High Ground, The Invisible Man and 2067 lead the feature film nominees and Hungry Ghosts, Stateless and Bump television for the upcoming Australian Production Design Guild (Apdg) Awards.
Production designer for High Ground Ross Wallace and The Invisible Man’s Alex Holmes will compete for the night’s top gong against Relic‘s Steven Jones-Evans and True History of the Kelly Gang‘s Karen Murphy.
In television, battling for the production designer award are Hungry Ghost‘s Carrie Kennedy, On Becoming A God In Central Florida‘s Annie Beauchamp, Stateless’ Melinda Doring and The Luminaries‘ Felicity Abbott.
There are 23 categories for this year’s awards, including the traditional live performance, film, television, event, animation and costume design awards, in addition to new categories that include set decorators, screen graphic designers and live performance video designers.
“Over the past 10 years our young emerging designers have flourished,” production designer and Apdg president George Liddle said.
Production designer for High Ground Ross Wallace and The Invisible Man’s Alex Holmes will compete for the night’s top gong against Relic‘s Steven Jones-Evans and True History of the Kelly Gang‘s Karen Murphy.
In television, battling for the production designer award are Hungry Ghost‘s Carrie Kennedy, On Becoming A God In Central Florida‘s Annie Beauchamp, Stateless’ Melinda Doring and The Luminaries‘ Felicity Abbott.
There are 23 categories for this year’s awards, including the traditional live performance, film, television, event, animation and costume design awards, in addition to new categories that include set decorators, screen graphic designers and live performance video designers.
“Over the past 10 years our young emerging designers have flourished,” production designer and Apdg president George Liddle said.
- 7/15/2021
- by Staff Writer
- IF.com.au
‘Tidelands’.
The nominees for this year’s Australian Production Design Guild (Apdg) Awards have been unveiled, with 140 nominees across 19 categories.
Those behind the worlds of Hotel Mumbai, Judy and Punch, Ladies in Black and Storm Boy are in contention for the best production design on a feature film award, while those who helped to put together A Place To Call Home (Season 6), Black Mirror: Striking Vipers, Bloom and Tidelands will vie for the equivalent award in TV/web series.
Overall, Netflix series Tidelands leads with four nominations, while feature films I Am Mother and Ladies In Black have three each.
Apdg president George Liddle said: ‘The guild is thrilled to represent all the talent from the diverse areas of design and to highlight and award the outstanding work produced over the last year in our annual awards.”
Hosted by Mc Adam Eliot, the Apdg Awards will be held on December...
The nominees for this year’s Australian Production Design Guild (Apdg) Awards have been unveiled, with 140 nominees across 19 categories.
Those behind the worlds of Hotel Mumbai, Judy and Punch, Ladies in Black and Storm Boy are in contention for the best production design on a feature film award, while those who helped to put together A Place To Call Home (Season 6), Black Mirror: Striking Vipers, Bloom and Tidelands will vie for the equivalent award in TV/web series.
Overall, Netflix series Tidelands leads with four nominations, while feature films I Am Mother and Ladies In Black have three each.
Apdg president George Liddle said: ‘The guild is thrilled to represent all the talent from the diverse areas of design and to highlight and award the outstanding work produced over the last year in our annual awards.”
Hosted by Mc Adam Eliot, the Apdg Awards will be held on December...
- 11/17/2019
- by jkeast
- IF.com.au
‘Upgrade’.
The nominees for this year’s Australian Production Design Guild Awards have been unveiled, with 106 nominees across 27 categories – six of which are new.
The production designers behind Winchester, Upgrade, Peter Rabbit and The Lego Ninjago Movie are in contention for the best production on a feature film award, while those who helped to put together Harrow, Top of the Lake: China Girl, Friday On My Mind and Picnic at Hanging Rock will vie for the equivalent award in TV.
Apdg president George Liddle said: “The Guild is thrilled to represent all the talent from the diverse areas of design and to highlight and award the outstanding work produced over the last year in our annual awards.
With a growing membership from screen and live performance design practitioners, and the inclusion of the six new categories, we can also highlight the achievements of designers working on international productions, web series and in the game industry.
The nominees for this year’s Australian Production Design Guild Awards have been unveiled, with 106 nominees across 27 categories – six of which are new.
The production designers behind Winchester, Upgrade, Peter Rabbit and The Lego Ninjago Movie are in contention for the best production on a feature film award, while those who helped to put together Harrow, Top of the Lake: China Girl, Friday On My Mind and Picnic at Hanging Rock will vie for the equivalent award in TV.
Apdg president George Liddle said: “The Guild is thrilled to represent all the talent from the diverse areas of design and to highlight and award the outstanding work produced over the last year in our annual awards.
With a growing membership from screen and live performance design practitioners, and the inclusion of the six new categories, we can also highlight the achievements of designers working on international productions, web series and in the game industry.
- 11/16/2018
- by jkeast
- IF.com.au
Producer Bec Dakin realises that aiming to raise up to $150,000 via crowdfunding for a $3 million comedy adapted from a John Birmingham novel is a very tall order, but that.s not the point.
The primary aim of the Pozible campaign, she says, is to build a fan base for The Tasmanian Babes Fiasco, which will pay off when the film is released in cinemas and on digital platforms.
It will be the second feature from Dakin (whose debut was 2008 crime thriller The Horseman) and the first from director Zenon Kohler, who has directed TV commercials and shorts.
.We are starting to build a fan base and we will take them on the journey,. said Dakin, whose day job is a producer at Brisbane-based Cutting Edge, where Kohler is creative director. The screenplay is by Karl Maher, who writes TVCs for an advertising agency.
"It's about starting to share the film...
The primary aim of the Pozible campaign, she says, is to build a fan base for The Tasmanian Babes Fiasco, which will pay off when the film is released in cinemas and on digital platforms.
It will be the second feature from Dakin (whose debut was 2008 crime thriller The Horseman) and the first from director Zenon Kohler, who has directed TV commercials and shorts.
.We are starting to build a fan base and we will take them on the journey,. said Dakin, whose day job is a producer at Brisbane-based Cutting Edge, where Kohler is creative director. The screenplay is by Karl Maher, who writes TVCs for an advertising agency.
"It's about starting to share the film...
- 10/19/2014
- by Don Groves
- IF.com.au
Producer Bec Dakin realises that aiming to raise up to $150,000 via crowdfunding for a $3 million comedy adapted from a John Birmingham novel is a very tall order, but that.s not the point.
The primary aim of the Pozible campaign, she says, is to build a fan base for The Tasmanian Babes Fiasco, which will pay off when the film is released in cinemas and on digital platforms.
It will be the second feature from Dakin (whose debut was 2008 crime thriller The Horseman) and the first from director Zenon Kohler, who has directed TV commercials and shorts.
.We are starting to build a fan base and we will take them on the journey,. said Dakin, whose day job is a producer at Brisbane-based Cutting Edge, where Kohler is creative director. The screenplay is by Karl Maher, who writes TVCs for an advertising agency
The comedy is set in a share...
The primary aim of the Pozible campaign, she says, is to build a fan base for The Tasmanian Babes Fiasco, which will pay off when the film is released in cinemas and on digital platforms.
It will be the second feature from Dakin (whose debut was 2008 crime thriller The Horseman) and the first from director Zenon Kohler, who has directed TV commercials and shorts.
.We are starting to build a fan base and we will take them on the journey,. said Dakin, whose day job is a producer at Brisbane-based Cutting Edge, where Kohler is creative director. The screenplay is by Karl Maher, who writes TVCs for an advertising agency
The comedy is set in a share...
- 10/19/2014
- by Don Groves
- IF.com.au
Top prove that it can get even the toughest stains out, Vanish NapiSan has launched a series of mock product demonstration challenges.
Called Vanish Vs The Internet, the campaign – created by Holler – will culminate in a live stunt to be held in Sydney.
Reckitt Benckiser’s category marketing manager Jennifer Osborne said: “We’re excited about Vanish vs The Internet because if Vanish can stand up to these stain tests, it’s sure to handle anything that everyday life can throw at it.”
Credits:
Creative Director: Richard Morgan
Copywriter: John Gault
Art Director: Ben Heath
Designer: Thomas Fitzpatrick
Account Director: Lucy Ahearne
Client: Jennifer Osborne, Alessia Taddei, Dhati Subramanyam
Production Company: Cutting Edge
Director: Zenon Kohler
Producer: Samara Jones...
Called Vanish Vs The Internet, the campaign – created by Holler – will culminate in a live stunt to be held in Sydney.
Reckitt Benckiser’s category marketing manager Jennifer Osborne said: “We’re excited about Vanish vs The Internet because if Vanish can stand up to these stain tests, it’s sure to handle anything that everyday life can throw at it.”
Credits:
Creative Director: Richard Morgan
Copywriter: John Gault
Art Director: Ben Heath
Designer: Thomas Fitzpatrick
Account Director: Lucy Ahearne
Client: Jennifer Osborne, Alessia Taddei, Dhati Subramanyam
Production Company: Cutting Edge
Director: Zenon Kohler
Producer: Samara Jones...
- 9/14/2012
- by Robin Hicks
- Encore Magazine
The Australian Production Design Guild has announced its shortlist for this years awards for excellence in stage and screen design.
The announcement:
The Australian Production Design Guild in association with Docklands Studios Melbourne is delighted to announce the nominees for the 2012 Awards for Excellence in Stage and Screen Design
The Australian Production Design Guild’s 2012 Awards for Excellence in Stage and Screen Design will be held on Wednesday 17th October 2012 at Parkview Room, Doltone House Darling Island Wharf from 6.30pm, where the winners across 16 categories will be announced.
“The number of entries was impressive” announced George Liddle, Chair of the Apdg Board. With so many quality entrants this year it was difficult for the judges to make a decision.
The Apdg Awards is an annual event first held in 2011. It gathers together a myriad of talents and associated production design professionals from the Australian film, television, stage and interactive multimedia...
The announcement:
The Australian Production Design Guild in association with Docklands Studios Melbourne is delighted to announce the nominees for the 2012 Awards for Excellence in Stage and Screen Design
The Australian Production Design Guild’s 2012 Awards for Excellence in Stage and Screen Design will be held on Wednesday 17th October 2012 at Parkview Room, Doltone House Darling Island Wharf from 6.30pm, where the winners across 16 categories will be announced.
“The number of entries was impressive” announced George Liddle, Chair of the Apdg Board. With so many quality entrants this year it was difficult for the judges to make a decision.
The Apdg Awards is an annual event first held in 2011. It gathers together a myriad of talents and associated production design professionals from the Australian film, television, stage and interactive multimedia...
- 8/31/2012
- by Georgina Pearson
- Encore Magazine
Producer Bec Dakin, scriptwriter Karl Mather and direct Zenon Kohler have won the Chauvel Award script adaptation as part of the Brisbane International Film Festival.
The competition, worth $40,000, aims to encourage the work of producers and writers at an early stage in a project’s life.
Dakin, Mather and Kohler have won for the adaptation of the John Birmingham novel, the Tasmanian Babes Fiasco.
The support will also see the team work closely with Screen Queensland.
Tasmanian Babes Fiasco is about a house full of misfits and a catastrophic week of adventure. It is the sequel to He Died with a Felafel in his Hand which was adapted in 2001 by Richard Lowenstein and starred Noah Taylor and Sophie Lee.
Receiving $25,000 is Brisbane scriptwriter Vicki Englund as development support of the adaptation of Painted Love Letters, based on the young adult fiction by Catherine Bateson.
Stephen Lance, Mairi Cameron and Leanne Tonkes...
The competition, worth $40,000, aims to encourage the work of producers and writers at an early stage in a project’s life.
Dakin, Mather and Kohler have won for the adaptation of the John Birmingham novel, the Tasmanian Babes Fiasco.
The support will also see the team work closely with Screen Queensland.
Tasmanian Babes Fiasco is about a house full of misfits and a catastrophic week of adventure. It is the sequel to He Died with a Felafel in his Hand which was adapted in 2001 by Richard Lowenstein and starred Noah Taylor and Sophie Lee.
Receiving $25,000 is Brisbane scriptwriter Vicki Englund as development support of the adaptation of Painted Love Letters, based on the young adult fiction by Catherine Bateson.
Stephen Lance, Mairi Cameron and Leanne Tonkes...
- 12/2/2011
- by Colin Delaney
- Encore Magazine
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