It was never Suzy Bemba’s plan to become a professional actress. This year’s European Shooting Star from France had dabbled in performance — “10 years of ballet, maybe six years of singing classes,” she recalls. After a knee injury made it impossible to keep dancing, she switched to acting as “a new way of expression” and started trying out for open auditions, driving with her mother the two and half hours into Paris from their home in the French countryside. Her mother sent out inquiries to French talent agencies, and one agreed to sign Bemba after she graduated high school.
But when Bemba graduated, acting was the last thing on her mind. “I wanted to go to med school, that was always the dream, so when I graduated, that’s what I did,” she says. “I kind of forgot about the idea of acting.”
It was only after her freshman...
But when Bemba graduated, acting was the last thing on her mind. “I wanted to go to med school, that was always the dream, so when I graduated, that’s what I did,” she says. “I kind of forgot about the idea of acting.”
It was only after her freshman...
- 2/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Catherine Corsini’s new film “Le Retour,” or “Homecoming,” opens with a moment of grief. A mother (Aïssatou Diallo Sagna) is nervously traveling with her two young daughters when she gets a phone call. Something terrible has happened and she begins to weep. Though that interaction hangs over the rest of the action, which then jumps ahead 15 years, we don’t find out exactly the circumstances of that pivotal call until well into the running time of this disjointed film. By the time we do, the impact of what has occurred is less traumatic than it is confusing, a product of thin characterization and messy storytelling.
At the same time, Corsini has tapped incredible actors for this sun-drenched saga of familial bonds in Corsica, which is best when it’s relying on their dynamics and worst when it’s going for big revelations.
The woman in those first frames is Khédidja,...
At the same time, Corsini has tapped incredible actors for this sun-drenched saga of familial bonds in Corsica, which is best when it’s relying on their dynamics and worst when it’s going for big revelations.
The woman in those first frames is Khédidja,...
- 5/18/2023
- by Esther Zuckerman
- Indiewire
Catherine Corsini, whose Cannes competition entry “Homecoming” has been at the center of a firestorm due to a sexually suggestive scene between two minors, admitted during the press conference that she will work an intimacy coach and “will be more careful to make actresses more at ease” on future films.
The scandal over the inclusion of Corsini’s film in competition was sparked after news broke of the fact that this scene between the two young actors Esther Gohourou and Harold Orsini had been added without obtaining proper government approval — which prompted the National Film Board to cut all their subsidies for the movie, and the Cannes Film Festival to hold their competition slot for several days while they investigated the matter. After the backlash, Corsini and her producer Elisabeth Perez admitted that they had made a mistake and should have sent the updated scripted to the Commission des Enfants du Spectacle,...
The scandal over the inclusion of Corsini’s film in competition was sparked after news broke of the fact that this scene between the two young actors Esther Gohourou and Harold Orsini had been added without obtaining proper government approval — which prompted the National Film Board to cut all their subsidies for the movie, and the Cannes Film Festival to hold their competition slot for several days while they investigated the matter. After the backlash, Corsini and her producer Elisabeth Perez admitted that they had made a mistake and should have sent the updated scripted to the Commission des Enfants du Spectacle,...
- 5/18/2023
- by Elsa Keslassy
- Variety Film + TV
The second scandal-tinged project to premiere at the Cannes Film Festival in as many days, Catherine Corsini’s “Homecoming” is vastly more interesting than that other film maudit, “Jeanne du Barry,” though the pair make for worthy foils.
While Maïwenn’s stuffy historical epic drew protests on the Croisette due to the extracurricular activities of its stars, Corsini’s windswept jaunt very nearly didn’t make the trip – the title was omitted from the competition when news of irresponsible on-set practices broke just before the selection was announced. That the lack of oversight involved a minor seemed to seal the project’s fate before a subsequent investigation and the absence of any formal complaints put the title back on track.
Still, the damage was substantial. Unlike the stars of “Jeanne du Barry,” whose deeds are clear and whose supporters and critics remain galvanized on either side, the general murkiness of...
While Maïwenn’s stuffy historical epic drew protests on the Croisette due to the extracurricular activities of its stars, Corsini’s windswept jaunt very nearly didn’t make the trip – the title was omitted from the competition when news of irresponsible on-set practices broke just before the selection was announced. That the lack of oversight involved a minor seemed to seal the project’s fate before a subsequent investigation and the absence of any formal complaints put the title back on track.
Still, the damage was substantial. Unlike the stars of “Jeanne du Barry,” whose deeds are clear and whose supporters and critics remain galvanized on either side, the general murkiness of...
- 5/17/2023
- by Ben Croll
- The Wrap
The story template of “Homecoming” is a standard one: Years after an unexplained trauma, a family returns to the place they once called home, where hidden truths come to light and bitter conflicts arise over the course of one seemingly idyllic summer. Yet for all the secrets and lies that shape the narrative of Catherine Corsini’s straightforwardly told but consistently intriguing new film, its most interesting tensions often emerge from things its characters already know, even if they haven’t acknowledged them out loud. For Black single parent Khédidja (Aïssatou Diallo Sagna), arriving at the Corsican birthplace of her children after 15 years away, disinterring a buried past throws her maternal insecurities into sharp relief; for her teenage daughters Jessica (Suzy Bemba) and Farah (Esther Gohourou), what revelations the trip yields only underline their respective senses of not-belonging in their own small family.
This is complex, delicate material, simmering with...
This is complex, delicate material, simmering with...
- 5/17/2023
- by Guy Lodge
- Variety Film + TV
There is the good sister, with A grades, university prospects and a sense of decorum in company. And then there is the younger sister who can’t see a volume button without turning up the music, who is quick to complain or pick an argument, who spots someone else’s drug stash and thinks she could steal it and maybe make some pocket money selling deals on the beach, because what – what – could possibly go wrong with that plan?
And yet Farah (Esther Gohourou) can always make Jessica (Suzy Bemba) laugh. She can even persuade her to climb over a wall to swim in someone else’s pool because, in the end, where’s the harm? They are nothing alike, but they fit together like Legos.
Catherine Corsini’s Cannes competition entry Homecoming (Le Retour) borrows some key elements from the director’s own life. Like the girls in the film,...
And yet Farah (Esther Gohourou) can always make Jessica (Suzy Bemba) laugh. She can even persuade her to climb over a wall to swim in someone else’s pool because, in the end, where’s the harm? They are nothing alike, but they fit together like Legos.
Catherine Corsini’s Cannes competition entry Homecoming (Le Retour) borrows some key elements from the director’s own life. Like the girls in the film,...
- 5/17/2023
- by Stephanie Bunbury
- Deadline Film + TV
Despite plenty of incidental action, Corsini’s film about a woman’s painful return to Corsica leaves too many questions unanswered
Despite some warm and sympathetic performances and lovely cinematography, there is something weirdly glib in director and co-writer Catherine Corsini’s new film in which a summer of drama gives us supposedly tragic personal discoveries uneasily coexisting with some almost photo love-style holiday romance.
Khedidja (Aïssatou Diallo Sagna) is a black woman in her 40s living in Paris with her two teen daughters – promising student Jess (Suzy Bemba) and tearaway Farah (Esther Gohourou) – and working as a nanny for a wealthy white couple, Sylvia (Virginie Ledoyen) and Marc (Denis Podalydès), who have little kids. Marc also has a spoilt moody teen daughter (Lomane de Dietrich) from his first marriage. Sylvia and Marc are heading off with their family for the summer to their villa in Calvi, Corsica and they...
Despite some warm and sympathetic performances and lovely cinematography, there is something weirdly glib in director and co-writer Catherine Corsini’s new film in which a summer of drama gives us supposedly tragic personal discoveries uneasily coexisting with some almost photo love-style holiday romance.
Khedidja (Aïssatou Diallo Sagna) is a black woman in her 40s living in Paris with her two teen daughters – promising student Jess (Suzy Bemba) and tearaway Farah (Esther Gohourou) – and working as a nanny for a wealthy white couple, Sylvia (Virginie Ledoyen) and Marc (Denis Podalydès), who have little kids. Marc also has a spoilt moody teen daughter (Lomane de Dietrich) from his first marriage. Sylvia and Marc are heading off with their family for the summer to their villa in Calvi, Corsica and they...
- 5/17/2023
- by Peter Bradshaw
- The Guardian - Film News
Catherine Corsini, an outspoken queer activist and co-founder of France’s feminist organization 50:50, should have been celebrating her new film’s inclusion in the competition lineup of the Cannes Film Festival. Instead, she found herself in the middle of a firestorm after “Homecoming,” her coming-of-age story, failed to get the proper government approvals for a scene of a sexual nature involving two minors.
Corsini admits that mistakes were made. But she says that she took every effort to protect her young actors from being exploited.
That scene, which was eventually cut from the movie, became the object of wild rumors, which Corsini said are false, “crazy, completely out of control.” “I’m hallucinating at things I’m reading, accusing me of having forced Esther to do a blowjob or masturbate herself,” she said.
Audiences will get to decide if “Homecoming” is sensitively wrought or exploitative as the film premieres in Cannes on Wednesday.
Corsini admits that mistakes were made. But she says that she took every effort to protect her young actors from being exploited.
That scene, which was eventually cut from the movie, became the object of wild rumors, which Corsini said are false, “crazy, completely out of control.” “I’m hallucinating at things I’m reading, accusing me of having forced Esther to do a blowjob or masturbate herself,” she said.
Audiences will get to decide if “Homecoming” is sensitively wrought or exploitative as the film premieres in Cannes on Wednesday.
- 5/16/2023
- by Elsa Keslassy
- Variety Film + TV
Paris-based Playtime has unveiled a strong Cannes film market sales slate, which includes competition titles “About Dry Grasses” and “Homecoming.”
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
- 5/2/2023
- by Naman Ramachandran and Elsa Keslassy
- Variety Film + TV
‘Homecoming’ was added to the Cannes line-up earlier this week.
Homecoming (Le Retour) director Catherine Corsini, producer Chaz Productions and sales agent Playtime have defended the film’s Cannes Competition inclusion amid what they claim are false accusations of on-set unrest.
Earlier this month, French media reported Corsini had been accused of harassment of crew, other crew members were accused of inappropriate acts against two actors, and the Cnc had pulled funding due to an intimate scene involving minors that was added to the script without being pre-approved in the shooting schedule.
Corsini and her longtime producing partner Elisabeth Perez...
Homecoming (Le Retour) director Catherine Corsini, producer Chaz Productions and sales agent Playtime have defended the film’s Cannes Competition inclusion amid what they claim are false accusations of on-set unrest.
Earlier this month, French media reported Corsini had been accused of harassment of crew, other crew members were accused of inappropriate acts against two actors, and the Cnc had pulled funding due to an intimate scene involving minors that was added to the script without being pre-approved in the shooting schedule.
Corsini and her longtime producing partner Elisabeth Perez...
- 4/26/2023
- by Rebecca Leffler
- ScreenDaily
Catherine Corsini, the French director of “Le Retour,” which was added to the competition lineup for the 76th edition of Cannes on Monday, has addressed the reports in French media of alleged inappropriate incidents during production of the film.
Corsini’s competition slot was on hold for nearly 10 days after Cannes’s administration board heard that a scene of a sexual nature involving the 15-year old female protagonist of the film was added to the script and allegedly filmed without the consent of the Commission des Enfants du Spectacle, a government-backed organization. French reports also said Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors.
Corsini and her producer Elisabeth Perez released a letter on April 25 arguing that the reports were “inaccurate” and included testimonies of cast members, including the young...
Corsini’s competition slot was on hold for nearly 10 days after Cannes’s administration board heard that a scene of a sexual nature involving the 15-year old female protagonist of the film was added to the script and allegedly filmed without the consent of the Commission des Enfants du Spectacle, a government-backed organization. French reports also said Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors.
Corsini and her producer Elisabeth Perez released a letter on April 25 arguing that the reports were “inaccurate” and included testimonies of cast members, including the young...
- 4/25/2023
- by Elsa Keslassy
- Variety Film + TV
Le retour
Formerly titled “La Loi du plus fort”, Catherine Corsini began filming on Le retour back in September of last year. Set in Corsica, Virginie Ledoyen, Denis Podalydès, Aïssatou Diallo Sagna and Esther Gohourou are among the on-screen distribution here. Corsini last premiered hospital ER room has a trauma center and empathy and connection – in La fracture in Cannes back in ’21.
Gist: Written by Corsini and Naïla Guiguet, the story centres on 40-something Kheìdidja, who works for a wealthy Parisian family who offers her to take care of the children during a summer in Corsica – the occasion for her and her daughters, Jessica and Farah, to return to this island which they left 15 years ago in tragic circumstances.…...
Formerly titled “La Loi du plus fort”, Catherine Corsini began filming on Le retour back in September of last year. Set in Corsica, Virginie Ledoyen, Denis Podalydès, Aïssatou Diallo Sagna and Esther Gohourou are among the on-screen distribution here. Corsini last premiered hospital ER room has a trauma center and empathy and connection – in La fracture in Cannes back in ’21.
Gist: Written by Corsini and Naïla Guiguet, the story centres on 40-something Kheìdidja, who works for a wealthy Parisian family who offers her to take care of the children during a summer in Corsica – the occasion for her and her daughters, Jessica and Farah, to return to this island which they left 15 years ago in tragic circumstances.…...
- 1/16/2023
- by Eric Lavallée
- IONCINEMA.com
Casting is complete and cameras are currently rolling on Catherine Corsini‘s Le retour. We recently reported that Aïssatou Diallo Sagna was the first to join the project, and now we learned that Esther Gohourou (breakout in Maïmouna Doucouré’s Cuties) and Suzy Bemba will also topline the film and they’ll be supported by Lomane de Dietrich, Cédric Appietto, Marie-Ange Géronimi, Harold Orsoni, Jean Michelangeli, Virginie Ledoyen and Denis Podalydès. Cineuropa reports that Chaz Productions’ Élisabeth Perez will produce. Corsini reteams with cinematographer Jeanne Lapoirie (who has Robin Campillo’s Vazaha to be released next year). Production will last close to two months and a Cannes premiere is entirely possible.…...
- 10/2/2022
- by Eric Lavallée
- IONCINEMA.com
Cuties (Netflix)
Starring Fathia Youssouf as Amy, Médina El Aidi-Azouni as Angelica, Maïmouna Gueye as Mariam, Esther Gohourou as Coumba, Ilanah Cami-Goursolas as Jess, Myriam Hamma as Yasmine, Mbissine Therese Diop as the aunt
Directed by Maïmouna Doucouré
A huge, and as it turns out utterly misguided, debate has sprung up around this beautiful, sensitive depiction of an 11-year Senegalese black girl’s self-generated growth from childhood to maturity.
The film has been accused of ‘sexualizing’ children when in fact it does just the opposite. By showing the 11-year old protagonist Amy (the wonderful Fathia Youssouf) descend into premature adulthood the film actually crosses the line in pursuit of very uncomfortable questions regarding paedophilic reality shows where young children are exposed to a rampant voyeurism by judges (who should know better) giving points to girls for pouting and wriggling, thrusting and heaving imaginary bosoms.
So please don’t shoot the messenger.
Starring Fathia Youssouf as Amy, Médina El Aidi-Azouni as Angelica, Maïmouna Gueye as Mariam, Esther Gohourou as Coumba, Ilanah Cami-Goursolas as Jess, Myriam Hamma as Yasmine, Mbissine Therese Diop as the aunt
Directed by Maïmouna Doucouré
A huge, and as it turns out utterly misguided, debate has sprung up around this beautiful, sensitive depiction of an 11-year Senegalese black girl’s self-generated growth from childhood to maturity.
The film has been accused of ‘sexualizing’ children when in fact it does just the opposite. By showing the 11-year old protagonist Amy (the wonderful Fathia Youssouf) descend into premature adulthood the film actually crosses the line in pursuit of very uncomfortable questions regarding paedophilic reality shows where young children are exposed to a rampant voyeurism by judges (who should know better) giving points to girls for pouting and wriggling, thrusting and heaving imaginary bosoms.
So please don’t shoot the messenger.
- 9/16/2020
- by Subhash K Jha
- Bollyspice
Opinion'Cuties', a French drama that revolves around a group of pre-teen girls, ran into controversy recently as it was accused of sexualising them. Geetika MantriWhen I was around six or seven years old, I remember wearing a long skirt and top, looking in the mirror and trying to dance to ‘Chamma chamma’ from the 1998 Bollywood film China Gate. Starring Urmila Matondkar, 'Chamma chamma' is by all means an ‘item song’. While trying to copy Urmila’s moves, could my dancing be perceived as suggestive? Sure. But was I trying to be sexy or feeling sexual? No. Cuties, a French drama that revolves around four pre-teen girls, ran into controversy recently as it was accused of sexualising young girls. The film, the first feature by Maïmouna Doucouré, released on Netflix recently, and stars Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas and Maïmouna Gueye. Fathia plays 11-year-old Amy, a Muslim Senegalese immigrant with orthodox upbringing,...
- 9/14/2020
- by Geetika
- The News Minute
Netflix has issued an apology for a poster for the film “Cuties” that was criticized online for sexualizing children.
The French-African film from director and writer Maïmouna Doucouré has been well-reviewed and won the Directing Award in the World Cinema Dramatic category at Sundance earlier this year. And while “Cuties” does not have content that sexualizes underage girls, the streamer admitted that the poster created by its PR team was “inappropriate.”
“We’re deeply sorry for the inappropriate artwork that we used for ‘Mignonnes/Cuties.’ It was not Ok, nor was it representative of this French film which premiered at Sundance. We’ve now updated the pictures and description,” a Netflix spokesperson said in a statement.
Also Read: 'Cuties' Just Want to Dance in First Trailer for Sundance Darling on Netflix (Video)
The original American poster for “Cuties” issued by Netflix showed the four girls in the film striking suggestive...
The French-African film from director and writer Maïmouna Doucouré has been well-reviewed and won the Directing Award in the World Cinema Dramatic category at Sundance earlier this year. And while “Cuties” does not have content that sexualizes underage girls, the streamer admitted that the poster created by its PR team was “inappropriate.”
“We’re deeply sorry for the inappropriate artwork that we used for ‘Mignonnes/Cuties.’ It was not Ok, nor was it representative of this French film which premiered at Sundance. We’ve now updated the pictures and description,” a Netflix spokesperson said in a statement.
Also Read: 'Cuties' Just Want to Dance in First Trailer for Sundance Darling on Netflix (Video)
The original American poster for “Cuties” issued by Netflix showed the four girls in the film striking suggestive...
- 8/20/2020
- by Brian Welk
- The Wrap
The Sundance drama “Cuties” is a coming-of-age story about a girl from Senegal, but her story is a universal one that shows that we’d all rather dance than have to grow up and face the world.
Netflix picked up the inspiring film “Cuties” out of Sundance from director and writer Maïmouna Doucouré after it won the Directing Award in the World Cinema Dramatic category at the festival earlier this year.
In “Cuties,” an 11-year-old girl from Senegal Amy tries to escape family dysfunction by joining a free-spirited dance clique named “Cuties.” The group stands in stark contrast to her mother’s traditional values, and she soon becomes aware of her own femininity well beyond her years through dance. She soon inspires the girls to embrace more sensual dance moves as part of their routine even as she begins to face the realities of growing up, and they hope to...
Netflix picked up the inspiring film “Cuties” out of Sundance from director and writer Maïmouna Doucouré after it won the Directing Award in the World Cinema Dramatic category at the festival earlier this year.
In “Cuties,” an 11-year-old girl from Senegal Amy tries to escape family dysfunction by joining a free-spirited dance clique named “Cuties.” The group stands in stark contrast to her mother’s traditional values, and she soon becomes aware of her own femininity well beyond her years through dance. She soon inspires the girls to embrace more sensual dance moves as part of their routine even as she begins to face the realities of growing up, and they hope to...
- 8/18/2020
- by Brian Welk
- The Wrap
"What are you doing, Amy? Who are you, Amy?" Netflix has unveiled an official trailer for an indie film titled Cuties, which originally premiered at the Sundance Film Festival earlier this year. The film marks the feature directorial debut of French-Senegalese filmmaker Maïmouna Doucouré, and it's a French feature that will be available streaming on Netflix in September. Amy, an 11 year old Senegalese girl, tries to escape family dysfunction by joining a free-spirited dance clique named "Cuties," growing up as they become aware of their own femininity through dance. The full cast includes Fathia Youssouf, Médina El Aidi, Esther Gohourou, Ilanah, Myriam Hamma, Demba Diaw, Maïmouna Gueye, and Therese M'Bissine Diop. Early reviews from Sundance say that "Cuties is a contemporary view into a fundamental change of life in a modern world of unknown circumstances and how to survive them." A film that will make you think. Here's the official...
- 8/18/2020
- by Alex Billington
- firstshowing.net
Eleven-year-old Senegalese immigrant Amy (Fathia Youssouf) reckons there are two ways to be a woman. Amy could mimic her mom (Maïmouna Gueye), a dutiful drudge with three kids and a husband who’s just announced he’s bringing home a second wife. Or she could copy the “Cuties,” a quartet of brazen girls who wear tube tops to class, screech “Freedom!” in the hallways, and rehearse their dance crew after school. Either way, the new-in-town 6th grader is ready to select a lane and speed toward maturity.
To writer-director Maïmouna Doucouré, the choice is simple. Her coming-of-age drama starts with Amy doodling stick figures and climaxes with the kid booty-shaking in hot pants. The choice is also false, but , which can make the film feel as subtle as a headache.
“Cuties” is an extension of Doucouré’s 2016 César- and Sundance-winning short “Maman(s)”, about an 8-year-old child furious when her...
To writer-director Maïmouna Doucouré, the choice is simple. Her coming-of-age drama starts with Amy doodling stick figures and climaxes with the kid booty-shaking in hot pants. The choice is also false, but , which can make the film feel as subtle as a headache.
“Cuties” is an extension of Doucouré’s 2016 César- and Sundance-winning short “Maman(s)”, about an 8-year-old child furious when her...
- 1/24/2020
- by Amy Nicholson
- Variety Film + TV
Cuties
Winner of the Global Filmmaking Award at the Sundance Film Festival in 2017 for the screenplay of her first feature Cuties (Mignonnes), Maïmouna Doucouré reteamed with producer Bien ou Bien Productions Sylvain De Zangroniz for a debut that pit non-professionals with actress Maïmouna Gueye. Doucouré won both a César, a Grand Jury Prize at Sundance and Best International Short at Tiff for her 2015 short film, Maman(s). Doucoure’s cast includes Fathia Youssouf, Medina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma and Maimouna Gueye. Netflix landed the title.
Gist: Co-written by Alice Winocour, Nathalie Saugeon and Valentine Milville, pre-teenager Amy discovers in her new elementary school a group of dancers called “Cuties”.…...
Winner of the Global Filmmaking Award at the Sundance Film Festival in 2017 for the screenplay of her first feature Cuties (Mignonnes), Maïmouna Doucouré reteamed with producer Bien ou Bien Productions Sylvain De Zangroniz for a debut that pit non-professionals with actress Maïmouna Gueye. Doucouré won both a César, a Grand Jury Prize at Sundance and Best International Short at Tiff for her 2015 short film, Maman(s). Doucoure’s cast includes Fathia Youssouf, Medina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma and Maimouna Gueye. Netflix landed the title.
Gist: Co-written by Alice Winocour, Nathalie Saugeon and Valentine Milville, pre-teenager Amy discovers in her new elementary school a group of dancers called “Cuties”.…...
- 1/1/2020
- by Nicholas Bell
- IONCINEMA.com
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