The team at Industrial Light and Magic (http://www.ilm.com/), who were responsible for some of the special effects in Half-Blood Prince, talk to Post magazine (http://www.postmagazine.com/ME2/dirmod.asp?sid=63930E9D02644EC9A127AF67602DA756&nm=E-Newsletters&type=Publishing&mod=Publications%3A%3AArticle&mid=8F3A7027421841978F18BE895F87F791&tier=4&id=9EC0C01B0B1A4D42A74A23F5E0461144) about how they created the fire, water, crystals and Inferi for the climatic cave scenes. Tim Alexander, Ilm's VFX supervisor on the film, discusses how they created the fire; ---Quote--- "If you look at a fire, it's actually pretty difficult to tell how deep it is. By piling up a bunch of slices together, you still get dimensionality to it but you're giving your time and energy to the screen space, where you need it, like the edges of the flame where...
- 7/25/2009
- by EmmaRiddle
- Snitchseeker.com
The team at Industrial Light and Magic (http://www.ilm.com/), who were responsible for some of the special effects in Half-Blood Prince, talk to Post magazine (http://www.postmagazine.com/ME2/dirmod.asp?sid=63930E9D02644EC9A127AF67602DA756&nm=E-Newsletters&type=Publishing&mod=Publications%3A%3AArticle&mid=8F3A7027421841978F18BE895F87F791&tier=4&id=9EC0C01B0B1A4D42A74A23F5E0461144) about how they created the fire, water, crystals and Inferi for the climatic cave scenes. Tim Alexander, Ilm's VFX supervisor on the film, discusses how they created the fire; ---Quote--- "If you look at a fire, it's actually pretty difficult to tell how deep it is. By piling up a bunch of slices together, you still get dimensionality to it but you're giving your time and energy to the screen space, where you need it, like the edges of the flame where...
- 7/25/2009
- by EmmaRiddle
- Snitchseeker.com
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