Chicago – Audiences cry for many reasons other than sadness. They cry tears of joy, of amusement, of recognition…and of awe. When an artist manages to pull off a groundbreaking technical achievement never before brought to the big screen (or the stage, for that matter), it can elicit a response of overwhelming astonishment. Of course, in the age of digital overkill, such reactions are as rare as original scripts.
Watching Cohen Media Group’s unmissable Blu-ray release of Raoul Walsh’s 1924 masterpiece, “The Thief of Bagdad,” was an experience akin to witnessing the Broadway production of Julie Taymor’s “The Lion King” (which I was lucky enough to catch on a high school trip). The ingenious props and fluid choreography that allowed towering animals to suddenly materialize onstage during the opening “Circle of Life” number caused me to bawl out of sheer exhilaration, and the final, incredible moments of Walsh...
Watching Cohen Media Group’s unmissable Blu-ray release of Raoul Walsh’s 1924 masterpiece, “The Thief of Bagdad,” was an experience akin to witnessing the Broadway production of Julie Taymor’s “The Lion King” (which I was lucky enough to catch on a high school trip). The ingenious props and fluid choreography that allowed towering animals to suddenly materialize onstage during the opening “Circle of Life” number caused me to bawl out of sheer exhilaration, and the final, incredible moments of Walsh...
- 3/1/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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