Indeed, actor Lena Waithe and her company Hillman Grad, and 271 Films have named the filmmakers chosen to participate in the third season of their program, Rising Voices.
Those set for Rising Voices Season 3 are Ana Verde, Candace Ho, Hannah Bang, Jackie! Zhou, James Rogers III, Joey Xuetong Zhao, Justin Kim WooSŏk, Larry Owens, Maria Alvarez and Miguel Angel Caballero.
Through the program, created to uncover, invest in and share stories created by Bipoc filmmakers across the U.S., each will be given a production budget of up to 100,000 to create a short film that will go on to premiere at the Tribeca Festival in June. The theme for this year’s films, The Future of Work, comes at a time of immense change within workplaces across the globe, in the wake of the Covid pandemic.
Participants will be compensated 5,000 for writing their original script and 5,000 for directing. They’ll be...
Those set for Rising Voices Season 3 are Ana Verde, Candace Ho, Hannah Bang, Jackie! Zhou, James Rogers III, Joey Xuetong Zhao, Justin Kim WooSŏk, Larry Owens, Maria Alvarez and Miguel Angel Caballero.
Through the program, created to uncover, invest in and share stories created by Bipoc filmmakers across the U.S., each will be given a production budget of up to 100,000 to create a short film that will go on to premiere at the Tribeca Festival in June. The theme for this year’s films, The Future of Work, comes at a time of immense change within workplaces across the globe, in the wake of the Covid pandemic.
Participants will be compensated 5,000 for writing their original script and 5,000 for directing. They’ll be...
- 1/12/2023
- by Matt Grobar
- Deadline Film + TV
Above: US Teaser poster for Crimes of the Future. Design by Bangers & Mash.In the middle of the Venice Film Festival, and in the lead-up to the Toronto and New York fests, still the most “liked” poster of the last six months of my Movie Poster of the Day Instagram was a teaser poster that appeared in the run-up to Cannes in the spring. The poster was for was one of the most anticipated films of Cannes, a film that has since been disseminated to the world with a much tamer big-head poster and even tamer home video art. The Crimes of the Future teaser racked up nearly 2,000 likes and not far behind it was a gorgeous art print for Cronenberg’s 30-year-old Naked Lunch by the very talented (and seemingly Cronenberg-obsessed) Nick Charge that I posted a few months later. As I’ve been doing for the past few years,...
- 9/9/2022
- MUBI
María Álvarez’s 2020 doc Le temps perdu (premiering theatrically on these shores at NYC’s Film Forum August 12th) is the second film in an exquisite trilogy, beginning with 2017’s Las cinéphilas and ending just last year with the IDFA debut of Las cercanas. All three docs are poetic meditations on the intersection of art, aging and memory, similarly focused on vibrant geriatric characters whose connections to cinema, literature and music (in ascending part order) are as profound as life itself. In the case of Le temps perdu reading becomes, in the apt description of one enthusiastic gent, “a creative act” — and an epic one at that. For […]
The post “The Very First Cut Lasted About 25 Hours”: María Álvarez on Her Proust Documentary, Le temps perdu first appeared on Filmmaker Magazine.
The post “The Very First Cut Lasted About 25 Hours”: María Álvarez on Her Proust Documentary, Le temps perdu first appeared on Filmmaker Magazine.
- 8/11/2022
- by Lauren Wissot
- Filmmaker Magazine - Blog
María Álvarez’s 2020 doc Le temps perdu (premiering theatrically on these shores at NYC’s Film Forum August 12th) is the second film in an exquisite trilogy, beginning with 2017’s Las cinéphilas and ending just last year with the IDFA debut of Las cercanas. All three docs are poetic meditations on the intersection of art, aging and memory, similarly focused on vibrant geriatric characters whose connections to cinema, literature and music (in ascending part order) are as profound as life itself. In the case of Le temps perdu reading becomes, in the apt description of one enthusiastic gent, “a creative act” — and an epic one at that. For […]
The post “The Very First Cut Lasted About 25 Hours”: María Álvarez on Her Proust Documentary, Le temps perdu first appeared on Filmmaker Magazine.
The post “The Very First Cut Lasted About 25 Hours”: María Álvarez on Her Proust Documentary, Le temps perdu first appeared on Filmmaker Magazine.
- 8/11/2022
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
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