Mel Brooks’s Young Frankenstein, co-written with Gene Wilder (seen here with Marty Feldman and Teri Garr) inspired Tony McNamara’s screenplay adaptation of Alasdair Gray’s novel for Yorgos Lanthimos’s Poor Things (Oscar wins for Emma Stone and costume designer Holly Waddington).
By using well-chosen excerpts from the audiobook of Gene Wilder’s autobiography, Kiss Me Like A Stranger, Ron Frank lets Wilder himself guide us through the documentary, by positioning him in dialogue with many friends and colleagues assembled here, most prominently Mel Brooks, who directed Wilder in a number of groundbreaking movies. We find out how the two met, because Anne Bancroft, starring at the time on stage in Bertolt Brecht’s Mother Courage (with Wilder as the Chaplain), was dating Brooks, who was looking for an actor to play Leo Bloom in what was to become The Producers. The two men clicked, as they both recall,...
By using well-chosen excerpts from the audiobook of Gene Wilder’s autobiography, Kiss Me Like A Stranger, Ron Frank lets Wilder himself guide us through the documentary, by positioning him in dialogue with many friends and colleagues assembled here, most prominently Mel Brooks, who directed Wilder in a number of groundbreaking movies. We find out how the two met, because Anne Bancroft, starring at the time on stage in Bertolt Brecht’s Mother Courage (with Wilder as the Chaplain), was dating Brooks, who was looking for an actor to play Leo Bloom in what was to become The Producers. The two men clicked, as they both recall,...
- 3/21/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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The Flop That Wasn't
By Raymond Benson
Most folks today may be familiar with The Producers, the Broadway musical comedy that ran for years, toured around the globe, and elicited laughter and joy for audiences of all ages. There are likely less people today who have experienced the original 1967 film upon which the successful musical is based. For decades, though, the movie was all we had.
In the mid-sixties, Mel Brooks was a successful television writer, having worked on hilarious comedies with Sid Caesar, among other works, and later the co-creator of Get Smart. Brooks then came up with what was first intended to be a novel, then a play, and finally a screenplay called Springtime for Hitler—an outrageous satire lampooning the Nazis. The Hollywood producers to whom Brooks pitched the piece were appalled. No audience would accept a “comedyâ€. about Hitler.
The Flop That Wasn't
By Raymond Benson
Most folks today may be familiar with The Producers, the Broadway musical comedy that ran for years, toured around the globe, and elicited laughter and joy for audiences of all ages. There are likely less people today who have experienced the original 1967 film upon which the successful musical is based. For decades, though, the movie was all we had.
In the mid-sixties, Mel Brooks was a successful television writer, having worked on hilarious comedies with Sid Caesar, among other works, and later the co-creator of Get Smart. Brooks then came up with what was first intended to be a novel, then a play, and finally a screenplay called Springtime for Hitler—an outrageous satire lampooning the Nazis. The Hollywood producers to whom Brooks pitched the piece were appalled. No audience would accept a “comedyâ€. about Hitler.
- 3/10/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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