Jean-Michel Basquiat at Sotheby’s: “I don't know anybody who needs a critic to find out what art is." Photo: Anne-Katrin Titze
In the second installment with Sara Driver and Alexis Adler on Jean-Michel Basquiat, we discuss a panel at The New School with Al Diaz, Michael Holman and Annina Nosei that Alexis attended, Kevin Young’s book To Repel Ghosts, Afrika Bambaataa at the Ritz, Public Enemy (Chuck D and Flavor Flav) at The World, Spring/Break, and the Bishop Gallery connection to her recent Hbcu (Historically Black Colleges and Universities) Our Friend, Jean tour.
Also: Sara on prophet artists, Beck Underwood’s fantastic Super 8 clothesline animation for the Michael Holman Gray story, screening Boom For Real: The Late Teenage Years of Jean-Michel Basquiat at Miami Basel, and teaching kids at NYU to “make your mistakes.”
Sara Driver with Alexis Adler and Anne-Katrin Titze on New York in the late Seventies,...
In the second installment with Sara Driver and Alexis Adler on Jean-Michel Basquiat, we discuss a panel at The New School with Al Diaz, Michael Holman and Annina Nosei that Alexis attended, Kevin Young’s book To Repel Ghosts, Afrika Bambaataa at the Ritz, Public Enemy (Chuck D and Flavor Flav) at The World, Spring/Break, and the Bishop Gallery connection to her recent Hbcu (Historically Black Colleges and Universities) Our Friend, Jean tour.
Also: Sara on prophet artists, Beck Underwood’s fantastic Super 8 clothesline animation for the Michael Holman Gray story, screening Boom For Real: The Late Teenage Years of Jean-Michel Basquiat at Miami Basel, and teaching kids at NYU to “make your mistakes.”
Sara Driver with Alexis Adler and Anne-Katrin Titze on New York in the late Seventies,...
- 2/23/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Jean-Michel Basquiat in Gray with Michael Holman and Shannon Dawson (Konk), seen in Sara Driver’s Boom For Real: The Late Teenage Years of Jean-Michel Basquiat Photo: Nick Taylor (Gray), courtesy of Magnolia Pictures
Anthony McCarten’s The Collaboration (currently on Broadway at the Manhattan Theatre Club) with Jeremy Pope as Jean-Michel Basquiat and Paul Bettany as Andy Warhol, directed by Kwame Kwei-Armah takes liberties with time while Sara Driver’s inspiring Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat (2018) captures the artist and the scene around him through on-camera interviews with Jim Jarmusch, Carlo McCormick, Fred Brathwaite (aka Fab 5 Freddy), Sur Rodney (Sur), Glenn O’Brien, Kenny Scharf, Lee Quiñones, Patricia Field, Jamie Nares, Lucy Sante, Al Diaz, Michael Holman, Jennifer Jazz, Coleen Fitzgibbon, Mary-Ann Monforton, Bud Kliment, Felice Rosser, and Alexis Adler, who says “If we don't tell the history, then others will, who weren't there and don't know the truth.
Anthony McCarten’s The Collaboration (currently on Broadway at the Manhattan Theatre Club) with Jeremy Pope as Jean-Michel Basquiat and Paul Bettany as Andy Warhol, directed by Kwame Kwei-Armah takes liberties with time while Sara Driver’s inspiring Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat (2018) captures the artist and the scene around him through on-camera interviews with Jim Jarmusch, Carlo McCormick, Fred Brathwaite (aka Fab 5 Freddy), Sur Rodney (Sur), Glenn O’Brien, Kenny Scharf, Lee Quiñones, Patricia Field, Jamie Nares, Lucy Sante, Al Diaz, Michael Holman, Jennifer Jazz, Coleen Fitzgibbon, Mary-Ann Monforton, Bud Kliment, Felice Rosser, and Alexis Adler, who says “If we don't tell the history, then others will, who weren't there and don't know the truth.
- 1/27/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Journalist Jonathan Abrams spent the last four years compiling an enlightening, entertaining, and deeply researched history of hip-hop. Abrams traces the music’s humble beginning in the Bronx and DIY block parties to some of the most popular music in the world today. In this exclusive excerpt from “The Come Up: An Oral History of the Rise of Hip-Hop,” Abrams tells how the infamous 1977 New York City blackout helped electrify a sound and cultural force.
Lemonade From Lemons
Bronx, New York, 1973–1979
Clive Campbell migrated as a child with his family...
Lemonade From Lemons
Bronx, New York, 1973–1979
Clive Campbell migrated as a child with his family...
- 10/14/2022
- by Jonathan Abrams
- Rollingstone.com
Celine Danhier with Joel Coen and Ethan Coen at the table behind us at The Odeon on the evolution of Blank City: "James Nares said 'Let me call Jim Jarmusch.' It was really like that. And then at the same time I had the music scenes and I interviewed Pat Place." Photo: Anne-Katrin Titze
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
- 4/24/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Although it's an unfortunate turn of phrase given the era, the best way to describe the documentary "Blank City" is still as something of a gateway drug when it comes to the late '70s, early '80s underground film scene in New York. It's easy to tell this since it's obvious French director Celine Danhier recreates her own experience of discovering the no-budget avant garde movement known as "No Wave" cinema in her documentary, presenting one snippet of rare footage after another, teasing the audience with clips of Michael Holman's self-descriptive "Vincent Gallo as Flying Christ" and Charlie Ahearn's groundbreaking hip-hop flick "Wild Style" and having such personalities as Deborah Harry and Steve Buscemi talk about what a wild and crazy time it was.
It's the shortcoming of "Blank City" that it isn't as adventurous in mirroring the era the film documents, settling into a style where...
It's the shortcoming of "Blank City" that it isn't as adventurous in mirroring the era the film documents, settling into a style where...
- 4/8/2011
- by Stephen Saito
- ifc.com
“Downtown 81 represents Manhattan’s last stand as a beatnik haven for creatively driven impoverished artists, a moment where everyone was connected in one giant electrical circuit creating their own cultural power.”
Downtown 81, featuring a nineteen year old Jean-Michel Basquiat, captured the movers and shakers from the no wave, hip-hop, graffiti, and alternative fashion scenes, as they collided down in the depths of New York’s lower east side. Originally shot by director Edo Bertoglio in the winter of 1980-81, it remained unreleased for nearly twenty years before being re-assembled in 1999 by co-producer Maripol Fauque (a Polaroid photographer and fashion designer, behind the iconic look for Madonna on the cover of Like a Virgin). Basquiat first acquired notoriety in the early eighties New York art scene with his ‘Samo’ graffiti slogans, which caught the attention of TV Party host Glenn O’Brien. After Basquiat appeared as a guest on...
Downtown 81, featuring a nineteen year old Jean-Michel Basquiat, captured the movers and shakers from the no wave, hip-hop, graffiti, and alternative fashion scenes, as they collided down in the depths of New York’s lower east side. Originally shot by director Edo Bertoglio in the winter of 1980-81, it remained unreleased for nearly twenty years before being re-assembled in 1999 by co-producer Maripol Fauque (a Polaroid photographer and fashion designer, behind the iconic look for Madonna on the cover of Like a Virgin). Basquiat first acquired notoriety in the early eighties New York art scene with his ‘Samo’ graffiti slogans, which caught the attention of TV Party host Glenn O’Brien. After Basquiat appeared as a guest on...
- 2/23/2011
- by Tom Jarvis
- SoundOnSight
It might have been announced just today, but this deal was probably completed several weeks back, Arthouse Films (small NYC-based distributor of docu films) has picked up the rights to Tamra Davis’s film Jean-Michel Basquiat: The Radiant Child. Arthouse plans a summer release, probably right after Julian Schnabel preems Miral in Cannes. - It might have been announced just today, but this deal was probably completed several weeks back, Arthouse Films (small NYC-based distributor of docu films) has picked up the rights to Tamra Davis’s film Jean-Michel Basquiat: The Radiant Child. Arthouse plans a summer release, probably right after Julian Schnabel preems Miral in Cannes. The Sundance premiered film on the artist, was actually filmed two decades back. Davis (as you can grasp from the trailer below) was on the camera lense end of an interview with the artist, a couple of years before his death -...
- 3/24/2010
- IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.