreau has assembled quite an incredible cast of actors for Disney's realistic CGI animated remake of The Lion King. Most of the actors on the list we've already known about, but the one big confirmation is that Beyonce will officially be providing the voice of Nala. Here's the synopsis that was released:
From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure...
From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure...
- 11/2/2017
- by Joey Paur
- GeekTyrant
The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film The Lion King includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way.
From Disney Live Action, The Lion King is slated for U.S. theaters on July 19, 2019.
“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.
Lions rule the African savanna in The Lion King which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king Simba, Beyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his...
From Disney Live Action, The Lion King is slated for U.S. theaters on July 19, 2019.
“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.
Lions rule the African savanna in The Lion King which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king Simba, Beyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his...
- 11/2/2017
- by Michelle Hannett
- WeAreMovieGeeks.com
Rob Legato, Adam Valdez, Andy Jones, and Dan Lemmon won the Academy Award for Best Visual Effects last night for their work on Disney’s The Jungle Book. The remake of the Disney animated feature of the same name from 1967 is considered a live-action film although there is very little live action to be seen. Best Visual Effects […]
Source: uInterview
The post Oscars 2017: ‘The Jungle Book’ Wins For Best Visual Effects appeared first on uInterview.
Source: uInterview
The post Oscars 2017: ‘The Jungle Book’ Wins For Best Visual Effects appeared first on uInterview.
- 2/27/2017
- by Jacob Kaye
- Uinterview
Visual Effects (VFX) artists are spectacular. Their intense discipline for creating seamless digital worlds tricks viewers into believing that what they’re seeing is real. Last night at the 89th Academy Awards, the Oscar for Best Visual Effects went to Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon the VFX team behind “The Jungle Book.”
Read More: 2017 Oscars: Full Winners List
Funny or Die, always with great wit and swift action, wanted to pay “tribute” to a film that got snubbed for a VFX nomination. This year, Funny or Die recognized Kenneth Lonergan’s Best Original Screenplay– and Best Actor–winning “Manchester By the Sea” for its fantastical visual effects. The team was able to craft the world of Manchester so beautifully, it actually looks as if Casey Affleck is there. If you really think about it, the VFX are so good, it’s like there aren’t any at all.
Read More: 2017 Oscars: Full Winners List
Funny or Die, always with great wit and swift action, wanted to pay “tribute” to a film that got snubbed for a VFX nomination. This year, Funny or Die recognized Kenneth Lonergan’s Best Original Screenplay– and Best Actor–winning “Manchester By the Sea” for its fantastical visual effects. The team was able to craft the world of Manchester so beautifully, it actually looks as if Casey Affleck is there. If you really think about it, the VFX are so good, it’s like there aren’t any at all.
- 2/27/2017
- by Kerry Levielle
- Indiewire
In one of the biggest shocks in Academy Awards history, the final award of the night, Best Picture, was mistakenly announced.
Moonlight won best picture at the 89th Oscars after La La Land was erroneously reported announced as the winner.
Warren Beatty and Faye Dunaway read La La Land right after Emma Stone won best actress for her role in the modern-day musical. After the cast took the stage, a producer for La La Land corrected things and said, “[Actually] ‘Moonlight’ is the winner … this is not a joke.”
The La Times exclusively spoke to best picture presenter Warren Beatty backstage after the history-making mistake that briefly awarded La La Land the honor instead of rightful winner Moonlight and the legendary director explained what happened onstage.
“I looked down at the card and thought, ‘This is very strange, because it says best actress.’ Maybe there was a misprint. I don’t know what happened.
Moonlight won best picture at the 89th Oscars after La La Land was erroneously reported announced as the winner.
Warren Beatty and Faye Dunaway read La La Land right after Emma Stone won best actress for her role in the modern-day musical. After the cast took the stage, a producer for La La Land corrected things and said, “[Actually] ‘Moonlight’ is the winner … this is not a joke.”
The La Times exclusively spoke to best picture presenter Warren Beatty backstage after the history-making mistake that briefly awarded La La Land the honor instead of rightful winner Moonlight and the legendary director explained what happened onstage.
“I looked down at the card and thought, ‘This is very strange, because it says best actress.’ Maybe there was a misprint. I don’t know what happened.
- 2/27/2017
- by Movie Geeks
- WeAreMovieGeeks.com
Update:
Winners are now indicated. I correctly guessed 11 out of the 24 categories, which is slightly better than last year, when I guessed 10 out of 24.
Previous 02.26.17:
I’ve now seen as many of the nominated films as I will be able to before tonight’s ceremony, and here finally are my educated guesses about who will take home each award — projected winners are Xed at the lefthand side. Keep in mind: those Xes don’t represent whom I think should win Oscars but whom I think will win, based on what little I can grasp about how the Academy thinks. I’ve also noted which nominees I think should win. Kindly note that this is not necessarily my take on who did the best performance/writing/FX/whatever of the year, but whom I think is best among the nominees.
I have not noted a “should win” for the feature documentary category,...
Winners are now indicated. I correctly guessed 11 out of the 24 categories, which is slightly better than last year, when I guessed 10 out of 24.
Previous 02.26.17:
I’ve now seen as many of the nominated films as I will be able to before tonight’s ceremony, and here finally are my educated guesses about who will take home each award — projected winners are Xed at the lefthand side. Keep in mind: those Xes don’t represent whom I think should win Oscars but whom I think will win, based on what little I can grasp about how the Academy thinks. I’ve also noted which nominees I think should win. Kindly note that this is not necessarily my take on who did the best performance/writing/FX/whatever of the year, but whom I think is best among the nominees.
I have not noted a “should win” for the feature documentary category,...
- 2/27/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
“La La Land,” as expected, dominated the Oscar crafts, with Damien Chazelle’s musical valentine taking four awards for cinematography, production design, score, and original song. Still, it was predicted to win at least three more.
And it was a great night for Disney and its trio of winners: the zeitgeist-grabbing “Zootopia” (animated feature), Disney Animation’s third Oscar in four years, which trumpeted tolerance ahead of the Presidential election; Alan Barillaro’s fine-feathered “Piper” (animated short), Pixar’s R&D sculpting project that ended its 15-year shorts drought; and Jon Favreau’s “The Jungle Book” (VFX), which innovated photographic-based realism. The award was shared by production VFX supervisor Rob Legato, Mpc’s VFX supervisor Adam Valdez, Weta Digital’s VFX supervisor Dan Lemmon, and Andrew R. Jones, the animation supervisor.
In winning his third Oscar, Legato expanded a live-action ethos for believably integrating virtual characters and environments (created by...
And it was a great night for Disney and its trio of winners: the zeitgeist-grabbing “Zootopia” (animated feature), Disney Animation’s third Oscar in four years, which trumpeted tolerance ahead of the Presidential election; Alan Barillaro’s fine-feathered “Piper” (animated short), Pixar’s R&D sculpting project that ended its 15-year shorts drought; and Jon Favreau’s “The Jungle Book” (VFX), which innovated photographic-based realism. The award was shared by production VFX supervisor Rob Legato, Mpc’s VFX supervisor Adam Valdez, Weta Digital’s VFX supervisor Dan Lemmon, and Andrew R. Jones, the animation supervisor.
In winning his third Oscar, Legato expanded a live-action ethos for believably integrating virtual characters and environments (created by...
- 2/27/2017
- by Bill Desowitz
- Indiewire
Sunday’s 89th Academy Awards are underway at the Dolby Theatre in Hollywood.
Barry Jenkins and Tarell Alvin McCraney took to the stage at the Dolby Theatre in a popular adapted screenplay win for Moonlight as the drama earned its second win of the night.
Moments earlier Kenneth Lonergan accepted the original screenplay award for Manchester By The Sea in the film’s first prize. Ben Affleck and Matt Damon – winners of this award for Good Will Hunting 19 years ago – presented the honour to Lonergan. Damon was a producer on the film.
Meryl Streep used her Oscar show platform to pay subtle homage to the unifying power of film when she joined Javier Bardem on stage at the Dolby Theatre to present the cinematography award.
“Truth is hard to reveal,” Streep said, “but when it happens on the movie screen filmgoers no matter where they are from, feel their hearts soar.”
Sweden’s [link...
Barry Jenkins and Tarell Alvin McCraney took to the stage at the Dolby Theatre in a popular adapted screenplay win for Moonlight as the drama earned its second win of the night.
Moments earlier Kenneth Lonergan accepted the original screenplay award for Manchester By The Sea in the film’s first prize. Ben Affleck and Matt Damon – winners of this award for Good Will Hunting 19 years ago – presented the honour to Lonergan. Damon was a producer on the film.
Meryl Streep used her Oscar show platform to pay subtle homage to the unifying power of film when she joined Javier Bardem on stage at the Dolby Theatre to present the cinematography award.
“Truth is hard to reveal,” Streep said, “but when it happens on the movie screen filmgoers no matter where they are from, feel their hearts soar.”
Sweden’s [link...
- 2/26/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Disney's The Jungle Book won the Academy Award in visual effects on Sunday, topping a field that included two additional high-profile Disney releases: Rogue One: A Star Wars Story and Doctor Strange, as well as Deepwater Horizon and Kubo and the Two Strings.
The Oscar was the third for veteran VFX supervisor Rob Legato, who also won the category for Hugo and Titanic. It was the first nomination and win for lead VFX house Mpc's VFX supervisor Adam Valdez; the second Oscar for Andrew R. Jones, who previously won an Oscar for Avatar; and it was the first win for Weta Digital's Dan Lemmon, who had...
The Oscar was the third for veteran VFX supervisor Rob Legato, who also won the category for Hugo and Titanic. It was the first nomination and win for lead VFX house Mpc's VFX supervisor Adam Valdez; the second Oscar for Andrew R. Jones, who previously won an Oscar for Avatar; and it was the first win for Weta Digital's Dan Lemmon, who had...
- 2/21/2017
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Simon Brew Feb 12, 2017
La La Land and I, Daniel Blake take home big prizes at the BAFTAs. Here's the full list of winners...
No harm was done on La La Land's path to the Oscars at today's BAFTA Film Awards 2017, with the British Academy for Film and Television Arts rewarding the acclaimed musical with its top gong. Elsewhere, significant salutes were in abundance for I, Daniel Blake, and - aside from some British loyalty - there's little to suggest that the prizes given out won't be reflected at this year's Academy Awards.
Here's the full list of winners...
Fellowship
Mel Brooks
Outstanding British Contribution To Cinema
Curzon
Best Film
La La Land Fred Berger, Jordan Horowitz, Marc Platt
Outstanding British Film
I, Daniel Blake Ken Loach, Rebecca O'Brien, Paul Laverty
Outstanding Debut By A British Writer, Director Or Producer
Under the Shadow: Babak Anvari (Writer/Director), Emily Leo,...
La La Land and I, Daniel Blake take home big prizes at the BAFTAs. Here's the full list of winners...
No harm was done on La La Land's path to the Oscars at today's BAFTA Film Awards 2017, with the British Academy for Film and Television Arts rewarding the acclaimed musical with its top gong. Elsewhere, significant salutes were in abundance for I, Daniel Blake, and - aside from some British loyalty - there's little to suggest that the prizes given out won't be reflected at this year's Academy Awards.
Here's the full list of winners...
Fellowship
Mel Brooks
Outstanding British Contribution To Cinema
Curzon
Best Film
La La Land Fred Berger, Jordan Horowitz, Marc Platt
Outstanding British Film
I, Daniel Blake Ken Loach, Rebecca O'Brien, Paul Laverty
Outstanding Debut By A British Writer, Director Or Producer
Under the Shadow: Babak Anvari (Writer/Director), Emily Leo,...
- 2/12/2017
- Den of Geek
The Jungle Book won the top awards at the Ves last night, while Kubo and the Two Strings earned top honors in the animation category. Here are the winners, courtesy...
- 2/8/2017
- by Sasha Stone
- AwardsDaily.com
Last night, the Visual Effects Society handed out their awards at their annual gathering. It was mainly a good night for The Jungle Book, which took the top prize, known as Outstanding Visual Effects in a Photoreal Feature. It beat back Doctor Strange, Fantastic Beasts and Where to Find Them, Miss Peregrine’s Home For Peculiar Children, and Rogue One: A Star Wars Story, while at the Academy Awards, it’ll be up against Deepwater Horizon, Doctor Strange, Kubo and the Two Strings, and Rogue One: A Star Wars Story. It was an expected win, but one that was eagerly awaited to try and figure out the Oscar category of Best Visual Effects. The Jungle Book ended up with five prizes in total, easily besting the rest of the bunch. As mentioned above, this top award ties directly into the Visual Effects category at the Oscars. Nine out of the...
- 2/8/2017
- by Joey Magidson
- Hollywoodnews.com
“The Jungle Book” is on its way to VFX Oscar gold after getting five Ves nods Tuesday night at the Beverly Hilton. “Rogue One,” the “Star Wars” standalone, however, came away empty-handed after receiving seven nominations.
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
- 2/8/2017
- by Bill Desowitz
- Indiewire
The nominations for the 89th Academy Awards are in and La La Land leads the pack with 14 nominations! I knew La La Land was going to explode at this event, and it's probably going to end up taking home many of the awards is was nominated for. The 14 nominations ties the record with 1997's Titanic and 1950's All About Eve.
Arrival ended up with eight nominations as did Moonlight, while Hacksaw Ridge, Lion, and Manchester by the Sea all got six. Deadpool ended up with zero nominations. I was hoping to see it somewhere on the list, but it looks like all that hype didn't work.
Every film and actor who was nominated for their work deserves to be on this list, so congratulations to them all! There are so many great films and actors to root for, but there can be only one winner in each category.
Jimmy Kimmel...
Arrival ended up with eight nominations as did Moonlight, while Hacksaw Ridge, Lion, and Manchester by the Sea all got six. Deadpool ended up with zero nominations. I was hoping to see it somewhere on the list, but it looks like all that hype didn't work.
Every film and actor who was nominated for their work deserves to be on this list, so congratulations to them all! There are so many great films and actors to root for, but there can be only one winner in each category.
Jimmy Kimmel...
- 1/24/2017
- by Joey Paur
- GeekTyrant
The Visual Effects Society has announced the nominations for the 13th Annual Ves awards "the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on-the-keys artists who bring this work to life."
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
- 1/14/2015
- by Manny
- Manny the Movie Guy
The Visual Effects Society has announced the nominees for its 13th Annual Ves Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games. Among the nominees — Dawn Of The Planet Of The Apes, Guardians of the Galaxy, Interstellar, Maleficent, The Hobbit: The Battle Of The Five Armies and X-Men: Days Of Future Past – for Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture. The awards will be held February 4 at the Beverly Hilton Hotel. See the complete list below.
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
- 1/13/2015
- by The Deadline Team
- Deadline
The Moving Picture Company (Mpc) has recently worked on such films as X-Men: First Class, Journey 2: The Mysterious Island, and Harry Potter and the Deathly Hallows: Part 2. The other day you saw their VFX breakdown of Guy Richie's Sherlock Holmes: A Game Of Shadows and today we have one for Andrew Stanton's John Carter. John Carter - Mpc VFX Breakdown Mpc VFX Supervisor Adam Valdez and Producer Phil Greenlow led the team delivering 180 shots for the picture. Mpc's main areas of work were the "Warhoon Attack' and 'Helium City Throne Room' scenes. From filmmaker Andrew Stanton comes John Carter a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military...
- 9/6/2012
- ComicBookMovie.com
Produced by Keanu Reeves and directed by Chris Kenneally, Side By Side is a riveting, entertaining new documentary about the current - and increasingly widespread - shift in filmmaking technology. As directors and cinematographers (in many cases) abandon traditional celluloid filmmaking in favor of rapidly developing digital tools, what, if anything, are we losing in the process? Are fears that movies will devolve in quality well founded? Or are these worries much ado about nothing? Is it a moot point anyway, given the foregone conclusions of the digital revolution? These are the sorts of fascinating, divisive questions Side By Side explores via in-depth interviews with professionals involved in all stages of the filmmaking process. From pioneering directors like James Cameron and Martin Scorsese to artistic innovators like Christopher Nolan and Lena Dunham, from cinematographers like Wally Pfister and Michael Chapman to visual effects standouts like Dennis Muren and Adam Valdez (and so,...
- 8/22/2012
- TribecaFilm.com
A must-see for any cinephile this year is Christopher Kenneally‘s documentary on digital vs. film, Side by Side. Led by Keanu Reeves, in our review we called it extraordinary, in that its not only required viewing for those interested in film, but also wonderfully entertaining. The documentary sees Reeves interview top Hollywood pioneers including James Cameron, George Lucas, Danny Boyle, Martin Scorsese, Christopher Nolan and as per usual in the genre, there was lots of left-over footage.
In a daily video series, Tribeca Films is releasing some extra clips from the films which featuring conversations that didn’t make the cut. There’s David Lynch discussing digital theatrical delivery, the Wachowskis on actors performances and editing, Martin Scorsese on celluloid, Wally Pfister on story, Steven Soderbergh on doing things different and much more. It’s great to hear the opinions of these tastemakers in Hollywood, including both sides of the coin.
In a daily video series, Tribeca Films is releasing some extra clips from the films which featuring conversations that didn’t make the cut. There’s David Lynch discussing digital theatrical delivery, the Wachowskis on actors performances and editing, Martin Scorsese on celluloid, Wally Pfister on story, Steven Soderbergh on doing things different and much more. It’s great to hear the opinions of these tastemakers in Hollywood, including both sides of the coin.
- 8/8/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
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