Exclusive: Sandra Oh (Killing Eve) has been tapped for a role in Lionsgate’s Good Fortune, the debut feature of Master of None and Parks and Rec star Aziz Ansari, in which he also stars alongside Seth Rogen, Keanu Reeves, and Keke Palmer.
Oh’s role is being kept under wraps, as is the plot of the movie. Ansari directed from his own script and also produced alongside Anthony Katagas and Alan Yang, with Aniz Adam Ansari and Jonathan McCoy exec producing. At Lionsgate, the film is overseen by Brady Fujikawa and Jon Humphrey.
The film is the second Ansari has looked to direct, on the heels of the Searchlight dramedy Being Mortal, which was shut down amid complaints of inappropriate behavior on the part of cast member Bill Murray in 2022. Previously, he’s helmed his 2022 comedy special Nightclub Comedian for Netflix, as well as 11 episodes of Master of None,...
Oh’s role is being kept under wraps, as is the plot of the movie. Ansari directed from his own script and also produced alongside Anthony Katagas and Alan Yang, with Aniz Adam Ansari and Jonathan McCoy exec producing. At Lionsgate, the film is overseen by Brady Fujikawa and Jon Humphrey.
The film is the second Ansari has looked to direct, on the heels of the Searchlight dramedy Being Mortal, which was shut down amid complaints of inappropriate behavior on the part of cast member Bill Murray in 2022. Previously, he’s helmed his 2022 comedy special Nightclub Comedian for Netflix, as well as 11 episodes of Master of None,...
- 4/5/2024
- by Matt Grobar
- Deadline Film + TV
2023 was a year of sustained gains year-on-year across the Nordics, although moviegoing is still down 23%-30% from pre-covid times. The summer was exceptional thanks to the “Barbenheimer” mania that boosted all five Nordic countries. Iceland was the only territory where “Oppenheimer” ranked third, after the local comedy “Wild Game” one of three Icelandic titles that enabled local fare to jump 123% in box office for a 14% market share.
Norway enjoyed a solid year and a 27% market share for domestic fare, led by three blockbusters based on popular IPs, including the top seller “Christmas at Cobble Street.”
In Finland, the “Barbenheimer” phenomenon was perhaps the strongest among the Nordic nations, making July the biggest ever in Finnish cinema history. Also notable was the success of Aki Kaurismäki’s “Fallen Leaves,” the fourth biggest hit of the year, which helped local titles secure a 23.4% share.
Less glorious were results in Denmark where overall...
Norway enjoyed a solid year and a 27% market share for domestic fare, led by three blockbusters based on popular IPs, including the top seller “Christmas at Cobble Street.”
In Finland, the “Barbenheimer” phenomenon was perhaps the strongest among the Nordic nations, making July the biggest ever in Finnish cinema history. Also notable was the success of Aki Kaurismäki’s “Fallen Leaves,” the fourth biggest hit of the year, which helped local titles secure a 23.4% share.
Less glorious were results in Denmark where overall...
- 2/2/2024
- by Annika Pham
- Variety Film + TV
Vienna-based Terra Mater Studios, a subsidiary of Red Bull, is developing its first fictional series “Salon of Sugar.”
The historical drama will focus on Berta Zuckerkandl, born in 1864: a writer, journalist and a hostess of an important literary salon in Vienna, frequented by the likes of Auguste Rodin, Gustav Klimt, director Max Reinhardt or Stefan Zweig.
“Composer Gustav Mahler actually met his wife Alma there,” says producer Nina Steiner, teasing other familiar faces bound to appear in the show, from Freud to Georges Clemenceau. Verena Puhm writes.
According to the makers, by creating an environment where revolutionary ideas and discussions flourished, Berta found herself at the very center of cultural and intellectual evolution during a “transformative” era in European history.
“I was drawn to this story because it encapsulates the timeless struggle for freedom and equality amidst a backdrop of societal change. Berta’s journey embodies the resilience and...
The historical drama will focus on Berta Zuckerkandl, born in 1864: a writer, journalist and a hostess of an important literary salon in Vienna, frequented by the likes of Auguste Rodin, Gustav Klimt, director Max Reinhardt or Stefan Zweig.
“Composer Gustav Mahler actually met his wife Alma there,” says producer Nina Steiner, teasing other familiar faces bound to appear in the show, from Freud to Georges Clemenceau. Verena Puhm writes.
According to the makers, by creating an environment where revolutionary ideas and discussions flourished, Berta found herself at the very center of cultural and intellectual evolution during a “transformative” era in European history.
“I was drawn to this story because it encapsulates the timeless struggle for freedom and equality amidst a backdrop of societal change. Berta’s journey embodies the resilience and...
- 10/17/2023
- by Marta Balaga
- Variety Film + TV
Let’s get this out of the way right from the top: Wes Anderson has never made a bad movie, and — in all likelihood — he probably never will. He’s too particular, too immaculate, too in command of his craft. Of course, the fact that he has always been so sure of himself only makes it more tempting to chart the progress of his career and to measure his films against each other. Or maybe it’s just fun because there are still only 11 of them, and everyone seems to have their own favorite. Who could say?
Anderson is the rarest of rarities, an arthouse filmmaker who not only finds ways to consistently make ambitious original projects, but also maintains genuine influence on what remains of mainstream pop culture. (None of the other esteemed directors who competed for the Palme d’Or at this year’s Cannes Film Festival were...
Anderson is the rarest of rarities, an arthouse filmmaker who not only finds ways to consistently make ambitious original projects, but also maintains genuine influence on what remains of mainstream pop culture. (None of the other esteemed directors who competed for the Palme d’Or at this year’s Cannes Film Festival were...
- 6/14/2023
- by David Ehrlich, Alison Foreman and Christian Zilko
- Indiewire
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSStanley Kubrick in Filmworker.Stanley Kubrick’s long-lost passion project, a biopic of Napoleon Bonaparte, may soon be realized. This week at the Berlinale, Steven Spielberg expanded on plans to executive-produce a seven-part series for HBO based on Kubrick’s original script.In June, Terence Davies will begin filming an adaptation of Stefan Zweig’s The Post-Office Girl. According to a production announcement, the cast includes Sophie Cookson, Richard E. Grant, and Verena Altenberger.Recommended VIEWINGWe’ve been enjoying the “redefining the food film” video-essay series on Vittles, a food and culture newsletter. Below is Andrew Key’s discussion of A Woman Under the Influence, and the ways that food can tear us apart:Shellac has shared a first trailer for Angela Schanelec’s Music,...
- 2/22/2023
- MUBI
Following up one of last year’s finest (and most overlooked) films, Benediction, Terence Davies has been prepping his next project for some time. First announcing it two years ago, the English director has written an adaptation of Stefan Zweig’s novel The Post Office Girl, published posthumously in 1982. One of Wes Anderson’s inspirations for The Grand Budapest Hotel, the book is set in post-wwi and follows a female post-office clerk who lives outside Vienna.
Last year the director told us, “We’ve been on this three years now. The script is written and we’re raising the money. But, you know, it will be a co-production, which means if one domino does fall, then everything collapses. It’s the same thing. You know, it took six years to get Benediction onto the screen, and that’s a long time. It’s a long time. And you begin to...
Last year the director told us, “We’ve been on this three years now. The script is written and we’re raising the money. But, you know, it will be a co-production, which means if one domino does fall, then everything collapses. It’s the same thing. You know, it took six years to get Benediction onto the screen, and that’s a long time. It’s a long time. And you begin to...
- 2/15/2023
- by Jordan Raup
- The Film Stage
Shudder and IFC Midnight are launching microbudget Skinamarink on a not-so-micro 629 screens, giving the viral horror pic a major push after a well-received premiere back at Fantasia-fest that just kept snowballing with strong reviews and social media love.
“I was over the moon. For a horror filmmaker in Canada, [Fantasia] is like getting a Cannes screening,” says first-time filmmaker Kyle Edward Ball about the leadup to this weekend’s buzzy specialty opening. He shot the 15k feature at his parents’ home in Edmonton, Canada.
In it, two children wake up in the middle of the night to find their father is missing and all the windows and doors in their home have vanished. “I’d had a nightmare when I was little. I was in my parents’ house, my parents were missing, and there was a monster. And lots of people have shared this exact same dream,” Ball tells Deadline.
“I was over the moon. For a horror filmmaker in Canada, [Fantasia] is like getting a Cannes screening,” says first-time filmmaker Kyle Edward Ball about the leadup to this weekend’s buzzy specialty opening. He shot the 15k feature at his parents’ home in Edmonton, Canada.
In it, two children wake up in the middle of the night to find their father is missing and all the windows and doors in their home have vanished. “I’d had a nightmare when I was little. I was in my parents’ house, my parents were missing, and there was a monster. And lots of people have shared this exact same dream,” Ball tells Deadline.
- 1/13/2023
- by Jill Goldsmith
- Deadline Film + TV
"What do you have to lose?" "More than you can imagine." Film Movement has debuted the US trailer for a German-Austrian film titled Chess Story, based on the classic novel of the same name by Stefan Zweig. Set in Vienna in 1938, Dr. Josef Bartok is preparing to flee to America with his wife Anna when he is arrested by the Gestapo. He refuses to cooperate and is locked in solitary confinement. Just as his mind is beginning to crack, Bartok happens upon a book of famous chess games. To withstand the torture of isolation, Bartok disappears into the world of chess, maintaining his sanity only by memorizing every move. When it flashes forward to a transatlantic crossing on which he is a passenger, it seems as though Bartok has finally found freedom. But recounting his story, it's clear his encounters with both the Gestapo and with the royal game itself have not stopped haunting him.
- 12/21/2022
- by Alex Billington
- firstshowing.net
With his work the basis for such great cinematic works as Letter from an Unknown Woman and Only Yesterday, the latest adaptation of a Stefan Zwieg novel comes with Chess Story, a German drama directed by Phillip Stolzl. Ahead of a January 13th theatrical release beginning at Quad Cinema, we’re pleased to exclusively debut the new trailer.
Based on Zweig’s final novella The Royal Game, the film stars Oliver Masucci, Albrecht Schuch (Berlin Alexanderplatz), Birgit Minichmayr (Everyone Else), and Rolf Lassgård (A Man Called Ove).
Set in Vienna, 1938, Austria is occupied by the Nazis. Just as Dr. Josef Bartok is about to flee to America with his wife Anna, he is arrested and taken to Hotel Metropol, the Gestapo headquarters. As a notary to the aristocracy, he is tasked with helping the local Gestapo leader gain access to their private bank accounts. After refusing to cooperate, Bartok is put in solitary confinement.
Based on Zweig’s final novella The Royal Game, the film stars Oliver Masucci, Albrecht Schuch (Berlin Alexanderplatz), Birgit Minichmayr (Everyone Else), and Rolf Lassgård (A Man Called Ove).
Set in Vienna, 1938, Austria is occupied by the Nazis. Just as Dr. Josef Bartok is about to flee to America with his wife Anna, he is arrested and taken to Hotel Metropol, the Gestapo headquarters. As a notary to the aristocracy, he is tasked with helping the local Gestapo leader gain access to their private bank accounts. After refusing to cooperate, Bartok is put in solitary confinement.
- 12/16/2022
- by Jordan Raup
- The Film Stage
"The Grand Budapest Hotel" is Wes Anderson's apotheosis, the film which is key to understanding his artistry. Indeed, his most recent film, "The French Dispatch," feels like a mere echo of "Grand Budapest."
His most visible trademarks are there. Every regular from his troupe of actors show up for parts large and small. The tone is deadpan comedy with tragedy sprinkled in. Anderson's filmmaking is quirky yet precise; he prefers center framing and adorns his shot subjects with exaggerated costume and set design. "Grand Budapest" includes all that and, combined with the use of miniatures, it looks like it was filmed in Anderson's own personal dollhouse.
Beneath the beauty and the hilarity, though, what does it all mean?
The film is the story of the eponymous, fictional hotel in the equally fictitious country of Zubrowka (named for a Polish Vodka brand). Though the story and setting is fictional, the film's inspirations weren't.
His most visible trademarks are there. Every regular from his troupe of actors show up for parts large and small. The tone is deadpan comedy with tragedy sprinkled in. Anderson's filmmaking is quirky yet precise; he prefers center framing and adorns his shot subjects with exaggerated costume and set design. "Grand Budapest" includes all that and, combined with the use of miniatures, it looks like it was filmed in Anderson's own personal dollhouse.
Beneath the beauty and the hilarity, though, what does it all mean?
The film is the story of the eponymous, fictional hotel in the equally fictitious country of Zubrowka (named for a Polish Vodka brand). Though the story and setting is fictional, the film's inspirations weren't.
- 10/29/2022
- by Devin Meenan
- Slash Film
Wes Anderson's 2014 period dramedy "The Grand Budapest Hotel" is a fetching cinematic confection with a profound sense of sadness at its core. The movie pays homage to the work of artists like English filmmaker Alfred Hitchcock and Austrian writer Stefan Zweig, both of whom used populist genres to explore the changing social and political landscape in Europe during the 20th century. In the same way, Anderson's film examines the rise of Euro-fascism (both in the years leading up to and just after World War II) through the lens of a whimsical, irreverent, and even raunchy caper plot.
Ralph Fiennes, who was unduly snubbed by the Oscars...
The post The Grand Budapest Hotel Hit Close To Home For Ralph Fiennes appeared first on /Film.
Ralph Fiennes, who was unduly snubbed by the Oscars...
The post The Grand Budapest Hotel Hit Close To Home For Ralph Fiennes appeared first on /Film.
- 6/14/2022
- by Sandy Schaefer
- Slash Film
As the human race straddles an unprecedented pandemic, hostile divisions and conflicts, fake news (and real news) and digital opportunism, we also discover new strengths and beauty of moral courage and perseverance. This programme celebrates the Austrian master of literature, Stefan Zweig (1881 – 1942), who is famed for his steadfast pacifism, insistence on vaster understanding and intricate reading on passion and desire.
Zweig experienced two world wars. As a famous Jewish-Austrian writer, Zweig’s books were censored, vilified and destroyed by the Nazi in the 1930s and 1940s. He left his hometown, Vienna, to escape German persecution, living in England and America before settling in his final destination, Brazil. When Zweig was in exile, a journalist asked how the writer thought of Germany, he answered, “I will make no prophecy. I would not speak against Germany. I would never speak against any country.”
Zweig’s work has served as the basis of many film adaptations and inspirations.
Zweig experienced two world wars. As a famous Jewish-Austrian writer, Zweig’s books were censored, vilified and destroyed by the Nazi in the 1930s and 1940s. He left his hometown, Vienna, to escape German persecution, living in England and America before settling in his final destination, Brazil. When Zweig was in exile, a journalist asked how the writer thought of Germany, he answered, “I will make no prophecy. I would not speak against Germany. I would never speak against any country.”
Zweig’s work has served as the basis of many film adaptations and inspirations.
- 6/1/2022
- by Adriana Rosati
- AsianMoviePulse
The Hungarian film industry is booming, with a record 241 domestic productions — including feature films, shorts, documentaries and TV series — produced in 2021. Here’s a selection of top projects in the pipeline or being sold during the Cannes Market:
As Long as the Grass Grows
Director: Áron Gauder
Producer: Réka Temple (Cinemon Entertainment)
Annecy main prize winner Gauder (“The District”) spins an alternative creation myth, in which mankind is but one of many creatures in the animal kingdom, and offers a hopeful story that it’s not too late to correct course and save the planet.
Blockade
Director: Ádám Tősér
Producer: Tamás Lajos (Film Positive Productions)
Based on the true story of the country’s first democratically elected prime minister, the film follows József Antall’s journey from a freedom fighter during the Hungarian Revolution of 1956 to the infamous 1990 taxi blockade that shook the nation.
Sales: Nfi World Sales
The Game...
As Long as the Grass Grows
Director: Áron Gauder
Producer: Réka Temple (Cinemon Entertainment)
Annecy main prize winner Gauder (“The District”) spins an alternative creation myth, in which mankind is but one of many creatures in the animal kingdom, and offers a hopeful story that it’s not too late to correct course and save the planet.
Blockade
Director: Ádám Tősér
Producer: Tamás Lajos (Film Positive Productions)
Based on the true story of the country’s first democratically elected prime minister, the film follows József Antall’s journey from a freedom fighter during the Hungarian Revolution of 1956 to the infamous 1990 taxi blockade that shook the nation.
Sales: Nfi World Sales
The Game...
- 5/21/2022
- by Christopher Vourlias
- Variety Film + TV
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Terence Davies’ Benediction is Mubi Go's Film of the Week in the United Kingdom and Ireland for May 20, 2022. Notebook: How would you describe your movie in the least amount of words?Terence Davies: A journey toward redemption. Notebook: Where and what is your favorite movie theater? Why is it your favorite?Davies: It was called the Hippodrome in Liverpool, long since pulled down. It was Hengler’s Music Hall before that and in fact when I went there, the boxes were still there and there were gods. When it was a music hall, when Siegfried Sassoon was in Litherland, he went there several times to see some shows.Notebook: What is the most memorable movie screening of your life? Why is it memorable?Davies: My very first film at seven, I was taken to see Singin' in the Rain.
- 5/17/2022
- MUBI
Editor’s Note: This story was originally published on May 1, 2017, and has been updated on March 5, 2022.
Let’s get this out of the way right from the top: Wes Anderson has never made a bad movie, and — in all likelihood — he probably never will. He’s too particular, too immaculate, too in command of his craft. Of course, the fact that he has always been so sure of himself only makes it more tempting to chart the progress of his career and to measure his films against each other. Or maybe it’s just fun because there are still only nine of them, and everyone seems to have their own favorite. Who could say?
Here are all of Wes Anderson’s feature films, ranked from “worst” to best.
Christian Zilko contributed to this story.
10. “Bottle Rocket”
Wes Anderson arrived fully formed (or close to it), and so much of his...
Let’s get this out of the way right from the top: Wes Anderson has never made a bad movie, and — in all likelihood — he probably never will. He’s too particular, too immaculate, too in command of his craft. Of course, the fact that he has always been so sure of himself only makes it more tempting to chart the progress of his career and to measure his films against each other. Or maybe it’s just fun because there are still only nine of them, and everyone seems to have their own favorite. Who could say?
Here are all of Wes Anderson’s feature films, ranked from “worst” to best.
Christian Zilko contributed to this story.
10. “Bottle Rocket”
Wes Anderson arrived fully formed (or close to it), and so much of his...
- 3/5/2022
- by David Ehrlich
- Indiewire
Exclusive: Film Movement has acquired U.S. rights to the dramedy Queen of Glory, written, directed by and starring Nana Mensah, from Magnolia Pictures International, with plans to release it in theaters and on digital and VOD later this year.
In her debut feature, Mensah plays Sarah, a Ghanaian-American doctoral student at Columbia University who is weeks away from following her very married boyfriend to Ohio when her mother dies suddenly, leaving her as the owner of the small, Bronx-based Christian bookstore, King of Glory. Tasked with planning a culturally respectful funeral befitting the family matriarch, Sarah is forced to juggle the expectations of her loving, yet demanding family while also navigating the reappearance of her estranged father. Aided by an only-in-New York ensemble of Eastern European neighbors, feisty African aunties and a no-nonsense ex-con co-worker, she faces her new responsibilities while figuring out how to remain true to herself.
In her debut feature, Mensah plays Sarah, a Ghanaian-American doctoral student at Columbia University who is weeks away from following her very married boyfriend to Ohio when her mother dies suddenly, leaving her as the owner of the small, Bronx-based Christian bookstore, King of Glory. Tasked with planning a culturally respectful funeral befitting the family matriarch, Sarah is forced to juggle the expectations of her loving, yet demanding family while also navigating the reappearance of her estranged father. Aided by an only-in-New York ensemble of Eastern European neighbors, feisty African aunties and a no-nonsense ex-con co-worker, she faces her new responsibilities while figuring out how to remain true to herself.
- 2/28/2022
- by Matt Grobar
- Deadline Film + TV
Oscar and double Palme d’Or winning director Bille August is attending the Göteborg Film Festival for a Director’s Talk and the gala screening of his psycho-drama “The Pact”.
He will also pitch at the adjoining Nordic Film Market (Feb. 3-6), the work in progress of his upcoming Danish pic “The Kiss”.
August spoke exclusively to Variety about “The Kiss,” his enduring interest in the complexity of human beings, book-to-screen adaptations and his belief in the big screen experience.
Loosely based on Stefan Zweig’s novel “Beware of Pity and transposed from an Austrian to a Danish setting, “The Kiss” is a romantic drama set in 1913. The helmer has reunited with “A Fortunate Man”’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a wheelchair user following an accident, Anton is attracted to her, but unsure if his feelings are of pity or true love.
He will also pitch at the adjoining Nordic Film Market (Feb. 3-6), the work in progress of his upcoming Danish pic “The Kiss”.
August spoke exclusively to Variety about “The Kiss,” his enduring interest in the complexity of human beings, book-to-screen adaptations and his belief in the big screen experience.
Loosely based on Stefan Zweig’s novel “Beware of Pity and transposed from an Austrian to a Danish setting, “The Kiss” is a romantic drama set in 1913. The helmer has reunited with “A Fortunate Man”’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a wheelchair user following an accident, Anton is attracted to her, but unsure if his feelings are of pity or true love.
- 1/31/2022
- by Annika Pham
- Variety Film + TV
18 works in progress by some of the Nordic region’s biggest names – Bille August, Björn Runge, the multi-prized Jp Valkeapää and Malou Reymann will be showcased at the hybrid Nordic Film Market (Feb. 3-6), along with some Sundance and Rotterdam competition entries.
The Nfm runs parallel to the final stretches of the Göteborg Film Festival (Jan.28-Feb.6).
So far, over 450 international delegates have signed up for the major Nordic film confab. Only 250 will be able to attend in-person, due to Covid restrictions in Sweden.
“We’ve received a huge interest from professionals to attend in-person, following the decision of Sundance, Rotterdam and Berlin’s European Film Market to go online. It’s been very difficult to say ‘no’ to people, but our priority is to guarantee a safe event,” said Göteborg head of industry Cia Edström who underlines the various safety measures to be implemented at the Nfm, from vaccination checks,...
The Nfm runs parallel to the final stretches of the Göteborg Film Festival (Jan.28-Feb.6).
So far, over 450 international delegates have signed up for the major Nordic film confab. Only 250 will be able to attend in-person, due to Covid restrictions in Sweden.
“We’ve received a huge interest from professionals to attend in-person, following the decision of Sundance, Rotterdam and Berlin’s European Film Market to go online. It’s been very difficult to say ‘no’ to people, but our priority is to guarantee a safe event,” said Göteborg head of industry Cia Edström who underlines the various safety measures to be implemented at the Nfm, from vaccination checks,...
- 1/21/2022
- by Annika Pham
- Variety Film + TV
The aim is to shoot in summer next year with a mix of UK and European actors.
UK-based sales agency Bankside Films has boarded worldwide rights on Terrence Davies’ upcoming feature The Post Office Girl, adapted from the Stefan Zweig novel.
Davies has been scouting locations on the project in Vienna this week, with the aim to shoot in summer next year with a mix of UK and European actors.
The Post Office Girl screenplay has already been fully developed by UK producers, Sheryl Crown of Rubicon Pictures and Ruth Caleb.
The project is being put together as an Austrian/UK co-production with Austrian Producers,...
UK-based sales agency Bankside Films has boarded worldwide rights on Terrence Davies’ upcoming feature The Post Office Girl, adapted from the Stefan Zweig novel.
Davies has been scouting locations on the project in Vienna this week, with the aim to shoot in summer next year with a mix of UK and European actors.
The Post Office Girl screenplay has already been fully developed by UK producers, Sheryl Crown of Rubicon Pictures and Ruth Caleb.
The project is being put together as an Austrian/UK co-production with Austrian Producers,...
- 10/29/2021
- by Geoffrey Macnab
- ScreenDaily
Film Movement has acquired North American rights to Olivia Peace’s “Tahara,” a coming-of-age starring Rachel Sennott (“Shiva Baby”) which played at Slamdance and TIFF Next Wave.
The film will be released theatrically in North America in 2022, followed by a roll out on home video and digital services. “Tahara” follows Carrie Lowstein (DeFreece) and Hannah Rosen (Sennott) who are best friends. When their former Hebrew school classmate, Samantha Goldstein, commits suicide, the two girls go to her funeral as well as the “Teen Talk-back” session designed to be an opportunity for them to understand grief through their faith. But, after an innocent kissing exercise turns Carrie’s world inside out, the pair finds themselves distracted by teenage complications.
On top of playing at Slamdance and TIFF Next Wave, the film won the Grand Jury Special Mention at Outfest as well as the best feature debut award by a Black LGBTQ+ Filmmaker at NewFest.
The film will be released theatrically in North America in 2022, followed by a roll out on home video and digital services. “Tahara” follows Carrie Lowstein (DeFreece) and Hannah Rosen (Sennott) who are best friends. When their former Hebrew school classmate, Samantha Goldstein, commits suicide, the two girls go to her funeral as well as the “Teen Talk-back” session designed to be an opportunity for them to understand grief through their faith. But, after an innocent kissing exercise turns Carrie’s world inside out, the pair finds themselves distracted by teenage complications.
On top of playing at Slamdance and TIFF Next Wave, the film won the Grand Jury Special Mention at Outfest as well as the best feature debut award by a Black LGBTQ+ Filmmaker at NewFest.
- 9/17/2021
- by Elsa Keslassy
- Variety Film + TV
Scope around certain movie sites or Film Twitter and you may find reference to a slated upcoming DC comics adaptation title Justice League Dark—Guillermo del Toro and Doug Liman have been attached, so it’s probably not too embarrassing. The French Dispatch, in a similar naming fashion, could really be title Wes Anderson Dark, or even Wes Anderson After Dark. The film is primarily presented in black-and-white academy ratio; in the occasional color sequences its palette is still a grim, swirling miasma of moonlit tones. And the themes and subject matter couldn’t be accused of indulging anyone’s inner child, wonderful as the likes of Rushmore and Fantastic Mr. Fox remain. Isle of Dogs, flawed and sometimes misguided as it was, provided hints Anderson was growing tired of his patented, semi-cutesy aesthetic fussiness. The French Dispatch pleases as a larger fulfillment of this promise.
Just as his partner...
Just as his partner...
- 7/13/2021
- by David Katz
- The Film Stage
Journalists are the heroes in “The French Dispatch,” so expect film critics to be a little bit biased in their embrace of Wes Anderson’s latest. It flatters the field, after all, just not in the way that Pulitzer-centric mega-scoop sagas “All the President’s Men” or “Spotlight” may have done before. Anderson is more of a miniaturist, albeit one whose vision grows more expansive — and more impressive — with each successive project.
Here, the Texas-to-Paris transplant sets out to honor The New Yorker and its ilk, re-creating the joy of losing oneself in a 12,000-word article (or three) on the big screen while relocating the entire affair to his adoptive home. Set in the fictional city of Ennui-sur-Blasé — a cross between Paris and frozen-in-time Angoulême (where most of the exteriors were shot) — the film offers an expat’s-eye view of France, packaged as a series of clips from the eponymous publication.
Here, the Texas-to-Paris transplant sets out to honor The New Yorker and its ilk, re-creating the joy of losing oneself in a 12,000-word article (or three) on the big screen while relocating the entire affair to his adoptive home. Set in the fictional city of Ennui-sur-Blasé — a cross between Paris and frozen-in-time Angoulême (where most of the exteriors were shot) — the film offers an expat’s-eye view of France, packaged as a series of clips from the eponymous publication.
- 7/12/2021
- by Peter Debruge
- Variety Film + TV
Eldar Grigorian adapted screenplay from Stefan Zweig’s autobiographical book The Royal Game.
Film Movement has picked up all North American rights from Studiocanal to Philipp Stölzl’s upcoming wartime drama Chess Story, which will be released internationally as The Royal Game.
Eldar Grigorian adapted the screenplay from Stefan Zweig’s novella of the same name about Dr. Josef Bartok, a lawyer who recalls on a cruise his prior torture and imprisonment by the Nazis in Vienna.
After Austria is taken over by the Germans in 1938, Bartok and his wife attempt to flee before he is captured and interrogated by the Gestapo,...
Film Movement has picked up all North American rights from Studiocanal to Philipp Stölzl’s upcoming wartime drama Chess Story, which will be released internationally as The Royal Game.
Eldar Grigorian adapted the screenplay from Stefan Zweig’s novella of the same name about Dr. Josef Bartok, a lawyer who recalls on a cruise his prior torture and imprisonment by the Nazis in Vienna.
After Austria is taken over by the Germans in 1938, Bartok and his wife attempt to flee before he is captured and interrogated by the Gestapo,...
- 7/1/2021
- by Jeremy Kay
- ScreenDaily
For the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy. Csaba Káel, chairman of the National Film Institute of Hungary (Nfi), says, “I believe it demonstrates the vitality and strength of the Hungarian industry flourishing despite the unprecedented circumstances caused by the pandemic worldwide.”
The two films represent opposite poles of current Hungarian filmmaking. Brimming with discourse, the independently funded “Forest” tells multiple complex, engaging stories of contemporary life in Hungary. And as he did in his Berlinale-winner “Just the Wind” (2012), Fliegauf creates deep empathy for his characters who deliver standout performances.
On the other hand, “Natural Light,” with its minimal dialogue, harks back to an older tradition in Hungarian cinema where stunning cinematography leads the other formal elements.
The two films represent opposite poles of current Hungarian filmmaking. Brimming with discourse, the independently funded “Forest” tells multiple complex, engaging stories of contemporary life in Hungary. And as he did in his Berlinale-winner “Just the Wind” (2012), Fliegauf creates deep empathy for his characters who deliver standout performances.
On the other hand, “Natural Light,” with its minimal dialogue, harks back to an older tradition in Hungarian cinema where stunning cinematography leads the other formal elements.
- 3/3/2021
- by Alissa Simon
- Variety Film + TV
‘Next Door’ is directed by Daniel Brühl and Dan Stevens stars in ‘In Your Man’.
World sales agent Beta Cinema has swooped on international rights to Daniel Brühl’s directorial debut Next Door and Maria Schrader’s I’m Your Man, which will both premiere in Competition at the Berlin International Film Festival (March 1-5).
The Munich-based outfit will introduce the features to buyers at the European Film Market (EFM), which will run alongside this year’s industry-focused, online-only event.
Next Door marks the directing debut of Brühl, who also stars in the black comedy alongside Peter Kurth and Phantom Thread’s Vicky Krieps.
World sales agent Beta Cinema has swooped on international rights to Daniel Brühl’s directorial debut Next Door and Maria Schrader’s I’m Your Man, which will both premiere in Competition at the Berlin International Film Festival (March 1-5).
The Munich-based outfit will introduce the features to buyers at the European Film Market (EFM), which will run alongside this year’s industry-focused, online-only event.
Next Door marks the directing debut of Brühl, who also stars in the black comedy alongside Peter Kurth and Phantom Thread’s Vicky Krieps.
- 2/15/2021
- by Geoffrey Macnab
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Kelly Reichardt and Michelle Williams on the set of Meek's Cutoff (2010). Kelly Reichardt and Michelle Williams will be working on a fourth project together, entitled Showing Up. The film, which goes into production this summer, follows an artist ahead of a career-changing exhibition. The Berlin Film Festival is unveiling its plans for this year's festival, beginning with its selection of six titles to premiere at the Berlinale Series that follow this year's theme: Toxic Antiheroes, Utopias of Freedom. Italian director, screenwriter, and producer Alberto Lattatuda will be the subject of the Locarno Film Festival's annual retrospective, to be held August 4-14. Following his biopic of Siegfried Sassoon, Terence Davies is set to direct an adaptation of Stefan Zweig’s post-wwi-set novel The Post Office Girl. Recommended VIEWINGThe official trailer for Beginning, the striking...
- 1/27/2021
- MUBI
One of the previous decade’s great cinematic was receiving back-to-back Terence Davies films with Sunset Song and A Quiet Passion. Now it looks like a repeat is in store as the director is prepping another production just after finishing his last. Following a pandemic-related delay, he recently wrapped the Jack Lowden-led biopic Benediction, about World War I poet Siegfried Sassoon, and now has announced plans for what he’ll direct next.
Davies will write and helm an adaptation of Stefan Zweig’s novel The Post Office Girl, published posthumously in 1982. One of Wes Anderson’s inspirations for The Grand Budapest Hotel, the book is set in post-wwi and follows a female post-office clerk who lives outside Vienna. “Stefan Zweig’s novel set in post-war Austria sows the seeds for the rise of fascism, the end of the Empire, and ultimately the Second World War. This is a story...
Davies will write and helm an adaptation of Stefan Zweig’s novel The Post Office Girl, published posthumously in 1982. One of Wes Anderson’s inspirations for The Grand Budapest Hotel, the book is set in post-wwi and follows a female post-office clerk who lives outside Vienna. “Stefan Zweig’s novel set in post-war Austria sows the seeds for the rise of fascism, the end of the Empire, and ultimately the Second World War. This is a story...
- 1/20/2021
- by Jordan Raup
- The Film Stage
This story about Shira Haas and “Asia” first appeared in the International Film Issue of TheWrap’s awards magazine.
She has had a very unusual pandemic. At a time when Shira Haas has mostly been at her home in Tel Aviv, the 25-year-old Israeli actress has become an Emmy nominee and something of a star for her role in “Unorthodox,” the Netflix series that became a lockdown sensation. And while that was happening, she also won the best actress award at the Tribeca Film Festival — the festival didn’t take place but the jury still watched films and voted — for her role in Ruthy Pribar’s delicate but wrenching “Asia,” in which Haas plays a teenage girl trying desperately to have a normal adolescence despite a degenerative motor disease.
“Asia” swept Israel’s Ophir Awards to become that country’s Oscar entry, another happy 2020 event that Haas mostly enjoyed in isolation.
She has had a very unusual pandemic. At a time when Shira Haas has mostly been at her home in Tel Aviv, the 25-year-old Israeli actress has become an Emmy nominee and something of a star for her role in “Unorthodox,” the Netflix series that became a lockdown sensation. And while that was happening, she also won the best actress award at the Tribeca Film Festival — the festival didn’t take place but the jury still watched films and voted — for her role in Ruthy Pribar’s delicate but wrenching “Asia,” in which Haas plays a teenage girl trying desperately to have a normal adolescence despite a degenerative motor disease.
“Asia” swept Israel’s Ophir Awards to become that country’s Oscar entry, another happy 2020 event that Haas mostly enjoyed in isolation.
- 1/14/2021
- by Steve Pond
- The Wrap
The film, entitled Schachnovelle, will star Oliver Masucci in the lead role, alongside Albrecht Schuch, Birgit Minichmayr, Rolf Lassgard and Samuel Finzi. Best known for having directed the alpine drama North Face, as well as commercially successful adaptations of Winnetou novels and music videos featuring the likes of Madonna and Rammstein, German filmmaker Philipp Stölzl is now working on a reinterpretation of Stefan Zweig’s literary classic The Royal Game. Schachnovelle tells the story of lawyer Bartok, who, while on a cruise, recalls being imprisoned and tortured by the Nazis in Vienna. In 1938, Bartok gets arrested and taken to the Gestapo’s headquarters before he can flee to the USA with his wife. Because he refuses to cooperate with the Nazi officials and provide information about accounts that he manages, Bartok is sent into solitary confinement. A chess book helps him survive in captivity and overcome the mental suffering inflicted on.
She had previously worked at Senator Film, Atlas Film & Medien and her own company Mk Film Consulting.
Milada Kolberg has been appointed to the newly created position of head of acquisitions at Berlin-based distributor X Verleih, with responsibility for acquiring new projects and completed films from Germany and internationally for distribution.
Kolberg, who arrives in Locarno today (August 8) on the lookout for new titles at the festival, took up her position at X Verleih at the beginning of August.
She had previously served as head of acquisitions and sales at Senator Film, Atlas Film & Medien and, most recently, managed her own company,...
Milada Kolberg has been appointed to the newly created position of head of acquisitions at Berlin-based distributor X Verleih, with responsibility for acquiring new projects and completed films from Germany and internationally for distribution.
Kolberg, who arrives in Locarno today (August 8) on the lookout for new titles at the festival, took up her position at X Verleih at the beginning of August.
She had previously served as head of acquisitions and sales at Senator Film, Atlas Film & Medien and, most recently, managed her own company,...
- 8/8/2019
- by Martin Blaney
- ScreenDaily
Netflix has announced the start of production on its Yiddish- and English-language German series “Unorthodox,” which is shooting in Berlin. The streaming giant is partnering with “Deutschland 83” creator Anna Winger on the original four-part miniseries which will be directed by “Deutschland 83” and “Deutschland 86” star Maria Schrader.
Based on a novel by Deborah Feldman, “Unorthodox” tells the story of a young ultra-Orthodox Jewish woman in New York (Shira Haas) who flees her arranged marriage and religious community to start a new life in Berlin. It was adapted for television by Winger and Alexa Karolinski. Winger serves as executive producer. The project was first revealed by Variety in February.
“‘Unorthodox’ explores female emancipation, identity and sexuality through the prism of a unique young woman’s experience,” said Schrader. The German actress is making her first move into TV directing with the show, having previously stepped behind the camera for three features,...
Based on a novel by Deborah Feldman, “Unorthodox” tells the story of a young ultra-Orthodox Jewish woman in New York (Shira Haas) who flees her arranged marriage and religious community to start a new life in Berlin. It was adapted for television by Winger and Alexa Karolinski. Winger serves as executive producer. The project was first revealed by Variety in February.
“‘Unorthodox’ explores female emancipation, identity and sexuality through the prism of a unique young woman’s experience,” said Schrader. The German actress is making her first move into TV directing with the show, having previously stepped behind the camera for three features,...
- 5/21/2019
- by Robert Mitchell
- Variety Film + TV
Exclusive: Production is underway in Berlin on Netflix Original mini-series Unorthodox, which will star Shira Haas (The Zookeeper’s Wife) and be directed by actor-filmmaker Maria Schrader (Deutschland 83).
The Yiddish and English-language four-part mini-series, executive produced by Deutschland 83/86 creator Anna Winger, will see Haas star as a young woman who leaves an arranged marriage in New York and sets out on her own to Berlin. The story is inspired by Deborah Feldman’s bestselling memoir of a young Jewish woman’s escape from a religious sect. Also starring are Jeff Wilbusch (Little Drummer Girl) and Amit Rahav (Dig).
Feldman’s novel has been adapted for screen by Winger and Alexa Karolinski (Oma & Bella). Eli Rosen of the New Yiddish Repertory Theater in New York is translating. The series is produced by Anna Winger’s Studio Airlift, Henning Kamm at Real Film Berlin. It marks the first project out of...
The Yiddish and English-language four-part mini-series, executive produced by Deutschland 83/86 creator Anna Winger, will see Haas star as a young woman who leaves an arranged marriage in New York and sets out on her own to Berlin. The story is inspired by Deborah Feldman’s bestselling memoir of a young Jewish woman’s escape from a religious sect. Also starring are Jeff Wilbusch (Little Drummer Girl) and Amit Rahav (Dig).
Feldman’s novel has been adapted for screen by Winger and Alexa Karolinski (Oma & Bella). Eli Rosen of the New Yiddish Repertory Theater in New York is translating. The series is produced by Anna Winger’s Studio Airlift, Henning Kamm at Real Film Berlin. It marks the first project out of...
- 5/21/2019
- by Andreas Wiseman
- Deadline Film + TV
Variety has been given the first-look image from Oscar-nominated director Ildikó Enyedi’s “The Story of My Wife,” starring Palme d’Or winner Léa Seydoux. We spoke to Enyedi about the film, which is being sold at Cannes by Films Boutique.
Enyedi’s “On Body and Soul” won the Golden Bear at Berlin in 2017 and was Oscar nominated the following year. Seydoux won Cannes’ Palme d’Or, alongside director Abdellatif Kechiche and co-star Adèle Exarchopoulos for “Blue Is the Warmest Color” in 2013.
“The Story of My Wife,” budgeted at Euros 10 million ($11.2 million), is an adaptation of Milan Fust’s 1942 novel of the same name. The story, a variation of the legend of the Flying Dutchman, is set in the 1920s. In it sea captain Jakob Storr makes a bet in a cafe with a friend that he will marry the first woman who enters the place, and then in walks Lizzy.
Enyedi’s “On Body and Soul” won the Golden Bear at Berlin in 2017 and was Oscar nominated the following year. Seydoux won Cannes’ Palme d’Or, alongside director Abdellatif Kechiche and co-star Adèle Exarchopoulos for “Blue Is the Warmest Color” in 2013.
“The Story of My Wife,” budgeted at Euros 10 million ($11.2 million), is an adaptation of Milan Fust’s 1942 novel of the same name. The story, a variation of the legend of the Flying Dutchman, is set in the 1920s. In it sea captain Jakob Storr makes a bet in a cafe with a friend that he will marry the first woman who enters the place, and then in walks Lizzy.
- 5/8/2019
- by Leo Barraclough
- Variety Film + TV
Robert Siodmak's Phantom Lady (1944) and The Killers (1946) are showing in March and April, 2019 on Mubi in many countries around the world.The KillersThere’s a long-told apocryphal story about German-born silent film star Emil Jannings. He was the first-ever winner of the Academy Award for Best Actor in 1929. After his career had waned, he would return to his homeland and form close ties with Joseph Goebbels, Hitler’s Minister of Propaganda. His stardom was renewed within the Third Reich’s film industry. When Berlin was reduced to rubble and Allied troops advanced on Jannings’ home, the story goes that he held his golden statuette aloft and shouted some placating words to the soldiers: “Don’t shoot, I won an Oscar!” True or not, Jannings’ tale is a cruel sort of reversal of the reality faced by artists who were forced to escape Europe during the Nazis’ reign. Throughout the thirties,...
- 4/2/2019
- MUBI
Now in its 48th year, New Directors/New Films is a stellar showcase for new voices in cinema, both domestic and international, and this year’s lineup is no exception. The festival’s opening, centerpiece, and closing slots all go to Sundance hits with Clemency, Monos, and Share, respectively, while the rest is filled out with some of our favorite titles from the international circuit the past year, including The Load, All Good, Genesis, Joy, The Plagiarists, Manta Ray, A Land Imagined, and more.
“Spanning the globe and a wide spectrum of styles and concerns, the bold and brilliant films in this year’s New Directors lineup are collective proof that cinema is still as supple a medium as ever,” said Film Society Director of Programming Dennis Lim. “Demanding our attention and exemplifying the vitality of contemporary cinema, this year’s class of emerging directors is one of the most courageous in years,...
“Spanning the globe and a wide spectrum of styles and concerns, the bold and brilliant films in this year’s New Directors lineup are collective proof that cinema is still as supple a medium as ever,” said Film Society Director of Programming Dennis Lim. “Demanding our attention and exemplifying the vitality of contemporary cinema, this year’s class of emerging directors is one of the most courageous in years,...
- 2/21/2019
- by Jordan Raup
- The Film Stage
Actress-director Noémie Lvovsky’s “Tomorrow And Thereafter,” a heartfelt homage to the director’s own mother, and Fabien Gorgeart’s “Diane Has the Right Shape,” about one woman’s surrogate motherhood, both won big at the 2019 UniFrance MyFrenchFilmFestival which skewed female in its winners and viewership, making particularly notable inroads into South East Asia and Latin America.
Opening Switzerland’s 2017 Locarno Festival to mixed reviews, “Tomorrow and Thereafter” came good at MyFFF, scoring on Tuesday both its best feature Lacoste Audience Award and International Press Award for the fantasy laced family tale of an increasingly not quite there mother and her precocious eight-year-old who is advised on how to cope with maman, whom she adores, by her talking pet owl.
The Directors Jury prize – adjudicated by Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhael Hers (“Amanda”), Canada’s Kim Nguyen and Belgian director Jaco Van Dormael – went to “Diane Has the Right Shape,...
Opening Switzerland’s 2017 Locarno Festival to mixed reviews, “Tomorrow and Thereafter” came good at MyFFF, scoring on Tuesday both its best feature Lacoste Audience Award and International Press Award for the fantasy laced family tale of an increasingly not quite there mother and her precocious eight-year-old who is advised on how to cope with maman, whom she adores, by her talking pet owl.
The Directors Jury prize – adjudicated by Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhael Hers (“Amanda”), Canada’s Kim Nguyen and Belgian director Jaco Van Dormael – went to “Diane Has the Right Shape,...
- 2/19/2019
- by John Hopewell
- Variety Film + TV
Paris-born Emmanuel Blanchard studied and then taught history before becoming a documentary filmmaker responsible for films such as “Bombing War,” “Le diable de la République” and “Après la guerre.” He’s currently directing “Notre-Dame de Paris”, a 90-minute animated part-doc, part-fiction film on the building of the world-famous Paris cathedral. Competing at MyFFF, “The Collection” is his first fiction short. In it, French writer and Honorary Oscar winner Jean-Claude Carrière. Luis Buñuel’s longtime co-writer, plays a main role. Blanchard is developing his feature-debut under the working title “Brumaire.”
What is the “The Collection” about?
It’s about an unscrupulous merchant who “buys” artistic pieces from Jewish collectors forced to leave Paris in the midst of the occupation of France by Nazi Germany. Informed by a janitor, he hears about Mr. Klein’s extraordinary collection.
I think it’s a stylized piece about subjugation and oppression with a puzzling development.
What is the “The Collection” about?
It’s about an unscrupulous merchant who “buys” artistic pieces from Jewish collectors forced to leave Paris in the midst of the occupation of France by Nazi Germany. Informed by a janitor, he hears about Mr. Klein’s extraordinary collection.
I think it’s a stylized piece about subjugation and oppression with a puzzling development.
- 1/19/2019
- by Emilio Mayorga
- Variety Film + TV
“Burning Secret,” the long lost Stanley Kubrick script that was discovered over the summer, is being auctioned off later this month at Bonhams New York, Deadline reports. The original manuscript is expected to sell in the $20,000 region, so now the question remains whether or not anyone in the film industry will jump at the chance to buy the script and turn it into a feature film.
As reported earlier this year, “Burning Secret” is an adaptation of Stefan Zweig’s novella of the same name. Kubrick co-wrote the script with Calder Willingham in 1956, shortly before making “Paths of Glory.” The script was discovered by Bangor University film professor Nathan Abrams, and while many would assume studios would jump at the chance to make the film (Netflix just released Orson Welles’ long-delayed “The Other Side of the Wind”), the film’s subject matter is controversial.
Abrams has described “Burning Secret” as “the inverse of ‘Lolita,...
As reported earlier this year, “Burning Secret” is an adaptation of Stefan Zweig’s novella of the same name. Kubrick co-wrote the script with Calder Willingham in 1956, shortly before making “Paths of Glory.” The script was discovered by Bangor University film professor Nathan Abrams, and while many would assume studios would jump at the chance to make the film (Netflix just released Orson Welles’ long-delayed “The Other Side of the Wind”), the film’s subject matter is controversial.
Abrams has described “Burning Secret” as “the inverse of ‘Lolita,...
- 11/7/2018
- by Zack Sharf
- Indiewire
Long-lost Stanley Kubrick script Burning Secret is up for auction at Bonhams New York on 20 November. The original manuscript is expected to fetch in the region of $20,000.
The script, which has been certified by Kubrick experts, is said to be virtually complete, begging the question, would a film or TV company take it on today? We’ve just had a semi-complete Orson Welles movie pieced together, after all.
Entitled Burning Secret, the script is an adaptation of the 1913 novella by the acclaimed and often-adapted Austrian writer Stefan Zweig. In Kubrick’s adaptation of the story, a suave insurance salesman befriends a 10-year-old boy at a spa resort so he is able seduce the child’s married mother. In Zweig’s original, the story is set in Austria but Kubrick’s script transfers the story to America of the 1950s with American characters.
The visionary filmmaker wrote it in 1956 with American...
The script, which has been certified by Kubrick experts, is said to be virtually complete, begging the question, would a film or TV company take it on today? We’ve just had a semi-complete Orson Welles movie pieced together, after all.
Entitled Burning Secret, the script is an adaptation of the 1913 novella by the acclaimed and often-adapted Austrian writer Stefan Zweig. In Kubrick’s adaptation of the story, a suave insurance salesman befriends a 10-year-old boy at a spa resort so he is able seduce the child’s married mother. In Zweig’s original, the story is set in Austria but Kubrick’s script transfers the story to America of the 1950s with American characters.
The visionary filmmaker wrote it in 1956 with American...
- 11/7/2018
- by Andreas Wiseman
- Deadline Film + TV
Above: French grande for Capricious Summer. Artist: F. Dervanore.As the 56th New York Film Festival winds down this weekend, I wanted to look back half a century to the 6th edition of the festival. Uppermost in everyone’s minds in September 1968 was Czechoslovakia, which, after a brief seven months of liberation known as the Prague Spring, had been invaded less than a month before the festival began, by Warsaw Pact tanks and troops intended to suppress reforms. Whether it had been planned before the Soviet invasion, the 6th New York Film Festival notably opened and closed with Czech films: Jiri Menzel’s Capricious Summer and Milos Forman’s The Firemen’s Ball. It also featured Jan Nemec’s previously banned 1966 film A Report on the Party and the Guests which had been released in ’68 under the reformist president Alexander Dubček and shown as a special event on Czech national...
- 10/13/2018
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe controversial production of Russian director Ilya Khrzhanovskiy's Dau has come to an end, and there is now a trailer and a promotional website to prove it. The film was rumored to have taken nearly twelve years, recruiting a cast and crew of thousands in an isolated town that recreated life in the 1950s Soviet Union. Dau will likely be released as multiple films and a television series, but the new trailer presents it as primarily an "experiment." As Siddhant Adlakha says in his 2017 dissection of the film, "the remaining details, both factual and emotional, are still speculation that falls in the realm of audience interpretation." Professor and Kubrick expert Nathan Abrams has discovered the presumably lost screenplay to Kubrick's Burning Secret, an adaptation of a 1913 novella by Viennese writer Stefan Zweig. Long...
- 7/18/2018
- MUBI
In 1956, Stanley Kubrick, widely hailed as one of the greatest directors of all time, co-wrote a screenplay for a film called Burning Secret, an adaptation of a novella by Stefan Zweig. That script was thought to be lost forever. But now, more than 60 years later, it’s suddenly been located by a Kubrick expert and […]
The post Stanley Kubrick’s Lost Screenplay ‘Burning Secret’ Found More Than 60 Years After It Was Written appeared first on /Film.
The post Stanley Kubrick’s Lost Screenplay ‘Burning Secret’ Found More Than 60 Years After It Was Written appeared first on /Film.
- 7/17/2018
- by Ben Pearson
- Slash Film
For those of you who are fans of Stanley Kubrick, you'll be interested to learn that a lost screenplay for a film called Burning Secret that he was working on has been found. The script was discovered by a British film academic, Nathan Abrams, who was researching the legendary director’s last picture, Eyes Wide Shut. What a crazy cool find!
Kubrick was co-writing the script with Calder Willingham (The Graduate) and it is an adaptation of a 1913 novella by Austrian novelist and playwright Stefan Zweig. Kubrick and Willingham also worked together on 1957 on the anti-war film Paths of Glory, starring Kirk Douglas.
The story for Burning Secret follows "a mother and son on a holiday and a mysterious man who befriends the young boy in an attempt to seduce his mother."
That definitely sounds like a story that Kubrick would want to tell. According to Variety, "It was known...
Kubrick was co-writing the script with Calder Willingham (The Graduate) and it is an adaptation of a 1913 novella by Austrian novelist and playwright Stefan Zweig. Kubrick and Willingham also worked together on 1957 on the anti-war film Paths of Glory, starring Kirk Douglas.
The story for Burning Secret follows "a mother and son on a holiday and a mysterious man who befriends the young boy in an attempt to seduce his mother."
That definitely sounds like a story that Kubrick would want to tell. According to Variety, "It was known...
- 7/17/2018
- by Joey Paur
- GeekTyrant
Some very exciting news for Stanley Kubrick fans came about this weekend. News sources report that a once thought lost screenplay co-written by Stanley Kubrick has surfaced. Entitled Burning Secret, the script is an adaptation of the 1913 novella by the Viennese writer Stefan Zweig. In Kubrick’s adaptation of the story of adultery and passion set in a spa resort, a suave and predatory man befriends a 10-year-old boy, using him to seduce the child’s married mother. He wrote it in 1956 with the novelist Calder Willingham, with whom he went on to collaborate on Paths of Glory the following year. The screenplay was found by Nathan Abrams, professor in film at Bangor University and a leading Kubrick expert, who said: “I couldn’t believe...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 7/16/2018
- Screen Anarchy
A “lost” screenplay co-written by Stanley Kubrick in 1956 has been unearthed.
Burning Secret, penned by Kubrick and novelist Calder Willingham, was adapted from a 1913 novella by Viennese author Stefan Zweig. It was originally planned as Kubrick’s next film following his noir classic The Killing. However, Kubrick and Willingham instead collaborated on the anti-war film Paths of Glory.
While Kubrick historians knew about the filmmaker’s intention to make Burning Secret, they didn’t know that he had written a 100-page screenplay for the film. The screenplay was stamped by...
Burning Secret, penned by Kubrick and novelist Calder Willingham, was adapted from a 1913 novella by Viennese author Stefan Zweig. It was originally planned as Kubrick’s next film following his noir classic The Killing. However, Kubrick and Willingham instead collaborated on the anti-war film Paths of Glory.
While Kubrick historians knew about the filmmaker’s intention to make Burning Secret, they didn’t know that he had written a 100-page screenplay for the film. The screenplay was stamped by...
- 7/16/2018
- by Daniel Kreps
- Rollingstone.com
Nearly two decades after his death, Stanley Kubrick is still making headlines. With the 50th anniversary re-release of 2001: A Space Odyssey currently earning over $1.2 million in just a handful of theaters, it’s clear that that works of the director certainly earn the label of “visionary,” and now another project that came from his mind may see the light of day.
A thought-to-be-lost screenplay from Kubrick titled Burning Secret has been found and it’s in a nearly-complete form. The Guardian reports that Kubrick expert Nathan Abrams, a film professor at Bangor University, found the script, which is over 100 pages. Written for MGM in 1956 alongside his Paths of Glory collaborator Calder Willingham, the script is an adaptation of the Stefan Zweig novella from 1913.
The story, which Kubrick moved from a Viennese Jewish perspective to then-contemporary America, follows “adultery and passion set in a spa resort, a suave and predatory man befriends a 10-year-old boy,...
A thought-to-be-lost screenplay from Kubrick titled Burning Secret has been found and it’s in a nearly-complete form. The Guardian reports that Kubrick expert Nathan Abrams, a film professor at Bangor University, found the script, which is over 100 pages. Written for MGM in 1956 alongside his Paths of Glory collaborator Calder Willingham, the script is an adaptation of the Stefan Zweig novella from 1913.
The story, which Kubrick moved from a Viennese Jewish perspective to then-contemporary America, follows “adultery and passion set in a spa resort, a suave and predatory man befriends a 10-year-old boy,...
- 7/16/2018
- by Jordan Raup
- The Film Stage
A UK university professor claims to have unearthed a long-lost screenplay by the great Stanley Kubrick. Entitled Burning Secret, the script is an adaptation of the 1913 novella by the acclaimed Austrian writer Stefan Zweig. In Kubrick’s adaptation of the story, a suave insurance salesman befriends a 10-year-old boy at a spa resort so he is able seduce the child’s married mother. Kubrick wrote it in 1956 with the American novelist Calder Willingham (The Graduate), with whom he went on to collaborate on anti-war movie Paths Of Glory the next year.
The screenplay was found by Nathan Abrams, professor in film at Wales’ Bangor University and a leading Kubrick expert. The professor told The Guardian, “I couldn’t believe it. It’s so exciting. It was believed to have been lost.”
“Kubrick aficionados know he wanted to do it, [but] no one ever thought it was completed. We now have a...
The screenplay was found by Nathan Abrams, professor in film at Wales’ Bangor University and a leading Kubrick expert. The professor told The Guardian, “I couldn’t believe it. It’s so exciting. It was believed to have been lost.”
“Kubrick aficionados know he wanted to do it, [but] no one ever thought it was completed. We now have a...
- 7/16/2018
- by Andreas Wiseman
- Deadline Film + TV
A script co-written by Stanley Kubrick has been found by a British film academic who was researching the legendary director’s last picture, “Eyes Wide Shut.” The screenplay, “Burning Secret,” is an adaptation of a 1913 novella by Austrian novelist and playwright Stefan Zweig.
It was written by Kubrick and author and screenwriter Calder Willingham (“The Graduate”) in 1956. The story follows a mother and son on a holiday and a mysterious man who befriends the young boy in an attempt to seduce his mother.
It was known that Kubrick had worked on “Burning Secret” but not to what extent, or whether there was a completed screenplay. Nathan Abrams, a film professor at Bangor University in Wales, told BBC radio Monday that he was shown the 100-plus-page screenplay by the son of one of Kubrick’s collaborators, who wants to remain anonymous. The Guardian reported the find on Sunday.
“It’s a full script: beginning,...
It was written by Kubrick and author and screenwriter Calder Willingham (“The Graduate”) in 1956. The story follows a mother and son on a holiday and a mysterious man who befriends the young boy in an attempt to seduce his mother.
It was known that Kubrick had worked on “Burning Secret” but not to what extent, or whether there was a completed screenplay. Nathan Abrams, a film professor at Bangor University in Wales, told BBC radio Monday that he was shown the 100-plus-page screenplay by the son of one of Kubrick’s collaborators, who wants to remain anonymous. The Guardian reported the find on Sunday.
“It’s a full script: beginning,...
- 7/16/2018
- by Stewart Clarke
- Variety Film + TV
A lost, unfinished script written by Stanley Kubrick in 1956 called “Burning Secret” has been found in Wales, and is so close to completion that it could be made into a feature film.
According to The Guardian, the screenplay was found by Nathan Abrams, a professor of film at Bangor University in Wales, who says he came across it while doing research for his upcoming book about Kubrick’s final film, “Eyes Wide Shut.”
Also Read: Is There More to 'The Shining'? 'Long Cuts' of Kubrick Film up for Auction in Italy
The script is dated October 24, 1956 — one year before he found his breakthrough hit with the Kirk Douglas antiwar film “Paths of Glory” — and bears the stamp of MGM’s script department. Kubrick moved to the U.K. in 1961 after becoming disillusioned with the Hollywood system, and many of his personal writings are archived there.
“I couldn’t believe it.
According to The Guardian, the screenplay was found by Nathan Abrams, a professor of film at Bangor University in Wales, who says he came across it while doing research for his upcoming book about Kubrick’s final film, “Eyes Wide Shut.”
Also Read: Is There More to 'The Shining'? 'Long Cuts' of Kubrick Film up for Auction in Italy
The script is dated October 24, 1956 — one year before he found his breakthrough hit with the Kirk Douglas antiwar film “Paths of Glory” — and bears the stamp of MGM’s script department. Kubrick moved to the U.K. in 1961 after becoming disillusioned with the Hollywood system, and many of his personal writings are archived there.
“I couldn’t believe it.
- 7/15/2018
- by Jeremy Fuster
- The Wrap
Nearly 20 years after his death, Stanley Kubrick continues to fascinate and confound. The endlessly influential filmmaker is almost as notable for the films he didn’t make as he is for those he did, and it now appears one of those lost projects may not actually be lost: “Burning Secret.”
Kubrick co-wrote the adaptation of Stefan Zweig’s novella of the same name with Calder Willingham in 1956, shortly before making “Paths of Glory.” The script has been found by Nathan Abrams, a film professor at Bangor University, according to the Guardian. “I couldn’t believe it,” the Kubrick scholar said of the discovery. “It’s so exciting. It was believed to have been lost.”
“Kubrick aficionados know he wanted to do it, [but] no one ever thought it was completed. We now have a copy and this proves that he had done a full screenplay,” Abrams added. He describes the project as “the inverse of ‘Lolita,...
Kubrick co-wrote the adaptation of Stefan Zweig’s novella of the same name with Calder Willingham in 1956, shortly before making “Paths of Glory.” The script has been found by Nathan Abrams, a film professor at Bangor University, according to the Guardian. “I couldn’t believe it,” the Kubrick scholar said of the discovery. “It’s so exciting. It was believed to have been lost.”
“Kubrick aficionados know he wanted to do it, [but] no one ever thought it was completed. We now have a copy and this proves that he had done a full screenplay,” Abrams added. He describes the project as “the inverse of ‘Lolita,...
- 7/15/2018
- by Michael Nordine
- Indiewire
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