"Godzilla Minus One" is part of a new golden age of Godzilla, a movie that defied all expectations and made history at both the box office and also the Oscars. It's easy to see why. This is a film with fantastic visual effects that rival any Hollywood blockbuster, stunning Godzilla action, and a version of the king of the monsters that makes him terrifying again -- a force of nature, a monstrous allegory for nuclear armageddon.
The film also does something rare for a "Godzilla movie" and actually gives us compelling human characters that are as easy to root for and care about as the titular giant monster. This is particularly important because for once, the most impactful moments in the film revolve not around Godzilla, but the humans. Take Godzilla's attack on Ginza, the first time we see his devastating atomic blast. What is normally a moment of awe...
The film also does something rare for a "Godzilla movie" and actually gives us compelling human characters that are as easy to root for and care about as the titular giant monster. This is particularly important because for once, the most impactful moments in the film revolve not around Godzilla, but the humans. Take Godzilla's attack on Ginza, the first time we see his devastating atomic blast. What is normally a moment of awe...
- 6/5/2024
- by Rafael Motamayor
- Slash Film
This post contains spoilers for "Godzilla Minus One."
Whether you watch them or not, dubbed movies are a part of life. International dubs are more accessible for viewers with dyslexia, vision problems, or processing disorders, and they're a great early entry point for young kids experiencing world cinema for the first time. They're useful for all sorts of reasons, and the best of them feature strong performances that add additional layers to already-compelling stories. So, when a good movie gets a bad dub, it should be everyone's problem, and that seems to be the case for one of the best films of 2023: "Godzilla Minus One."
The latest Godzilla film from Toho Studios made a kaiju-sized impact when it debuted in theaters last December, earning an impressive $115 million worldwide against a super-lean budget and becoming the highest-grossing Japanese Godzilla movie ever made. The movie also became the first in the franchise to win an Oscar,...
Whether you watch them or not, dubbed movies are a part of life. International dubs are more accessible for viewers with dyslexia, vision problems, or processing disorders, and they're a great early entry point for young kids experiencing world cinema for the first time. They're useful for all sorts of reasons, and the best of them feature strong performances that add additional layers to already-compelling stories. So, when a good movie gets a bad dub, it should be everyone's problem, and that seems to be the case for one of the best films of 2023: "Godzilla Minus One."
The latest Godzilla film from Toho Studios made a kaiju-sized impact when it debuted in theaters last December, earning an impressive $115 million worldwide against a super-lean budget and becoming the highest-grossing Japanese Godzilla movie ever made. The movie also became the first in the franchise to win an Oscar,...
- 6/5/2024
- by Valerie Ettenhofer
- Slash Film
Godzilla Minus One is a rare beast. Despite being derived from a franchise that’s nearly three-quarters of a century old, and which has had more installments than there are days in a month, Takashi Yamazaki’s latest reinvention of the Big G feels fresh. It’s a true spectacle of emotion and cultural angst; a film that remarkably takes a piece of pop culture furniture like the giant irradiated lizard and makes him scary again.
In Godzilla Minus One, the titular creature is not only a dazzling sight of cinematic carnage candy, but he’s also a potent metaphor about war, destruction, and the psychic scars such catastrophes leave in their wake. It’s also just a gripping piece of entertainment that took the world so by storm that it convinced the Academy Awards to give Minus One the Best Visual Effects Oscar despite having a budget of less...
In Godzilla Minus One, the titular creature is not only a dazzling sight of cinematic carnage candy, but he’s also a potent metaphor about war, destruction, and the psychic scars such catastrophes leave in their wake. It’s also just a gripping piece of entertainment that took the world so by storm that it convinced the Academy Awards to give Minus One the Best Visual Effects Oscar despite having a budget of less...
- 6/4/2024
- by David Crow
- Den of Geek
Godzilla Minus One became the first Japanese film to be nominated for an Oscar. Director Takashi Yamazaki and his VFX team won the Best Visual Effects Oscar, a deserving recognition for the film. As the film becomes available to the wider public on streaming platforms, more details emerge about the film. One scene in the climax sets up a potential sequel for the film.
Kamiki Ryunosuke as Shikishima in Godzilla Minus One | Toho Co. Ltd.
Yamazaki confirmed that the final moments of the film featured Godzilla Cells or G-Cells. The G-Cells in the Japanese kaiju lore were used to create two prominent villains, Biollante and SpaceGodzilla, thus hinting at their appearance in the sequel.
Godzilla Minus One‘s G-Cells Sets Up For An Interesting Sequel A still from Godzilla Minus One | Toho Co. Ltd.
Godzilla Minus One climax was interestingly horrific for many viewers and it left many open ends...
Kamiki Ryunosuke as Shikishima in Godzilla Minus One | Toho Co. Ltd.
Yamazaki confirmed that the final moments of the film featured Godzilla Cells or G-Cells. The G-Cells in the Japanese kaiju lore were used to create two prominent villains, Biollante and SpaceGodzilla, thus hinting at their appearance in the sequel.
Godzilla Minus One‘s G-Cells Sets Up For An Interesting Sequel A still from Godzilla Minus One | Toho Co. Ltd.
Godzilla Minus One climax was interestingly horrific for many viewers and it left many open ends...
- 6/3/2024
- by Hashim Asraff
- FandomWire
Godzilla Minus One was one of the surprising hits of 2023. Directed by Takashi Yamazaki, the movie based on the iconic Toho monster, Godzilla, won an Oscar for Best Visual Effects at the 96th Academy Awards. The movie created history becoming the first entry in the 70-year-old franchise to win an Academy Award.
Godzilla Minus One. Credit: Toho Co., Ltd.
Recently, the movie debuted on Netflix with a dubbed version in English alongside several versions for different regions. However, the English dubbing of a scene in the movie was not up to the mark and was far from being on the same standard as the original Japanese version.
Godzilla Minus One Made A Netflix Debut
Takashi Yamazaki’s Godzilla Minus One. Credit: Toho Co., Ltd.
Takashi Yamazaki’s highly acclaimed and commercial hit, Godzilla Minus One finally hit Netflix with several dubbed versions for different audiences around the world. However, the...
Godzilla Minus One. Credit: Toho Co., Ltd.
Recently, the movie debuted on Netflix with a dubbed version in English alongside several versions for different regions. However, the English dubbing of a scene in the movie was not up to the mark and was far from being on the same standard as the original Japanese version.
Godzilla Minus One Made A Netflix Debut
Takashi Yamazaki’s Godzilla Minus One. Credit: Toho Co., Ltd.
Takashi Yamazaki’s highly acclaimed and commercial hit, Godzilla Minus One finally hit Netflix with several dubbed versions for different audiences around the world. However, the...
- 6/1/2024
- by Lachit Roy
- FandomWire
You will soon be able to bring home the soundtrack for one of the best movies of 2023. The folks at Waxwork Records have teamed with Sony Music and Toho to bring the "Godzilla Minus One" soundtrack to vinyl. The double LP record will arrive in April and you can pre-order a copy now. And, as per usual, the folks at Waxwork have gone all-out for the release.
The 150-gram vinyl is beautifully colored and it comes in impressive packaging that captures the film's terrifying version of Godzilla in all of his glory. The score was composed by Naoki Sato, who was inspired by the works of Japanese animated films from Studio Ghibli for the emotional moments (as well as the work of original "Godzilla" composer Akira Ifukube's score to drive home the moments of kaiju terror). Anyone who has seen the film can attest to Sato's incredible use of the original "Godzilla" theme,...
The 150-gram vinyl is beautifully colored and it comes in impressive packaging that captures the film's terrifying version of Godzilla in all of his glory. The score was composed by Naoki Sato, who was inspired by the works of Japanese animated films from Studio Ghibli for the emotional moments (as well as the work of original "Godzilla" composer Akira Ifukube's score to drive home the moments of kaiju terror). Anyone who has seen the film can attest to Sato's incredible use of the original "Godzilla" theme,...
- 1/19/2024
- by Ryan Scott
- Slash Film
Stars: Minami Hamabe, Ryunosuke Kamiki, Sakura Ando, Kuranosuke Sasaki, Munetaka Aoki, Hidetaka Yoshioka, Yuki Yamada, Yuya Endo, Kisuke Iida, Sae Nagatani, Ozuno Nakamura | Written and Directed by Takashi Yamazaki
Nearly 70 years since Godzilla first appeared on-screen, the king of the monsters has headlined almost 40 feature films along with a few TV shows. Initially conceived as a metaphor for nuclear weapons, the atomic dinosaur has since battled numerous monsters on-screen, something that has driven Warner Bros’ recent adaptations while they build a Monsterverse. A different approach has been taken by writer/director Takashi Yamazaki, taking the icon back to its post-war roots for an outstanding work that is among the franchise’s best.
As World War II nears its end, kamikaze pilot Kōichi Shikishima (Ryunosuke Kamiki) runs from his orders by claiming that his aircraft is faulty. His arrival on Odo Island coincides with the attack of Godzilla which kills all...
Nearly 70 years since Godzilla first appeared on-screen, the king of the monsters has headlined almost 40 feature films along with a few TV shows. Initially conceived as a metaphor for nuclear weapons, the atomic dinosaur has since battled numerous monsters on-screen, something that has driven Warner Bros’ recent adaptations while they build a Monsterverse. A different approach has been taken by writer/director Takashi Yamazaki, taking the icon back to its post-war roots for an outstanding work that is among the franchise’s best.
As World War II nears its end, kamikaze pilot Kōichi Shikishima (Ryunosuke Kamiki) runs from his orders by claiming that his aircraft is faulty. His arrival on Odo Island coincides with the attack of Godzilla which kills all...
- 12/20/2023
- by James Rodrigues
- Nerdly
After countless variations and sequels, plus major studio Hollywood versions, Toho is back in the driver’s seat for the first time since 2016 with a new take on the 70-year-old Godzilla franchise, a consistent run far longer than Bond and just about anything else. The very good news here is that just when you thought there was nothing new to do with the giant lizard who enjoys stomping on cities and all their inhabitants, along comes what might be called the first Godzilla art film — or at least one where the humans actually are three-dimensional and recognizable.
In writer-director and VFX supervisor Takashi Yamazaki’s (The Eternal Zero) hands, Godzilla’s screen time adds up to more of a supporting turn to the humans whose lives are deeply affected by his re-emergence. And unlike any previous film, including Ishiro Honda’s irresistible 1954 original, this one isn’t dubbed into English.
In writer-director and VFX supervisor Takashi Yamazaki’s (The Eternal Zero) hands, Godzilla’s screen time adds up to more of a supporting turn to the humans whose lives are deeply affected by his re-emergence. And unlike any previous film, including Ishiro Honda’s irresistible 1954 original, this one isn’t dubbed into English.
- 12/1/2023
- by Pete Hammond
- Deadline Film + TV
This article contains major spoilers for "Godzilla Minus One."
First introduced in 1954, Godzilla has become one of the biggest cinematic figures of all time and one of Japan's biggest exports. For nearly 70 years, the character has continued to be reinvented and reimagined. New filmmakers have added their own little spins on the design of the monster, what he represents, and how he impacts the world at large. From an allegory of nuclear destruction to becoming a hero and a defender of the planet. Godzilla has really done it all, including being a destructor of bureaucracy. Now, with "Godzilla Minus One," the king of monsters is returning to his roots as divine punishment.
Indeed, one of Takashi Yamazaki's big achievements as a writer and director is making Godzilla terrifying again. While "Shin Godzilla" explored a monster representing natural disasters — a monster too big for dumb, bureaucratic governments to handle — "Godzilla Minus One...
First introduced in 1954, Godzilla has become one of the biggest cinematic figures of all time and one of Japan's biggest exports. For nearly 70 years, the character has continued to be reinvented and reimagined. New filmmakers have added their own little spins on the design of the monster, what he represents, and how he impacts the world at large. From an allegory of nuclear destruction to becoming a hero and a defender of the planet. Godzilla has really done it all, including being a destructor of bureaucracy. Now, with "Godzilla Minus One," the king of monsters is returning to his roots as divine punishment.
Indeed, one of Takashi Yamazaki's big achievements as a writer and director is making Godzilla terrifying again. While "Shin Godzilla" explored a monster representing natural disasters — a monster too big for dumb, bureaucratic governments to handle — "Godzilla Minus One...
- 11/30/2023
- by Rafael Motamayor
- Slash Film
For much of Takashi Yamazaki’s Godzilla Minus One, Toho Studios’ 33rd film in the beloved kaiju franchise, the iconic monster exists as an abstraction. After a brief, brutal rampage to start, he is kept offscreen, a shadow in the mind of our hero Kōichi Shikishima (Ryunosuke Kamiki). To a certain extent, this entirely symbolic usage is nothing new: the deeply ingrained allegory for nuclear annihilation that Ishiro Honda’s 1954 original presented has persisted, and often been adapted to fit the times: the most recent Japanese live-action predecessor, Hideaki Anno and Shinji Higuchi’s ferociously incisive Shin Godzilla, tackled the tangled bureaucracy ill-equipped to deal with the Fukushima disaster head-on.
But Yamazaki moves back before the source: his prologue begins at the end of World War II, on an island where Kōichi, a would-be kamikaze pilot, touches down after claiming to have technical issues. That night, a smaller-but-still-fearsome incarnation of...
But Yamazaki moves back before the source: his prologue begins at the end of World War II, on an island where Kōichi, a would-be kamikaze pilot, touches down after claiming to have technical issues. That night, a smaller-but-still-fearsome incarnation of...
- 11/30/2023
- by Ryan Swen
- The Film Stage
Unless he’s palling around with Minilla or Godzilla Jr., it’s hard not to see Godzilla as anything other than a 20,000-ton, fire-breathing metaphor. When used well, that symbolic weight crystalizes the terror of living in a world in which 100,000 people can have their lives snuffed out by atomic weapons. When used poorly, well, Godzilla fights a smog monster.
This tension between human weight and the sheer awesomeness of giant monsters has plagued all variations of the franchise since the first sequel to the 1954 original, Godzilla Raids Again (1955). More recently, it has stymied Legendary Pictures, the studio responsible for the lackluster MonsterVerse series, which includes 2014’s Godzilla and the current Apple TV+ series, Monarch: Legacy of Monsters. Time and again, the MonsterVerse distracts from their kaiju—excuse me, MUTOs—with dull human drama that not even charismatic performers such as Kurt Russell, Brian Tyree Henry, and Vera Farmiga can save.
This tension between human weight and the sheer awesomeness of giant monsters has plagued all variations of the franchise since the first sequel to the 1954 original, Godzilla Raids Again (1955). More recently, it has stymied Legendary Pictures, the studio responsible for the lackluster MonsterVerse series, which includes 2014’s Godzilla and the current Apple TV+ series, Monarch: Legacy of Monsters. Time and again, the MonsterVerse distracts from their kaiju—excuse me, MUTOs—with dull human drama that not even charismatic performers such as Kurt Russell, Brian Tyree Henry, and Vera Farmiga can save.
- 11/29/2023
- by David Crow
- Den of Geek
Writer-director Yamazaki Takashi’s Godzilla Minus One begins on an island outpost in 1945, as kamikaze pilot Kôichi Shikishima (Kamiki Ryûnosuke) makes an impulsive choice to feign technical issues so he can avoid carrying out his suicidally nationalist duty. To him, living in shame is preferable to dying for glory, though the airman’s decision fatalistically coincides with the first appearance of a certain ravenous reptilian, who devours his way through a troop of aircraft mechanics while Kôichi cowers just out of sight.
Is Gojira, a.k.a. Godzilla, a manifested consequence of one man’s craven tendencies, or a symptom—as he often is in the decades-long series of films in which he appears—of some larger sociopolitical unease? This iconic movie monster began and often serves as a metaphor for deep-seated fears of nuclear testing and warfare, but in Godzilla Minus One he proves little more than a gargantuan antagonist,...
Is Gojira, a.k.a. Godzilla, a manifested consequence of one man’s craven tendencies, or a symptom—as he often is in the decades-long series of films in which he appears—of some larger sociopolitical unease? This iconic movie monster began and often serves as a metaphor for deep-seated fears of nuclear testing and warfare, but in Godzilla Minus One he proves little more than a gargantuan antagonist,...
- 11/28/2023
- by Keith Uhlich
- Slant Magazine
Takashi Yamazaki's "Godzilla Minus One" comes out just prior to the 70th anniversary of Ishiro Honda's 1954 original "Gojira," and audiences have been on quite a journey throughout those decades.
By the lore of Honda's film, Godzilla was a massive amphibious animal created by nuclear bomb test radiation. He was more than a dinosaur that could be defeated by weapons. He was a physical manifestation of post-war nuclear devastation, a monstrous legacy of what weapons of mass destruction have wrought. Mass destruction only leads to more mass destruction. The 1954 film's scientists ultimately have to invent an even more devastating weapon, the Oxygen Destroyer, to defeat the beast. It is a somber, sad movie about how Japan -- about how humanity -- is unable to break a cycle of wartime annihilation. It wouldn't be until 1995's "Godzilla vs. Destoroyah," however, that a monster would rise from the remnants of the Oxygen Destroyer.
By the lore of Honda's film, Godzilla was a massive amphibious animal created by nuclear bomb test radiation. He was more than a dinosaur that could be defeated by weapons. He was a physical manifestation of post-war nuclear devastation, a monstrous legacy of what weapons of mass destruction have wrought. Mass destruction only leads to more mass destruction. The 1954 film's scientists ultimately have to invent an even more devastating weapon, the Oxygen Destroyer, to defeat the beast. It is a somber, sad movie about how Japan -- about how humanity -- is unable to break a cycle of wartime annihilation. It wouldn't be until 1995's "Godzilla vs. Destoroyah," however, that a monster would rise from the remnants of the Oxygen Destroyer.
- 11/11/2023
- by Witney Seibold
- Slash Film
Following the unexpected and quite significant success of “Midnight Swan”, which took home the Best Film and Best Actor Awards for Tsuyoshi Kusanagi by the Japanese Academy, it was expected that Eiji Uchida would find access to the highest echelons of the local movie industry, as the presence of Hiroshi Abe and the overall production quality of “Offbeat Cops” highlights.
Offbeat Cops is screening on New York Asian Film Festival
Tsukasa Naruse is a workaholic detective working on homicide cases, who, as the movie begins, is researching a group of conmen who rob old people after giving them a call posing as the police to discover if they hide money in their houses. His methods, however, are not exactly by the book, as his new partner, young Shota Sakamoto soon discovers. At the same time, his obsession with his job has led him to a divorce and a daughter, Noriko,...
Offbeat Cops is screening on New York Asian Film Festival
Tsukasa Naruse is a workaholic detective working on homicide cases, who, as the movie begins, is researching a group of conmen who rob old people after giving them a call posing as the police to discover if they hide money in their houses. His methods, however, are not exactly by the book, as his new partner, young Shota Sakamoto soon discovers. At the same time, his obsession with his job has led him to a divorce and a daughter, Noriko,...
- 7/23/2022
- by Panos Kotzathanasis
- AsianMoviePulse
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