Steven Weisberg, who edited films for directors like Alfonso Cuarón, Barry Sonnenfeld, Rodrigo García and others, has died at the age of 68.
Weisberg died on Oct. 16 at the Motion Picture and Television County House and Hospital. His ex-wife, Susan Ellicott, announced his death to The Hollywood Reporter. He was living at the Woodland Hills facility, receiving treatment for the last five years for early onset Alzheimer’s. He received that diagnosis at the age of 55.
Born in New York City on Jan. 16, 1955, Steven Charles Weisberg attended Syracuse University and Binghamton University. He began working as an editor in the 1980s, receiving his first credit as an associate editor on “Gaby: A True Story” in 1987.
He would work with Cuarón on “A Little Princess” in 1995, “Great Expectations” in 1998 and “Harry Potter and the Prisoner of Azkaban” in 2004. Along with those films, he cut Barry Sonnenfeld’s Fox pilot for a live-action...
Weisberg died on Oct. 16 at the Motion Picture and Television County House and Hospital. His ex-wife, Susan Ellicott, announced his death to The Hollywood Reporter. He was living at the Woodland Hills facility, receiving treatment for the last five years for early onset Alzheimer’s. He received that diagnosis at the age of 55.
Born in New York City on Jan. 16, 1955, Steven Charles Weisberg attended Syracuse University and Binghamton University. He began working as an editor in the 1980s, receiving his first credit as an associate editor on “Gaby: A True Story” in 1987.
He would work with Cuarón on “A Little Princess” in 1995, “Great Expectations” in 1998 and “Harry Potter and the Prisoner of Azkaban” in 2004. Along with those films, he cut Barry Sonnenfeld’s Fox pilot for a live-action...
- 10/24/2023
- by Scott Mendelson
- The Wrap
Steven Weisberg, a film editor who cut features for directors Alfonso Cuarón, Barry Sonnenfeld, Rodrigo García and others, has died. He was 68.
Weisberg died Oct. 16 at the Motion Picture & Television Country House and Hospital in Woodland Hills after five years of care for early onset Alzheimer’s, his ex-wife, Susan Ellicott, announced. He was diagnosed when he was 55, she said.
Weisberg collaborated with Cuarón on A Little Princess (1995), Great Expectations (1998) and Harry Potter and the Prisoner of Azkaban (2004); with Sonnenfeld on the 2001 Fox pilot for The Tick, Big Trouble (2002) and Men in Black II (2002); and with García on Mother and Child (2009) and Albert Nobbs (2011).
Born in New York City on Jan. 16, 1955, Steven Charles Weisberg attended the State University of New York at Binghamton and Syracuse University and received an associate editor credit on Gaby: A True Story (1987).
His résumé also included The Cable Guy (1996), Permanent Midnight (1998), Nurse Betty (2000), I Am David...
Weisberg died Oct. 16 at the Motion Picture & Television Country House and Hospital in Woodland Hills after five years of care for early onset Alzheimer’s, his ex-wife, Susan Ellicott, announced. He was diagnosed when he was 55, she said.
Weisberg collaborated with Cuarón on A Little Princess (1995), Great Expectations (1998) and Harry Potter and the Prisoner of Azkaban (2004); with Sonnenfeld on the 2001 Fox pilot for The Tick, Big Trouble (2002) and Men in Black II (2002); and with García on Mother and Child (2009) and Albert Nobbs (2011).
Born in New York City on Jan. 16, 1955, Steven Charles Weisberg attended the State University of New York at Binghamton and Syracuse University and received an associate editor credit on Gaby: A True Story (1987).
His résumé also included The Cable Guy (1996), Permanent Midnight (1998), Nurse Betty (2000), I Am David...
- 10/24/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Steven Weisberg, a film editor whose career through the ’90s onward led him to collaborations with directors like Alfonso Cuarón, Barry Sonnenfeld and Barry Levinson, died Oct. 16 at the Motion Picture & Television Fund hospital in Woodland Hills, Calif. after several years of care for early onset Alzheimer’s. He was 68.
Weisberg’s death was confirmed by his ex-wife, Susan Ellicott.
Two of Cuarón’s early films, “Great Expectations” and “A Little Princess,” were edited by Weisberg. The two reunited for a foray into franchise filmmaking, “Harry Potter and the Prisoner of Azkaban.”
Weisberg also had a knack for editing studio comedies, with his first major feature credit being Ben Stiller’s directorial debut, the 1996 thriller “The Cable Guy.” Other notable credits include a string of Barry Sonnenfeld projects — the short-lived 2001 live-action series “The Tick” and his features “Big Trouble” and “Men in Black II” — as well as “Permanent Midnight,...
Weisberg’s death was confirmed by his ex-wife, Susan Ellicott.
Two of Cuarón’s early films, “Great Expectations” and “A Little Princess,” were edited by Weisberg. The two reunited for a foray into franchise filmmaking, “Harry Potter and the Prisoner of Azkaban.”
Weisberg also had a knack for editing studio comedies, with his first major feature credit being Ben Stiller’s directorial debut, the 1996 thriller “The Cable Guy.” Other notable credits include a string of Barry Sonnenfeld projects — the short-lived 2001 live-action series “The Tick” and his features “Big Trouble” and “Men in Black II” — as well as “Permanent Midnight,...
- 10/24/2023
- by J. Kim Murphy
- Variety Film + TV
Annette Bening and Jimmy Smits in Mother and Child
Photo: Sony Pictures Classics Rodrigo Garcia's Mother and Child is one story told through the lives of three separate women, all of which are dealing with their motherly ambitions and the choices they've made and the choices that have been made for them. Similar to Crash, you know their lives will come together at some point, although the path taken to get there isn't entirely explicit at the outset. Garcia does an excellent job navigating from one life to the next, but the film loses its sheen in the end when the desire for a happy ending takes over and turns a well made motherly drama into a soapy attempt at tear-jerking rather than staying committed to the equally devastating and uplifting story being told. In this case, the devastation was only used to be turned into a happy ending,...
Photo: Sony Pictures Classics Rodrigo Garcia's Mother and Child is one story told through the lives of three separate women, all of which are dealing with their motherly ambitions and the choices they've made and the choices that have been made for them. Similar to Crash, you know their lives will come together at some point, although the path taken to get there isn't entirely explicit at the outset. Garcia does an excellent job navigating from one life to the next, but the film loses its sheen in the end when the desire for a happy ending takes over and turns a well made motherly drama into a soapy attempt at tear-jerking rather than staying committed to the equally devastating and uplifting story being told. In this case, the devastation was only used to be turned into a happy ending,...
- 5/7/2010
- by Brad Brevet
- Rope of Silicon
New York, NY (November 1, 2009)- Sony Pictures Classics announces its acquisition of United States’ rights to Rodrigo García’s Mother And Child from Wme Global. The film debuted at the 2009 Toronto International Film Festival as a Gala Presentation, where it was actively pursued by several Us distributors.
Mother And Child is the moving tale about the choices we make, the chances we miss, the opportunities we seize and the power of the unbreakable bond between a mother and her child.
The film was written and directed by Rodrigo García (Things You Can Tell Just By Looking At Her and Nine Lives) and produced by Lisa Maria Falcone through her Everest Entertainment and Julie Lynn via her Mockingbird Pictures. The films’ director of photography is Xavier Grobet (City Of Ember, The Woodsman, Nacho Libre,) Steven Weisberg edited (Harry Potter And The Prisoner Of Azkaban, Permanent Midnight), with music by Ed Shearmur (Wings Of The Dove,...
Mother And Child is the moving tale about the choices we make, the chances we miss, the opportunities we seize and the power of the unbreakable bond between a mother and her child.
The film was written and directed by Rodrigo García (Things You Can Tell Just By Looking At Her and Nine Lives) and produced by Lisa Maria Falcone through her Everest Entertainment and Julie Lynn via her Mockingbird Pictures. The films’ director of photography is Xavier Grobet (City Of Ember, The Woodsman, Nacho Libre,) Steven Weisberg edited (Harry Potter And The Prisoner Of Azkaban, Permanent Midnight), with music by Ed Shearmur (Wings Of The Dove,...
- 11/2/2009
- Makingof.com
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