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While The Shannara Chronicles' production values remain through the roof, its storytelling keeps ignoring the best bits...
This review contains spoilers.
1.7 Breakline
MTV’s fantasy drama series The Shannara Chronicles is at its most watchable when limiting the scope of its episodes and focusing on one or two areas of interest per week. It gives the show room to breathe and the audience time to invest in the tribulations of the characters. It is perhaps no surprise then that seventh offering, Breakline, struggles somewhat to maintain interest levels as the episode attempts to take on several large chunks of plot in one go.
Breakline splits the central Amberle, Eretria and Wil trio into two groups while also introducing several new characters: the recently uni-eared elf Perk and the hunter with a grudge, Zora. But the episode also attempts to resolve the fate of Allanon after his stabbing last week,...
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While The Shannara Chronicles' production values remain through the roof, its storytelling keeps ignoring the best bits...
This review contains spoilers.
1.7 Breakline
MTV’s fantasy drama series The Shannara Chronicles is at its most watchable when limiting the scope of its episodes and focusing on one or two areas of interest per week. It gives the show room to breathe and the audience time to invest in the tribulations of the characters. It is perhaps no surprise then that seventh offering, Breakline, struggles somewhat to maintain interest levels as the episode attempts to take on several large chunks of plot in one go.
Breakline splits the central Amberle, Eretria and Wil trio into two groups while also introducing several new characters: the recently uni-eared elf Perk and the hunter with a grudge, Zora. But the episode also attempts to resolve the fate of Allanon after his stabbing last week,...
- 2/10/2016
- by louisamellor
- Den of Geek
Chicago – One of the most popular opinions among modern audiences is the notion that television shows have become consistently better than films. This is partly because many of the year’s best movies are relegated to urban art houses, while shows like “Mad Men” and “Breaking Bad” are available on small screens nationwide. Yet I’d argue that there’s just as much derivative dreck on TV as there is in mainstream multiplexes.
Two recent shows on Starz illustrate this principal in exquisite fashion. Both “Camelot” and “Spartacus: Gods of the Arena” are the latest rehashes of ancient tales that have nothing new to bring to the table, besides a smattering of gore and nudity to better portray the “reality” of their oft-romanticized subject matter (while simultaneously boosting ratings). Neither show emerges as anything more than an inferior imitation of past hit films. One show is a complete rip-off, while the other registers as HBO-lite.
Two recent shows on Starz illustrate this principal in exquisite fashion. Both “Camelot” and “Spartacus: Gods of the Arena” are the latest rehashes of ancient tales that have nothing new to bring to the table, besides a smattering of gore and nudity to better portray the “reality” of their oft-romanticized subject matter (while simultaneously boosting ratings). Neither show emerges as anything more than an inferior imitation of past hit films. One show is a complete rip-off, while the other registers as HBO-lite.
- 9/15/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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