True, the title of writer-director Brett Morgen’s documentary about David Bowie, Moonage Daydream, refers to the song of the same name from Bowie’s classic 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. But it could also be said to describe the feeling that Morgen inspires with the impressionistic way that he renders the life and art of the glam-rock icon on screen. Even more so than in Cobain: Montage of Heck, his 2015 film about Kurt Cobain, Morgen is less interested in factual biography than in eliciting a sense of the man as an artist and personality.
The means by which Morgen accomplishes his goal are startling to behold. For the film, the David Bowie Estate gave Morgen access to a wealth of rare recordings, films, drawings, and journals, and he hasn’t shied away from showing off that access on screen. Moonage Daydream...
The means by which Morgen accomplishes his goal are startling to behold. For the film, the David Bowie Estate gave Morgen access to a wealth of rare recordings, films, drawings, and journals, and he hasn’t shied away from showing off that access on screen. Moonage Daydream...
- 10/1/2023
- by Kenji Fujishima
- Slant Magazine
“All That Breathes,” a documentary about two brothers who run a refuge for birds that have been injured by the pollution in New Dehli, has been named the best nonfiction film of 2022 at the 16th annual Cinema Eye Honors ceremony, which took place on Thursday night at the Museum of the Moving Image in Astoria, Queens, New York.
“All That Breathes” previously won the top award at the International Documentary Association’s IDA Documentary Awards, the other major award devoted to nonfiction film. It is also on the 15-film shortlist for the Academy Award for Best Documentary Feature.
Laura Poitras won the award for directing for “All the Beauty and the Bloodshed,” while “Navalny” won the award for production.
Also Read:
‘All That Breathes’ Director Shaunak Sen on Breaking Nature Doc Clichés While Filming Hospitalized Birds
In the craft categories, a distinctive feature of the Cinema Eye Honors, the immersive...
“All That Breathes” previously won the top award at the International Documentary Association’s IDA Documentary Awards, the other major award devoted to nonfiction film. It is also on the 15-film shortlist for the Academy Award for Best Documentary Feature.
Laura Poitras won the award for directing for “All the Beauty and the Bloodshed,” while “Navalny” won the award for production.
Also Read:
‘All That Breathes’ Director Shaunak Sen on Breaking Nature Doc Clichés While Filming Hospitalized Birds
In the craft categories, a distinctive feature of the Cinema Eye Honors, the immersive...
- 1/13/2023
- by Steve Pond
- The Wrap
The Cinema Eye Honors has announced the full slate of nominees for its 16th Annual Awards Ceremony meant to recognize outstanding artistry and craft in nonfiction filmmaking.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
Two National Geographic films — Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory”— not only led all nominees with seven nominations (including Outstanding Nonfiction Feature for both), but tied the record for most nominations in a single year. Next in line is the Cannes-winning feature, “All That Breathes,” directed by Shaunak Sen, which got six nominations. The Laura Poitras-directed documentary “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” followed with four nominations.
This year’s awards mark the first time in Cinema Eye history that five women were nominated for Outstanding Direction, with “Beba” director Rebeca Huntt and “Descendant” filmmaker Margaret Brown joining Sara Dosa, Payal Kapadia, Laura Poitras, and Shaunak Sen in the category.
- 11/10/2022
- by Marcus Jones
- Indiewire
Click here to read the full article.
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
- 11/10/2022
- by Scott Feinberg
- The Hollywood Reporter - Movie News
“Moonage Daydream,” a David Bowie historical film featuring a bounty of previously unreleased footage and helmed by Brett Morgen, the director behind “Kurt Cobain: Montage of Heck,” “Jane” and “The Kid Stays in the Picture,” will be distributed in the U.S. by Neon and internationally by Universal Pictures Content Group, with a streaming premiere on HBO and HBO Max in the spring of 2023. Variety broke the news of the project last November.
While no theatrical release date has been announced for the film — the first to be officially sanctioned by Bowie’s estate — sources tell Variety that it is likely to premiere at the Cannes Film Festival next month, the lineup for which is scheduled to be announced Thursday.
While the announcement sheds little light on what the film will actually be, it does note that Morgen was given “unfiltered access to Bowie’s personal archives and … unearthed hundreds...
While no theatrical release date has been announced for the film — the first to be officially sanctioned by Bowie’s estate — sources tell Variety that it is likely to premiere at the Cannes Film Festival next month, the lineup for which is scheduled to be announced Thursday.
While the announcement sheds little light on what the film will actually be, it does note that Morgen was given “unfiltered access to Bowie’s personal archives and … unearthed hundreds...
- 4/13/2022
- by Jem Aswad and Sasha Urban
- Variety Film + TV
Neon has landed the rights to release “Moonage Daydream,” a new feature film, concert documentary and “experiential cinematic odyssey” that follows David Bowie’s life and musical career and is the first sanctioned by Bowie’s estate.
Brett Morgen is directing the film that is near completion and will feature Bowie’s own narration. Neon will release “Moonage Daydream” domestically, while Universal Pictures Content Group will release the film internationally, and HBO Documentary Films has North American rights for streaming and cable in spring 2023.
The film was designed from conception as a unique cinematic experience and will also be released in IMAX in select markets. The film will also be released in partnership with Public Road Productions, BMG, Live Nation Productions, and HBO Documentary Films.
“Moonage Daydream” illuminates the life and genius of David Bowie with a project that shows how Bowie himself worked across several disciplines, not just music and film but also dance,...
Brett Morgen is directing the film that is near completion and will feature Bowie’s own narration. Neon will release “Moonage Daydream” domestically, while Universal Pictures Content Group will release the film internationally, and HBO Documentary Films has North American rights for streaming and cable in spring 2023.
The film was designed from conception as a unique cinematic experience and will also be released in IMAX in select markets. The film will also be released in partnership with Public Road Productions, BMG, Live Nation Productions, and HBO Documentary Films.
“Moonage Daydream” illuminates the life and genius of David Bowie with a project that shows how Bowie himself worked across several disciplines, not just music and film but also dance,...
- 4/13/2022
- by Brian Welk
- The Wrap
Production took five years since late musician’s estate granted access to archives in 2017.
Neon, Universal Pictures Content Group and Imax will release Brett Morgen’s David Bowie documentary Moonage Daydream, which is nearing completion after five years of production.
Neon will distribute the full-length feature in the US, Universal Pictures Content Group will release the film internationally, and HBO Documentary Films has taken North American rights for streaming and cable in spring 2023. Imax will distribute the film in select market.
BMG and Live Nation Productions co-financed Moonage Daydream, which takes its name from the track on Bowie’s fifth...
Neon, Universal Pictures Content Group and Imax will release Brett Morgen’s David Bowie documentary Moonage Daydream, which is nearing completion after five years of production.
Neon will distribute the full-length feature in the US, Universal Pictures Content Group will release the film internationally, and HBO Documentary Films has taken North American rights for streaming and cable in spring 2023. Imax will distribute the film in select market.
BMG and Live Nation Productions co-financed Moonage Daydream, which takes its name from the track on Bowie’s fifth...
- 4/13/2022
- by Jeremy Kay
- ScreenDaily
To some, it was a major con, the kind of hoax that hurts. After all, author Jeremiah "Terminator" LeRoy hit the literary world hard with his novel Sarah (2000) and his short story collection The Heart Is Deceitful Above All Things (2001). There were copious raves for these raw tales of child abuse, drugs, truck-stop sex and other bumps in the road for this HIV-positive, transgender male. Then, late in 2005, came the revelation that Jt Leroy was the invented male persona of Brooklyn-born Laura Albert, a former phone-sex operator turned San Francisco housewife and mother.
- 9/9/2016
- Rollingstone.com
Prior to today’s Oscar nomination announcements, Joshua Oppenheimer‘s follow up/ companion film to the haunting The Act of Killing won the top prizes at the 2015 Cinema Eye Honors. The Look of Silence claimed the Outstanding Achievement in Nonfiction Feature, Outstanding Achievement in Direction for Joshua Oppenheimer and Outstanding Achievement in Production for the film’s producer Signe Byrge Sorensen. Jimmy Chin and Chai Vasarhelyi’s Sundance preemed docu landed a pair of wins. Here is the list of worthy winners per category.
Winners:
Outstanding Achievement in Nonfiction Feature Filmmaking: “The Look of Silence,” directed by Joshua Oppenheimer, produced by Signe Byrge Sorensen
Outstanding Achievement in Direction: Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing: Chris King, “Amy”
Outstanding Achievement in Production: Signe Byrge Sorensen, “The Look of Silence”
Outstanding Achievement in Cinematography: (tie) Matthew Heineman and Matt Porwoll, “Cartel Land,” and Jimmy Chin and Renan Ozturk,...
Winners:
Outstanding Achievement in Nonfiction Feature Filmmaking: “The Look of Silence,” directed by Joshua Oppenheimer, produced by Signe Byrge Sorensen
Outstanding Achievement in Direction: Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing: Chris King, “Amy”
Outstanding Achievement in Production: Signe Byrge Sorensen, “The Look of Silence”
Outstanding Achievement in Cinematography: (tie) Matthew Heineman and Matt Porwoll, “Cartel Land,” and Jimmy Chin and Renan Ozturk,...
- 1/14/2016
- by Eric Lavallee
- IONCINEMA.com
It is hard to tell whether or not Kurt Cobain would have enjoyed Brett Morgen’s new documentary about him, one that scribbles his most revealing journal entries onto a big screen and digs into the deepest, darkest parts of his artistic temperament. Cobain was highly suspicious of journalists and didn’t like to explain the songs he wrote. He preferred letting the listener provide his or her own meaning to the music.
Regardless of what the Nirvana frontman may have thought of this raw, revealing documentary, airing on HBO May 4 after a brief stint in theaters, Kurt Cobain: Montage of Heck is one of the most riveting rock biographies ever made. Cobain considered himself an “acne superstar,” and Morgen’s film highlights both parts of that, from his adolescent as a bored, lonely manic-depressive to the dizzying, if sordid heights of fame that followed Nevermind’s bounce to the top of the Billboard charts.
Regardless of what the Nirvana frontman may have thought of this raw, revealing documentary, airing on HBO May 4 after a brief stint in theaters, Kurt Cobain: Montage of Heck is one of the most riveting rock biographies ever made. Cobain considered himself an “acne superstar,” and Morgen’s film highlights both parts of that, from his adolescent as a bored, lonely manic-depressive to the dizzying, if sordid heights of fame that followed Nevermind’s bounce to the top of the Billboard charts.
- 5/3/2015
- by Jordan Adler
- We Got This Covered
You don't need me to tell you that this year's clutch of documentary shorts at the Tribeca Film Festival is a mixed bag. Of course it is. The day a collection of shorts isn't a mixed bag is the day that “mixed bag” falls out of our vocabulary entirely — maybe at the Tribeca Underwater Dome City Film Fest of 2115 the metaphor of comparison for the shorts will be a “not fully oxygenated breathpack.”
But this year's mixed bag has its must-grab beauties. Chief among them: Stefan Nadelman's Last Call, showing in Tribeca's “Daily Grind” series of New York shorts. Nadelman's film is simply an interview, some photographs, and lots of evocative, animated neon.
Nadelman's father, Sheldon, tended bar for years at the ...
But this year's mixed bag has its must-grab beauties. Chief among them: Stefan Nadelman's Last Call, showing in Tribeca's “Daily Grind” series of New York shorts. Nadelman's film is simply an interview, some photographs, and lots of evocative, animated neon.
Nadelman's father, Sheldon, tended bar for years at the ...
- 4/22/2015
- Village Voice
The legacy of Kurt Cobain is one of maddening genius, maddening potential and the maddening disappointment and betrayal of how much of that potential went unfulfilled when he took his own life at 27. Maybe that's why my immediate reaction to Brett Morgen's Sundance premiere documentary "Kurt Cobain: Montage of Heck" was visceral pleasure and appreciation, but a maddening uncertainty about what else I was supposed to take from the film. And maybe that's why after five more minutes of contemplating "Kurt Cobain: Montage of Heck," I was able ponder the possibility that Morgen wants his documentary to be definitive exactly be virtue of being so undefinitive. An often spectacular piece of multi-media assemblage, takes viewers on a journey at least somewhat into Kurt Cobain's brain and into his life and if that leaves you wanting more... Well, of course it does. "Kurt Cobain: Montage of Heck" begins with practically feigned happiness in Aberdeen,...
- 1/25/2015
- by Daniel Fienberg
- Hitfix
TromaDance returns to terrorize Asbury Park, NJ for their 14th annual edition, which will be held — for free! — at Asbury Lanes on April 12-13. It’s two days and nights of gonzo short films from all over the world, plus a few low-budget feature-length genre excursions and one documentary.
But, the big highlight of the fest will be a special workprint preview screening of Troma daddy Lloyd Kaufman’s latest epic of grotesqueness and debauchery: Return to Nuke ‘Em High Vol. 1, the fourth trilogy-busting entry in the classic Nuke ‘Em High series. This will screen on the 13th at 8:00 p.m. and will be preceded by a Q&A with the always entertaining Kaufman himself.
Other features include Quentin Dupiex’s 2nd flick, the missing dog comedy Wrong; angry birds of prey return to terrorize L.A. in James Nguyen’s Birdemic 2; werewolf soldiers invade NYC in Battledogs; a...
But, the big highlight of the fest will be a special workprint preview screening of Troma daddy Lloyd Kaufman’s latest epic of grotesqueness and debauchery: Return to Nuke ‘Em High Vol. 1, the fourth trilogy-busting entry in the classic Nuke ‘Em High series. This will screen on the 13th at 8:00 p.m. and will be preceded by a Q&A with the always entertaining Kaufman himself.
Other features include Quentin Dupiex’s 2nd flick, the missing dog comedy Wrong; angry birds of prey return to terrorize L.A. in James Nguyen’s Birdemic 2; werewolf soldiers invade NYC in Battledogs; a...
- 4/12/2013
- by Mike Everleth
- Underground Film Journal
The 14th Annual TromaDance Film Festival will invade Asbury Park, New Jersey on April 12th and 13th. We have the official schedule for both days, and details on the recently announced secret screening of Return to Nuke ‘Em High: Volume One:
“TromaDance is the first film festival wholeheartedly devoted to filmmakers and fans. Unlike every other film festival, TromaDance does not charge filmmakers to submit their films. Entrance to all screenings is free and open to the public. Also, there are no VIP reservations or preferential treatment regarding films, panels, or parties of any kind given. The organizers of TromaDance believe films are meant to be seen, especially when it comes to new filmmakers. Art – in all its forms – is for the people!
TromaDance features a range of films made independently, usually without big stars, big money and far removed from the Hollywood studio system. The official selections of TromaDance...
“TromaDance is the first film festival wholeheartedly devoted to filmmakers and fans. Unlike every other film festival, TromaDance does not charge filmmakers to submit their films. Entrance to all screenings is free and open to the public. Also, there are no VIP reservations or preferential treatment regarding films, panels, or parties of any kind given. The organizers of TromaDance believe films are meant to be seen, especially when it comes to new filmmakers. Art – in all its forms – is for the people!
TromaDance features a range of films made independently, usually without big stars, big money and far removed from the Hollywood studio system. The official selections of TromaDance...
- 4/11/2013
- by Jonathan James
- DailyDead
The 49th annual Ann Arbor Film Festival, which ran for six days on March 22-27, has given awards to 27 experimental and avant-garde filmmakers. Among the winners are notable names such as Deborah Stratman, Ben Russell and Michael Robinson.
The full list of winners is below. All awards were picked by this year’s Aaff jury, which consisted of filmmakers Stephen Connolly, Rebecca Meyers and Vanessa Renwick, all of whom had non-competitive screenings at the fest, as well. The list is broken into two sections, the first being awards named by the fest while the second section are open-ended awards and given names by the jury.
All winners also received a cash prize, the most significant of which — $3,000 — went to the Ken Burns Award Best of the Festival winner Natasha Mendonca for her film Jan Villa, a 20-minute experimental documentary in which the filmmaker returns to Bombay after severe flooding in...
The full list of winners is below. All awards were picked by this year’s Aaff jury, which consisted of filmmakers Stephen Connolly, Rebecca Meyers and Vanessa Renwick, all of whom had non-competitive screenings at the fest, as well. The list is broken into two sections, the first being awards named by the fest while the second section are open-ended awards and given names by the jury.
All winners also received a cash prize, the most significant of which — $3,000 — went to the Ken Burns Award Best of the Festival winner Natasha Mendonca for her film Jan Villa, a 20-minute experimental documentary in which the filmmaker returns to Bombay after severe flooding in...
- 3/29/2011
- by Mike Everleth
- Underground Film Journal
The 49th annual Ann Arbor Film Festival is an epic celebration of experimental media that runs for six days on March 22-27. There’s so much great stuff screening this year, it makes one wonder what they’ll have left for their 50th anniversary next year!
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
- 3/7/2011
- by Mike Everleth
- Underground Film Journal
The 2010 Los Angeles Film Festival is set to run June 17-27 in a brand new location. Oh, it’s still in L.A, but it’s moving across town, from Westwood — where it’s been held the past few years — all the way over to Downtown.
The main “hub” for the fest will be the new L.A. Live complex, but there will also be screenings at other locations, such as the Downtown Independent and Redcat theaters. The city is really trying to build downtown up into a major arts and culture hub, so the festival moving there fits in with that agenda. Film Independent, the organization that runs Laff, also runs the annual Independent Spirit Awards, an event that also moved downtown — from Santa Monica — this year.
On Bad Lit, I tend to like to put up festival lineups that include days and times of screenings. However, since I...
The main “hub” for the fest will be the new L.A. Live complex, but there will also be screenings at other locations, such as the Downtown Independent and Redcat theaters. The city is really trying to build downtown up into a major arts and culture hub, so the festival moving there fits in with that agenda. Film Independent, the organization that runs Laff, also runs the annual Independent Spirit Awards, an event that also moved downtown — from Santa Monica — this year.
On Bad Lit, I tend to like to put up festival lineups that include days and times of screenings. However, since I...
- 5/17/2010
- by Mike Everleth
- Underground Film Journal
Chicago – “More Than a Game” has to be one of the luckiest documentaries ever made. Director Kristopher Belman began taping a some freshman high school basketball players in 1998. One of those players was future NBA superstar LeBron James.
Belman picked this particular group of b-ballers for a three reasons: One, they were from his hometown of Akron, Ohio. Two, he needed a college documentary project. And finally, the core group of players (which included Lebron James) had been together as teammates since the sixth grade. Belman took notice of them as high schoolers, right after they had lost the national Aau championship as eighth graders.
So began a journey that documents these “fab five” hoopsters from children to men in a scant four years. During that time the team’s nucleus – Willie McGee, Romeo Travis, Dru Joyce III, Sian Cotton, LeBron James and Coach Dru Joyce II – would accumulate a mind-blowing 103 wins,...
Belman picked this particular group of b-ballers for a three reasons: One, they were from his hometown of Akron, Ohio. Two, he needed a college documentary project. And finally, the core group of players (which included Lebron James) had been together as teammates since the sixth grade. Belman took notice of them as high schoolers, right after they had lost the national Aau championship as eighth graders.
So began a journey that documents these “fab five” hoopsters from children to men in a scant four years. During that time the team’s nucleus – Willie McGee, Romeo Travis, Dru Joyce III, Sian Cotton, LeBron James and Coach Dru Joyce II – would accumulate a mind-blowing 103 wins,...
- 2/2/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Back in 2003 we selected Stefan Nadelman for our "25 New Faces" on the basis of his excellent short, Terminal Bar. I hadn't kept up with Nadelman to see what he's been doing since until I came across this recent video for the band Ramona Falls. Check in out -- it has some of the same antique beauty as that earlier, amazing short.
- 12/26/2009
- by Scott Macaulay
- Filmmaker Magazine - Blog
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