The father of Janeera Nickol Gonzalez tells People that the man who killed his 20-year-old daughter on Wednesday in an apparent murder-suicide at North Lake College in Texas had been stalking her for weeks.
A statement from police alleges that Adrian Victor Torres, 21, fatally shot himself Wednesday after fatally shooting Janeera in a common study area at the school. His body was found in a locker room shower in a separate building.
Janeera had been studying kinesiology at the school, and was just two weeks shy of graduation, according to Juan Gonzalez, her father.
“Everyone will tell you she was real sweet,...
A statement from police alleges that Adrian Victor Torres, 21, fatally shot himself Wednesday after fatally shooting Janeera in a common study area at the school. His body was found in a locker room shower in a separate building.
Janeera had been studying kinesiology at the school, and was just two weeks shy of graduation, according to Juan Gonzalez, her father.
“Everyone will tell you she was real sweet,...
- 5/4/2017
- by Chris Harris
- PEOPLE.com
It was a gruesome discovery with a Hollywood twist that turned into a two-year whodunit. Now authorities believe they've solved the case of the severed head - and other body parts - found in 2012 below the famed Hollywood sign not far from Brad Pitt's house. Gabriel Campos Martinez, 38, was arrested Sunday in San Antonio, Texas, and is awaiting extradition to Los Angeles in the grisly murder of 66-year-old retired airlines employee Hervey Coronado Medellin. Although a number of theories had been floated about the killing, detectives had considered Martinez "as a person of interest since the outset of the investigation,...
- 3/11/2014
- by Michael Fleeman
- PEOPLE.com
This review was originally published in February. Mumia: Long Distance Revolutionary: A Journey With Mumia Abdul-jamal never played theatrically in St. Louis (thankfully) and my review has been amended to include a look at the extras on the new DVD of the film.
Mumia: Long Distance Revolutionary: A Journey With Mumia Abdul-jamal is a documentary from producer, director, cinematographer Stephen Vittoria about convicted cop killer and former Black Panther Mumia Abdul-Jamal (real name: Wesley Cook), an articulate, relatively intelligent radical with a distinctive speaking voice and a passion for public relations. Slickly produced, and with an excellent original score by Robert Guillory, the film is presented as a collective form of tribute to Mumia, with dozens of “witnesses” including Amy Goodman, Angela Davis, Dick Gregory, Ruby Dee, Cornel West, Peter Coyote, Lydia Barashango, Juan Gonzalez, and Linn Washington, all testifying on-camera to the brilliance of the subject’s writing skills.
Mumia: Long Distance Revolutionary: A Journey With Mumia Abdul-jamal is a documentary from producer, director, cinematographer Stephen Vittoria about convicted cop killer and former Black Panther Mumia Abdul-Jamal (real name: Wesley Cook), an articulate, relatively intelligent radical with a distinctive speaking voice and a passion for public relations. Slickly produced, and with an excellent original score by Robert Guillory, the film is presented as a collective form of tribute to Mumia, with dozens of “witnesses” including Amy Goodman, Angela Davis, Dick Gregory, Ruby Dee, Cornel West, Peter Coyote, Lydia Barashango, Juan Gonzalez, and Linn Washington, all testifying on-camera to the brilliance of the subject’s writing skills.
- 6/18/2013
- by Tom Stockman
- WeAreMovieGeeks.com
Long Distance Revolutionary: A Journey With Mumia Abul-jamal is a documentary from producer, director, cinematographer Stephen Vittoria about convicted cop killer and former Black Panther Mumia Abu-Jamal (real name: Wesley Cook), an articulate, relatively intelligent radical with a distinctive speaking voice and a passion for public relations. Slickly produced, and with an excellent original score by Robert Guillory, the film is presented as a collective form of tribute to Mumia, with dozens of “witnesses” including Amy Goodman, Angela Davis, Dick Gregory, Ruby Dee, Cornel West, Peter Coyote, Lydia Barashango, Juan Gonzalez, and Linn Washington, all testifying on-camera to the brilliance of the subject’s writing skills. Mumia himself is represented through archival footage, voice-over, prison visitation footage, and by an actor portraying the convicted killer moping in his prison cell.
Before viewing, I had never paid much attention to the Mumia Abu-Jamal case, but the film inspired me to do some research.
Before viewing, I had never paid much attention to the Mumia Abu-Jamal case, but the film inspired me to do some research.
- 2/5/2013
- by Tom Stockman
- WeAreMovieGeeks.com
I’ve read some overriding impressions of this year’s Sundance, Peter Knegt’s on Sex and Sundance naturally caught my attention immediately. While I agree with his observations and would add that CAA’s party was the cherry on top of it all, I actually think that whatever one’s concerns of the moment are, that subject will be addressed for that person by more than one film at Sundance. After all, the reason sex sells so well is that everyone is concerned with sex just about every minute of the day (according for Freud, that is)
The Wrap cites “a Sundance for bold, kinky subject matter, for lots of sex (onscreen), for indie directors ramping up the excess and melodrama in a way that would have seemed completely out of place back in the days when the phrase ‘a Sundance movie’ usually meant something restrained and naturalistic like ‘Frozen River’ or ‘In the Bedroom’."
Sundance might also be said to be skewed this year toward: Women (on the rise), Violence (by gun, government, war), or, for me personally, reality.
Whether the loss of reality as in Escape from Tomorrow, Crystal Fairy or Magic Magic, or even The World According to Dick Cheney, or God Loves Uganda in which the person’s grasp on reality was lost in the normal course of living, or the thin border between reality and fiction as expressed in the panels on documentaries or “true fiction” or the Sloan Foundation panel on Science and Film, I found that most of what I was watching and hearing was concerned with “reality”. For those who know me, they are aware that my concerns at this time are dealing with the shifting realities of my life. And that is what I found being addressed by the events of Sundance.
I did not see the acquisitions films. I concentrated on World Cinema and mostly Latino and Eastern European cinema, though I was lucky to catch What They Don’t Talk About When They Talk About Love from Indonesia. The reality of the deaf, mute and blind differs from ours though love is the same and is summed up when one person says, “the male loves what he sees and the female loves what she hears”.
I was also lucky to have seen Fruitvale, the winner of so much acclaim. The huge disconnect between reality and fantasy is found in the security guards’ readiness to resort to violence simply by seeing the color of another man’s skin. They were either looking for a fight or were panicked by the number of revelers on the train. Either way it was a tragic ending, redeemed only by the yearly memorial held in Oscar Grant’s honor. God Loves Uganda shows an entire nation deluded by extremists who speak only the deadly evil of homosexuality. I couldn’t stand watching the degradation of a people taking place because of the glib jabber of a white right-wing evangelist purporting to be speaking for G’d. Circles deals with a reality creating events otherwise unimaginable except for their occurring within a context of race hatred and war. Crystal Fairy’s gringo protagonists live in an unreal world inspired by past emotional injuries and only come to reality through the support of compassionate and accepting friends. Magic Magic, Escape from Tomorrow, A Teacher and Houston are about complete breaks from reality by the protagonists. Il Futuro likewise, in the way of Last Tango in Paris, shows how Thanatos’ antithesis Eros create an extreme sexual acting out of grief. In Lasting, winner of the Cinematography Award, reality finally wins out and a wiser love ensues. The doc Who is Dayani Cristal shows a reality we cannot deny as people brave unreal challenges just to aspire to the American Dream. The World According to Dick Cheney shows a man so blind that he cannot think of a single fault in his own character. The havoc he caused to the U.S. as a result was so devastating that I could barely watch the film to its end. No brings the role of media to a happy conclusion, though the media hype itself was based totally in fantasy, as media most often is. I Used to be Darker is the exception as it is deals entirely with reality. Inequality For All was the only dose of realism I received and I was inspired by the film to speak out!
Fifteen films in six days is not too bad, though it doesn’t give me bragging rights to having seen the top winners of awards or acquisitions, except for Fruitvale.
A big change for me was that I attended panels along with attending my traditional Creative Coalition luncheon for inspiring teachers.
The panels also dealt with the thin line between reality and fiction, “true fiction” and documentaries, communication and sharing between science and film.
Science in Film Forum a 10 year collaboration between The Sloan Foundation and the Sundance Film Festival which aims to encourage more realistic and compelling stories about science and technology themes and characters seemed somewhat debilitated by the very issue of how scientists and filmmakers communicate. I will write more on this later, but in terms of reality and unreality, the difference between the delivery of a scientist and an actor (in this case Kate Winslet in Contagion) as they explain the phenomenology of contagion itself is dramatically different. And the questions a filmmaker asks of a scientist will determine how communicative a scientist can be in terms of making a movie more realistic. Frankly speaking, Jon Amiel and screenwriter Scott Burns made more sense to me than the scientists. More on that later as well. In Imitation of Life, the panel with Sarah Polley, Michael Polish, Segio Oksman and others, about how art mirrors life was completely about reality vs. lies, another form of unreality. The best panel was one I caught accidently about the N.Y. Times online Opinion Pages and the shorts on Op-Docs, the best of which is called The Public Square by Heidi Ewing and Rachel Grady, taking place in Times Square where protesters counter an anti-Islamic speech by pastor Terry Jones, the Florida pastor who set fire to the Koran, by singing The Beatles. This is a great new venue for short films. If I were making shorts, I would aim to land here.
In the editors’ own words:
"Since Op-Docs, our forum for short, opinionated documentaries, produced with creative latitude across many subjects, started in November 2011, 46 short films and videos have been published on nytimes.com. Today (December 16), we begin a new Op-Docs feature: Scenes. It will be a platform for very short work — snippets of street life, brief observations and interviews, clips from experimental and artistic nonfiction videos — that follow less traditional documentary narrative conventions. This first Scenes video presents a classic New York moment, recorded last year." — The Editors
The morning of my last at Sundance, I went to the Marriott Headquarters and wrote, saw friends as they passed by...shared the good news of my friend Rigo’s We Are What We Are selling to eOne for six figures for the U.S. and shared his excitement for the future of this film. eOne already had acquired Canada and U.K., South Africa and Australia/ N.Z. too, so this was an affirmation of its sincere approval of the finished product. Since EOne's merger with Alliance, not only is it the largest distributor and international sales agent in Canada, with branches In U.S., U.K., Australia, and New Zealand, but it is also the Only Big One. The smaller companies now have the chance to move up to second position since the number one and two companies have merged. I have no doubt that Mr. Victor Loewy, the seller of Alliance, will still hold the position of victor, after all, his wallet is bigger than any and everybody else's. It's funny because eOne, though it seemed to pop up from nowhere (tv), the people running it are the same configuration as always: Patrice Theroux, Patrice Roy, Bryan Gliserman, Patrick Roy, consultant and former Lionsgate founder Jeff Sackman. I love it when I see him, because he has succeeded in this business without ever changing who he is. That in itself merits reward.
This afternoon I met with Gamila Yistra who is in Sundance for the first time, exploring ways to extend and reconfigure The Binger Institute in Amsterdam where we began our professional teaching in its first years. From the idea to the screen, projects and their producers, writers and directors will have extensive workshopping, and the relationships will be lasting ones. As we were leaving the Marriott Headquarters to go to the Planned Parenthood party to meet Caroline Libresco who announced a special women's initiative in Sundance, we ran into Paul Federbush, Director of international for Sundance Institute's Film Program; he told her, to her surprise, that the had a meeting set for the next day.
At the party where Gamila met Caroline, we ran into Mary Jane Skalski who's Two Good Girls is playing here. Others at the Planned Parenthood reception were producer Nermeen Shaikh of Democracynow.org’s whose Daily Independent News Hour with Amy Goodman and Juan Gonzalez is drawing great praise. The event was marked by the 40th anniversary of Roe vs. Wade (January 22, 2013).
“As the nation’s leading women’s health care provider and advocate, Planned Parenthood understands that abortion is a deeply personal and often complex decision for a woman to consider, if and when she needs it,” said Cecile Richards, president, Planned Parenthood Federation of America. “A woman should have accurate information about all of her options around her pregnancy. To protect her health and the health of her family, a woman must have access to safe, legal abortion without interference from politicians, as protected by the Supreme Court for the last 40 years.”
I took a walk down Main Street and a walk up some stairs and discovered a jewel of a hotel for those with the money to spend. Next time you’re there, check out the Washington School House. It was like stepping into an enchanted history where you could almost imagine living in 1889 when it was built.
As my last act in Sundance, I searched the lost and found for my lost hat (didn’t find it!), and went to the 6:30 press screening of Magic Magic. Stay tuned for my interview with Sebastian Silva about this and his other film, Crystal Fairy, which as my readers know, I liked very much. How did it happen that he got two films into the limited space of Sundance is not a question answered in my interview.
After that I saw the 9:00 screening of Houston, an adult film about a German "headhunter" who is sent from Germany to Houston to recruit the CEO of a large petroleum company for a German based conglomerate. Both films' central concern was the perception of reality, especially across cultural lines.
In conclusion, I would repeat that this year's theme was the nature of reality and its fluid parameters as perceived by various individuals.
The next day I left in the morning to return my car by noon. The road became icy and the planes were unable to take off until 4pm. Lucky for me my plane was scheduled to leave at 9 pm and left on schedule. I had hours to spend at the airport and was lucky in meeting Michele Turnure-Salleo, the Director of Filmmaker 360 of the San Francisco Film Society (http://www.sffs.org/). We have been trying to catch up all year and this was our chance. At the same little table where we set up our computers, we were joined by another Sundance refugee Anecita Agustinez who is a journalist nad producer for www.onnativeground.org a news site dealing with native American issues.
Watch for further blogs on Sundance:
Interviews with:
Director Jacek Borcuch and producer Piotr Kobus of Lasting (Isa: Manana), winner of the Sundance’s World Cinema Cinematography Award Director Srdan Golubovic and producer Jelena Mitrovic of Circles (Isa: Memento) and winner of World Cinema Dramatic Special Jury Prize for Artistic Vision Director Sebastian Silva of Crystal Fairy, winner of Sundance’s Directing Award, and Magic Magic (Isa: 6 Sales). Documentary and science panels
See you in L.A. Or Berlin! Or Guadajara in March!
The Wrap cites “a Sundance for bold, kinky subject matter, for lots of sex (onscreen), for indie directors ramping up the excess and melodrama in a way that would have seemed completely out of place back in the days when the phrase ‘a Sundance movie’ usually meant something restrained and naturalistic like ‘Frozen River’ or ‘In the Bedroom’."
Sundance might also be said to be skewed this year toward: Women (on the rise), Violence (by gun, government, war), or, for me personally, reality.
Whether the loss of reality as in Escape from Tomorrow, Crystal Fairy or Magic Magic, or even The World According to Dick Cheney, or God Loves Uganda in which the person’s grasp on reality was lost in the normal course of living, or the thin border between reality and fiction as expressed in the panels on documentaries or “true fiction” or the Sloan Foundation panel on Science and Film, I found that most of what I was watching and hearing was concerned with “reality”. For those who know me, they are aware that my concerns at this time are dealing with the shifting realities of my life. And that is what I found being addressed by the events of Sundance.
I did not see the acquisitions films. I concentrated on World Cinema and mostly Latino and Eastern European cinema, though I was lucky to catch What They Don’t Talk About When They Talk About Love from Indonesia. The reality of the deaf, mute and blind differs from ours though love is the same and is summed up when one person says, “the male loves what he sees and the female loves what she hears”.
I was also lucky to have seen Fruitvale, the winner of so much acclaim. The huge disconnect between reality and fantasy is found in the security guards’ readiness to resort to violence simply by seeing the color of another man’s skin. They were either looking for a fight or were panicked by the number of revelers on the train. Either way it was a tragic ending, redeemed only by the yearly memorial held in Oscar Grant’s honor. God Loves Uganda shows an entire nation deluded by extremists who speak only the deadly evil of homosexuality. I couldn’t stand watching the degradation of a people taking place because of the glib jabber of a white right-wing evangelist purporting to be speaking for G’d. Circles deals with a reality creating events otherwise unimaginable except for their occurring within a context of race hatred and war. Crystal Fairy’s gringo protagonists live in an unreal world inspired by past emotional injuries and only come to reality through the support of compassionate and accepting friends. Magic Magic, Escape from Tomorrow, A Teacher and Houston are about complete breaks from reality by the protagonists. Il Futuro likewise, in the way of Last Tango in Paris, shows how Thanatos’ antithesis Eros create an extreme sexual acting out of grief. In Lasting, winner of the Cinematography Award, reality finally wins out and a wiser love ensues. The doc Who is Dayani Cristal shows a reality we cannot deny as people brave unreal challenges just to aspire to the American Dream. The World According to Dick Cheney shows a man so blind that he cannot think of a single fault in his own character. The havoc he caused to the U.S. as a result was so devastating that I could barely watch the film to its end. No brings the role of media to a happy conclusion, though the media hype itself was based totally in fantasy, as media most often is. I Used to be Darker is the exception as it is deals entirely with reality. Inequality For All was the only dose of realism I received and I was inspired by the film to speak out!
Fifteen films in six days is not too bad, though it doesn’t give me bragging rights to having seen the top winners of awards or acquisitions, except for Fruitvale.
A big change for me was that I attended panels along with attending my traditional Creative Coalition luncheon for inspiring teachers.
The panels also dealt with the thin line between reality and fiction, “true fiction” and documentaries, communication and sharing between science and film.
Science in Film Forum a 10 year collaboration between The Sloan Foundation and the Sundance Film Festival which aims to encourage more realistic and compelling stories about science and technology themes and characters seemed somewhat debilitated by the very issue of how scientists and filmmakers communicate. I will write more on this later, but in terms of reality and unreality, the difference between the delivery of a scientist and an actor (in this case Kate Winslet in Contagion) as they explain the phenomenology of contagion itself is dramatically different. And the questions a filmmaker asks of a scientist will determine how communicative a scientist can be in terms of making a movie more realistic. Frankly speaking, Jon Amiel and screenwriter Scott Burns made more sense to me than the scientists. More on that later as well. In Imitation of Life, the panel with Sarah Polley, Michael Polish, Segio Oksman and others, about how art mirrors life was completely about reality vs. lies, another form of unreality. The best panel was one I caught accidently about the N.Y. Times online Opinion Pages and the shorts on Op-Docs, the best of which is called The Public Square by Heidi Ewing and Rachel Grady, taking place in Times Square where protesters counter an anti-Islamic speech by pastor Terry Jones, the Florida pastor who set fire to the Koran, by singing The Beatles. This is a great new venue for short films. If I were making shorts, I would aim to land here.
In the editors’ own words:
"Since Op-Docs, our forum for short, opinionated documentaries, produced with creative latitude across many subjects, started in November 2011, 46 short films and videos have been published on nytimes.com. Today (December 16), we begin a new Op-Docs feature: Scenes. It will be a platform for very short work — snippets of street life, brief observations and interviews, clips from experimental and artistic nonfiction videos — that follow less traditional documentary narrative conventions. This first Scenes video presents a classic New York moment, recorded last year." — The Editors
The morning of my last at Sundance, I went to the Marriott Headquarters and wrote, saw friends as they passed by...shared the good news of my friend Rigo’s We Are What We Are selling to eOne for six figures for the U.S. and shared his excitement for the future of this film. eOne already had acquired Canada and U.K., South Africa and Australia/ N.Z. too, so this was an affirmation of its sincere approval of the finished product. Since EOne's merger with Alliance, not only is it the largest distributor and international sales agent in Canada, with branches In U.S., U.K., Australia, and New Zealand, but it is also the Only Big One. The smaller companies now have the chance to move up to second position since the number one and two companies have merged. I have no doubt that Mr. Victor Loewy, the seller of Alliance, will still hold the position of victor, after all, his wallet is bigger than any and everybody else's. It's funny because eOne, though it seemed to pop up from nowhere (tv), the people running it are the same configuration as always: Patrice Theroux, Patrice Roy, Bryan Gliserman, Patrick Roy, consultant and former Lionsgate founder Jeff Sackman. I love it when I see him, because he has succeeded in this business without ever changing who he is. That in itself merits reward.
This afternoon I met with Gamila Yistra who is in Sundance for the first time, exploring ways to extend and reconfigure The Binger Institute in Amsterdam where we began our professional teaching in its first years. From the idea to the screen, projects and their producers, writers and directors will have extensive workshopping, and the relationships will be lasting ones. As we were leaving the Marriott Headquarters to go to the Planned Parenthood party to meet Caroline Libresco who announced a special women's initiative in Sundance, we ran into Paul Federbush, Director of international for Sundance Institute's Film Program; he told her, to her surprise, that the had a meeting set for the next day.
At the party where Gamila met Caroline, we ran into Mary Jane Skalski who's Two Good Girls is playing here. Others at the Planned Parenthood reception were producer Nermeen Shaikh of Democracynow.org’s whose Daily Independent News Hour with Amy Goodman and Juan Gonzalez is drawing great praise. The event was marked by the 40th anniversary of Roe vs. Wade (January 22, 2013).
“As the nation’s leading women’s health care provider and advocate, Planned Parenthood understands that abortion is a deeply personal and often complex decision for a woman to consider, if and when she needs it,” said Cecile Richards, president, Planned Parenthood Federation of America. “A woman should have accurate information about all of her options around her pregnancy. To protect her health and the health of her family, a woman must have access to safe, legal abortion without interference from politicians, as protected by the Supreme Court for the last 40 years.”
I took a walk down Main Street and a walk up some stairs and discovered a jewel of a hotel for those with the money to spend. Next time you’re there, check out the Washington School House. It was like stepping into an enchanted history where you could almost imagine living in 1889 when it was built.
As my last act in Sundance, I searched the lost and found for my lost hat (didn’t find it!), and went to the 6:30 press screening of Magic Magic. Stay tuned for my interview with Sebastian Silva about this and his other film, Crystal Fairy, which as my readers know, I liked very much. How did it happen that he got two films into the limited space of Sundance is not a question answered in my interview.
After that I saw the 9:00 screening of Houston, an adult film about a German "headhunter" who is sent from Germany to Houston to recruit the CEO of a large petroleum company for a German based conglomerate. Both films' central concern was the perception of reality, especially across cultural lines.
In conclusion, I would repeat that this year's theme was the nature of reality and its fluid parameters as perceived by various individuals.
The next day I left in the morning to return my car by noon. The road became icy and the planes were unable to take off until 4pm. Lucky for me my plane was scheduled to leave at 9 pm and left on schedule. I had hours to spend at the airport and was lucky in meeting Michele Turnure-Salleo, the Director of Filmmaker 360 of the San Francisco Film Society (http://www.sffs.org/). We have been trying to catch up all year and this was our chance. At the same little table where we set up our computers, we were joined by another Sundance refugee Anecita Agustinez who is a journalist nad producer for www.onnativeground.org a news site dealing with native American issues.
Watch for further blogs on Sundance:
Interviews with:
Director Jacek Borcuch and producer Piotr Kobus of Lasting (Isa: Manana), winner of the Sundance’s World Cinema Cinematography Award Director Srdan Golubovic and producer Jelena Mitrovic of Circles (Isa: Memento) and winner of World Cinema Dramatic Special Jury Prize for Artistic Vision Director Sebastian Silva of Crystal Fairy, winner of Sundance’s Directing Award, and Magic Magic (Isa: 6 Sales). Documentary and science panels
See you in L.A. Or Berlin! Or Guadajara in March!
- 1/29/2013
- by Sydney Levine
- Sydney's Buzz
At SportsOlogy, we write about the Washington Nationals' Bryce Harper quite a bit. We even have an entire section of our site devoted to the astonishing talent and brashness that is Bryce Harper. And why wouldn't we?
But on the other coast, the La Angels' Mike Trout has been equally impressive, even if he's gone about his business far quieter than Harper.
The 19-year-old Harper and the 20-year-old Trout are the two best and most exciting rookie tandem to enter Major League Baseball together since two young shortstops -- a 22-year-old Derek Jeter and a 20-year-old Alex Rodriguez -- played their first full seasons for the Yankees and Mariners in 1996.
Mike Trout
The beginning of the big league careers of Mike Trout and Bryce Harper have been remarkably similar to one another.
Trout has played in 40 games for the Angels, seeing time at all three outfield positions, and he's affected games in almost every possible.
But on the other coast, the La Angels' Mike Trout has been equally impressive, even if he's gone about his business far quieter than Harper.
The 19-year-old Harper and the 20-year-old Trout are the two best and most exciting rookie tandem to enter Major League Baseball together since two young shortstops -- a 22-year-old Derek Jeter and a 20-year-old Alex Rodriguez -- played their first full seasons for the Yankees and Mariners in 1996.
Mike Trout
The beginning of the big league careers of Mike Trout and Bryce Harper have been remarkably similar to one another.
Trout has played in 40 games for the Angels, seeing time at all three outfield positions, and he's affected games in almost every possible.
- 6/12/2012
- by Bison Messink
- Celebsology
Sympathisers say they want to set record straight, but pro-Pinochet documentary angers victims' relatives
Sympathisers of Augusto Pinochet are holding their biggest gathering since his death in 2006, after opponents unsuccessfully sought to block the event.
A documentary about the runup to his dictatorship years casts Pinochet as a national hero who saved Chile from communism and died victimised by vengeful leftists who accused him of embezzlement and human rights crimes.
Sunday's premiere was organised by Corporacion 11 de Septiembre, named for the day Pinochet seized power in a coup in 1973 that brought down the democratically elected government of the Marxist president Salvador Allende.
"We want to set the record straight on Pinochet," said Juan Gonzalez, a retired army officer who leads the pro-Pinochet movement. "We have stoically put up with the lies and cheating and seen how the story has been manipulated."
Gonzalez's sister Francisca has said publicly that she was tortured by Pinochet's forces,...
Sympathisers of Augusto Pinochet are holding their biggest gathering since his death in 2006, after opponents unsuccessfully sought to block the event.
A documentary about the runup to his dictatorship years casts Pinochet as a national hero who saved Chile from communism and died victimised by vengeful leftists who accused him of embezzlement and human rights crimes.
Sunday's premiere was organised by Corporacion 11 de Septiembre, named for the day Pinochet seized power in a coup in 1973 that brought down the democratically elected government of the Marxist president Salvador Allende.
"We want to set the record straight on Pinochet," said Juan Gonzalez, a retired army officer who leads the pro-Pinochet movement. "We have stoically put up with the lies and cheating and seen how the story has been manipulated."
Gonzalez's sister Francisca has said publicly that she was tortured by Pinochet's forces,...
- 6/10/2012
- The Guardian - Film News
The seventh annual Montreal Underground Film Festival features four nights — and one matinee — of experimental short films from all over the world, plus two feature films. The fun takes place May 17-20 with the opening night event being held at Sala Rossa before the rest of the fest moves to Peut-être Vintage.
The opening batch of short films includes Winnipeg filmmaker Aaron Zeghers‘ The Story of Thomas Edison, plus films by fellow Winnipegger Scott Fitzpatrick, Simon Lacroix, Erin Weisgerber, Charles Fairbanks and many more.
Several other Winnipeggers have films throughout the rest of the fest, including Heidi Phillips‘ The Last Harvest and Noam Gonick’s Hirsch. Representing the U.S. are Neil Ira Needleman‘s Prelude & Erotiloop, Tony Gault‘s Ghost of Yesterday and Ben Popp‘s Lazslo Lassu.
The two feature-length films both screen on the last day of the fest, including Larry Wessel‘s epic documentary on Boyd Rice,...
The opening batch of short films includes Winnipeg filmmaker Aaron Zeghers‘ The Story of Thomas Edison, plus films by fellow Winnipegger Scott Fitzpatrick, Simon Lacroix, Erin Weisgerber, Charles Fairbanks and many more.
Several other Winnipeggers have films throughout the rest of the fest, including Heidi Phillips‘ The Last Harvest and Noam Gonick’s Hirsch. Representing the U.S. are Neil Ira Needleman‘s Prelude & Erotiloop, Tony Gault‘s Ghost of Yesterday and Ben Popp‘s Lazslo Lassu.
The two feature-length films both screen on the last day of the fest, including Larry Wessel‘s epic documentary on Boyd Rice,...
- 5/16/2012
- by Mike Everleth
- Underground Film Journal
Psych made its best pitch this week. It swung for the fences. It threw a few curveballs at the audience. Point being: the episode was centered on baseball and featured a trip of fun guest stars.
Below, staff writer Chandel Charles has gathered a new quartet of fans - Kathy, William, Sarah Ann and Jamie - for another Round Table discussion, as they break down the latest antics from Shawn, Gus and company...
-------------------------------------------
What was your favorite moment/quote from the episode and why?
Chandel: Shawn and Henry arguing over his call at the game. It's been a while since we've these two engage in an all-out shouting match, but what made it even funnier was that Gus and Juliet were watching and providing commentary. It was a pretty entertaining way to begin an episode.
Kathy: When both Shawn and Gus were dressed as Sammy the Seabird! Gus is...
Below, staff writer Chandel Charles has gathered a new quartet of fans - Kathy, William, Sarah Ann and Jamie - for another Round Table discussion, as they break down the latest antics from Shawn, Gus and company...
-------------------------------------------
What was your favorite moment/quote from the episode and why?
Chandel: Shawn and Henry arguing over his call at the game. It's been a while since we've these two engage in an all-out shouting match, but what made it even funnier was that Gus and Juliet were watching and providing commentary. It was a pretty entertaining way to begin an episode.
Kathy: When both Shawn and Gus were dressed as Sammy the Seabird! Gus is...
- 11/11/2011
- by chandel@mediavine.com (C. Charles)
- TVfanatic
A Colorado man has been arrested for breaking and entering as well as stealing a woman's cell phone after sending the victim a Facebook friend request. The Greeley Tribune reports that 22-year-old Juan Gonzalez Jr broke into a woman's house at approximately 3am on Wednesday morning, making off with her cell phone as well as a laptop and several items of jewellery belonging to her roommate. However, he was apprehended only a few hours later (more)...
- 9/22/2011
- by By Jennifer Still
- Digital Spy
The National Association of Latino Independent Producers will celebrate its 10th anniversary with a weekend conference about trends in Latino media from April 17-19 at the Island Hotel in Newport Beach, Calif., presented by HBO and the National Latino Media Council.
"Nalip 10: A Decade of Influence" will kick off with a keynote lunch where Michael Lombardo, president of HBO's programming group and West Coast operations, will accept an award on the network's behalf for HBO's dedication to diversity and the Latino media community.
Director-playwright Luis Valdez will deliver the keynote address, "Where Were We, Where Are We Now?"
Other speakers will include Lombardo and HBO senior vp Nancy Geller, Participant's Bonnie Abaunza, CNN's Rose Arce, the New York Daily News' Juan Gonzalez, Maya Pictures chair Moctesuma Esparza and exec vp Jose Martinez, Fox senior vp programming Pancho Mansfield, director-producer-writer David Zucker, Showtime senior vp Pearlena Igbokwe, Comedy Central vp Scott Landsman,...
"Nalip 10: A Decade of Influence" will kick off with a keynote lunch where Michael Lombardo, president of HBO's programming group and West Coast operations, will accept an award on the network's behalf for HBO's dedication to diversity and the Latino media community.
Director-playwright Luis Valdez will deliver the keynote address, "Where Were We, Where Are We Now?"
Other speakers will include Lombardo and HBO senior vp Nancy Geller, Participant's Bonnie Abaunza, CNN's Rose Arce, the New York Daily News' Juan Gonzalez, Maya Pictures chair Moctesuma Esparza and exec vp Jose Martinez, Fox senior vp programming Pancho Mansfield, director-producer-writer David Zucker, Showtime senior vp Pearlena Igbokwe, Comedy Central vp Scott Landsman,...
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