In a recent interview with Panorama magazine, designers Dolce and Gabbana threw around harsh criticism about IVF (in vitro fertilization). “I call children of chemistry, synthetic children,” said Domenic Dolce. Elton John, who has two sons born via surrogate, took to Instagram to respond, saying, “I shall never wear Dolce and Gabbana ever again.” Now other celebrities are slamming the designers with the hashtag #BoycottDolceGabbana.
How dare you refer to my beautiful children as "synthetic". And shame on you for wagging your judgemental little fingers at IVF - a miracle that has allowed legions of loving people, both straight and gay, to fulfil their dream of having children. Your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again. #BoycottDolceGabbana
A photo posted by Elton John (@eltonjohn) on Mar 14, 2015 at 10:29pm Pdt
Here’s who’s spoken out so far.
How dare you refer to my beautiful children as "synthetic". And shame on you for wagging your judgemental little fingers at IVF - a miracle that has allowed legions of loving people, both straight and gay, to fulfil their dream of having children. Your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again. #BoycottDolceGabbana
A photo posted by Elton John (@eltonjohn) on Mar 14, 2015 at 10:29pm Pdt
Here’s who’s spoken out so far.
- 3/16/2015
- by Taylor Ferber
- TheFabLife - Movies
In a recent interview with Panorama magazine, designers Dolce and Gabbana threw around harsh criticism about IVF (in vitro fertilization). “I call children of chemistry, synthetic children,” said Domenic Dolce. Elton John, who has two sons born via surrogate, took to Instagram to respond, saying, “I shall never wear Dolce and Gabbana ever again.” Now other celebrities are slamming the designers with the hashtag #BoycottDolceGabbana.
How dare you refer to my beautiful children as "synthetic". And shame on you for wagging your judgemental little fingers at IVF - a miracle that has allowed legions of loving people, both straight and gay, to fulfil their dream of having children. Your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again. #BoycottDolceGabbana
A photo posted by Elton John (@eltonjohn) on Mar 14, 2015 at 10:29pm Pdt
Here’s who’s spoken out so far.
How dare you refer to my beautiful children as "synthetic". And shame on you for wagging your judgemental little fingers at IVF - a miracle that has allowed legions of loving people, both straight and gay, to fulfil their dream of having children. Your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again. #BoycottDolceGabbana
A photo posted by Elton John (@eltonjohn) on Mar 14, 2015 at 10:29pm Pdt
Here’s who’s spoken out so far.
- 3/16/2015
- by Taylor Ferber
- VH1.com
Obviously a labor of love, Herbert Biegel's debut feature is a nostalgic, bittersweet evocation of camp life that won't have much appeal to anyone other than those who went to an Orthodox Jewish camp in the 1950s. This not being a high percentage of the moviegoing population, the film will be lucky to last a week in theaters before being relegated to the cutout bins in the video stores.
The autobiographical story concerns 15-year-old David Katz (Zachary Taylor), who, despite his wishes to spend his summer watching movies, is sent by his parents to Camp Ararat, a run-down Jewish summer camp in the Pocono Mountains in Pennsylvania.
What David finds is a maelstrom of social conflict. The founder of the camp, Schlomo (Jerry Stiller), is in failing health, and is deciding who will inherit it. The two candidates are Moishe (Paul Sand, making a rare and welcome return to the screen), his longtime, loyal second in command, and Chaim (Ted Marcoux), an ambitious counselor with a mania for discipline.
David finds himself stuck in the middle as he tries to get along at the camp without making any waves. Chaim, who is becoming increasingly unhinged because of suspicions about his attractive wife's possible infidelity, takes an instant dislike to him and attempts to make him an example to the other campers.
Meanwhile, despite all obstacles, David pursues a budding romance with Sally (Susan Vanech), an attractive young townie (and shiksa, no less).
Other key plot points involve a fellow camper with a candy addiction, a mystery involving the vandalism of a tray of peanut butter and jelly sandwiches, and the issue of whether David Will be allowed to attend the camp's movie screenings.
Director-screenwriter Biegel evokes the camp's atmosphere with affectionate detail and verisimilitude, but this coming-of-age tale simply lacks the resonance that would have enabled it to connect with general audiences.
Subtle and snail-paced, it's neither funny nor dramatic enough to have much impact, and some of its more melodramatic excesses prove laughable. Its most notable attribute is a basic and undeniable sweetness.
Taylor, who appeared in the acclaimed TV series "I'll Fly Away", is an appealing teenage hero, and Sand has some nice quiet moments as the beleaguered Moishe. Elliott Gould shows up briefly in an unnecessary prologue and epilogue, playing the grown-up David.
Roy Nathanson from the group the Jazz Passengers has contributed a pleasant klezmer-flavored musical score.
CAMP STORIES
Artistic License Films
A Forensic Films production
Director-writer Herbert Biegel
Producers Scott Macaulay, Robin O'Hara
Associate producer Richard Miller
Director of photography Paul Gibson
Composer Roy Nathanson
Editor Meg Reticker
Color/stereo
Cast:
Schlomo Jerry Stiller
Moishe Paul Sand
Young David Zachary Taylor
Young Paul Kris Park
Chaim Ted Marcoux
Mary Talia Balsam
Sally Susan Vanech
Grown-up David Elliott Gould
Running time -- 99 minutes
No MPAA rating...
The autobiographical story concerns 15-year-old David Katz (Zachary Taylor), who, despite his wishes to spend his summer watching movies, is sent by his parents to Camp Ararat, a run-down Jewish summer camp in the Pocono Mountains in Pennsylvania.
What David finds is a maelstrom of social conflict. The founder of the camp, Schlomo (Jerry Stiller), is in failing health, and is deciding who will inherit it. The two candidates are Moishe (Paul Sand, making a rare and welcome return to the screen), his longtime, loyal second in command, and Chaim (Ted Marcoux), an ambitious counselor with a mania for discipline.
David finds himself stuck in the middle as he tries to get along at the camp without making any waves. Chaim, who is becoming increasingly unhinged because of suspicions about his attractive wife's possible infidelity, takes an instant dislike to him and attempts to make him an example to the other campers.
Meanwhile, despite all obstacles, David pursues a budding romance with Sally (Susan Vanech), an attractive young townie (and shiksa, no less).
Other key plot points involve a fellow camper with a candy addiction, a mystery involving the vandalism of a tray of peanut butter and jelly sandwiches, and the issue of whether David Will be allowed to attend the camp's movie screenings.
Director-screenwriter Biegel evokes the camp's atmosphere with affectionate detail and verisimilitude, but this coming-of-age tale simply lacks the resonance that would have enabled it to connect with general audiences.
Subtle and snail-paced, it's neither funny nor dramatic enough to have much impact, and some of its more melodramatic excesses prove laughable. Its most notable attribute is a basic and undeniable sweetness.
Taylor, who appeared in the acclaimed TV series "I'll Fly Away", is an appealing teenage hero, and Sand has some nice quiet moments as the beleaguered Moishe. Elliott Gould shows up briefly in an unnecessary prologue and epilogue, playing the grown-up David.
Roy Nathanson from the group the Jazz Passengers has contributed a pleasant klezmer-flavored musical score.
CAMP STORIES
Artistic License Films
A Forensic Films production
Director-writer Herbert Biegel
Producers Scott Macaulay, Robin O'Hara
Associate producer Richard Miller
Director of photography Paul Gibson
Composer Roy Nathanson
Editor Meg Reticker
Color/stereo
Cast:
Schlomo Jerry Stiller
Moishe Paul Sand
Young David Zachary Taylor
Young Paul Kris Park
Chaim Ted Marcoux
Mary Talia Balsam
Sally Susan Vanech
Grown-up David Elliott Gould
Running time -- 99 minutes
No MPAA rating...
- 4/28/1997
- The Hollywood Reporter - Movie News
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