The Ann Arbor Film Festival, having survived their half-a-century blowout in 2012, is back with another rip-roarin’ 51st edition in 2013, which will run from March 19-24, screening a mind-boggling amount of experimental short films and a few features.
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
- 3/19/2013
- by Mike Everleth
- Underground Film Journal
The Branchage Film Festival is bringing a special event to London next month and if you fancy something a bit different and arty then it might be worth checking out! We’ve been sent over the press release for the special event combining images and music to delirious effect.
Canadian artist Daniel Barrow will be performing his latest work Every Time I See Your Picture I Cry in Shoreditch Church as part of ‘Branchage Projects: Daniel Barrow + Bo Ningen’. See press release below for full lowdown. Tickets cost £12 quid and the thing’s taking place inside Shoreditch Church. Interesting.
“From the dark of the audience, Daniel Barrow works his antiquated overhead projector, moving layers of immaculate illustrations through its beam while he narrates along; flickering on the screen, a strange and dark story unfolds, the tale of a deadbeat dustman and an inventive serial killer… This award-winning ‘manual animation’ and live narration performance is intimate,...
Canadian artist Daniel Barrow will be performing his latest work Every Time I See Your Picture I Cry in Shoreditch Church as part of ‘Branchage Projects: Daniel Barrow + Bo Ningen’. See press release below for full lowdown. Tickets cost £12 quid and the thing’s taking place inside Shoreditch Church. Interesting.
“From the dark of the audience, Daniel Barrow works his antiquated overhead projector, moving layers of immaculate illustrations through its beam while he narrates along; flickering on the screen, a strange and dark story unfolds, the tale of a deadbeat dustman and an inventive serial killer… This award-winning ‘manual animation’ and live narration performance is intimate,...
- 2/22/2011
- by Martyn Conterio
- FilmShaft.com
The prestigious Art in America magazine profiles and interviews Bad Lit favorite Brent Green. Filmmaker and curator Cecilia Araneda has a new website that’s very spiffy looking. If you need a zen moment, go stare at the wonder of filmmaker and artist Daniel Barrow’s snowglobe. Michael Varrati has a great new filmmaker to know: David DeCoteau, the king of beefcake horror. I was completely unfamiliar with his work until I read this! Rhizome goes through the career of pioneering video artist Nam June Paik in conjunction with a retrospective of his work running at the Tate in London. Plus, some staff changes at the media arts website. I think the Underground Film Guild is a project of Tla Video, but I can’t say for sure. (Hey guys, update your About page from the automatic WordPress-install text.) But, if you want to read/watch about exploitation films, this...
- 1/9/2011
- by Mike Everleth
- Underground Film Journal
Daniel Barrow has one of the most intriguing animation styles I’ve ever encountered. This is the first time I’ve encountered it, though, in the music video “A Miracle” by the band the Hidden Cameras. Technically, you could call this traditional “cel animation,” but what Barrow really does is draw on clear sheets, then layers and moves those sheets underneath an overhead light projector. The projected end result is very painterly and makes you marvel at the coordination needed to manipulate the cels.
This is an animation process that Barrow performs live, but also sometimes captures his performances in films and videos such as this one. This particular video really captured me during the headphones sequence, in which two hands, two halves of a headphone and lettering swirl about a young boy’s head as he lies in bed.
If you watch it again, pay particular attention to the...
This is an animation process that Barrow performs live, but also sometimes captures his performances in films and videos such as this one. This particular video really captured me during the headphones sequence, in which two hands, two halves of a headphone and lettering swirl about a young boy’s head as he lies in bed.
If you watch it again, pay particular attention to the...
- 1/8/2011
- by Mike Everleth
- Underground Film Journal
[Our thanks to Kier-La Janisse for the following.]
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
- 10/27/2010
- Screen Anarchy
The full line up for the 54th BFI London Film Festival was announced in the Odeon, Leicester Square this morning, with a number of highly anticipated films set to light up the capital this October.
The festival runs from the 13th to the 28th of October and will begin with Mark Romanek’s adaptation of Kazuo Ishiguro’s haunting masterpiece Never Let Me Go, and will close with Danny Boyle’s 127 Hours which stars James Franco.
Announcing the roster were Artistic Director Sandra Hebron and the Director of the British Film Institute, Amanda Nevill.
HeyUGuys will be all over the festival this year, it looks like it will be one to remember.
Click here to view the full calendar
The 54Th BFI London Film Festival Programme Launch
London, Wednesday 8 September: The programme for the 54th BFI London Film Festival, launched today by Artistic Director Sandra Hebron, showcases an array of...
The festival runs from the 13th to the 28th of October and will begin with Mark Romanek’s adaptation of Kazuo Ishiguro’s haunting masterpiece Never Let Me Go, and will close with Danny Boyle’s 127 Hours which stars James Franco.
Announcing the roster were Artistic Director Sandra Hebron and the Director of the British Film Institute, Amanda Nevill.
HeyUGuys will be all over the festival this year, it looks like it will be one to remember.
Click here to view the full calendar
The 54Th BFI London Film Festival Programme Launch
London, Wednesday 8 September: The programme for the 54th BFI London Film Festival, launched today by Artistic Director Sandra Hebron, showcases an array of...
- 9/8/2010
- by Jon Lyus
- HeyUGuys.co.uk
The 48th annual Ann Arbor Film Festival is another exciting celebration of underground film past and present, featuring two retrospectives of two master filmmakers and dozens of short films and features from some of the most gifted talents working today.
For the retrospectives, first, Kenneth Anger will be in attendance at the festival for two programs of his classic work, including Fireworks and Scorpio Rising. Plus, for the first Anger screening, the filmmaker will be joined on-stage by film critic Dennis Lim for a discussion of his work and career. The second retrospective is of the work of the late Chick Strand, who sadly passed away in 2009. Strand’s Angel Blue Sweet Wings (1966) will actually open the entire festival, then there will be two retrospective screenings of her work, the first of which will be presented by film scholar Irina Leimbacher.
The rest of the Aaff lineup reads like a...
For the retrospectives, first, Kenneth Anger will be in attendance at the festival for two programs of his classic work, including Fireworks and Scorpio Rising. Plus, for the first Anger screening, the filmmaker will be joined on-stage by film critic Dennis Lim for a discussion of his work and career. The second retrospective is of the work of the late Chick Strand, who sadly passed away in 2009. Strand’s Angel Blue Sweet Wings (1966) will actually open the entire festival, then there will be two retrospective screenings of her work, the first of which will be presented by film scholar Irina Leimbacher.
The rest of the Aaff lineup reads like a...
- 3/8/2010
- by Mike Everleth
- Underground Film Journal
"Avatar," the sci-fi special effects extravaganza, received six Visual Effects Society Awards including Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture at the 8th Annual Ves Awards.
"Avatar" beat fellow Oscar nominees "District 9" and "Star Trek" as well as, "2012" and "Transformers: Revenge of the Fallen."
Disney/Pixar's "Up" won three including Oustanding Animation, Outstanding Animated Character ( 'Carl'- No Dad Scene), and Outstanding Effects Animation in an Animated Feature.
"District 9" earned one Ves Award, for outstanding compositing while "Sherlock Holmes" won for supporting Visual Effects in a feature.
The effective use of the Visual Effects technology is one of the strongest qualities of "Avatar." Watch for the film to take home all the special effects categories at the upcoming Academy Awards.
Here's the complete list of winners of the 8th Annual Visual Effects Society Awards:
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture
Avatar
Joe Letteri,...
"Avatar" beat fellow Oscar nominees "District 9" and "Star Trek" as well as, "2012" and "Transformers: Revenge of the Fallen."
Disney/Pixar's "Up" won three including Oustanding Animation, Outstanding Animated Character ( 'Carl'- No Dad Scene), and Outstanding Effects Animation in an Animated Feature.
"District 9" earned one Ves Award, for outstanding compositing while "Sherlock Holmes" won for supporting Visual Effects in a feature.
The effective use of the Visual Effects technology is one of the strongest qualities of "Avatar." Watch for the film to take home all the special effects categories at the upcoming Academy Awards.
Here's the complete list of winners of the 8th Annual Visual Effects Society Awards:
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture
Avatar
Joe Letteri,...
- 3/1/2010
- by Manny
- Manny the Movie Guy
"Avatar" earned six Visual Effects Society awards, including the top honor for outstanding visual effects in a VFX-driven feature, at the 8th annual Ves Awards.
Also Sunday at the Hyatt Regency Century Plaza, Pixar Animation Studio's "Up" -- the leading contender in this year's animated feature Oscar race -- won three trophies: for outstanding animation, outstanding animated character and outstanding effects animation in an animated feature.
In addition to the top honor for outstanding visual effects, 3D scifi epic "Avatar" earned trophies for best single visual effect of the year, outstanding character animation in a live-action feature, outstanding matte paintings, outstanding models and miniatures, and outstanding created environment.
Since the Ves launched its awards in 2002, the winner of the top category has gone on to win the VFX Oscar each year but two. Those instances occurred in 2005, when "Harry Potter and the Prisoner of Azkaban" won the Ves trophy and...
Also Sunday at the Hyatt Regency Century Plaza, Pixar Animation Studio's "Up" -- the leading contender in this year's animated feature Oscar race -- won three trophies: for outstanding animation, outstanding animated character and outstanding effects animation in an animated feature.
In addition to the top honor for outstanding visual effects, 3D scifi epic "Avatar" earned trophies for best single visual effect of the year, outstanding character animation in a live-action feature, outstanding matte paintings, outstanding models and miniatures, and outstanding created environment.
Since the Ves launched its awards in 2002, the winner of the top category has gone on to win the VFX Oscar each year but two. Those instances occurred in 2005, when "Harry Potter and the Prisoner of Azkaban" won the Ves trophy and...
- 3/1/2010
- by By Carolyn Giardina
- The Hollywood Reporter - Movie News
The 48th Ann Arbor Film Festival is set to run on March 23-28 and while the specific lineup hasn’t been announced yet, the fest has released information on two separate programs: The Special Programs and the Free Programs.
The Special Programs are a trio of curated events featuring the work of three different filmmakers:
In 2006, filmmaker Naomi Uman moved to the Ukraine — the country of her great-grandparents — and settled into the village of Legedzine. Unfamiliar with the language or the culture, Uman documented her gradual understanding of both in several 16mm short films collectively titled the “Ukranian Time Machine,” which will screen at Ann Arbor., Austria’s Viennale and the Sundance Film Festival.
Nicky Hamlyn, a British filmmaker will screen a selection of his work. His short, silent 16mm films are created one individual frame at a time and focus on rural and urban landscapes and domestic interiors. From Montreal,...
The Special Programs are a trio of curated events featuring the work of three different filmmakers:
In 2006, filmmaker Naomi Uman moved to the Ukraine — the country of her great-grandparents — and settled into the village of Legedzine. Unfamiliar with the language or the culture, Uman documented her gradual understanding of both in several 16mm short films collectively titled the “Ukranian Time Machine,” which will screen at Ann Arbor., Austria’s Viennale and the Sundance Film Festival.
Nicky Hamlyn, a British filmmaker will screen a selection of his work. His short, silent 16mm films are created one individual frame at a time and focus on rural and urban landscapes and domestic interiors. From Montreal,...
- 2/11/2010
- by Mike Everleth
- Underground Film Journal
No surprise there. It goes without saying that James Cameron's sci-fi spectacle Avatar has the potential to clean house at the 8th Annual Ves Awards for its breath taking visuals by the acclaimed Weta Digital. Cameron will also be picking up a well-deserved Lifetime Achievement Award. In the outstanding animated feature category, the nominees include Up, 9, Coraline, Cloudy with a Chance of Meatballs and Ice Age: Dawn of the Dinosaurs.
The official press release is as followed:
3-D Films Dominate With Most Noms as Avatar grabs 11, Coraline 4, and Visual Effects Company Weta Digital Snags Most Company Noms with 9
Los Angeles, January 19, 2010 - The Visual Effects Society (Ves) today announced the nominees for the 8th Annual Ves Awards ceremony recognizing outstanding visual effects artistry in over twenty categories of film, animation, television, commercials and video games. Nominees were chosen Saturday, January 16, 2010, by numerous blue ribbon panels of Ves members who...
The official press release is as followed:
3-D Films Dominate With Most Noms as Avatar grabs 11, Coraline 4, and Visual Effects Company Weta Digital Snags Most Company Noms with 9
Los Angeles, January 19, 2010 - The Visual Effects Society (Ves) today announced the nominees for the 8th Annual Ves Awards ceremony recognizing outstanding visual effects artistry in over twenty categories of film, animation, television, commercials and video games. Nominees were chosen Saturday, January 16, 2010, by numerous blue ribbon panels of Ves members who...
- 1/22/2010
- Screen Anarchy
James Cameron's "Avatar" led the list of nominations announced Monday by the Visual Effects Society, scooping up 11.
The animated "Coraline," another movie released in 3D, followed with four nominations.
New Zealand-based Weta Digital, which worked on "Avatar," led the company noms with nine.
For visual effects in an effects-driven motion picture feature, the nominees are "2012," "Avatar," "District 9," "Star Trek" and "Transformers: Revenge of the Fallen."
Noms for supporting visual effects in a movie went to "Angels & Demons," "The Box," "Invictus," "The Road" and "Sherlock Holmes."
"9," "Cloudy With a Chance of Meatballs," "Coraline," "Ice Age: Dawn of the Dinosaurs" and "Up" were nominated for outstanding animation in an animated feature.
Ves noms in 20 categories, covering film, animation, TV, commercials and video games were chosen Saturday by blue-ribbon panels of Ves members, meeting in Burbank, San Francisco and London.
The eighth annual Ves Awards will be handed out on Feb.
The animated "Coraline," another movie released in 3D, followed with four nominations.
New Zealand-based Weta Digital, which worked on "Avatar," led the company noms with nine.
For visual effects in an effects-driven motion picture feature, the nominees are "2012," "Avatar," "District 9," "Star Trek" and "Transformers: Revenge of the Fallen."
Noms for supporting visual effects in a movie went to "Angels & Demons," "The Box," "Invictus," "The Road" and "Sherlock Holmes."
"9," "Cloudy With a Chance of Meatballs," "Coraline," "Ice Age: Dawn of the Dinosaurs" and "Up" were nominated for outstanding animation in an animated feature.
Ves noms in 20 categories, covering film, animation, TV, commercials and video games were chosen Saturday by blue-ribbon panels of Ves members, meeting in Burbank, San Francisco and London.
The eighth annual Ves Awards will be handed out on Feb.
- 1/18/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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